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<entry>
    <title>The Count of Monte Cristo, by Alexandre Dumas père - CHAPTER 109. The Assizes.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-109-the-assizes.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1599</id>

    <published>2009-03-04T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The Benedetto affair, as it was called at the Palais, and by people in general, had produced a tremendous sensation. Frequenting the Cafe de Paris, the Boulevard de Gand, and the Bois de Boulogne, during his brief career of splendor,...</summary>
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    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The Benedetto affair, as it was called at the Palais, and by people in<br />
general, had produced a tremendous sensation. Frequenting the Cafe de<br />
Paris, the Boulevard de Gand, and the Bois de Boulogne, during his<br />
brief career of splendor, the false Cavalcanti had formed a host of<br />
acquaintances. The papers had related his various adventures, both as<br />
the man of fashion and the galley-slave; and as every one who had been<br />
personally acquainted with Prince Andrea Cavalcanti experienced a<br />
lively curiosity in his fate, they all determined to spare no trouble in<br />
endeavoring to witness the trial of M. Benedetto for the murder of his<br />
comrade in chains. In the eyes of many, Benedetto appeared, if not<br />
a victim to, at least an instance of, the fallibility of the law. M.<br />
Cavalcanti, his father, had been seen in Paris, and it was expected that<br />
he would re-appear to claim the illustrious outcast. Many, also, who<br />
were not aware of the circumstances attending his withdrawal from Paris,<br />
were struck with the worthy appearance, the gentlemanly bearing, and<br />
the knowledge of the world displayed by the old patrician, who certainly<br />
played the nobleman very well, so long as he said nothing, and made no<br />
arithmetical calculations. As for the accused himself, many remembered<br />
him as being so amiable, so handsome, and so liberal, that they chose<br />
to think him the victim of some conspiracy, since in this world large<br />
fortunes frequently excite the malevolence and jealousy of some unknown<br />
enemy. Every one, therefore, ran to the court; some to witness the<br />
sight, others to comment upon it. From seven o'clock in the morning<br />
a crowd was stationed at the iron gates, and an hour before the trial<br />
commenced the hall was full of the privileged. Before the entrance of<br />
the magistrates, and indeed frequently afterwards, a court of justice,<br />
on days when some especial trial is to take place, resembles a<br />
drawing-room where many persons recognize each other and converse if<br />
they can do so without losing their seats; or, if they are separated by<br />
too great a number of lawyers, communicate by signs.</p>

<p>It was one of the magnificent autumn days which make amends for a short<br />
summer; the clouds which M. de Villefort had perceived at sunrise<br />
had all disappeared as if by magic, and one of the softest and most<br />
brilliant days of September shone forth in all its splendor.</p>

<p>Beauchamp, one of the kings of the press, and therefore claiming the<br />
right of a throne everywhere, was eying everybody through his monocle.<br />
He perceived Chateau-Renaud and Debray, who had just gained the good<br />
graces of a sergeant-at-arms, and who had persuaded the latter to let<br />
them stand before, instead of behind him, as they ought to have done.<br />
The worthy sergeant had recognized the minister's secretary and the<br />
millionnaire, and, by way of paying extra attention to his noble<br />
neighbors, promised to keep their places while they paid a visit to<br />
Beauchamp.</p>

<p>"Well," said Beauchamp, "we shall see our friend!"</p>

<p>"Yes, indeed!" replied Debray. "That worthy prince. Deuce take those<br />
Italian princes!"</p>

<p>"A man, too, who could boast of Dante for a genealogist, and could<br />
reckon back to the 'Divine Comedy.'"</p>

<p>"A nobility of the rope!" said Chateau-Renaud phlegmatically.</p>

<p>"He will be condemned, will he not?" asked Debray of Beauchamp.</p>

<p>"My dear fellow, I think we should ask you that question; you know such<br />
news much better than we do. Did you see the president at the minister's<br />
last night?"</p>

<p>"Yes."</p>

<p>"What did he say?"</p>

<p>"Something which will surprise you."</p>

<p>"Oh, make haste and tell me, then; it is a long time since that has<br />
happened."</p>

<p>"Well, he told me that Benedetto, who is considered a serpent of<br />
subtlety and a giant of cunning, is really but a very commonplace, silly<br />
rascal, and altogether unworthy of the experiments that will be made on<br />
his phrenological organs after his death."</p>

<p>"Bah," said Beauchamp, "he played the prince very well."</p>

<p>"Yes, for you who detest those unhappy princes, Beauchamp, and are<br />
always delighted to find fault with them; but not for me, who discover<br />
a gentleman by instinct, and who scent out an aristocratic family like a<br />
very bloodhound of heraldry."</p>

<p>"Then you never believed in the principality?"</p>

<p>"Yes.--in the principality, but not in the prince."</p>

<p>"Not so bad," said Beauchamp; "still, I assure you, he passed very well<br />
with many people; I saw him at the ministers' houses."</p>

<p>"Ah, yes," said Chateau-Renaud. "The idea of thinking ministers<br />
understand anything about princes!"</p>

<p>"There is something in what you have just said," said Beauchamp,<br />
laughing.</p>

<p>"But," said Debray to Beauchamp, "if I spoke to the president, you must<br />
have been with the procureur."</p>

<p>"It was an impossibility; for the last week M. de Villefort has<br />
secluded himself. It is natural enough; this strange chain of domestic<br />
afflictions, followed by the no less strange death of his daughter"--</p>

<p>"Strange? What do you mean, Beauchamp?"</p>

<p>"Oh, yes; do you pretend that all this has been unobserved at the<br />
minister's?" said Beauchamp, placing his eye-glass in his eye, where he<br />
tried to make it remain.</p>

<p>"My dear sir," said Chateau-Renaud, "allow me to tell you that you do<br />
not understand that manoeuvre with the eye-glass half so well as Debray.<br />
Give him a lesson, Debray."</p>

<p>"Stay," said Beauchamp, "surely I am not deceived."</p>

<p>"What is it?"</p>

<p>"It is she!"</p>

<p>"Whom do you mean?"</p>

<p>"They said she had left."</p>

<p>"Mademoiselle Eugenie?" said Chateau-Renaud; "has she returned?"</p>

<p>"No, but her mother."</p>

<p>"Madame Danglars? Nonsense! Impossible!" said Chateau-Renaud; "only<br />
ten days after the flight of her daughter, and three days from the<br />
bankruptcy of her husband?"</p>

<p>Debray colored slightly, and followed with his eyes the direction of<br />
Beauchamp's glance. "Come," he said, "it is only a veiled lady, some<br />
foreign princess, perhaps the mother of Cavalcanti. But you were just<br />
speaking on a very interesting topic, Beauchamp."</p>

<p>"I?"</p>

<p>"Yes; you were telling us about the extraordinary death of Valentine."</p>

<p>"Ah, yes, so I was. But how is it that Madame de Villefort is not here?"</p>

<p>"Poor, dear woman," said Debray, "she is no doubt occupied in distilling<br />
balm for the hospitals, or in making cosmetics for herself or friends.<br />
Do you know she spends two or three thousand crowns a year in this<br />
amusement? But I wonder she is not here. I should have been pleased to<br />
see her, for I like her very much."</p>

<p>"And I hate her," said Chateau-Renaud.</p>

<p>"Why?"</p>

<p>"I do not know. Why do we love? Why do we hate? I detest her, from<br />
antipathy."</p>

<p>"Or, rather, by instinct."</p>

<p>"Perhaps so. But to return to what you were saying, Beauchamp."</p>

<p>"Well, do you know why they die so multitudinously at M. de<br />
Villefort's?"</p>

<p>"'Multitudinously' [drv] is good," said Chateau-Renaud.</p>

<p>"My good fellow, you'll find the word in Saint-Simon."</p>

<p>"But the thing itself is at M. de Villefort's; but let's get back to the<br />
subject."</p>

<p>"Talking of that," said Debray, "Madame was making inquiries about that<br />
house, which for the last three months has been hung with black."</p>

<p>"Who is Madame?" asked Chateau-Renaud.</p>

<p>"The minister's wife, pardieu!"</p>

<p>"Oh, your pardon! I never visit ministers; I leave that to the princes."</p>

<p>"Really, You were only before sparkling, but now you are brilliant; take<br />
compassion on us, or, like Jupiter, you will wither us up."</p>

<p>"I will not speak again," said Chateau-Renaud; "pray have compassion<br />
upon me, and do not take up every word I say."</p>

<p>"Come, let us endeavor to get to the end of our story, Beauchamp; I<br />
told you that yesterday Madame made inquiries of me upon the subject;<br />
enlighten me, and I will then communicate my information to her."</p>

<p>"Well, gentlemen, the reason people die so multitudinously (I like the<br />
word) at M. de Villefort's is that there is an assassin in the house!"<br />
The two young men shuddered, for the same idea had more than once<br />
occurred to them. "And who is the assassin;" they asked together.</p>

<p>"Young Edward!" A burst of laughter from the auditors did not in the<br />
least disconcert the speaker, who continued,--"Yes, gentlemen; Edward,<br />
the infant phenomenon, who is quite an adept in the art of killing."</p>

<p>"You are jesting."</p>

<p>"Not at all. I yesterday engaged a servant, who had just left M.<br />
de Villefort--I intend sending him away to-morrow, for he eats so<br />
enormously, to make up for the fast imposed upon him by his terror in<br />
that house. Well, now listen."</p>

<p>"We are listening."</p>

<p>"It appears the dear child has obtained possession of a bottle<br />
containing some drug, which he every now and then uses against those who<br />
have displeased him. First, M. and Madame de Saint-Meran incurred his<br />
displeasure, so he poured out three drops of his elixir--three drops<br />
were sufficient; then followed Barrois, the old servant of M. Noirtier,<br />
who sometimes rebuffed this little wretch--he therefore received the<br />
same quantity of the elixir; the same happened to Valentine, of whom he<br />
was jealous; he gave her the same dose as the others, and all was over<br />
for her as well as the rest."</p>

<p>"Why, what nonsense are you telling us?" said Chateau-Renaud.</p>

<p>"Yes, it is an extraordinary story," said Beauchamp; "is it not?"</p>

<p>"It is absurd," said Debray.</p>

<p>"Ah," said Beauchamp, "you doubt me? Well, you can ask my servant, or<br />
rather him who will no longer be my servant to-morrow, it was the talk<br />
of the house."</p>

<p>"And this elixir, where is it? what is it?"</p>

<p>"The child conceals it."</p>

<p>"But where did he find it?"</p>

<p>"In his mother's laboratory."</p>

<p>"Does his mother then, keep poisons in her laboratory?"</p>

<p>"How can I tell? You are questioning me like a king's attorney. I only<br />
repeat what I have been told, and like my informant I can do no more.<br />
The poor devil would eat nothing, from fear."</p>

<p>"It is incredible!"</p>

<p>"No, my dear fellow, it is not at all incredible. You saw the child pass<br />
through the Rue Richelieu last year, who amused himself with killing his<br />
brothers and sisters by sticking pins in their ears while they slept.<br />
The generation who follow us are very precocious."</p>

<p>"Come, Beauchamp," said Chateau-Renaud, "I will bet anything you do not<br />
believe a word of all you have been telling us."</p>

<p>"I do not see the Count of Monte Cristo here."</p>

<p>"He is worn out," said Debray; "besides, he could not well appear in<br />
public, since he has been the dupe of the Cavalcanti, who, it appears,<br />
presented themselves to him with false letters of credit, and cheated<br />
him out of 100,000. francs upon the hypothesis of this principality."</p>

<p>"By the way, M. de Chateau-Renaud," asked Beauchamp, "how is Morrel?"</p>

<p>"Ma foi, I have called three times without once seeing him. Still, his<br />
sister did not seem uneasy, and told me that though she had not seen him<br />
for two or three days, she was sure he was well."</p>

<p>"Ah, now I think of it, the Count of Monte Cristo cannot appear in the<br />
hall," said Beauchamp.</p>

<p>"Why not?"</p>

<p>"Because he is an actor in the drama."</p>

<p>"Has he assassinated any one, then?"</p>

<p>"No, on the contrary, they wished to assassinate him. You know that<br />
it was in leaving his house that M. de Caderousse was murdered by his<br />
friend Benedetto. You know that the famous waistcoat was found in<br />
his house, containing the letter which stopped the signature of<br />
the marriage-contract. Do you see the waistcoat? There it is, all<br />
blood-stained, on the desk, as a testimony of the crime."</p>

<p>"Ah, very good."</p>

<p>"Hush, gentlemen, here is the court; let us go back to our places." A<br />
noise was heard in the hall; the sergeant called his two patrons with<br />
an energetic "hem!" and the door-keeper appearing, called out with that<br />
shrill voice peculiar to his order, ever since the days of Beaumarchais,<br />
"The court, gentlemen!"</p>]]>
        
    </content>
</entry>



<entry>
    <title>War and Peace, by Leo Tolstoy - CHAPTER XXXII</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/war_and_peace/2009/03/chapter-xxxii-1.html" />
    <id>tag:www.greatbooksforfree.com,2009:/war_and_peace//8.562</id>

    <published>2009-03-04T23:37:47Z</published>
    <updated>2008-06-17T22:39:30Z</updated>

    <summary>Seven days had passed since Prince Andrew found himself in the ambulance station on the field of Borodino. His feverish state and the inflammation of his bowels, which were injured, were in the doctor&apos;s opinion sure to carry him off....</summary>
    <author>
        <name></name>
        
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    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/war_and_peace/">
        <![CDATA[<p>Seven days had passed since Prince Andrew found himself in the<br />
ambulance station on the field of Borodino. His feverish state and the<br />
inflammation of his bowels, which were injured, were in the doctor's<br />
opinion sure to carry him off. But on the seventh day he ate with<br />
pleasure a piece of bread with some tea, and the doctor noticed that<br />
his temperature was lower. He had regained consciousness that morning.<br />
The first night after they left Moscow had been fairly warm and he had<br />
remained in the caleche, but at Mytishchi the wounded man himself<br />
asked to be taken out and given some tea. The pain caused by his<br />
removal into the hut had made him groan aloud and again lose<br />
consciousness. When he had been placed on his camp bed he lay for a<br />
long time motionless with closed eyes. Then he opened them and<br />
whispered softly: "And the tea?" His remembering such a small detail<br />
of everyday life astonished the doctor. He felt Prince Andrew's pulse,<br />
and to his surprise and dissatisfaction found it had improved. He<br />
was dissatisfied because he knew by experience that if his patient did<br />
not die now, he would do so a little later with greater suffering.<br />
Timokhin, the red-nosed major of Prince Andrew's regiment, had<br />
joined him in Moscow and was being taken along with him, having been<br />
wounded in the leg at the battle of Borodino. They were accompanied by<br />
a doctor, Prince Andrew's valet, his coachman, and two orderlies.</p>

<p>They gave Prince Andrew some tea. He drank it eagerly, looking<br />
with feverish eyes at the door in front of him as if trying to<br />
understand and remember something.</p>

<p>"I don't want any more. Is Timokhin here?" he asked.</p>

<p>Timokhin crept along the bench to him.</p>

<p>"I am here, your excellency."</p>

<p>"How's your wound?"</p>

<p>"Mine, sir? All right. But how about you?"</p>

<p>Prince Andrew again pondered as if trying to remember something.</p>

<p>"Couldn't one get a book?" he asked.</p>

<p>"What book?"</p>

<p>"The Gospels. I haven't one."</p>

<p>The doctor promised to procure it for him and began to ask how he<br />
was feeling. Prince Andrew answered all his questions reluctantly<br />
but reasonably, and then said he wanted a bolster placed under him<br />
as he was uncomfortable and in great pain. The doctor and valet lifted<br />
the cloak with which he was covered and, making wry faces at the<br />
noisome smell of mortifying flesh that came from the wound, began<br />
examining that dreadful place. The doctor was very much displeased<br />
about something and made a change in the dressings, turning the<br />
wounded man over so that he groaned again and grew unconscious and<br />
delirious from the agony. He kept asking them to get him the book<br />
and put it under him.</p>

<p>"What trouble would it be to you?" he said. "I have not got one.<br />
Please get it for me and put it under for a moment," he pleaded in a<br />
piteous voice.</p>

<p>The doctor went into the passage to wash his hands.</p>

<p>"You fellows have no conscience," said he to the valet who was<br />
pouring water over his hands. "For just one moment I didn't look after<br />
you... It's such pain, you know, that I wonder how he can bear it."</p>

<p>"By the Lord Jesus Christ, I thought we had put something under<br />
him!" said the valet.</p>

<p>The first time Prince Andrew understood where he was and what was<br />
the matter with him and remembered being wounded and how was when he<br />
asked to be carried into the hut after his caleche had stopped at<br />
Mytishchi. After growing confused from pain while being carried into<br />
the hut he again regained consciousness, and while drinking tea once<br />
more recalled all that had happened to him, and above all vividly<br />
remembered the moment at the ambulance station when, at the sight of<br />
the sufferings of a man he disliked, those new thoughts had come to<br />
him which promised him happiness. And those thoughts, though now vague<br />
and indefinite, again possessed his soul. He remembered that he had<br />
now a new source of happiness and that this happiness had something to<br />
do with the Gospels. That was why he asked for a copy of them. The<br />
uncomfortable position in which they had put him and turned him over<br />
again confused his thoughts, and when he came to himself a third<br />
time it was in the complete stillness of the night. Everybody near him<br />
was sleeping. A cricket chirped from across the passage; someone was<br />
shouting and singing in the street; cockroaches rustled on the<br />
table, on the icons, and on the walls, and a big fly flopped at the<br />
head of the bed and around the candle beside him, the wick of which<br />
was charred and had shaped itself like a mushroom.</p>

<p>His mind was not in a normal state. A healthy man usually thinks of,<br />
feels, and remembers innumerable things simultaneously, but has the<br />
power and will to select one sequence of thoughts or events on which<br />
to fix his whole attention. A healthy man can tear himself away from<br />
the deepest reflections to say a civil word to someone who comes in<br />
and can then return again to his own thoughts. But Prince Andrew's<br />
mind was not in a normal state in that respect. All the powers of<br />
his mind were more active and clearer than ever, but they acted<br />
apart from his will. Most diverse thoughts and images occupied him<br />
simultaneously. At times his brain suddenly began to work with a<br />
vigor, clearness, and depth it had never reached when he was in<br />
health, but suddenly in the midst of its work it would turn to some<br />
unexpected idea and he had not the strength to turn it back again.</p>

<p>"Yes, a new happiness was revealed to me of which man cannot be<br />
deprived," he thought as he lay in the semidarkness of the quiet hut,<br />
gazing fixedly before him with feverish wide open eyes. "A happiness<br />
lying beyond material forces, outside the material influences that act<br />
on man--a happiness of the soul alone, the happiness of loving.<br />
Every man can understand it, but to conceive it and enjoin it was<br />
possible only for God. But how did God enjoin that law? And why was<br />
the Son...?"</p>

<p>And suddenly the sequence of these thoughts broke off, and Prince<br />
Andrew heard (without knowing whether it was a delusion or reality)<br />
a soft whispering voice incessantly and rhythmically repeating<br />
"piti-piti-piti," and then "titi," and then again "piti-piti-piti,"<br />
and "ti-ti" once more. At the same time he felt that above his face,<br />
above the very middle of it, some strange airy structure was being<br />
erected out of slender needles or splinters, to the sound of this<br />
whispered music. He felt that he had to balance carefully (though it<br />
was difficult) so that this airy structure should not collapse; but<br />
nevertheless it kept collapsing and again slowly rising to the sound<br />
of whispered rhythmic music--"it stretches, stretches, spreading out<br />
and stretching," said Prince Andrew to himself. While listening to<br />
this whispering and feeling the sensation of this drawing out and<br />
the construction of this edifice of needles, he also saw by glimpses a<br />
red halo round the candle, and heard the rustle of the cockroaches and<br />
the buzzing of the fly that flopped against his pillow and his face.<br />
Each time the fly touched his face it gave him a burning sensation and<br />
yet to his surprise it did not destroy the structure, though it<br />
knocked against the very region of his face where it was rising. But<br />
besides this there was something else of importance. It was<br />
something white by the door--the statue of a sphinx, which also<br />
oppressed him.</p>

<p>"But perhaps that's my shirt on the table," he thought, "and<br />
that's my legs, and that is the door, but why is it always<br />
stretching and drawing itself out, and 'piti-piti-piti' and 'ti-ti'<br />
and 'piti-piti-piti'...? That's enough, please leave off!" Prince<br />
Andrew painfully entreated someone. And suddenly thoughts and feelings<br />
again swam to the surface of his mind with peculiar clearness and<br />
force.</p>

<p>"Yes--love," he thought again quite clearly. "But not love which<br />
loves for something, for some quality, for some purpose, or for some<br />
reason, but the love which I--while dying--first experienced when I<br />
saw my enemy and yet loved him. I experienced that feeling of love<br />
which is the very essence of the soul and does not require an<br />
object. Now again I feel that bliss. To love one's neighbors, to<br />
love one's enemies, to love everything, to love God in all His<br />
manifestations. It is possible to love someone dear to you with<br />
human love, but an enemy can only be loved by divine love. That is why<br />
I experienced such joy when I felt that I loved that man. What has<br />
become of him? Is he alive?...</p>

<p>"When loving with human love one may pass from love to hatred, but<br />
divine love cannot change. No, neither death nor anything else can<br />
destroy it. It is the very essence of the soul. Yet how many people<br />
have I hated in my life? And of them all, I loved and hated none as<br />
I did her." And he vividly pictured to himself Natasha, not as he<br />
had done in the past with nothing but her charms which gave him<br />
delight, but for the first time picturing to himself her soul. And<br />
he understood her feelings, her sufferings, shame, and remorse. He now<br />
understood for the first time all the cruelty of his rejection of her,<br />
the cruelty of his rupture with her. "If only it were possible for<br />
me to see her once more! Just once, looking into those eyes to say..."</p>

<p><br />
"Piti-piti-piti and ti-ti and piti-piti-piti boom!" flopped the<br />
fly... And his attention was suddenly carried into another world, a<br />
world of reality and delirium in which something particular was<br />
happening. In that world some structure was still being erected and<br />
did not fall, something was still stretching out, and the candle<br />
with its red halo was still burning, and the same shirtlike sphinx lay<br />
near the door; but besides all this something creaked, there was a<br />
whiff of fresh air, and a new white sphinx appeared, standing at the<br />
door. And that sphinx had the pale face and shining eyes of the very<br />
Natasha of whom he had just been thinking.</p>

<p>"Oh, how oppressive this continual delirium is," thought Prince<br />
Andrew, trying to drive that face from his imagination. But the face<br />
remained before him with the force of reality and drew nearer.<br />
Prince Andrew wished to return to that former world of pure thought,<br />
but he could not, and delirium drew him back into its domain. The soft<br />
whispering voice continued its rhythmic murmur, something oppressed<br />
him and stretched out, and the strange face was before him. Prince<br />
Andrew collected all his strength in an effort to recover his<br />
senses, he moved a little, and suddenly there was a ringing in his<br />
ears, a dimness in his eyes, and like a man plunged into water he lost<br />
consciousness. When he came to himself, Natasha, that same living<br />
Natasha whom of all people he most longed to love with this new pure<br />
divine love that had been revealed to him, was kneeling before him. He<br />
realized that it was the real living Natasha, and he was not surprised<br />
but quietly happy. Natasha, motionless on her knees (she was unable to<br />
stir), with frightened eyes riveted on him, was restraining her<br />
sobs. Her face was pale and rigid. Only in the lower part of it<br />
something quivered.</p>

<p>Prince Andrew sighed with relief, smiled, and held out his hand.</p>

<p>"You?" he said. "How fortunate!"</p>

<p>With a rapid but careful movement Natasha drew nearer to him on<br />
her knees and, taking his hand carefully, bent her face over it and<br />
began kissing it, just touching it lightly with her lips.</p>

<p>"Forgive me!" she whispered, raising her head and glancing at him.<br />
"Forgive me!"</p>

<p>"I love you," said Prince Andrew.</p>

<p>"Forgive...!"</p>

<p>"Forgive what?" he asked.</p>

<p>"Forgive me for what I ha-ve do-ne!" faltered Natasha in a<br />
scarcely audible, broken whisper, and began kissing his hand more<br />
rapidly, just touching it with her lips.</p>

<p>"I love you more, better than before," said Prince Andrew, lifting<br />
her face with his hand so as to look into her eyes.</p>

<p>Those eyes, filled with happy tears, gazed at him timidly,<br />
compassionately, and with joyous love. Natasha's thin pale face,<br />
with its swollen lips, was more than plain--it was dreadful. But<br />
Prince Andrew did not see that, he saw her shining eyes which were<br />
beautiful. They heard the sound of voices behind them.</p>

<p>Peter the valet, who was now wide awake, had roused the doctor.<br />
Timokhin, who had not slept at all because of the pain in his leg, had<br />
long been watching all that was going on, carefully covering his<br />
bare body with the sheet as he huddled up on his bench.</p>

<p>"What's this?" said the doctor, rising from his bed. "Please go<br />
away, madam!"</p>

<p>At that moment a maid sent by the countess, who had noticed her<br />
daughter's absence, knocked at the door.</p>

<p>Like a somnambulist aroused from her sleep Natasha went out of the<br />
room and, returning to her hut, fell sobbing on her bed.</p>

<p><br />
From that time, during all the rest of the Rostovs' journey, at<br />
every halting place and wherever they spent a night, Natasha never<br />
left the wounded Bolkonski, and the doctor had to admit that he had<br />
not expected from a young girl either such firmness or such skill in<br />
nursing a wounded man.</p>

<p>Dreadful as the countess imagined it would be should Prince Andrew<br />
die in her daughter's arms during the journey--as, judging by what the<br />
doctor said, it seemed might easily happen--she could not oppose<br />
Natasha. Though with the intimacy now established between the<br />
wounded man and Natasha the thought occurred that should he recover<br />
their former engagement would be renewed, no one--least of all Natasha<br />
and Prince Andrew--spoke of this: the unsettled question of life and<br />
death, which hung not only over Bolkonski but over all Russia, shut<br />
out all other considerations.</p>]]>
        
    </content>
</entry>



<entry>
    <title>Les Miserables, by Victor Hugo - CHAPTER VI</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/les_miserables/2009/03/chapter-vi-17.html" />
    <id>tag:www.greatbooksforfree.com,2009:/les_miserables//15.1109</id>

    <published>2009-03-04T23:13:50Z</published>
    <updated>2008-06-20T22:16:00Z</updated>

    <summary>ENJOLRAS AND HIS LIEUTENANTS It was about this epoch that Enjolras, in view of a possible catastrophe, instituted a kind of mysterious census. All were present at a secret meeting at the Cafe Musain. Enjolras said, mixing his words with...</summary>
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    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/les_miserables/">
        <![CDATA[<p>ENJOLRAS AND HIS LIEUTENANTS</p>

<p><br />
It was about this epoch that Enjolras, in view of a possible catastrophe,<br />
instituted a kind of mysterious census.</p>

<p>All were present at a secret meeting at the Cafe Musain.</p>

<p>Enjolras said, mixing his words with a few half-enigmatical<br />
but significant metaphors:--</p>

<p>"It is proper that we should know where we stand and on whom we<br />
may count.  If combatants are required, they must be provided. <br />
It can do no harm to have something with which to strike. <br />
Passers-by always have more chance of being gored when there are<br />
bulls on the road than when there are none.  Let us, therefore,<br />
reckon a little on the herd.  How many of us are there? <br />
There is no question of postponing this task until to-morrow.<br />
Revolutionists should always be hurried; progress has no time to lose. <br />
Let us mistrust the unexpected.  Let us not be caught unprepared. <br />
We must go over all the seams that we have made and see whether they<br />
hold fast.  This business ought to be concluded to-day. Courfeyrac,<br />
you will see the polytechnic students.  It is their day to go out. <br />
To-day is Wednesday.  Feuilly, you will see those of the Glaciere,<br />
will you not?  Combeferre has promised me to go to Picpus. <br />
There is a perfect swarm and an excellent one there.  Bahorel will<br />
visit the Estrapade.  Prouvaire, the masons are growing lukewarm;<br />
you will bring us news from the lodge of the Rue de Grenelle-Saint-Honore.<br />
Joly will go to Dupuytren's clinical lecture, and feel the pulse<br />
of the medical school.  Bossuet will take a little turn in the court<br />
and talk with the young law licentiates.  I will take charge of the<br />
Cougourde myself."</p>

<p>"That arranges everything," said Courfeyrac.</p>

<p>"No."</p>

<p>"What else is there?"</p>

<p>"A very important thing."</p>

<p>"What is that?" asked Courfeyrac.</p>

<p>"The Barriere du Maine," replied Enjolras.</p>

<p>Enjolras remained for a moment as though absorbed in reflection,<br />
then he resumed:--</p>

<p>"At the Barriere du Maine there are marble-workers, painters,<br />
and journeymen in the studios of sculptors.  They are an enthusiastic<br />
family, but liable to cool off.  I don't know what has been the matter<br />
with them for some time past.  They are thinking of something else. <br />
They are becoming extinguished.  They pass their time playing dominoes. <br />
There is urgent need that some one should go and talk with them a little,<br />
but with firmness.  They meet at Richefeu's. They are to be found<br />
there between twelve and one o'clock. Those ashes must be fanned into<br />
a glow.  For that errand I had counted on that abstracted Marius,<br />
who is a good fellow on the whole, but he no longer comes to us. <br />
I need some one for the Barriere du Maine.  I have no one."</p>

<p>"What about me?" said Grantaire.  "Here am I."</p>

<p>"You?"</p>

<p>"I."</p>

<p>"You indoctrinate republicans! you warm up hearts that have grown<br />
cold in the name of principle!"</p>

<p>"Why not?"</p>

<p>"Are you good for anything?"</p>

<p>"I have a vague ambition in that direction," said Grantaire.</p>

<p>"You do not believe in everything."</p>

<p>"I believe in you."</p>

<p>"Grantaire will you do me a service?"</p>

<p>"Anything.  I'll black your boots."</p>

<p>"Well, don't meddle with our affairs.  Sleep yourself sober from<br />
your absinthe."</p>

<p>"You are an ingrate, Enjolras."</p>

<p>"You the man to go to the Barriere du Maine!  You capable of it!"</p>

<p>"I am capable of descending the Rue de Gres, of crossing the Place<br />
Saint-Michel, of sloping through the Rue Monsieur-le-Prince, of taking<br />
the Rue de Vaugirard, of passing the Carmelites, of turning into the<br />
Rue d'Assas, of reaching the Rue du Cherche-Midi, of leaving behind<br />
me the Conseil de Guerre, of pacing the Rue des Vielles Tuileries,<br />
of striding across the boulevard, of following the Chaussee du Maine,<br />
of passing the barrier, and entering Richefeu's. I am capable of that. <br />
My shoes are capable of that."</p>

<p>"Do you know anything of those comrades who meet at Richefeu's?"</p>

<p>"Not much.  We only address each other as thou."</p>

<p>"What will you say to them?"</p>

<p>"I will speak to them of Robespierre, pardi!  Of Danton. <br />
Of principles."</p>

<p>"You?"</p>

<p>"I. But I don't receive justice.  When I set about it, I am terrible. <br />
I have read Prudhomme, I know the Social Contract, I know my<br />
constitution of the year Two by heart.  `The liberty of one citizen<br />
ends where the liberty of another citizen begins.'  Do you take me<br />
for a brute?  I have an old bank-bill of the Republic in my drawer. <br />
The Rights of Man, the sovereignty of the people, sapristi!  I am<br />
even a bit of a Hebertist.  I can talk the most superb twaddle<br />
for six hours by the clock, watch in hand."</p>

<p>"Be serious," said Enjolras.</p>

<p>"I am wild," replied Grantaire.</p>

<p>Enjolras meditated for a few moments, and made the gesture of a man<br />
who has taken a resolution.</p>

<p>"Grantaire," he said gravely, "I consent to try you.  You shall go<br />
to the Barriere du Maine."</p>

<p>Grantaire lived in furnished lodgings very near the Cafe Musain. <br />
He went out, and five minutes later he returned.  He had gone home<br />
to put on a Robespierre waistcoat.</p>

<p>"Red," said he as he entered, and he looked intently at Enjolras. <br />
Then, with the palm of his energetic hand, he laid the two scarlet<br />
points of the waistcoat across his breast.</p>

<p>And stepping up to Enjolras, he whispered in his ear:--</p>

<p>"Be easy."</p>

<p>He jammed his hat on resolutely and departed.</p>

<p>A quarter of an hour later, the back room of the Cafe Musain<br />
was deserted.  All the friends of the A B C were gone, each in his<br />
own direction, each to his own task.  Enjolras, who had reserved<br />
the Cougourde of Aix for himself, was the last to leave.</p>

<p>Those members of the Cougourde of Aix who were in Paris then met<br />
on the plain of Issy, in one of the abandoned quarries which are<br />
so numerous in that side of Paris.</p>

<p>As Enjolras walked towards this place, he passed the whole situation<br />
in review in his own mind.  The gravity of events was self-evident.<br />
When facts, the premonitory symptoms of latent social malady,<br />
move heavily, the slightest complication stops and entangles them. <br />
A phenomenon whence arises ruin and new births.  Enjolras descried<br />
a luminous uplifting beneath the gloomy skirts of the future. <br />
Who knows?  Perhaps the moment was at hand.  The people were<br />
again taking possession of right, and what a fine spectacle! <br />
The revolution was again majestically taking possession of France and<br />
saying to the world:  "The sequel to-morrow!" Enjolras was content. <br />
The furnace was being heated.  He had at that moment a powder train<br />
of friends scattered all over Paris.  He composed, in his own mind,<br />
with Combeferre's philosophical and penetrating eloquence,<br />
Feuilly's cosmopolitan enthusiasm, Courfeyrac's dash, Bahorel's smile,<br />
Jean Prouvaire's melancholy, Joly's science, Bossuet's sarcasms,<br />
a sort of electric spark which took fire nearly everywhere at once. <br />
All hands to work.  Surely, the result would answer to the effort. <br />
This was well.  This made him think of Grantaire.</p>

<p>"Hold," said he to himself, "the Barriere du Maine will not take me<br />
far out of my way.  What if I were to go on as far as Richefeu's?<br />
Let us have a look at what Grantaire is about, and see how he<br />
is getting on."</p>

<p>One o'clock was striking from the Vaugirard steeple when Enjolras<br />
reached the Richefeu smoking-room.</p>

<p>He pushed open the door, entered, folded his arms, letting the door<br />
fall to and strike his shoulders, and gazed at that room filled<br />
with tables, men, and smoke.</p>

<p>A voice broke forth from the mist of smoke, interrupted by another voice. <br />
It was Grantaire holding a dialogue with an adversary.</p>

<p>Grantaire was sitting opposite another figure, at a marble Saint-Anne<br />
table, strewn with grains of bran and dotted with dominos.  He was<br />
hammering the table with his fist, and this is what Enjolras heard:--</p>

<p>"Double-six."</p>

<p>"Fours."</p>

<p>"The pig!  I have no more."</p>

<p>"You are dead.  A two."</p>

<p>"Six."</p>

<p>"Three."</p>

<p>"One."</p>

<p>"It's my move."</p>

<p>"Four points."</p>

<p>"Not much."</p>

<p>"It's your turn."</p>

<p>"I have made an enormous mistake."</p>

<p>"You are doing well."</p>

<p>"Fifteen."</p>

<p>"Seven more."</p>

<p>"That makes me twenty-two." [Thoughtfully, "Twenty-two!"]</p>

<p>"You weren't expecting that double-six. If I had placed it<br />
at the beginning, the whole play would have been changed."</p>

<p>"A two again."</p>

<p>"One."</p>

<p>"One!  Well, five."</p>

<p>"I haven't any."</p>

<p>"It was your play, I believe?"</p>

<p>"Yes."</p>

<p>"Blank."</p>

<p>"What luck he has!  Ah!  You are lucky!  [Long revery.] Two."</p>

<p>"One."</p>

<p>"Neither five nor one.  That's bad for you."</p>

<p>"Domino."</p>

<p>"Plague take it!"</p>

<p></p>

<p>BOOK SECOND.--EPONINE</p>]]>
        
    </content>
</entry>



<entry>
    <title>The Count of Monte Cristo, by Alexandre Dumas père - CHAPTER 108. The Judge.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-108-the-judge.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1598</id>

    <published>2009-03-03T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>We remember that the Abbe Busoni remained alone with Noirtier in the chamber of death, and that the old man and the priest were the sole guardians of the young girl&apos;s body. Perhaps it was the Christian exhortations of the...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>We remember that the Abbe Busoni remained alone with Noirtier in the<br />
chamber of death, and that the old man and the priest were the sole<br />
guardians of the young girl's body. Perhaps it was the Christian<br />
exhortations of the abbe, perhaps his kind charity, perhaps his<br />
persuasive words, which had restored the courage of Noirtier, for ever<br />
since he had conversed with the priest his violent despair had yielded<br />
to a calm resignation which surprised all who knew his excessive<br />
affection for Valentine. M. de Villefort had not seen his father since<br />
the morning of the death. The whole establishment had been changed;<br />
another valet was engaged for himself, a new servant for Noirtier, two<br />
women had entered Madame de Villefort's service,--in fact, everywhere,<br />
to the concierge and coachmen, new faces were presented to the different<br />
masters of the house, thus widening the division which had always<br />
existed between the members of the same family.</p>

<p>The assizes, also, were about to begin, and Villefort, shut up in his<br />
room, exerted himself with feverish anxiety in drawing up the case<br />
against the murderer of Caderousse. This affair, like all those in which<br />
the Count of Monte Cristo had interfered, caused a great sensation in<br />
Paris. The proofs were certainly not convincing, since they rested upon<br />
a few words written by an escaped galley-slave on his death-bed, and who<br />
might have been actuated by hatred or revenge in accusing his companion.<br />
But the mind of the procureur was made up; he felt assured that<br />
Benedetto was guilty, and he hoped by his skill in conducting this<br />
aggravated case to flatter his self-love, which was about the only<br />
vulnerable point left in his frozen heart.</p>

<p>The case was therefore prepared owing to the incessant labor of<br />
Villefort, who wished it to be the first on the list in the coming<br />
assizes. He had been obliged to seclude himself more than ever, to evade<br />
the enormous number of applications presented to him for the purpose<br />
of obtaining tickets of admission to the court on the day of trial. And<br />
then so short a time had elapsed since the death of poor Valentine,<br />
and the gloom which overshadowed the house was so recent, that no one<br />
wondered to see the father so absorbed in his professional duties, which<br />
were the only means he had of dissipating his grief.</p>

<p>Once only had Villefort seen his father; it was the day after that upon<br />
which Bertuccio had paid his second visit to Benedetto, when the latter<br />
was to learn his father's name. The magistrate, harassed and fatigued,<br />
had descended to the garden of his house, and in a gloomy mood, similar<br />
to that in which Tarquin lopped off the tallest poppies, he began<br />
knocking off with his cane the long and dying branches of the<br />
rose-trees, which, placed along the avenue, seemed like the spectres of<br />
the brilliant flowers which had bloomed in the past season. More than<br />
once he had reached that part of the garden where the famous boarded<br />
gate stood overlooking the deserted enclosure, always returning by the<br />
same path, to begin his walk again, at the same pace and with the same<br />
gesture, when he accidentally turned his eyes towards the house, whence<br />
he heard the noisy play of his son, who had returned from school to<br />
spend the Sunday and Monday with his mother. While doing so, he observed<br />
M. Noirtier at one of the open windows, where the old man had been<br />
placed that he might enjoy the last rays of the sun which yet yielded<br />
some heat, and was now shining upon the dying flowers and red leaves of<br />
the creeper which twined around the balcony.</p>

<p>The eye of the old man was riveted upon a spot which Villefort could<br />
scarcely distinguish. His glance was so full of hate, of ferocity, and<br />
savage impatience, that Villefort turned out of the path he had been<br />
pursuing, to see upon what person this dark look was directed. Then he<br />
saw beneath a thick clump of linden-trees, which were nearly divested<br />
of foliage, Madame de Villefort sitting with a book in her hand, the<br />
perusal of which she frequently interrupted to smile upon her son, or<br />
to throw back his elastic ball, which he obstinately threw from the<br />
drawing-room into the garden. Villefort became pale; he understood the<br />
old man's meaning. Noirtier continued to look at the same object, but<br />
suddenly his glance was transferred from the wife to the husband, and<br />
Villefort himself had to submit to the searching investigation of eyes,<br />
which, while changing their direction and even their language, had lost<br />
none of their menacing expression. Madame de Villefort, unconscious of<br />
the passions that exhausted their fire over her head, at that moment<br />
held her son's ball, and was making signs to him to reclaim it with a<br />
kiss. Edward begged for a long while, the maternal kiss probably not<br />
offering sufficient recompense for the trouble he must take to obtain<br />
it; however at length he decided, leaped out of the window into a<br />
cluster of heliotropes and daisies, and ran to his mother, his forehead<br />
streaming with perspiration. Madame de Villefort wiped his forehead,<br />
pressed her lips upon it, and sent him back with the ball in one hand<br />
and some bonbons in the other.</p>

<p>Villefort, drawn by an irresistible attraction, like that of the bird to<br />
the serpent, walked towards the house. As he approached it, Noirtier's<br />
gaze followed him, and his eyes appeared of such a fiery brightness that<br />
Villefort felt them pierce to the depths of his heart. In that earnest<br />
look might be read a deep reproach, as well as a terrible menace. Then<br />
Noirtier raised his eyes to heaven, as though to remind his son of a<br />
forgotten oath. "It is well, sir," replied Villefort from below,--"it<br />
is well; have patience but one day longer; what I have said I will do."<br />
Noirtier seemed to be calmed by these words, and turned his eyes with<br />
indifference to the other side. Villefort violently unbuttoned his<br />
great-coat, which seemed to strangle him, and passing his livid hand<br />
across his forehead, entered his study.</p>

<p>The night was cold and still; the family had all retired to rest but<br />
Villefort, who alone remained up, and worked till five o'clock in the<br />
morning, reviewing the last interrogatories made the night before by the<br />
examining magistrates, compiling the depositions of the witnesses, and<br />
putting the finishing stroke to the deed of accusation, which was one of<br />
the most energetic and best conceived of any he had yet delivered.</p>

<p>The next day, Monday, was the first sitting of the assizes. The morning<br />
dawned dull and gloomy, and Villefort saw the dim gray light shine upon<br />
the lines he had traced in red ink. The magistrate had slept for a short<br />
time while the lamp sent forth its final struggles; its flickerings<br />
awoke him, and he found his fingers as damp and purple as though they<br />
had been dipped in blood. He opened the window; a bright yellow streak<br />
crossed the sky, and seemed to divide in half the poplars, which stood<br />
out in black relief on the horizon. In the clover-fields beyond the<br />
chestnut-trees, a lark was mounting up to heaven, while pouring out her<br />
clear morning song. The damps of the dew bathed the head of Villefort,<br />
and refreshed his memory. "To-day," he said with an effort,--"to-day the<br />
man who holds the blade of justice must strike wherever there is guilt."<br />
Involuntarily his eyes wandered towards the window of Noirtier's room,<br />
where he had seen him the preceding night. The curtain was drawn, and<br />
yet the image of his father was so vivid to his mind that he addressed<br />
the closed window as though it had been open, and as if through the<br />
opening he had beheld the menacing old man. "Yes," he murmured,--"yes,<br />
be satisfied."</p>

<p>His head dropped upon his chest, and in this position he paced his<br />
study; then he threw himself, dressed as he was, upon a sofa, less to<br />
sleep than to rest his limbs, cramped with cold and study. By degrees<br />
every one awoke. Villefort, from his study, heard the successive noises<br />
which accompany the life of a house,--the opening and shutting of doors,<br />
the ringing of Madame de Villefort's bell, to summon the waiting-maid,<br />
mingled with the first shouts of the child, who rose full of the<br />
enjoyment of his age. Villefort also rang; his new valet brought him the<br />
papers, and with them a cup of chocolate.</p>

<p>"What are you bringing me?" said he.</p>

<p>"A cup of chocolate."</p>

<p>"I did not ask for it. Who has paid me this attention?"</p>

<p>"My mistress, sir. She said you would have to speak a great deal in<br />
the murder case, and that you should take something to keep up your<br />
strength;" and the valet placed the cup on the table nearest to the<br />
sofa, which was, like all the rest, covered with papers. The valet then<br />
left the room. Villefort looked for an instant with a gloomy expression,<br />
then, suddenly, taking it up with a nervous motion, he swallowed its<br />
contents at one draught. It might have been thought that he hoped the<br />
beverage would be mortal, and that he sought for death to deliver him<br />
from a duty which he would rather die than fulfil. He then rose, and<br />
paced his room with a smile it would have been terrible to witness.<br />
The chocolate was inoffensive, for M. de Villefort felt no effects. The<br />
breakfast-hour arrived, but M. de Villefort was not at table. The valet<br />
re-entered.</p>

<p>"Madame de Villefort wishes to remind you, sir," he said, "that eleven<br />
o'clock has just struck, and that the trial commences at twelve."</p>

<p>"Well," said Villefort, "what then?"</p>

<p>"Madame de Villefort is dressed; she is quite ready, and wishes to know<br />
if she is to accompany you, sir?"</p>

<p>"Where to?"</p>

<p>"To the Palais."</p>

<p>"What to do?"</p>

<p>"My mistress wishes much to be present at the trial."</p>

<p>"Ah," said Villefort, with a startling accent; "does she wish<br />
that?"--The man drew back and said, "If you wish to go alone, sir, I<br />
will go and tell my mistress." Villefort remained silent for a moment,<br />
and dented his pale cheeks with his nails. "Tell your mistress," he at<br />
length answered, "that I wish to speak to her, and I beg she will wait<br />
for me in her own room."</p>

<p>"Yes, sir."</p>

<p>"Then come to dress and shave me."</p>

<p>"Directly, sir." The valet re-appeared almost instantly, and, having<br />
shaved his master, assisted him to dress entirely in black. When he had<br />
finished, he said,--</p>

<p>"My mistress said she should expect you, sir, as soon as you had<br />
finished dressing."</p>

<p>"I am going to her." And Villefort, with his papers under his arm and<br />
hat in hand, directed his steps toward the apartment of his wife. At the<br />
door he paused for a moment to wipe his damp, pale brow. He then entered<br />
the room. Madame de Villefort was sitting on an ottoman and impatiently<br />
turning over the leaves of some newspapers and pamphlets which young<br />
Edward, by way of amusing himself, was tearing to pieces before his<br />
mother could finish reading them. She was dressed to go out, her bonnet<br />
was placed beside her on a chair, and her gloves were on her hands.</p>

<p>"Ah, here you are, monsieur," she said in her naturally calm voice; "but<br />
how pale you are! Have you been working all night? Why did you not come<br />
down to breakfast? Well, will you take me, or shall I take Edward?"<br />
Madame de Villefort had multiplied her questions in order to gain one<br />
answer, but to all her inquiries M. de Villefort remained mute and cold<br />
as a statue. "Edward," said Villefort, fixing an imperious glance on<br />
the child, "go and play in the drawing-room, my dear; I wish to speak<br />
to your mamma." Madame de Villefort shuddered at the sight of that cold<br />
countenance, that resolute tone, and the awfully strange preliminaries.<br />
Edward raised his head, looked at his mother, and then, finding that<br />
she did not confirm the order, began cutting off the heads of his leaden<br />
soldiers.</p>

<p>"Edward," cried M. de Villefort, so harshly that the child started up<br />
from the floor, "do you hear me?--Go!" The child, unaccustomed to such<br />
treatment, arose, pale and trembling; it would be difficult to say<br />
whether his emotion were caused by fear or passion. His father went up<br />
to him, took him in his arms, and kissed his forehead. "Go," he said:<br />
"go, my child." Edward ran out. M. de Villefort went to the door, which<br />
he closed behind the child, and bolted. "Dear me!" said the young woman,<br />
endeavoring to read her husband's inmost thoughts, while a smile passed<br />
over her countenance which froze the impassibility of Villefort; "what<br />
is the matter?"</p>

<p>"Madame, where do you keep the poison you generally use?" said the<br />
magistrate, without any introduction, placing himself between his wife<br />
and the door.</p>

<p>Madame de Villefort must have experienced something of the sensation of<br />
a bird which, looking up, sees the murderous trap closing over its head.<br />
A hoarse, broken tone, which was neither a cry nor a sigh, escaped from<br />
her, while she became deadly pale. "Monsieur," she said, "I--I do not<br />
understand you." And, in her first paroxysm of terror, she had raised<br />
herself from the sofa, in the next, stronger very likely than the other,<br />
she fell down again on the cushions. "I asked you," continued Villefort,<br />
in a perfectly calm tone, "where you conceal the poison by the aid<br />
of which you have killed my father-in-law, M. de Saint-Meran, my<br />
mother-in-law, Madame de Saint-Meran, Barrois, and my daughter<br />
Valentine."</p>

<p>"Ah, sir," exclaimed Madame de Villefort, clasping her hands, "what do<br />
you say?"</p>

<p>"It is not for you to interrogate, but to answer."</p>

<p>"Is it to the judge or to the husband?" stammered Madame de Villefort.<br />
"To the judge--to the judge, madame!" It was terrible to behold the<br />
frightful pallor of that woman, the anguish of her look, the trembling<br />
of her whole frame. "Ah, sir," she muttered, "ah, sir," and this was<br />
all.</p>

<p>"You do not answer, madame!" exclaimed the terrible interrogator. Then<br />
he added, with a smile yet more terrible than his anger, "It is true,<br />
then; you do not deny it!" She moved forward. "And you cannot deny it!"<br />
added Villefort, extending his hand toward her, as though to seize her<br />
in the name of justice. "You have accomplished these different crimes<br />
with impudent address, but which could only deceive those whose<br />
affections for you blinded them. Since the death of Madame de<br />
Saint-Meran, I have known that a poisoner lived in my house. M.<br />
d'Avrigny warned me of it. After the death of Barrois my suspicions were<br />
directed towards an angel,--those suspicions which, even when there<br />
is no crime, are always alive in my heart; but after the death of<br />
Valentine, there has been no doubt in my mind, madame, and not only in<br />
mine, but in those of others; thus your crime, known by two persons,<br />
suspected by many, will soon become public, and, as I told you just now,<br />
you no longer speak to the husband, but to the judge."</p>

<p>The young woman hid her face in her hands. "Oh, sir," she stammered, "I<br />
beseech you, do not believe appearances."</p>

<p>"Are you, then, a coward?" cried Villefort, in a contemptuous voice.<br />
"But I have always observed that poisoners were cowards. Can you be a<br />
coward,--you who have had the courage to witness the death of two old<br />
men and a young girl murdered by you?"</p>

<p>"Sir! sir!"</p>

<p>"Can you be a coward?" continued Villefort, with increasing excitement,<br />
"you, who could count, one by one, the minutes of four death agonies?<br />
You, who have arranged your infernal plans, and removed the beverages<br />
with a talent and precision almost miraculous? Have you, then, who have<br />
calculated everything with such nicety, have you forgotten to calculate<br />
one thing--I mean where the revelation of your crimes will lead you to?<br />
Oh, it is impossible--you must have saved some surer, more subtle and<br />
deadly poison than any other, that you might escape the punishment<br />
that you deserve. You have done this--I hope so, at least." Madame de<br />
Villefort stretched out her hands, and fell on her knees.</p>

<p>"I understand," he said, "you confess; but a confession made to the<br />
judges, a confession made at the last moment, extorted when the crime<br />
cannot be denied, diminishes not the punishment inflicted on the<br />
guilty!"</p>

<p>"The punishment?" exclaimed Madame de Villefort, "the punishment,<br />
monsieur? Twice you have pronounced that word!"</p>

<p>"Certainly. Did you hope to escape it because you were four times<br />
guilty? Did you think the punishment would be withheld because you are<br />
the wife of him who pronounces it?--No, madame, no; the scaffold awaits<br />
the poisoner, whoever she may be, unless, as I just said, the poisoner<br />
has taken the precaution of keeping for herself a few drops of her<br />
deadliest potion." Madame de Villefort uttered a wild cry, and a hideous<br />
and uncontrollable terror spread over her distorted features. "Oh,<br />
do not fear the scaffold, madame," said the magistrate; "I will not<br />
dishonor you, since that would be dishonor to myself; no, if you have<br />
heard me distinctly, you will understand that you are not to die on the<br />
scaffold."</p>

<p>"No, I do not understand; what do you mean?" stammered the unhappy<br />
woman, completely overwhelmed. "I mean that the wife of the first<br />
magistrate in the capital shall not, by her infamy, soil an unblemished<br />
name; that she shall not, with one blow, dishonor her husband and her<br />
child."</p>

<p>"No, no--oh, no!"</p>

<p>"Well, madame, it will be a laudable action on your part, and I will<br />
thank you for it!"</p>

<p>"You will thank me--for what?"</p>

<p>"For what you have just said."</p>

<p>"What did I say? Oh, my brain whirls; I no longer understand anything.<br />
Oh, my God, my God!" And she rose, with her hair dishevelled, and her<br />
lips foaming.</p>

<p>"Have you answered the question I put to you on entering the<br />
room?--where do you keep the poison you generally use, madame?" Madame<br />
de Villefort raised her arms to heaven, and convulsively struck one<br />
hand against the other. "No, no," she vociferated, "no, you cannot wish<br />
that!"</p>

<p>"What I do not wish, madame, is that you should perish on the scaffold.<br />
Do you understand?" asked Villefort.</p>

<p>"Oh, mercy, mercy, monsieur!"</p>

<p>"What I require is, that justice be done. I am on the earth to punish,<br />
madame," he added, with a flaming glance; "any other woman, were it the<br />
queen herself, I would send to the executioner; but to you I shall be<br />
merciful. To you I will say, 'Have you not, madame, put aside some of<br />
the surest, deadliest, most speedy poison?'"</p>

<p>"Oh, pardon me, sir; let me live!"</p>

<p>"She is cowardly," said Villefort.</p>

<p>"Reflect that I am your wife!"</p>

<p>"You are a poisoner."</p>

<p>"In the name of heaven!"</p>

<p>"No!"</p>

<p>"In the name of the love you once bore me!"</p>

<p>"No, no!"</p>

<p>"In the name of our child! Ah, for the sake of our child, let me live!"</p>

<p>"No, no, no, I tell you; one day, if I allow you to live, you will<br />
perhaps kill him, as you have the others!"</p>

<p>"I?--I kill my boy?" cried the distracted mother, rushing toward<br />
Villefort; "I kill my son? Ha, ha, ha!" and a frightful, demoniac laugh<br />
finished the sentence, which was lost in a hoarse rattle. Madame de<br />
Villefort fell at her husband's feet. He approached her. "Think of it,<br />
madame," he said; "if, on my return, justice his not been satisfied, I<br />
will denounce you with my own mouth, and arrest you with my own hands!"<br />
She listened, panting, overwhelmed, crushed; her eye alone lived, and<br />
glared horribly. "Do you understand me?" he said. "I am going down there<br />
to pronounce the sentence of death against a murderer. If I find you<br />
alive on my return, you shall sleep to-night in the conciergerie."<br />
Madame de Villefort sighed; her nerves gave way, and she sunk on the<br />
carpet. The king's attorney seemed to experience a sensation of pity;<br />
he looked upon her less severely, and, bowing to her, said slowly,<br />
"Farewell, madame, farewell!" That farewell struck Madame de Villefort<br />
like the executioner's knife. She fainted. The procureur went out, after<br />
having double-locked the door.</p>]]>
        
    </content>
</entry>



<entry>
    <title>War and Peace, by Leo Tolstoy - CHAPTER XXXI</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/war_and_peace/2009/03/chapter-xxxi-1.html" />
    <id>tag:www.greatbooksforfree.com,2009:/war_and_peace//8.561</id>

    <published>2009-03-03T23:37:47Z</published>
    <updated>2008-06-17T22:39:30Z</updated>

    <summary>The valet, returning to the cottage, informed the count that Moscow was burning. The count donned his dressing gown and went out to look. Sonya and Madame Schoss, who had not yet undressed, went out with him. Only Natasha and...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/war_and_peace/">
        <![CDATA[<p>The valet, returning to the cottage, informed the count that<br />
Moscow was burning. The count donned his dressing gown and went out to<br />
look. Sonya and Madame Schoss, who had not yet undressed, went out<br />
with him. Only Natasha and the countess remained in the room. Petya<br />
was no longer with the family, he had gone on with his regiment<br />
which was making for Troitsa.</p>

<p>The countess, on hearing that Moscow was on fire, began to cry.<br />
Natasha, pale, with a fixed look, was sitting on the bench under the<br />
icons just where she had sat down on arriving and paid no attention to<br />
her father's words. She was listening to the ceaseless moaning of<br />
the adjutant, three houses off.</p>

<p>"Oh, how terrible," said Sonya returning from the yard chilled and<br />
frightened. "I believe the whole of Moscow will burn, there's an awful<br />
glow! Natasha, do look! You can see it from the window," she said to<br />
her cousin, evidently wishing to distract her mind.</p>

<p>But Natasha looked at her as if not understanding what was said to<br />
her and again fixed her eyes on the corner of the stove. She had<br />
been in this condition of stupor since the morning, when Sonya, to the<br />
surprise and annoyance of the countess, had for some unaccountable<br />
reason found it necessary to tell Natasha of Prince Andrew's wound and<br />
of his being with their party. The countess had seldom been so angry<br />
with anyone as she was with Sonya. Sonya had cried and begged to be<br />
forgiven and now, as if trying to atone for her fault, paid<br />
unceasing attention to her cousin.</p>

<p>"Look, Natasha, how dreadfully it is burning!" said she.</p>

<p>"What's burning?" asked Natasha. "Oh, yes, Moscow."</p>

<p>And as if in order not to offend Sonya and to get rid of her, she<br />
turned her face to the window, looked out in such a way that it was<br />
evident that she could not see anything, and again settled down in her<br />
former attitude.</p>

<p>"But you didn't see it!"</p>

<p>"Yes, really I did," Natasha replied in a voice that pleaded to be<br />
left in peace.</p>

<p>Both the countess and Sonya understood that, naturally, neither<br />
Moscow nor the burning of Moscow nor anything else could seem of<br />
importance to Natasha.</p>

<p>The count returned and lay down behind the partition. The countess<br />
went up to her daughter and touched her head with the back of her hand<br />
as she was wont to do when Natasha was ill, then touched her<br />
forehead with her lips as if to feel whether she was feverish, and<br />
finally kissed her.</p>

<p>"You are cold. You are trembling all over. You'd better lie down,"<br />
said the countess.</p>

<p>"Lie down? All right, I will. I'll lie down at once," said Natasha.</p>

<p>When Natasha had been told that morning that Prince Andrew was<br />
seriously wounded and was traveling with their party, she had at first<br />
asked many questions: Where was he going? How was he wounded? Was it<br />
serious? And could she see him? But after she had been told that she<br />
could not see him, that he was seriously wounded but that his life was<br />
not in danger, she ceased to ask questions or to speak at all,<br />
evidently disbelieving what they told her, and convinced that say what<br />
she might she would still be told the same. All the way she had sat<br />
motionless in a corner of the coach with wide open eyes, and the<br />
expression in them which the countess knew so well and feared so much,<br />
and now she sat in the same way on the bench where she had seated<br />
herself on arriving. She was planning something and either deciding or<br />
had already decided something in her mind. The countess knew this, but<br />
what it might be she did not know, and this alarmed and tormented her.</p>

<p>"Natasha, undress, darling; lie down on my bed."</p>

<p>A bed had been made on a bedstead for the countess only. Madame<br />
Schoss and the two girls were to sleep on some hay on the floor.</p>

<p>"No, Mamma, I will lie down here on the floor," Natasha replied<br />
irritably and she went to the window and opened it. Through the open<br />
window the moans of the adjutant could be heard more distinctly. She<br />
put her head out into the damp night air, and the countess saw her<br />
slim neck shaking with sobs and throbbing against the window frame.<br />
Natasha knew it was not Prince Andrew who was moaning. She knew Prince<br />
Andrew was in the same yard as themselves and in a part of the hut<br />
across the passage; but this dreadful incessant moaning made her<br />
sob. The countess exchanged a look with Sonya.</p>

<p>"Lie down, darling; lie down, my pet," said the countess, softly<br />
touching Natasha's shoulders. "Come, lie down."</p>

<p>"Oh, yes... I'll lie down at once," said Natasha, and began<br />
hurriedly undressing, tugging at the tapes of her petticoat.</p>

<p>When she had thrown off her dress and put on a dressing jacket,<br />
she sat down with her foot under her on the bed that had been made<br />
up on the floor, jerked her thin and rather short plait of hair to the<br />
front, and began replaiting it. Her long, thin, practiced fingers<br />
rapidly unplaited, replaited, and tied up her plait. Her head moved<br />
from side to side from habit, but her eyes, feverishly wide, looked<br />
fixedly before her. When her toilet for the night was finished she<br />
sank gently onto the sheet spread over the hay on the side nearest the<br />
door.</p>

<p>"Natasha, you'd better lie in the middle," said Sonya.</p>

<p>"I'll stay here," muttered Natasha. "Do lie down," she added<br />
crossly, and buried her face in the pillow.</p>

<p>The countess, Madame Schoss, and Sonya undressed hastily and lay<br />
down. The small lamp in front of the icons was the only light left<br />
in the room. But in the yard there was a light from the fire at Little<br />
Mytishchi a mile and a half away, and through the night came the noise<br />
of people shouting at a tavern Mamonov's Cossacks had set up across<br />
the street, and the adjutant's unceasing moans could still be heard.</p>

<p>For a long time Natasha listened attentively to the sounds that<br />
reached her from inside and outside the room and did not move. First<br />
she heard her mother praying and sighing and the creaking of her bed<br />
under her, then Madame Schoss' familiar whistling snore and Sonya's<br />
gentle breathing. Then the countess called to Natasha. Natasha did not<br />
answer.</p>

<p>"I think she's asleep, Mamma," said Sonya softly.</p>

<p>After a short silence the countess spoke again but this time no one<br />
replied.</p>

<p>Soon after that Natasha heard her mother's even breathing. Natasha<br />
did not move, though her little bare foot, thrust out from under the<br />
quilt, was growing cold on the bare floor.</p>

<p>As if to celebrate a victory over everybody, a cricket chirped in<br />
a crack in the wall. A cock crowed far off and another replied near<br />
by. The shouting in the tavern had died down; only the moaning of<br />
the adjutant was heard. Natasha sat up.</p>

<p>"Sonya, are you asleep? Mamma?" she whispered.</p>

<p>No one replied. Natasha rose slowly and carefully, crossed<br />
herself, and stepped cautiously on the cold and dirty floor with her<br />
slim, supple, bare feet. The boards of the floor creaked. Stepping<br />
cautiously from one foot to the other she ran like a kitten the few<br />
steps to the door and grasped the cold door handle.</p>

<p>It seemed to her that something heavy was beating rhythmically<br />
against all the walls of the room: it was her own heart, sinking<br />
with alarm and terror and overflowing with love.</p>

<p>She opened the door and stepped across the threshold and onto the<br />
cold, damp earthen floor of the passage. The cold she felt refreshed<br />
her. With her bare feet she touched a sleeping man, stepped over<br />
him, and opened the door into the part of the hut where Prince<br />
Andrew lay. It was dark in there. In the farthest corner, on a bench<br />
beside a bed on which something was lying, stood a tallow candle<br />
with a long, thick, and smoldering wick.</p>

<p>From the moment she had been told that morning of Prince Andrew's<br />
wound and his presence there, Natasha had resolved to see him. She did<br />
not know why she had to, she knew the meeting would be painful, but<br />
felt the more convinced that it was necessary.</p>

<p>All day she had lived only in hope of seeing him that night. But now<br />
that the moment had come she was filled with dread of what she might<br />
see. How was he maimed? What was left of him? Was he like that<br />
incessant moaning of the adjutant's? Yes, he was altogether like that.<br />
In her imagination he was that terrible moaning personified. When she<br />
saw an indistinct shape in the corner, and mistook his knees raised<br />
under the quilt for his shoulders, she imagined a horrible body there,<br />
and stood still in terror. But an irresistible impulse drew her<br />
forward. She cautiously took one step and then another, and found<br />
herself in the middle of a small room containing baggage. Another<br />
man--Timokhin--was lying in a corner on the benches beneath the icons,<br />
and two others--the doctor and a valet--lay on the floor.</p>

<p>The valet sat up and whispered something. Timokhin, kept awake by<br />
the pain in his wounded leg, gazed with wide-open eyes at this strange<br />
apparition of a girl in a white chemise, dressing jacket, and<br />
nightcap. The valet's sleepy, frightened exclamation, "What do you<br />
want? What's the matter?" made Natasha approach more swiftly to what<br />
was lying in the corner. Horribly unlike a man as that body looked,<br />
she must see him. She passed the valet, the snuff fell from the candle<br />
wick, and she saw Prince Andrew clearly with his arms outside the<br />
quilt, and such as she had always seen him.</p>

<p>He was the same as ever, but the feverish color of his face, his<br />
glittering eyes rapturously turned toward her, and especially his<br />
neck, delicate as a child's, revealed by the turn-down collar of his<br />
shirt, gave him a peculiarly innocent, childlike look, such as she had<br />
never seen on him before. She went up to him and with a swift,<br />
flexible, youthful movement dropped on her knees.</p>

<p>He smiled and held out his hand to her.</p>]]>
        
    </content>
</entry>



<entry>
    <title>Les Miserables, by Victor Hugo - CHAPTER V</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/les_miserables/2009/03/chapter-v-20.html" />
    <id>tag:www.greatbooksforfree.com,2009:/les_miserables//15.1108</id>

    <published>2009-03-03T23:13:50Z</published>
    <updated>2008-06-20T22:16:00Z</updated>

    <summary>FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES Towards the end of April, everything had become aggravated. The fermentation entered the boiling state. Ever since 1830, petty partial revolts had been going on here and there, which were quickly suppressed,...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/les_miserables/">
        <![CDATA[<p>FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES</p>

<p><br />
Towards the end of April, everything had become aggravated. <br />
The fermentation entered the boiling state.  Ever since 1830,<br />
petty partial revolts had been going on here and there,<br />
which were quickly suppressed, but ever bursting forth afresh,<br />
the sign of a vast underlying conflagration.  Something terrible<br />
was in preparation.  Glimpses could be caught of the features still<br />
indistinct and imperfectly lighted, of a possible revolution. <br />
France kept an eye on Paris; Paris kept an eye on the Faubourg<br />
Saint-Antoine.</p>

<p>The Faubourg Saint-Antoine, which was in a dull glow, was beginning<br />
its ebullition.</p>

<p>The wine-shops of the Rue de Charonne were, although the union<br />
of the two epithets seems singular when applied to wine-shops,<br />
grave and stormy.</p>

<p>The government was there purely and simply called in question. <br />
There people publicly discussed the question of fighting or of<br />
keeping quiet.  There were back shops where workingmen were made to<br />
swear that they would hasten into the street at the first cry of alarm,<br />
and "that they would fight without counting the number of the enemy." <br />
This engagement once entered into, a man seated in the corner of the<br />
wine-shop "assumed a sonorous tone," and said, "You understand! <br />
You have sworn!"</p>

<p>Sometimes they went up stairs, to a private room on the first floor,<br />
and there scenes that were almost masonic were enacted.  They made<br />
the initiated take oaths to render service to himself as well as<br />
to the fathers of families.  That was the formula.</p>

<p>In the tap-rooms, "subversive" pamphlets were read.  They treated<br />
the government with contempt, says a secret report of that time.</p>

<p>Words like the following could be heard there:--</p>

<p>"I don't know the names of the leaders.  We folks shall not<br />
know the day until two hours beforehand."  One workman said: <br />
"There are three hundred of us, let each contribute ten sous,<br />
that will make one hundred and fifty francs with which to procure<br />
powder and shot."</p>

<p>Another said:  "I don't ask for six months, I don't ask for even two. <br />
In less than a fortnight we shall be parallel with the government. <br />
With twenty-five thousand men we can face them."  Another said: <br />
"I don't sleep at night, because I make cartridges all night." <br />
From time to time, men "of bourgeois appearance, and in good coats"<br />
came and "caused embarrassment," and with the air of "command,"<br />
shook hands with the most important, and then went away.  They never<br />
stayed more than ten minutes.  Significant remarks were exchanged<br />
in a low tone:  "The plot is ripe, the matter is arranged."  "It was<br />
murmured by all who were there," to borrow the very expression of one<br />
of those who were present.  The exaltation was such that one day,<br />
a workingman exclaimed, before the whole wine-shop: "We have no arms!" <br />
One of his comrades replied:  "The soldiers have!" thus parodying<br />
without being aware of the fact, Bonaparte's proclamation to the army<br />
in Italy:  "When they had anything of a more secret nature on hand,"<br />
adds one report, "they did not communicate it to each other." <br />
It is not easy to understand what they could conceal after what they<br />
said.</p>

<p>These reunions were sometimes periodical.  At certain ones of them,<br />
there were never more than eight or ten persons present, and they<br />
were always the same.  In others, any one entered who wished,<br />
and the room was so full that they were forced to stand. <br />
Some went thither through enthusiasm and passion; others because<br />
it was on their way to their work.  As during the Revolution,<br />
there were patriotic women in some of these wine-shops who embraced<br />
new-comers.</p>

<p>Other expressive facts came to light.</p>

<p>A man would enter a shop, drink, and go his way with the remark: <br />
"Wine-merchant, the revolution will pay what is due to you."</p>

<p>Revolutionary agents were appointed in a wine-shop facing the Rue<br />
de Charonne.  The balloting was carried on in their caps.</p>

<p>Workingmen met at the house of a fencing-master who gave lessons<br />
in the Rue de Cotte.  There there was a trophy of arms formed of<br />
wooden broadswords, canes, clubs, and foils.  One day, the buttons<br />
were removed from the foils.</p>

<p>A workman said:  "There are twenty-five of us, but they don't<br />
count on me, because I am looked upon as a machine."  Later on,<br />
that machine became Quenisset.</p>

<p>The indefinite things which were brewing gradually acquired a strange<br />
and indescribable notoriety.  A woman sweeping off her doorsteps said<br />
to another woman:  "For a long time, there has been a strong force<br />
busy making cartridges."  In the open street, proclamation could<br />
be seen addressed to the National Guard in the departments. <br />
One of these proclamations was signed:  Burtot, wine-merchant.</p>

<p>One day a man with his beard worn like a collar and with an Italian<br />
accent mounted a stone post at the door of a liquor-seller in the<br />
Marche Lenoir, and read aloud a singular document, which seemed<br />
to emanate from an occult power.  Groups formed around him,<br />
and applauded.</p>

<p>The passages which touched the crowd most deeply were collected and<br />
noted down.  "--Our doctrines are trammelled, our proclamations torn,<br />
our bill-stickers are spied upon and thrown into prison."--"The<br />
breakdown which has recently taken place in cottons has converted<br />
to us many mediums."--"The future of nations is being worked out in<br />
our obscure ranks."--" Here are the fixed terms:  action or reaction,<br />
revolution or counter-revolution. For, at our epoch, we no longer<br />
believe either in inertia or in immobility.  For the people<br />
against the people, that is the question.  There is no other."--"On<br />
the day when we cease to suit you, break us, but up to that day,<br />
help us to march on."  All this in broad daylight.</p>

<p>Other deeds, more audacious still, were suspicious in the eyes of the<br />
people by reason of their very audacity.  On the 4th of April, 1832,<br />
a passer-by mounted the post on the corner which forms the angle<br />
of the Rue Sainte-Marguerite and shouted:  "I am a Babouvist!" <br />
But beneath Babeuf, the people scented Gisquet.</p>

<p>Among other things, this man said:--</p>

<p>"Down with property!  The opposition of the left is cowardly<br />
and treacherous.  When it wants to be on the right side,<br />
it preaches revolution, it is democratic in order to escape<br />
being beaten, and royalist so that it may not have to fight. <br />
The republicans are beasts with feathers.  Distrust the republicans,<br />
citizens of the laboring classes."</p>

<p>"Silence, citizen spy!" cried an artisan.</p>

<p>This shout put an end to the discourse.</p>

<p>Mysterious incidents occurred.</p>

<p>At nightfall, a workingman encountered near the canal a "very<br />
well dressed man," who said to him:  "Whither are you bound,<br />
citizen?"  "Sir," replied the workingman, "I have not the honor<br />
of your acquaintance."  "I know you very well, however."  And the<br />
man added:  "Don't be alarmed, I am an agent of the committee. <br />
You are suspected of not being quite faithful.  You know that if you<br />
reveal anything, there is an eye fixed on you."  Then he shook hands<br />
with the workingman and went away, saying:  "We shall meet again soon."</p>

<p>The police, who were on the alert, collected singular dialogues,<br />
not only in the wine-shops, but in the street.</p>

<p>"Get yourself received very soon," said a weaver to a cabinet-maker.</p>

<p>"Why?"</p>

<p>"There is going to be a shot to fire."</p>

<p>Two ragged pedestrians exchanged these remarkable replies,<br />
fraught with evident Jacquerie:--</p>

<p>"Who governs us?"</p>

<p>"M. Philippe."</p>

<p>"No, it is the bourgeoisie."</p>

<p>The reader is mistaken if he thinks that we take the word Jacquerie<br />
in a bad sense.  The Jacques were the poor.</p>

<p>On another occasion two men were heard to say to each other as they<br />
passed by:  "We have a good plan of attack."</p>

<p>Only the following was caught of a private conversation between four<br />
men who were crouching in a ditch of the circle of the Barriere<br />
du Trone:--</p>

<p>"Everything possible will be done to prevent his walking about Paris<br />
any more."</p>

<p>Who was the he?  Menacing obscurity.</p>

<p>"The principal leaders," as they said in the faubourg, held themselves<br />
apart.  It was supposed that they met for consultation in a wine-shop<br />
near the point Saint-Eustache. A certain Aug--, chief of the Society<br />
aid for tailors, Rue Mondetour, had the reputation of serving<br />
as intermediary central between the leaders and the Faubourg Saint-Antoine.</p>

<p>Nevertheless, there was always a great deal of mystery about<br />
these leaders, and no certain fact can invalidate the singular<br />
arrogance of this reply made later on by a man accused before<br />
the Court of Peers:--</p>

<p>"Who was your leader?"</p>

<p>"I knew of none and I recognized none."</p>

<p>There was nothing but words, transparent but vague; sometimes<br />
idle reports, rumors, hearsay.  Other indications cropped up.</p>

<p>A carpenter, occupied in nailing boards to a fence around<br />
the ground on which a house was in process of construction,<br />
in the Rue de Reuilly found on that plot the torn fragment<br />
of a letter on which were still legible the following lines:--</p>

<p><br />
The committee must take measures to prevent recruiting in the<br />
sections for the different societies.</p>

<p><br />
And, as a postscript:--</p>

<p><br />
We have learned that there are guns in the Rue du Faubourg-Poissonniere,<br />
No. 5 [bis], to the number of five or six thousand, in the house<br />
of a gunsmith in that court.  The section owns no arms.</p>

<p><br />
What excited the carpenter and caused him to show this thing to his<br />
neighbors was the fact, that a few paces further on he picked up<br />
another paper, torn like the first, and still more significant,<br />
of which we reproduce a facsimile, because of the historical interest<br />
attaching to these strange documents:--</p>

<p>+------------------------------------------------------------+ | Q<br />
| C | D | E | Learn this list by heart.  After so doing | | | | |<br />
| you will tear it up.  The men admitted | | | | | | will do the<br />
same when you have transmitted | | | | | | their orders to them. <br />
| | | | | | Health and Fraternity, | | | | | | u og a fe L. |<br />
+------------------------------------------------------------+</p>

<p><br />
It was only later on that the persons who were in the secret<br />
of this find at the time, learned the significance of those four<br />
capital letters:  quinturions, centurions, decurions, eclaireurs<br />
[scouts], and the sense of the letters:  u og a fe, which was a date,<br />
and meant April 15th, 1832.  Under each capital letter were inscribed<br />
names followed by very characteristic notes.  Thus:  Q. Bannerel. <br />
8 guns, 83 cartridges.  A safe man.--C. Boubiere.  1 pistol,<br />
40 cartridges.--D. Rollet.  1 foil, 1 pistol, 1 pound of powder.--<br />
E. Tessier.  1 sword, 1 cartridge-box. Exact.--Terreur.  8 guns. <br />
Brave, etc.</p>

<p>Finally, this carpenter found, still in the same enclosure,<br />
a third paper on which was written in pencil, but very legibly,<br />
this sort of enigmatical list:--</p>

<p>          Unite:  Blanchard: Arbre-Sec. 6.<br />
          Barra.  Soize.  Salle-au-Comte.<br />
          Kosciusko. Aubry the Butcher?<br />
          J. J. R.<br />
          Caius Gracchus.<br />
          Right of revision.  Dufond.  Four.<br />
          Fall of the Girondists.  Derbac.  Maubuee.<br />
          Washington.  Pinson.  1 pistol, 86 cartridges.<br />
          Marseillaise.<br />
          Sovereignty of the people. Michel. Quincampoix. Sword.<br />
          Hoche.<br />
          Marceau.  Plato.  Arbre-Sec.<br />
          Warsaw.  Tilly, crier of the Populaire.</p>

<p><br />
The honest bourgeois into whose hands this list fell knew<br />
its significance.  It appears that this list was the complete nomenclature<br />
of the sections of the fourth arondissement of the Society of the Rights<br />
of Man, with the names and dwellings of the chiefs of sections. <br />
To-day, when all these facts which were obscure are nothing more than<br />
history, we may publish them.  It should be added, that the foundation<br />
of the Society of the Rights of Man seems to have been posterior to<br />
the date when this paper was found.  Perhaps this was only a rough draft.</p>

<p>Still, according to all the remarks and the words, according to<br />
written notes, material facts begin to make their appearance.</p>

<p>In the Rue Popincourt, in the house of a dealer in bric-abrac, there<br />
were seized seven sheets of gray paper, all folded alike lengthwise<br />
and in four; these sheets enclosed twenty-six squares of this<br />
same gray paper folded in the form of a cartridge, and a card,<br />
on which was written the following:--</p>

<p>           Saltpetre . . . . . . . . . . .  12 ounces.<br />
           Sulphur   . . . . . . . . . . .   2 ounces.<br />
           Charcoal  . . . . . . . . . . .   2 ounces and a half.<br />
           Water     . . . . . . . . . . .   2 ounces.</p>

<p><br />
The report of the seizure stated that the drawer exhaled a strong<br />
smell of powder.</p>

<p>A mason returning from his day's work, left behind him a little<br />
package on a bench near the bridge of Austerlitz.  This package<br />
was taken to the police station.  It was opened, and in it were<br />
found two printed dialogues, signed Lahautiere, a song entitled: <br />
"Workmen, band together," and a tin box full of cartridges.</p>

<p>One artisan drinking with a comrade made the latter feel him to see<br />
how warm he was; the other man felt a pistol under his waistcoat.</p>

<p>In a ditch on the boulevard, between Pere-Lachaise and the Barriere<br />
du Trone, at the most deserted spot, some children, while playing,<br />
discovered beneath a mass of shavings and refuse bits of wood,<br />
a bag containing a bullet-mould, a wooden punch for the preparation<br />
of cartridges, a wooden bowl, in which there were grains of<br />
hunting-powder, and a little cast-iron pot whose interior presented<br />
evident traces of melted lead.</p>

<p>Police agents, making their way suddenly and unexpectedly at five<br />
o'clock in the morning, into the dwelling of a certain Pardon,<br />
who was afterwards a member of the Barricade-Merry section and got<br />
himself killed in the insurrection of April, 1834, found him standing<br />
near his bed, and holding in his hand some cartridges which he<br />
was in the act of preparing.</p>

<p>Towards the hour when workingmen repose, two men were seen to meet<br />
between the Barriere Picpus and the Barriere Charenton in a little<br />
lane between two walls, near a wine-shop, in front of which there<br />
was a "Jeu de Siam."[33] One drew a pistol from beneath his blouse<br />
and handed it to the other.  As he was handing it to him, he noticed<br />
that the perspiration of his chest had made the powder damp. <br />
He primed the pistol and added more powder to what was already<br />
in the pan.  Then the two men parted.</p>

<p><br />
[33] A game of ninepins, in which one side of the ball is smaller<br />
than the other, so that it does not roll straight, but describes<br />
a curve on the ground.</p>

<p><br />
A certain Gallais, afterwards killed in the Rue Beaubourg in the<br />
affair of April, boasted of having in his house seven hundred<br />
cartridges and twenty-four flints.</p>

<p>The government one day received a warning that arms and two hundred<br />
thousand cartridges had just been distributed in the faubourg. <br />
On the following week thirty thousand cartridges were distributed. <br />
The remarkable point about it was, that the police were not able to<br />
seize a single one.</p>

<p>An intercepted letter read:  "The day is not far distant when,<br />
within four hours by the clock, eighty thousand patriots will be<br />
under arms."</p>

<p>All this fermentation was public, one might almost say tranquil. <br />
The approaching insurrection was preparing its storm calmly in the<br />
face of the government.  No singularity was lacking to this still<br />
subterranean crisis, which was already perceptible.  The bourgeois<br />
talked peaceably to the working-classes of what was in preparation. <br />
They said:  "How is the rising coming along?" in the same tone in<br />
which they would have said:  "How is your wife?"</p>

<p>A furniture-dealer, of the Rue Moreau, inquired:  "Well, when are<br />
you going to make the attack?"</p>

<p>Another shop-keeper said:--</p>

<p>"The attack will be made soon."</p>

<p>"I know it.  A month ago, there were fifteen thousand of you,<br />
now there are twenty-five thousand."  He offered his gun,<br />
and a neighbor offered a small pistol which he was willing to sell<br />
for seven francs.</p>

<p>Moreover, the revolutionary fever was growing.  Not a point in Paris<br />
nor in France was exempt from it.  The artery was beating everywhere. <br />
Like those membranes which arise from certain inflammations and form<br />
in the human body, the network of secret societies began to spread<br />
all over the country.  From the associations of the Friends<br />
of the People, which was at the same time public and secret,<br />
sprang the Society of the Rights of Man, which also dated from one<br />
of the orders of the day:  Pluviose, Year 40 of the republican era,<br />
which was destined to survive even the mandate of the Court of<br />
Assizes which pronounced its dissolution, and which did not hesitate<br />
to bestow on its sections significant names like the following:--</p>

<p>     Pikes.<br />
     Tocsin.<br />
     Signal cannon.<br />
     Phrygian cap.<br />
     January 21.<br />
     The beggars.<br />
     The vagabonds.<br />
     Forward march.<br />
     Robespierre.<br />
     Level.<br />
     Ca Ira.</p>

<p>The Society of the Rights of Man engendered the Society of Action. <br />
These were impatient individuals who broke away and hastened ahead. <br />
Other associations sought to recruit themselves from the great<br />
mother societies.  The members of sections complained that they<br />
were torn asunder.  Thus, the Gallic Society, and the committee<br />
of organization of the Municipalities.  Thus the associations for the<br />
liberty of the press, for individual liberty, for the instruction<br />
of the people against indirect taxes.  Then the Society of Equal<br />
Workingmen which was divided into three fractions, the levellers,<br />
the communists, the reformers.  Then the Army of the Bastilles,<br />
a sort of cohort organized on a military footing, four men commanded<br />
by a corporal, ten by a sergeant, twenty by a sub-lieutenant, forty by<br />
a lieutenant; there were never more than five men who knew each other. <br />
Creation where precaution is combined with audacity and which seemed<br />
stamped with the genius of Venice.</p>

<p>The central committee, which was at the head, had two arms,<br />
the Society of Action, and the Army of the Bastilles.</p>

<p>A legitimist association, the Chevaliers of Fidelity, stirred about<br />
among these the republican affiliations.  It was denounced<br />
and repudiated there.</p>

<p>The Parisian societies had ramifications in the principal cities,<br />
Lyons, Nantes, Lille, Marseilles, and each had its Society<br />
of the Rights of Man, the Charbonniere, and The Free Men. <br />
All had a revolutionary society which was called the Cougourde. <br />
We have already mentioned this word.</p>

<p>In Paris, the Faubourg Saint-Marceau kept up an equal buzzing with<br />
the Faubourg Saint-Antoine, and the schools were no less moved than<br />
the faubourgs.  A cafe in the Rue Saint-Hyacinthe and the wine-shop<br />
of the Seven Billiards, Rue des Mathurins-Saint-Jacques, served<br />
as rallying points for the students.  The Society of the Friends<br />
of the A B C affiliated to the Mutualists of Angers, and to the<br />
Cougourde of Aix, met, as we have seen, in the Cafe Musain. <br />
These same young men assembled also, as we have stated already, in a<br />
restaurant wine-shop of the Rue Mondetour which was called Corinthe. <br />
These meetings were secret.  Others were as public as possible,<br />
and the reader can judge of their boldness from these fragments<br />
of an interrogatory undergone in one of the ulterior prosecutions: <br />
"Where was this meeting held?"  "In the Rue de la Paix." <br />
"At whose house?"  "In the street."  "What sections were there?" <br />
"Only one."  "Which?"  "The Manuel section."  "Who was its leader?" <br />
"I." "You are too young to have decided alone upon the bold course<br />
of attacking the government.  Where did your instructions come from?" <br />
"From the central committee."</p>

<p>The army was mined at the same time as the population, as was proved<br />
subsequently by the operations of Beford, Luneville, and Epinard. <br />
They counted on the fifty-second regiment, on the fifth, on the eighth,<br />
on the thirty-seventh, and on the twentieth light cavalry. <br />
In Burgundy and in the southern towns they planted the liberty tree;<br />
that is to say, a pole surmounted by a red cap.</p>

<p>Such was the situation.</p>

<p>The Faubourg Saint-Antoine, more than any other group of the population,<br />
as we stated in the beginning, accentuated this situation and made<br />
it felt.  That was the sore point.  This old faubourg, peopled like<br />
an ant-hill, laborious, courageous, and angry as a hive of bees,<br />
was quivering with expectation and with the desire for a tumult. <br />
Everything was in a state of agitation there, without any interruption,<br />
however, of the regular work.  It is impossible to convey an idea<br />
of this lively yet sombre physiognomy.  In this faubourg exists<br />
poignant distress hidden under attic roofs; there also exist rare<br />
and ardent minds.  It is particularly in the matter of distress<br />
and intelligence that it is dangerous to have extremes meet.</p>

<p>The Faubourg Saint-Antoine had also other causes to tremble;<br />
for it received the counter-shock of commercial crises, of failures,<br />
strikes, slack seasons, all inherent to great political disturbances. <br />
In times of revolution misery is both cause and effect.  The blow<br />
which it deals rebounds upon it.  This population full of proud virtue,<br />
capable to the highest degree of latent heat, always ready to fly<br />
to arms, prompt to explode, irritated, deep, undermined, seemed to<br />
be only awaiting the fall of a spark.  Whenever certain sparks<br />
float on the horizon chased by the wind of events, it is impossible<br />
not to think of the Faubourg Saint-Antoine and of the formidable<br />
chance which has placed at the very gates of Paris that powder-house<br />
of suffering and ideas.</p>

<p>The wine-shops of the Faubourg Antoine, which have been more than<br />
once drawn in the sketches which the reader has just perused,<br />
possess historical notoriety.  In troublous times people grow<br />
intoxicated there more on words than on wine.  A sort of prophetic<br />
spirit and an afflatus of the future circulates there, swelling hearts<br />
and enlarging souls.  The cabarets of the Faubourg Saint-Antoine<br />
resemble those taverns of Mont Aventine erected on the cave of<br />
the Sibyl and communicating with the profound and sacred breath;<br />
taverns where the tables were almost tripods, and where was drunk<br />
what Ennius calls the sibylline wine.</p>

<p>The Faubourg Saint-Antoine is a reservoir of people. <br />
Revolutionary agitations create fissures there, through which<br />
trickles the popular sovereignty.  This sovereignty may do evil;<br />
it can be mistaken like any other; but, even when led astray,<br />
it remains great.  We may say of it as of the blind cyclops, Ingens.</p>

<p>In '93, according as the idea which was floating about was good<br />
or evil, according as it was the day of fanaticism or of enthusiasm,<br />
there leaped forth from the Faubourg Saint-Antoine now savage legions,<br />
now heroic bands.</p>

<p>Savage.  Let us explain this word.  When these bristling men,<br />
who in the early days of the revolutionary chaos, tattered, howling,<br />
wild, with uplifted bludgeon, pike on high, hurled themselves<br />
upon ancient Paris in an uproar, what did they want?  They wanted<br />
an end to oppression, an end to tyranny, an end to the sword,<br />
work for men, instruction for the child, social sweetness for<br />
the woman, liberty, equality, fraternity, bread for all, the idea<br />
for all, the Edenizing of the world.  Progress; and that holy,<br />
sweet, and good thing, progress, they claimed in terrible wise,<br />
driven to extremities as they were, half naked, club in fist, a roar<br />
in their mouths.  They were savages, yes; but the savages of civilization.</p>

<p>They proclaimed right furiously; they were desirous, if only<br />
with fear and trembling, to force the human race to paradise. <br />
They seemed barbarians, and they were saviours.  They demanded<br />
light with the mask of night.</p>

<p>Facing these men, who were ferocious, we admit, and terrifying,<br />
but ferocious and terrifying for good ends, there are other men,<br />
smiling, embroidered, gilded, beribboned, starred, in silk stockings,<br />
in white plumes, in yellow gloves, in varnished shoes, who, with their<br />
elbows on a velvet table, beside a marble chimney-piece, insist gently<br />
on demeanor and the preservation of the past, of the Middle Ages,<br />
of divine right, of fanaticism, of innocence, of slavery, of the<br />
death penalty, of war, glorifying in low tones and with politeness,<br />
the sword, the stake, and the scaffold.  For our part, if we were<br />
forced to make a choice between the barbarians of civilization<br />
and the civilized men of barbarism, we should choose the barbarians.</p>

<p>But, thank Heaven, still another choice is possible.  No perpendicular<br />
fall is necessary, in front any more than in the rear.</p>

<p>Neither despotism nor terrorism.  We desire progress with a gentle slope.</p>

<p>God takes care of that.  God's whole policy consists in rendering<br />
slopes less steep.</p>]]>
        
    </content>
</entry>



<entry>
    <title>The Count of Monte Cristo, by Alexandre Dumas père - CHAPTER 107. The Lions&apos; Den.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-107-the-lions-den.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1597</id>

    <published>2009-03-02T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>One division of La Force, in which the most dangerous and desperate prisoners are confined, is called the court of Saint-Bernard. The prisoners, in their expressive language, have named it the &quot;Lions&apos; Den,&quot; probably because the captives possess teeth which...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>One division of La Force, in which the most dangerous and desperate<br />
prisoners are confined, is called the court of Saint-Bernard. The<br />
prisoners, in their expressive language, have named it the "Lions' Den,"<br />
probably because the captives possess teeth which frequently gnaw the<br />
bars, and sometimes the keepers also. It is a prison within a prison;<br />
the walls are double the thickness of the rest. The gratings are every<br />
day carefully examined by jailers, whose herculean proportions and cold<br />
pitiless expression prove them to have been chosen to reign over their<br />
subjects for their superior activity and intelligence. The court-yard of<br />
this quarter is enclosed by enormous walls, over which the sun glances<br />
obliquely, when it deigns to penetrate into this gulf of moral and<br />
physical deformity. On this paved yard are to be seen,--pacing to and<br />
fro from morning till night, pale, careworn, and haggard, like so<br />
many shadows,--the men whom justice holds beneath the steel she is<br />
sharpening. There, crouched against the side of the wall which attracts<br />
and retains the most heat, they may be seen sometimes talking to one<br />
another, but more frequently alone, watching the door, which sometimes<br />
opens to call forth one from the gloomy assemblage, or to throw in<br />
another outcast from society.</p>

<p>The court of Saint-Bernard has its own particular apartment for the<br />
reception of guests; it is a long rectangle, divided by two upright<br />
gratings placed at a distance of three feet from one another to prevent<br />
a visitor from shaking hands with or passing anything to the prisoners.<br />
It is a wretched, damp, nay, even horrible spot, more especially when we<br />
consider the agonizing conferences which have taken place between those<br />
iron bars. And yet, frightful though this spot may be, it is looked upon<br />
as a kind of paradise by the men whose days are numbered; it is so rare<br />
for them to leave the Lions' Den for any other place than the barrier<br />
Saint-Jacques or the galleys!</p>

<p>In the court which we have attempted to describe, and from which a damp<br />
vapor was rising, a young man with his hands in his pockets, who had<br />
excited much curiosity among the inhabitants of the "Den," might be seen<br />
walking. The cut of his clothes would have made him pass for an elegant<br />
man, if those clothes had not been torn to shreds; still they did not<br />
show signs of wear, and the fine cloth, beneath the careful hands of<br />
the prisoner, soon recovered its gloss in the parts which were still<br />
perfect, for the wearer tried his best to make it assume the appearance<br />
of a new coat. He bestowed the same attention upon the cambric front of<br />
a shirt, which had considerably changed in color since his entrance into<br />
the prison, and he polished his varnished boots with the corner of a<br />
handkerchief embroidered with initials surmounted by a coronet. Some<br />
of the inmates of the "Lions' Den" were watching the operations of<br />
the prisoner's toilet with considerable interest. "See, the prince is<br />
pluming himself," said one of the thieves. "He's a fine looking fellow,"<br />
said another; "if he had only a comb and hair-grease, he'd take the<br />
shine off the gentlemen in white kids."</p>

<p>"His coat looks almost new, and his boots shine like a nigger's face.<br />
It's pleasant to have such well-dressed comrades; but didn't those<br />
gendarmes behave shameful?--must 'a been jealous, to tear such clothes!"</p>

<p>"He looks like a big-bug," said another; "dresses in fine style. And,<br />
then, to be here so young! Oh, what larks!" Meanwhile the object of<br />
this hideous admiration approached the wicket, against which one of the<br />
keepers was leaning. "Come, sir," he said, "lend me twenty francs; you<br />
will soon be paid; you run no risks with me. Remember, I have relations<br />
who possess more millions than you have deniers. Come, I beseech<br />
you, lend me twenty francs, so that I may buy a dressing-gown; it is<br />
intolerable always to be in a coat and boots! And what a coat, sir, for<br />
a prince of the Cavalcanti!" The keeper turned his back, and shrugged<br />
his shoulders; he did not even laugh at what would have caused any one<br />
else to do so; he had heard so many utter the same things,--indeed, he<br />
heard nothing else.</p>

<p>"Come," said Andrea, "you are a man void of compassion; I'll have you<br />
turned out." This made the keeper turn around, and he burst into a loud<br />
laugh. The prisoners then approached and formed a circle. "I tell you<br />
that with that wretched sum," continued Andrea, "I could obtain a<br />
coat, and a room in which to receive the illustrious visitor I am daily<br />
expecting."</p>

<p>"Of course--of course," said the prisoners;--"any one can see he's a<br />
gentleman!"</p>

<p>"Well, then, lend him the twenty francs," said the keeper, leaning on<br />
the other shoulder; "surely you will not refuse a comrade!"</p>

<p>"I am no comrade of these people," said the young man, proudly, "you<br />
have no right to insult me thus."</p>

<p>The thieves looked at one another with low murmurs, and a storm gathered<br />
over the head of the aristocratic prisoner, raised less by his own<br />
words than by the manner of the keeper. The latter, sure of quelling<br />
the tempest when the waves became too violent, allowed them to rise to<br />
a certain pitch that he might be revenged on the importunate Andrea,<br />
and besides it would afford him some recreation during the long day. The<br />
thieves had already approached Andrea, some screaming, "La savate--La<br />
savate!" [*] a cruel operation, which consists in cuffing a comrade who<br />
may have fallen into disgrace, not with an old shoe, but with an<br />
iron-heeled one. Others proposed the "anguille," another kind of<br />
recreation, in which a handkerchief is filled with sand, pebbles, and<br />
two-sous pieces, when they have them, which the wretches beat like a<br />
flail over the head and shoulders of the unhappy sufferer. "Let us<br />
horsewhip the fine gentleman!" said others.</p>

<p>     * Savate: an old shoe.</p>

<p>But Andrea, turning towards them, winked his eyes, rolled his tongue<br />
around his cheeks, and smacked his lips in a manner equivalent to a<br />
hundred words among the bandits when forced to be silent. It was a<br />
Masonic sign Caderousse had taught him. He was immediately recognized as<br />
one of them; the handkerchief was thrown down, and the iron-heeled shoe<br />
replaced on the foot of the wretch to whom it belonged. Some voices were<br />
heard to say that the gentleman was right; that he intended to be<br />
civil, in his way, and that they would set the example of liberty of<br />
conscience,--and the mob retired. The keeper was so stupefied at this<br />
scene that he took Andrea by the hands and began examining his person,<br />
attributing the sudden submission of the inmates of the Lions' Den<br />
to something more substantial than mere fascination. Andrea made no<br />
resistance, although he protested against it. Suddenly a voice was heard<br />
at the wicket. "Benedetto!" exclaimed an inspector. The keeper relaxed<br />
his hold. "I am called," said Andrea. "To the visitors' room!" said the<br />
same voice.</p>

<p>"You see some one pays me a visit. Ah, my dear sir, you will see whether<br />
a Cavalcanti is to be treated like a common person!" And Andrea, gliding<br />
through the court like a black shadow, rushed out through the wicket,<br />
leaving his comrades, and even the keeper, lost in wonder. Certainly<br />
a call to the visitors' room had scarcely astonished Andrea less than<br />
themselves, for the wily youth, instead of making use of his privilege<br />
of waiting to be claimed on his entry into La Force, had maintained<br />
a rigid silence. "Everything," he said, "proves me to be under the<br />
protection of some powerful person,--this sudden fortune, the facility<br />
with which I have overcome all obstacles, an unexpected family and an<br />
illustrious name awarded to me, gold showered down upon me, and the most<br />
splendid alliances about to be entered into. An unhappy lapse of fortune<br />
and the absence of my protector have cast me down, certainly, but<br />
not forever. The hand which has retreated for a while will be again<br />
stretched forth to save me at the very moment when I shall think myself<br />
sinking into the abyss. Why should I risk an imprudent step? It might<br />
alienate my protector. He has two means of extricating me from this<br />
dilemma,--the one by a mysterious escape, managed through bribery; the<br />
other by buying off my judges with gold. I will say and do nothing until<br />
I am convinced that he has quite abandoned me, and then"--</p>

<p>Andrea had formed a plan which was tolerably clever. The unfortunate<br />
youth was intrepid in the attack, and rude in the defence. He had borne<br />
with the public prison, and with privations of all sorts; still, by<br />
degrees nature, or rather custom, had prevailed, and he suffered from<br />
being naked, dirty, and hungry. It was at this moment of discomfort that<br />
the inspector's voice called him to the visiting-room. Andrea felt his<br />
heart leap with joy. It was too soon for a visit from the examining<br />
magistrate, and too late for one from the director of the prison, or the<br />
doctor; it must, then, be the visitor he hoped for. Behind the grating<br />
of the room into which Andrea had been led, he saw, while his eyes<br />
dilated with surprise, the dark and intelligent face of M. Bertuccio,<br />
who was also gazing with sad astonishment upon the iron bars, the bolted<br />
doors, and the shadow which moved behind the other grating.</p>

<p>"Ah," said Andrea, deeply affected.</p>

<p>"Good morning, Benedetto," said Bertuccio, with his deep, hollow voice.</p>

<p>"You--you?" said the young man, looking fearfully around him.</p>

<p>"Do you not recognize me, unhappy child?"</p>

<p>"Silence,--be silent!" said Andrea, who knew the delicate sense of<br />
hearing possessed by the walls; "for heaven's sake, do not speak so<br />
loud!"</p>

<p>"You wish to speak with me alone, do you not?" said Bertuccio.</p>

<p>"Oh, yes."</p>

<p>"That is well." And Bertuccio, feeling in his pocket, signed to a keeper<br />
whom he saw through the window of the wicket.</p>

<p>"Read?" he said.</p>

<p>"What is that?" asked Andrea.</p>

<p>"An order to conduct you to a room, and to leave you there to talk to<br />
me."</p>

<p>"Oh," cried Andrea, leaping with joy. Then he mentally added,--"Still my<br />
unknown protector! I am not forgotten. They wish for secrecy, since we<br />
are to converse in a private room. I understand, Bertuccio has been sent<br />
by my protector."</p>

<p>The keeper spoke for a moment with an official, then opened the iron<br />
gates and conducted Andrea to a room on the first floor. The room was<br />
whitewashed, as is the custom in prisons, but it looked quite brilliant<br />
to a prisoner, though a stove, a bed, a chair, and a table formed the<br />
whole of its sumptuous furniture. Bertuccio sat down upon the chair,<br />
Andrea threw himself upon the bed; the keeper retired.</p>

<p>"Now," said the steward, "what have you to tell me?"</p>

<p>"And you?" said Andrea.</p>

<p>"You speak first."</p>

<p>"Oh, no. You must have much to tell me, since you have come to seek me."</p>

<p>"Well, be it so. You have continued your course of villany; you have<br />
robbed--you have assassinated."</p>

<p>"Well, I should say! If you had me taken to a private room only to tell<br />
me this, you might have saved yourself the trouble. I know all these<br />
things. But there are some with which, on the contrary, I am not<br />
acquainted. Let us talk of those, if you please. Who sent you?"</p>

<p>"Come, come, you are going on quickly, M. Benedetto!"</p>

<p>"Yes, and to the point. Let us dispense with useless words. Who sends<br />
you?"</p>

<p>"No one."</p>

<p>"How did you know I was in prison?"</p>

<p>"I recognized you, some time since, as the insolent dandy who so<br />
gracefully mounted his horse in the Champs Elysees."</p>

<p>"Oh, the Champs Elysees? Ah, yes; we burn, as they say at the game<br />
of pincette. The Champs Elysees? Come, let us talk a little about my<br />
father."</p>

<p>"Who, then, am I?"</p>

<p>"You, sir?--you are my adopted father. But it was not you, I presume,<br />
who placed at my disposal 100,000 francs, which I spent in four or five<br />
months; it was not you who manufactured an Italian gentleman for my<br />
father; it was not you who introduced me into the world, and had me<br />
invited to a certain dinner at Auteuil, which I fancy I am eating<br />
at this moment, in company with the most distinguished people in<br />
Paris--amongst the rest with a certain procureur, whose acquaintance I<br />
did very wrong not to cultivate, for he would have been very useful<br />
to me just now;--it was not you, in fact, who bailed me for one or two<br />
millions, when the fatal discovery of my little secret took place. Come,<br />
speak, my worthy Corsican, speak!"</p>

<p>"What do you wish me to say?"</p>

<p>"I will help you. You were speaking of the Champs Elysees just now,<br />
worthy foster-father."</p>

<p>"Well?"</p>

<p>"Well, in the Champs Elysees there resides a very rich gentleman."</p>

<p>"At whose house you robbed and murdered, did you not?"</p>

<p>"I believe I did."</p>

<p>"The Count of Monte Cristo?"</p>

<p>"'Tis you who have named him, as M. Racine says. Well, am I to rush into<br />
his arms, and strain him to my heart, crying, 'My father, my father!'<br />
like Monsieur Pixerecourt." [*]</p>

<p>"Do not let us jest," gravely replied Bertuccio, "and dare not to utter<br />
that name again as you have pronounced it."</p>

<p>     * Guilbert de Pixerecourt, French dramatist<br />
     (1775-1844).</p>

<p>"Bah," said Andrea, a little overcome, by the solemnity of Bertuccio's<br />
manner, "why not?"</p>

<p>"Because the person who bears it is too highly favored by heaven to be<br />
the father of such a wretch as you."</p>

<p>"Oh, these are fine words."</p>

<p>"And there will be fine doings, if you do not take care."</p>

<p>"Menaces--I do not fear them. I will say"--</p>

<p>"Do you think you are engaged with a pygmy like yourself?" said<br />
Bertuccio, in so calm a tone, and with so steadfast a look, that<br />
Andrea was moved to the very soul. "Do you think you have to do with<br />
galley-slaves, or novices in the world? Benedetto, you are fallen into<br />
terrible hands; they are ready to open for you--make use of them. Do not<br />
play with the thunderbolt they have laid aside for a moment, but which<br />
they can take up again instantly, if you attempt to intercept their<br />
movements."</p>

<p>"My father--I will know who my father is," said the obstinate youth; "I<br />
will perish if I must, but I will know it. What does scandal signify<br />
to me? What possessions, what reputation, what 'pull,' as Beauchamp<br />
says,--have I? You great people always lose something by scandal,<br />
notwithstanding your millions. Come, who is my father?"</p>

<p>"I came to tell you."</p>

<p>"Ah," cried Benedetto, his eyes sparkling with joy. Just then the door<br />
opened, and the jailer, addressing himself to Bertuccio, said,--"Excuse<br />
me, sir, but the examining magistrate is waiting for the prisoner."</p>

<p>"And so closes our interview," said Andrea to the worthy steward; "I<br />
wish the troublesome fellow were at the devil!"</p>

<p>"I will return to-morrow," said Bertuccio.</p>

<p>"Good! Gendarmes, I am at your service. Ah, sir, do leave a few crowns<br />
for me at the gate that I may have some things I am in need of!"</p>

<p>"It shall be done," replied Bertuccio. Andrea extended his hand;<br />
Bertuccio kept his own in his pocket, and merely jingled a few pieces<br />
of money. "That's what I mean," said Andrea, endeavoring to smile, quite<br />
overcome by the strange tranquillity of Bertuccio. "Can I be deceived?"<br />
he murmured, as he stepped into the oblong and grated vehicle which they<br />
call "the salad basket." "Never mind, we shall see! To-morrow, then!" he<br />
added, turning towards Bertuccio.</p>

<p>"To-morrow!" replied the steward.</p>]]>
        
    </content>
</entry>



<entry>
    <title>War and Peace, by Leo Tolstoy - CHAPTER XXX</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/war_and_peace/2009/03/chapter-xxx-1.html" />
    <id>tag:www.greatbooksforfree.com,2009:/war_and_peace//8.560</id>

    <published>2009-03-02T23:37:47Z</published>
    <updated>2008-06-17T22:39:30Z</updated>

    <summary>The glow of the first fire that began on the second of September was watched from the various roads by the fugitive Muscovites and by the retreating troops, with many different feelings. The Rostov party spent the night at Mytishchi,...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/war_and_peace/">
        <![CDATA[<p>The glow of the first fire that began on the second of September was<br />
watched from the various roads by the fugitive Muscovites and by the<br />
retreating troops, with many different feelings.</p>

<p>The Rostov party spent the night at Mytishchi, fourteen miles from<br />
Moscow. They had started so late on the first of September, the road<br />
had been so blocked by vehicles and troops, so many things had been<br />
forgotten for which servants were sent back, that they had decided<br />
to spend that night at a place three miles out of Moscow. The next<br />
morning they woke late and were again delayed so often that they<br />
only got as far as Great Mytishchi. At ten o'clock that evening the<br />
Rostov family and the wounded traveling with them were all distributed<br />
in the yards and huts of that large village. The Rostovs' servants and<br />
coachmen and the orderlies of the wounded officers, after attending to<br />
their masters, had supper, fed the horses, and came out into the<br />
porches.</p>

<p>In a neighboring hut lay Raevski's adjutant with a fractured<br />
wrist. The awful pain he suffered made him moan incessantly and<br />
piteously, and his moaning sounded terrible in the darkness of the<br />
autumn night. He had spent the first night in the same yard as the<br />
Rostovs. The countess said she had been unable to close her eyes on<br />
account of his moaning, and at Mytishchi she moved into a worse hut<br />
simply to be farther away from the wounded man.</p>

<p>In the darkness of the night one of the servants noticed, above<br />
the high body of a coach standing before the porch, the small glow<br />
of another fire. One glow had long been visible and everybody knew<br />
that it was Little Mytishchi burning--set on fire by Mamonov's<br />
Cossacks.</p>

<p>"But look here, brothers, there's another fire!" remarked an<br />
orderly.</p>

<p>All turned their attention to the glow.</p>

<p>"But they told us Little Mytishchi had been set on fire by Mamonov's<br />
Cossacks."</p>

<p>"But that's not Mytishchi, it's farther away."</p>

<p>"Look, it must be in Moscow!"</p>

<p>Two of the gazers went round to the other side of the coach and<br />
sat down on its steps.</p>

<p>"It's more to the left, why, Little Mytishchi is over there, and<br />
this is right on the other side."</p>

<p>Several men joined the first two.</p>

<p>"See how it's flaring," said one. "That's a fire in Moscow: either<br />
in the Sushchevski or the Rogozhski quarter."</p>

<p>No one replied to this remark and for some time they all gazed<br />
silently at the spreading flames of the second fire in the distance.</p>

<p>Old Daniel Terentich, the count's valet (as he was called), came<br />
up to the group and shouted at Mishka.</p>

<p>"What are you staring at, you good-for-nothing?... The count will be<br />
calling and there's nobody there; go and gather the clothes together."</p>

<p>"I only ran out to get some water," said Mishka.</p>

<p>"But what do you think, Daniel Terentich? Doesn't it look as if that<br />
glow were in Moscow?" remarked one of the footmen.</p>

<p>Daniel Terentich made no reply, and again for a long time they<br />
were all silent. The glow spread, rising and falling, farther and<br />
farther still.</p>

<p>"God have mercy.... It's windy and dry..." said another voice.</p>

<p>"Just look! See what it's doing now. O Lord! You can even see the<br />
crows flying. Lord have mercy on us sinners!"</p>

<p>"They'll put it out, no fear!"</p>

<p>"Who's to put it out?" Daniel Terentich, who had hitherto been<br />
silent, was heard to say. His voice was calm and deliberate. "Moscow<br />
it is, brothers," said he. "Mother Moscow, the white..." his voice<br />
faltered, and he gave way to an old man's sob.</p>

<p>And it was as if they had all only waited for this to realize the<br />
significance for them of the glow they were watching. Sighs were<br />
heard, words of prayer, and the sobbing of the count's old valet.</p>]]>
        
    </content>
</entry>



<entry>
    <title>Les Miserables, by Victor Hugo - CHAPTER IV</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/les_miserables/2009/03/chapter-iv-21.html" />
    <id>tag:www.greatbooksforfree.com,2009:/les_miserables//15.1107</id>

    <published>2009-03-02T23:13:50Z</published>
    <updated>2008-06-20T22:15:59Z</updated>

    <summary>CRACKS BENEATH THE FOUNDATION At the moment when the drama which we are narrating is on the point of penetrating into the depths of one of the tragic clouds which envelop the beginning of Louis Philippe&apos;s reign, it was necessary...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/les_miserables/">
        <![CDATA[<p>CRACKS BENEATH THE FOUNDATION</p>

<p><br />
At the moment when the drama which we are narrating is on the point<br />
of penetrating into the depths of one of the tragic clouds which<br />
envelop the beginning of Louis Philippe's reign, it was necessary<br />
that there should be no equivoque, and it became requisite that<br />
this book should offer some explanation with regard to this king.</p>

<p>Louis Philippe had entered into possession of his royal authority<br />
without violence, without any direct action on his part, by virtue<br />
of a revolutionary change, evidently quite distinct from the real<br />
aim of the Revolution, but in which he, the Duc d'Orleans,<br />
exercised no personal initiative.  He had been born a Prince,<br />
and he believed himself to have been elected King.  He had not served<br />
this mandate on himself; he had not taken it; it had been offered<br />
to him, and he had accepted it; convinced, wrongly, to be sure,<br />
but convinced nevertheless, that the offer was in accordance with<br />
right and that the acceptance of it was in accordance with duty. <br />
Hence his possession was in good faith.  Now, we say it in<br />
good conscience, Louis Philippe being in possession in perfect<br />
good faith, and the democracy being in good faith in its attack,<br />
the amount of terror discharged by the social conflicts weighs neither<br />
on the King nor on the democracy.  A clash of principles resembles<br />
a clash of elements.  The ocean defends the water, the hurricane<br />
defends the air, the King defends Royalty, the democracy defends<br />
the people; the relative, which is the monarchy, resists the absolute,<br />
which is the republic; society bleeds in this conflict, but that<br />
which constitutes its suffering to-day will constitute its safety<br />
later on; and, in any case, those who combat are not to be blamed;<br />
one of the two parties is evidently mistaken; the right is not,<br />
like the Colossus of Rhodes, on two shores at once, with one<br />
foot on the republic, and one in Royalty; it is indivisible,<br />
and all on one side; but those who are in error are so sincerely;<br />
a blind man is no more a criminal than a Vendean is a ruffian. <br />
Let us, then, impute to the fatality of things alone these<br />
formidable collisions.  Whatever the nature of these tempests may be,<br />
human irresponsibility is mingled with them.</p>

<p>Let us complete this exposition.</p>

<p>The government of 1840 led a hard life immediately.  Born yesterday,<br />
it was obliged to fight to-day.</p>

<p>Hardly installed, it was already everywhere conscious of vague<br />
movements of traction on the apparatus of July so recently laid,<br />
and so lacking in solidity.</p>

<p>Resistance was born on the morrow; perhaps even, it was born on<br />
the preceding evening.  From month to month the hostility increased,<br />
and from being concealed it became patent.</p>

<p>The Revolution of July, which gained but little acceptance outside<br />
of France by kings, had been diversely interpreted in France,<br />
as we have said.</p>

<p>God delivers over to men his visible will in events, an obscure text<br />
written in a mysterious tongue.  Men immediately make translations<br />
of it; translations hasty, incorrect, full of errors, of gaps,<br />
and of nonsense.  Very few minds comprehend the divine language. <br />
The most sagacious, the calmest, the most profound, decipher slowly,<br />
and when they arrive with their text, the task has long been completed;<br />
there are already twenty translations on the public place. <br />
From each remaining springs a party, and from each misinterpretation<br />
a faction; and each party thinks that it alone has the true text,<br />
and each faction thinks that it possesses the light.</p>

<p>Power itself is often a faction.</p>

<p>There are, in revolutions, swimmers who go against the current;<br />
they are the old parties.</p>

<p>For the old parties who clung to heredity by the grace of God,<br />
think that revolutions, having sprung from the right to revolt,<br />
one has the right to revolt against them.  Error.  For in these<br />
revolutions, the one who revolts is not the people; it is the king. <br />
Revolution is precisely the contrary of revolt.  Every revolution,<br />
being a normal outcome, contains within itself its legitimacy,<br />
which false revolutionists sometimes dishonor, but which remains even<br />
when soiled, which survives even when stained with blood.</p>

<p>Revolutions spring not from an accident, but from necessity. <br />
A revolution is a return from the fictitious to the real.  It is<br />
because it must be that it is.</p>

<p>None the less did the old legitimist parties assail the Revolution<br />
of 1830 with all the vehemence which arises from false reasoning. <br />
Errors make excellent projectiles.  They strike it cleverly in its<br />
vulnerable spot, in default of a cuirass, in its lack of logic;<br />
they attacked this revolution in its royalty.  They shouted to it: <br />
"Revolution, why this king?"  Factions are blind men who aim correctly.</p>

<p>This cry was uttered equally by the republicans.  But coming from them,<br />
this cry was logical.  What was blindness in the legitimists was<br />
clearness of vision in the democrats.  1830 had bankrupted the people. <br />
The enraged democracy reproached it with this.</p>

<p>Between the attack of the past and the attack of the future,<br />
the establishment of July struggled.  It represented the minute<br />
at loggerheads on the one hand with the monarchical centuries,<br />
on the other hand with eternal right.</p>

<p>In addition, and beside all this, as it was no longer revolution and had<br />
become a monarchy, 1830 was obliged to take precedence of all Europe. <br />
To keep the peace, was an increase of complication.  A harmony<br />
established contrary to sense is often more onerous than a war. <br />
From this secret conflict, always muzzled, but always growling,<br />
was born armed peace, that ruinous expedient of civilization which<br />
in the harness of the European cabinets is suspicious in itself. <br />
The Royalty of July reared up, in spite of the fact that it caught<br />
it in the harness of European cabinets.  Metternich would gladly<br />
have put it in kicking-straps. Pushed on in France by progress,<br />
it pushed on the monarchies, those loiterers in Europe.  After having<br />
been towed, it undertook to tow.</p>

<p>Meanwhile, within her, pauperism, the proletariat, salary,<br />
education, penal servitude, prostitution, the fate of the woman,<br />
wealth, misery, production, consumption, division, exchange,<br />
coin, credit, the rights of capital, the rights of labor,--<br />
all these questions were multiplied above society, a terrible slope.</p>

<p>Outside of political parties properly so called, another movement<br />
became manifest.  Philosophical fermentation replied to democratic<br />
fermentation.  The elect felt troubled as well as the masses;<br />
in another manner, but quite as much.</p>

<p>Thinkers meditated, while the soil, that is to say, the people,<br />
traversed by revolutionary currents, trembled under them with<br />
indescribably vague epileptic shocks.  These dreamers, some isolated,<br />
others united in families and almost in communion, turned over<br />
social questions in a pacific but profound manner; impassive miners,<br />
who tranquilly pushed their galleries into the depths of a volcano,<br />
hardly disturbed by the dull commotion and the furnaces of which they<br />
caught glimpses.</p>

<p>This tranquillity was not the least beautiful spectacle of this<br />
agitated epoch.</p>

<p>These men left to political parties the question of rights,<br />
they occupied themselves with the question of happiness.</p>

<p>The well-being of man, that was what they wanted to extract<br />
from society.</p>

<p>They raised material questions, questions of agriculture, of industry,<br />
of commerce, almost to the dignity of a religion.  In civilization,<br />
such as it has formed itself, a little by the command of God, a great<br />
deal by the agency of man, interests combine, unite, and amalgamate in a<br />
manner to form a veritable hard rock, in accordance with a dynamic law,<br />
patiently studied by economists, those geologists of politics. <br />
These men who grouped themselves under different appellations,<br />
but who may all be designated by the generic title of socialists,<br />
endeavored to pierce that rock and to cause it to spout forth the<br />
living waters of human felicity.</p>

<p>From the question of the scaffold to the question of war, their works<br />
embraced everything.  To the rights of man, as proclaimed by the French<br />
Revolution, they added the rights of woman and the rights of the child.</p>

<p>The reader will not be surprised if, for various reasons, we do<br />
not here treat in a thorough manner, from the theoretical point<br />
of view, the questions raised by socialism.  We confine ourselves<br />
to indicating them.</p>

<p>All the problems that the socialists proposed to themselves,<br />
cosmogonic visions, revery and mysticism being cast aside, can be<br />
reduced to two principal problems.</p>

<p>First problem:  To produce wealth.</p>

<p>Second problem:  To share it.</p>

<p>The first problem contains the question of work.</p>

<p>The second contains the question of salary.</p>

<p>In the first problem the employment of forces is in question.</p>

<p>In the second, the distribution of enjoyment.</p>

<p>From the proper employment of forces results public power.</p>

<p>From a good distribution of enjoyments results individual happiness.</p>

<p>By a good distribution, not an equal but an equitable distribution<br />
must be understood.</p>

<p>From these two things combined, the public power without,<br />
individual happiness within, results social prosperity.</p>

<p>Social prosperity means the man happy, the citizen free, the nation great.</p>

<p>England solves the first of these two problems.  She creates<br />
wealth admirably, she divides it badly.  This solution which is<br />
complete on one side only leads her fatally to two extremes: <br />
monstrous opulence, monstrous wretchedness.  All enjoyments for some,<br />
all privations for the rest, that is to say, for the people;<br />
privilege, exception, monopoly, feudalism, born from toil itself. <br />
A false and dangerous situation, which sates public power or<br />
private misery, which sets the roots of the State in the sufferings<br />
of the individual.  A badly constituted grandeur in which are combined<br />
all the material elements and into which no moral element enters.</p>

<p>Communism and agrarian law think that they solve the second problem. <br />
They are mistaken.  Their division kills production.  Equal partition<br />
abolishes emulation; and consequently labor.  It is a partition<br />
made by the butcher, which kills that which it divides.  It is<br />
therefore impossible to pause over these pretended solutions. <br />
Slaying wealth is not the same thing as dividing it.</p>

<p>The two problems require to be solved together, to be well solved. <br />
The two problems must be combined and made but one.</p>

<p>Solve only the first of the two problems; you will be Venice,<br />
you will be England.  You will have, like Venice, an artificial<br />
power, or, like England, a material power; you will be the wicked<br />
rich man.  You will die by an act of violence, as Venice died,<br />
or by bankruptcy, as England will fall.  And the world will allow<br />
to die and fall all that is merely selfishness, all that does<br />
not represent for the human race either a virtue or an idea.</p>

<p>It is well understood here, that by the words Venice, England,<br />
we designate not the peoples, but social structures; the oligarchies<br />
superposed on nations, and not the nations themselves.  The nations<br />
always have our respect and our sympathy.  Venice, as a people,<br />
will live again; England, the aristocracy, will fall, but England,<br />
the nation, is immortal.  That said, we continue.</p>

<p>Solve the two problems, encourage the wealthy, and protect the poor,<br />
suppress misery, put an end to the unjust farming out of the<br />
feeble by the strong, put a bridle on the iniquitous jealousy<br />
of the man who is making his way against the man who has reached<br />
the goal, adjust, mathematically and fraternally, salary to labor,<br />
mingle gratuitous and compulsory education with the growth of childhood,<br />
and make of science the base of manliness, develop minds while keeping<br />
arms busy, be at one and the same time a powerful people and a family<br />
of happy men, render property democratic, not by abolishing it,<br />
but by making it universal, so that every citizen, without exception,<br />
may be a proprietor, an easier matter than is generally supposed;<br />
in two words, learn how to produce wealth and how to distribute it,<br />
and you will have at once moral and material greatness; and you will<br />
be worthy to call yourself France.</p>

<p>This is what socialism said outside and above a few sects<br />
which have gone astray; that is what it sought in facts,<br />
that is what it sketched out in minds.</p>

<p>Efforts worthy of admiration!  Sacred attempts!</p>

<p>These doctrines, these theories, these resistances, the unforeseen<br />
necessity for the statesman to take philosophers into account,<br />
confused evidences of which we catch a glimpse, a new system<br />
of politics to be created, which shall be in accord with the old<br />
world without too much disaccord with the new revolutionary ideal,<br />
a situation in which it became necessary to use Lafayette to<br />
defend Polignac, the intuition of progress transparent beneath<br />
the revolt, the chambers and streets, the competitions to be<br />
brought into equilibrium around him, his faith in the Revolution,<br />
perhaps an eventual indefinable resignation born of the vague<br />
acceptance of a superior definitive right, his desire to remain<br />
of his race, his domestic spirit, his sincere respect for the people,<br />
his own honesty, preoccupied Louis Philippe almost painfully,<br />
and there were moments when strong and courageous as he was,<br />
he was overwhelmed by the difficulties of being a king.</p>

<p>He felt under his feet a formidable disaggregation, which was not,<br />
nevertheless, a reduction to dust, France being more France than ever.</p>

<p>Piles of shadows covered the horizon.  A strange shade,<br />
gradually drawing nearer, extended little by little over men,<br />
over things, over ideas; a shade which came from wraths and systems. <br />
Everything which had been hastily stifled was moving and fermenting. <br />
At times the conscience of the honest man resumed its breathing,<br />
so great was the discomfort of that air in which sophisms were<br />
intermingled with truths.  Spirits trembled in the social anxiety<br />
like leaves at the approach of a storm.  The electric tension<br />
was such that at certain instants, the first comer, a stranger,<br />
brought light.  Then the twilight obscurity closed in again. <br />
At intervals, deep and dull mutterings allowed a judgment to be formed<br />
as to the quantity of thunder contained by the cloud.</p>

<p>Twenty months had barely elapsed since the Revolution of July,<br />
the year 1832 had opened with an aspect of something impending<br />
and threatening.</p>

<p>The distress of the people, the laborers without bread, the last Prince<br />
de Conde engulfed in the shadows, Brussels expelling the Nassaus<br />
as Paris did the Bourbons, Belgium offering herself to a French<br />
Prince and giving herself to an English Prince, the Russian hatred<br />
of Nicolas, behind us the demons of the South, Ferdinand in Spain,<br />
Miguel in Portugal, the earth quaking in Italy, Metternich extending<br />
his hand over Bologna, France treating Austria sharply at Ancona,<br />
at the North no one knew what sinister sound of the hammer nailing up<br />
Poland in her coffin, irritated glances watching France narrowly all<br />
over Europe, England, a suspected ally, ready to give a push to that<br />
which was tottering and to hurl herself on that which should fall,<br />
the peerage sheltering itself behind Beccaria to refuse four heads<br />
to the law, the fleurs-de-lys erased from the King's carriage,<br />
the cross torn from Notre Dame, Lafayette lessened, Laffitte ruined,<br />
Benjamin Constant dead in indigence, Casimir Perier dead in the<br />
exhaustion of his power; political and social malady breaking<br />
out simultaneously in the two capitals of the kingdom, the one<br />
in the city of thought, the other in the city of toil; at Paris<br />
civil war, at Lyons servile war; in the two cities, the same glare<br />
of the furnace; a crater-like crimson on the brow of the people;<br />
the South rendered fanatic, the West troubled, the Duchesse<br />
de Berry in la Vendee, plots, conspiracies, risings, cholera,<br />
added the sombre roar of tumult of events to the sombre roar of ideas.</p>]]>
        
    </content>
</entry>



<entry>
    <title>The Count of Monte Cristo, by Alexandre Dumas père - CHAPTER 106. Dividing the Proceeds.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-106-dividing-the-proceeds.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1596</id>

    <published>2009-03-01T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The apartment on the second floor of the house in the Rue Saint-Germain-des-Pres, where Albert de Morcerf had selected a home for his mother, was let to a very mysterious person. This was a man whose face the concierge himself...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The apartment on the second floor of the house in the Rue<br />
Saint-Germain-des-Pres, where Albert de Morcerf had selected a home for<br />
his mother, was let to a very mysterious person. This was a man whose<br />
face the concierge himself had never seen, for in the winter his chin<br />
was buried in one of the large red handkerchiefs worn by gentlemen's<br />
coachmen on a cold night, and in the summer he made a point of always<br />
blowing his nose just as he approached the door. Contrary to custom,<br />
this gentleman had not been watched, for as the report ran that he was<br />
a person of high rank, and one who would allow no impertinent<br />
interference, his incognito was strictly respected.</p>

<p>His visits were tolerably regular, though occasionally he appeared<br />
a little before or after his time, but generally, both in summer and<br />
winter, he took possession of his apartment about four o'clock, though<br />
he never spent the night there. At half-past three in the winter the<br />
fire was lighted by the discreet servant, who had the superintendence of<br />
the little apartment, and in the summer ices were placed on the table<br />
at the same hour. At four o'clock, as we have already stated, the<br />
mysterious personage arrived. Twenty minutes afterwards a carriage<br />
stopped at the house, a lady alighted in a black or dark blue dress, and<br />
always thickly veiled; she passed like a shadow through the lodge, and<br />
ran up-stairs without a sound escaping under the touch of her light<br />
foot. No one ever asked her where she was going. Her face, therefore,<br />
like that of the gentleman, was perfectly unknown to the two concierges,<br />
who were perhaps unequalled throughout the capital for discretion.<br />
We need not say she stopped at the second floor. Then she tapped in a<br />
peculiar manner at a door, which after being opened to admit her was<br />
again fastened, and curiosity penetrated no farther. They used the same<br />
precautions in leaving as in entering the house. The lady always left<br />
first, and as soon as she had stepped into her carriage, it drove away,<br />
sometimes towards the right hand, sometimes to the left; then about<br />
twenty minutes afterwards the gentleman would also leave, buried in his<br />
cravat or concealed by his handkerchief.</p>

<p>The day after Monte Cristo had called upon Danglars, the mysterious<br />
lodger entered at ten o'clock in the morning instead of four in the<br />
afternoon. Almost directly afterwards, without the usual interval of<br />
time, a cab arrived, and the veiled lady ran hastily up-stairs. The<br />
door opened, but before it could be closed, the lady exclaimed: "Oh,<br />
Lucien--oh, my friend!" The concierge therefore heard for the first time<br />
that the lodger's name was Lucien; still, as he was the very perfection<br />
of a door-keeper, he made up his mind not to tell his wife. "Well,<br />
what is the matter, my dear?" asked the gentleman whose name the lady's<br />
agitation revealed; "tell me what is the matter."</p>

<p>"Oh, Lucien, can I confide in you?"</p>

<p>"Of course, you know you can do so. But what can be the matter?<br />
Your note of this morning has completely bewildered me. This<br />
precipitation--this unusual appointment. Come, ease me of my anxiety, or<br />
else frighten me at once."</p>

<p>"Lucien, a great event has happened!" said the lady, glancing<br />
inquiringly at Lucien,--"M. Danglars left last night!"</p>

<p>"Left?--M. Danglars left? Where has he gone?"</p>

<p>"I do not know."</p>

<p>"What do you mean? Has he gone intending not to return?"</p>

<p>"Undoubtedly;--at ten o'clock at night his horses took him to the<br />
barrier of Charenton; there a post-chaise was waiting for him--he<br />
entered it with his valet de chambre, saying that he was going to<br />
Fontainebleau."</p>

<p>"Then what did you mean"--</p>

<p>"Stay--he left a letter for me."</p>

<p>"A letter?"</p>

<p>"Yes; read it." And the baroness took from her pocket a letter which she<br />
gave to Debray. Debray paused a moment before reading, as if trying<br />
to guess its contents, or perhaps while making up his mind how to act,<br />
whatever it might contain. No doubt his ideas were arranged in a few<br />
minutes, for he began reading the letter which caused so much uneasiness<br />
in the heart of the baroness, and which ran as follows:--</p>

<p>"Madame and most faithful wife."</p>

<p>Debray mechanically stopped and looked at the baroness, whose face<br />
became covered with blushes. "Read," she said.</p>

<p>Debray continued:--</p>

<p>"When you receive this, you will no longer have a husband. Oh, you<br />
need not be alarmed, you will only have lost him as you have lost your<br />
daughter; I mean that I shall be travelling on one of the thirty or<br />
forty roads leading out of France. I owe you some explanations for my<br />
conduct, and as you are a woman that can perfectly understand me, I will<br />
give them. Listen, then. I received this morning five millions which I<br />
paid away; almost directly afterwards another demand for the same sum<br />
was presented to me; I put this creditor off till to-morrow and I intend<br />
leaving to-day, to escape that to-morrow, which would be rather too<br />
unpleasant for me to endure. You understand this, do you not, my most<br />
precious wife? I say you understand this, because you are as conversant<br />
with my affairs as I am; indeed, I think you understand them better,<br />
since I am ignorant of what has become of a considerable portion of my<br />
fortune, once very tolerable, while I am sure, madame, that you know<br />
perfectly well. For women have infallible instincts; they can even<br />
explain the marvellous by an algebraic calculation they have invented;<br />
but I, who only understand my own figures, know nothing more than that<br />
one day these figures deceived me. Have you admired the rapidity of my<br />
fall? Have you been slightly dazzled at the sudden fusion of my ingots?<br />
I confess I have seen nothing but the fire; let us hope you have found<br />
some gold among the ashes. With this consoling idea, I leave you,<br />
madame, and most prudent wife, without any conscientious reproach for<br />
abandoning you; you have friends left, and the ashes I have already<br />
mentioned, and above all the liberty I hasten to restore to you. And<br />
here, madame, I must add another word of explanation. So long as I hoped<br />
you were working for the good of our house and for the fortune of our<br />
daughter, I philosophically closed my eyes; but as you have transformed<br />
that house into a vast ruin I will not be the foundation of another<br />
man's fortune. You were rich when I married you, but little respected.<br />
Excuse me for speaking so very candidly, but as this is intended<br />
only for ourselves, I do not see why I should weigh my words. I have<br />
augmented our fortune, and it has continued to increase during the<br />
last fifteen years, till extraordinary and unexpected catastrophes<br />
have suddenly overturned it,--without any fault of mine, I can honestly<br />
declare. You, madame, have only sought to increase your own, and I am<br />
convinced that you have succeeded. I leave you, therefore, as I took<br />
you,--rich, but little respected. Adieu! I also intend from this time<br />
to work on my own account. Accept my acknowledgments for the example you<br />
have set me, and which I intend following.</p>

<p>"Your very devoted husband,</p>

<p>"Baron Danglars."</p>

<p>The baroness had watched Debray while he read this long and painful<br />
letter, and saw him, notwithstanding his self-control, change color<br />
once or twice. When he had ended the perusal, he folded the letter and<br />
resumed his pensive attitude. "Well?" asked Madame Danglars, with an<br />
anxiety easy to be understood.</p>

<p>"Well, madame?" unhesitatingly repeated Debray.</p>

<p>"With what ideas does that letter inspire you?"</p>

<p>"Oh, it is simple enough, madame; it inspires me with the idea that M.<br />
Danglars has left suspiciously."</p>

<p>"Certainly; but is this all you have to say to me?"</p>

<p>"I do not understand you," said Debray with freezing coldness.</p>

<p>"He is gone! Gone, never to return!"</p>

<p>"Oh, madame, do not think that!"</p>

<p>"I tell you he will never return. I know his character; he is inflexible<br />
in any resolutions formed for his own interests. If he could have made<br />
any use of me, he would have taken me with him; he leaves me in Paris,<br />
as our separation will conduce to his benefit;--therefore he has gone,<br />
and I am free forever," added Madame Danglars, in the same supplicating<br />
tone. Debray, instead of answering, allowed her to remain in an attitude<br />
of nervous inquiry. "Well?" she said at length, "do you not answer me?"</p>

<p>"I have but one question to ask you,--what do you intend to do?"</p>

<p>"I was going to ask you," replied the baroness with a beating heart.</p>

<p>"Ah, then, you wish to ask advice of me?"</p>

<p>"Yes; I do wish to ask your advice," said Madame Danglars with anxious<br />
expectation.</p>

<p>"Then if you wish to take my advice," said the young man coldly, "I<br />
would recommend you to travel."</p>

<p>"To travel!" she murmured.</p>

<p>"Certainly; as M. Danglars says, you are rich, and perfectly free. In<br />
my opinion, a withdrawal from Paris is absolutely necessary after the<br />
double catastrophe of Mademoiselle Danglars' broken contract and M.<br />
Danglars' disappearance. The world will think you abandoned and poor,<br />
for the wife of a bankrupt would never be forgiven, were she to keep up<br />
an appearance of opulence. You have only to remain in Paris for about a<br />
fortnight, telling the world you are abandoned, and relating the details<br />
of this desertion to your best friends, who will soon spread the report.<br />
Then you can quit your house, leaving your jewels and giving up your<br />
jointure, and every one's mouth will be filled with praises of your<br />
disinterestedness. They will know you are deserted, and think you also<br />
poor, for I alone know your real financial position, and am quite ready<br />
to give up my accounts as an honest partner." The dread with which the<br />
pale and motionless baroness listened to this, was equalled by the calm<br />
indifference with which Debray had spoken. "Deserted?" she repeated;<br />
"ah, yes, I am, indeed, deserted! You are right, sir, and no one can<br />
doubt my position." These were the only words that this proud and<br />
violently enamoured woman could utter in response to Debray.</p>

<p>"But then you are rich,--very rich, indeed," continued Debray, taking<br />
out some papers from his pocket-book, which he spread upon the table.<br />
Madame Danglars did not see them; she was engaged in stilling the<br />
beatings of her heart, and restraining the tears which were ready to<br />
gush forth. At length a sense of dignity prevailed, and if she did not<br />
entirely master her agitation, she at least succeeded in preventing the<br />
fall of a single tear. "Madame," said Debray, "it is nearly six months<br />
since we have been associated. You furnished a principal of 100,000<br />
francs. Our partnership began in the month of April. In May we commenced<br />
operations, and in the course of the month gained 450,000 francs.<br />
In June the profit amounted to 900,000. In July we added 1,700,000<br />
francs,--it was, you know, the month of the Spanish bonds. In August we<br />
lost 300,000 francs at the beginning of the month, but on the 13th we<br />
made up for it, and we now find that our accounts, reckoning from the<br />
first day of partnership up to yesterday, when I closed them, showed<br />
a capital of 2,400,000 francs, that is, 1,200,000 for each of us. Now,<br />
madame," said Debray, delivering up his accounts in the methodical<br />
manner of a stockbroker, "there are still 80,000 francs, the interest of<br />
this money, in my hands."</p>

<p>"But," said the baroness, "I thought you never put the money out to<br />
interest."</p>

<p>"Excuse me, madame," said Debray coldly, "I had your permission to do<br />
so, and I have made use of it. There are, then, 40,000 francs for your<br />
share, besides the 100,000 you furnished me to begin with, making in all<br />
1,340,000 francs for your portion. Now, madame, I took the precaution of<br />
drawing out your money the day before yesterday; it is not long ago, you<br />
see, and I was in continual expectation of being called on to deliver up<br />
my accounts. There is your money,--half in bank-notes, the other half<br />
in checks payable to bearer. I say there, for as I did not consider<br />
my house safe enough, or lawyers sufficiently discreet, and as landed<br />
property carries evidence with it, and moreover since you have no right<br />
to possess anything independent of your husband, I have kept this sum,<br />
now your whole fortune, in a chest concealed under that closet, and for<br />
greater security I myself concealed it there.</p>

<p>"Now, madame," continued Debray, first opening the closet, then<br />
the chest;--"now, madame, here are 800 notes of 1,000. francs each,<br />
resembling, as you see, a large book bound in iron; to this I add a<br />
certificate in the funds of 25,000. francs; then, for the odd cash,<br />
making I think about 110,000. francs, here is a check upon my banker,<br />
who, not being M. Danglars, will pay you the amount, you may rest<br />
assured." Madame Danglars mechanically took the check, the bond, and the<br />
heap of bank-notes. This enormous fortune made no great appearance on<br />
the table. Madame Danglars, with tearless eyes, but with her breast<br />
heaving with concealed emotion, placed the bank-notes in her bag, put<br />
the certificate and check into her pocket-book, and then, standing pale<br />
and mute, awaited one kind word of consolation. But she waited in vain.</p>

<p>"Now, madame," said Debray, "you have a splendid fortune, an income of<br />
about 60,000 livres a year, which is enormous for a woman who cannot<br />
keep an establishment here for a year, at least. You will be able<br />
to indulge all your fancies; besides, should you find your income<br />
insufficient, you can, for the sake of the past, madame, make use of<br />
mine; and I am ready to offer you all I possess, on loan."</p>

<p>"Thank you, sir--thank you," replied the baroness; "you forget that<br />
what you have just paid me is much more than a poor woman requires, who<br />
intends for some time, at least, to retire from the world."</p>

<p>Debray was, for a moment, surprised, but immediately recovering himself,<br />
he bowed with an air which seemed to say, "As you please, madame."</p>

<p>Madame Danglars had until then, perhaps, hoped for something; but when<br />
she saw the careless bow of Debray, and the glance by which it was<br />
accompanied, together with his significant silence, she raised her head,<br />
and without passion or violence or even hesitation, ran down-stairs,<br />
disdaining to address a last farewell to one who could thus part from<br />
her. "Bah," said Debray, when she had left, "these are fine projects!<br />
She will remain at home, read novels, and speculate at cards, since she<br />
can no longer do so on the Bourse." Then taking up his account book, he<br />
cancelled with the greatest care all the entries of the amounts he had<br />
just paid away. "I have 1,060,000 francs remaining," he said. "What a<br />
pity Mademoiselle de Villefort is dead! She suited me in every respect,<br />
and I would have married her." And he calmly waited until the twenty<br />
minutes had elapsed after Madame Danglars' departure before he left the<br />
house. During this time he occupied himself in making figures, with his<br />
watch by his side.</p>

<p>Asmodeus--that diabolical personage, who would have been created by<br />
every fertile imagination if Le Sage had not acquired the priority in<br />
his great masterpiece--would have enjoyed a singular spectacle, if<br />
he had lifted up the roof of the little house in the Rue<br />
Saint-Germain-des-Pres, while Debray was casting up his figures. Above<br />
the room in which Debray had been dividing two millions and a half with<br />
Madame Danglars was another, inhabited by persons who have played too<br />
prominent a part in the incidents we have related for their appearance<br />
not to create some interest. Mercedes and Albert were in that room.<br />
Mercedes was much changed within the last few days; not that even in her<br />
days of fortune she had ever dressed with the magnificent display which<br />
makes us no longer able to recognize a woman when she appears in a<br />
plain and simple attire; nor indeed, had she fallen into that state of<br />
depression where it is impossible to conceal the garb of misery; no,<br />
the change in Mercedes was that her eye no longer sparkled, her lips<br />
no longer smiled, and there was now a hesitation in uttering the words<br />
which formerly sprang so fluently from her ready wit.</p>

<p>It was not poverty which had broken her spirit; it was not a want<br />
of courage which rendered her poverty burdensome. Mercedes, although<br />
deposed from the exalted position she had occupied, lost in the sphere<br />
she had now chosen, like a person passing from a room splendidly lighted<br />
into utter darkness, appeared like a queen, fallen from her palace to<br />
a hovel, and who, reduced to strict necessity, could neither become<br />
reconciled to the earthen vessels she was herself forced to place<br />
upon the table, nor to the humble pallet which had become her bed. The<br />
beautiful Catalane and noble countess had lost both her proud glance and<br />
charming smile, because she saw nothing but misery around her; the walls<br />
were hung with one of the gray papers which economical landlords choose<br />
as not likely to show the dirt; the floor was uncarpeted; the furniture<br />
attracted the attention to the poor attempt at luxury; indeed,<br />
everything offended eyes accustomed to refinement and elegance.</p>

<p>Madame de Morcerf had lived there since leaving her house; the continual<br />
silence of the spot oppressed her; still, seeing that Albert continually<br />
watched her countenance to judge the state of her feelings, she<br />
constrained herself to assume a monotonous smile of the lips alone,<br />
which, contrasted with the sweet and beaming expression that usually<br />
shone from her eyes, seemed like "moonlight on a statue,"--yielding<br />
light without warmth. Albert, too, was ill at ease; the remains of<br />
luxury prevented him from sinking into his actual position. If he wished<br />
to go out without gloves, his hands appeared too white; if he wished to<br />
walk through the town, his boots seemed too highly polished. Yet these<br />
two noble and intelligent creatures, united by the indissoluble ties<br />
of maternal and filial love, had succeeded in tacitly understanding one<br />
another, and economizing their stores, and Albert had been able to tell<br />
his mother without extorting a change of countenance,--"Mother, we have<br />
no more money."</p>

<p>Mercedes had never known misery; she had often, in her youth, spoken of<br />
poverty, but between want and necessity, those synonymous words, there<br />
is a wide difference. Amongst the Catalans, Mercedes wished for a<br />
thousand things, but still she never really wanted any. So long as the<br />
nets were good, they caught fish; and so long as they sold their fish,<br />
they were able to buy twine for new nets. And then, shut out from<br />
friendship, having but one affection, which could not be mixed up with<br />
her ordinary pursuits, she thought of herself--of no one but herself.<br />
Upon the little she earned she lived as well as she could; now there<br />
were two to be supported, and nothing to live upon.</p>

<p>Winter approached. Mercedes had no fire in that cold and naked<br />
room--she, who was accustomed to stoves which heated the house from<br />
the hall to the boudoir; she had not even one little flower--she whose<br />
apartment had been a conservatory of costly exotics. But she had her<br />
son. Hitherto the excitement of fulfilling a duty had sustained them.<br />
Excitement, like enthusiasm, sometimes renders us unconscious to the<br />
things of earth. But the excitement had calmed down, and they felt<br />
themselves obliged to descend from dreams to reality; after having<br />
exhausted the ideal, they found they must talk of the actual.</p>

<p>"Mother," exclaimed Albert, just as Madame Danglars was descending the<br />
stairs, "let us reckon our riches, if you please; I want capital to<br />
build my plans upon."</p>

<p>"Capital--nothing!" replied Mercedes with a mournful smile.</p>

<p>"No, mother,--capital 3,000 francs. And I have an idea of our leading a<br />
delightful life upon this 3,000 francs."</p>

<p>"Child!" sighed Mercedes.</p>

<p>"Alas, dear mother," said the young man, "I have unhappily spent too<br />
much of your money not to know the value of it. These 3,000 francs<br />
are enormous, and I intend building upon this foundation a miraculous<br />
certainty for the future."</p>

<p>"You say this, my dear boy; but do you think we ought to accept these<br />
3,000 francs?" said Mercedes, coloring.</p>

<p>"I think so," answered Albert in a firm tone. "We will accept them the<br />
more readily, since we have them not here; you know they are buried in<br />
the garden of the little house in the Allees de Meillan, at Marseilles.<br />
With 200 francs we can reach Marseilles."</p>

<p>"With 200 francs?--are you sure, Albert?"</p>

<p>"Oh, as for that, I have made inquiries respecting the diligences and<br />
steamboats, and my calculations are made. You will take your place<br />
in the coupe to Chalons. You see, mother, I treat you handsomely for<br />
thirty-five francs." Albert then took a pen, and wrote:--</p>

<p>                                                         Frs.<br />
  Coupe, thirty-five francs.............................. 35.<br />
  From Chalons to Lyons you will go on by the steamboat..  6.<br />
  From Lyons to Avignon (still by steamboat)............. 16.<br />
  From Avignon to Marseilles, seven franc................  7.<br />
  Expenses on the road, about fifty francs............... 50.<br />
  Total................................................. 114 frs.</p>

<p>"Let us put down 120," added Albert, smiling. "You see I am generous, am<br />
I not, mother?"</p>

<p>"But you, my poor child?"</p>

<p>"I? do you not see that I reserve eighty francs for myself? A young man<br />
does not require luxuries; besides, I know what travelling is."</p>

<p>"With a post-chaise and valet de chambre?"</p>

<p>"Any way, mother."</p>

<p>"Well, be it so. But these 200 francs?"</p>

<p>"Here they are, and 200 more besides. See, I have sold my watch for<br />
100 francs, and the guard and seals for 300. How fortunate that the<br />
ornaments were worth more than the watch. Still the same story of<br />
superfluities! Now I think we are rich, since instead of the 114 francs<br />
we require for the journey we find ourselves in possession of 250."</p>

<p>"But we owe something in this house?"</p>

<p>"Thirty francs; but I pay that out of my 150 francs,--that is<br />
understood,--and as I require only eighty francs for my journey, you see<br />
I am overwhelmed with luxury. But that is not all. What do you say to<br />
this, mother?"</p>

<p>And Albert took out of a little pocket-book with golden clasps, a<br />
remnant of his old fancies, or perhaps a tender souvenir from one of<br />
the mysterious and veiled ladies who used to knock at his little<br />
door,--Albert took out of this pocket-book a note of 1,000 francs.</p>

<p>"What is this?" asked Mercedes.</p>

<p>"A thousand francs."</p>

<p>"But whence have you obtained them?"</p>

<p>"Listen to me, mother, and do not yield too much to agitation." And<br />
Albert, rising, kissed his mother on both cheeks, then stood looking at<br />
her. "You cannot imagine, mother, how beautiful I think you!" said the<br />
young man, impressed with a profound feeling of filial love. "You are,<br />
indeed, the most beautiful and most noble woman I ever saw!"</p>

<p>"Dear child!" said Mercedes, endeavoring in vain to restrain a tear<br />
which glistened in the corner of her eye. "Indeed, you only wanted<br />
misfortune to change my love for you to admiration. I am not unhappy<br />
while I possess my son!"</p>

<p>"Ah, just so," said Albert; "here begins the trial. Do you know the<br />
decision we have come to, mother?"</p>

<p>"Have we come to any?"</p>

<p>"Yes; it is decided that you are to live at Marseilles, and that I am to<br />
leave for Africa, where I will earn for myself the right to use the name<br />
I now bear, instead of the one I have thrown aside." Mercedes sighed.<br />
"Well, mother, I yesterday engaged myself as substitute in the Spahis,"<br />
[*] added the young man, lowering his eyes with a certain feeling of<br />
shame, for even he was unconscious of the sublimity of his self-<br />
abasement. "I thought my body was my own, and that I might sell it. I<br />
yesterday took the place of another. I sold myself for more than I<br />
thought I was worth," he added, attempting to smile; "I fetched 2,000<br />
francs."</p>

<p>     * The Spahis are French cavalry reserved for service in<br />
     Africa.</p>

<p>"Then these 1,000 francs"--said Mercedes, shuddering--</p>

<p>"Are the half of the sum, mother; the other will be paid in a year."</p>

<p>Mercedes raised her eyes to heaven with an expression it would be<br />
impossible to describe, and tears, which had hitherto been restrained,<br />
now yielded to her emotion, and ran down her cheeks.</p>

<p>"The price of his blood!" she murmured.</p>

<p>"Yes, if I am killed," said Albert, laughing. "But I assure you, mother,<br />
I have a strong intention of defending my person, and I never felt half<br />
so strong an inclination to live as I do now."</p>

<p>"Merciful heavens!"</p>

<p>"Besides, mother, why should you make up your mind that I am to be<br />
killed? Has Lamoriciere, that Ney of the South, been killed? Has<br />
Changarnier been killed? Has Bedeau been killed? Has Morrel, whom we<br />
know, been killed? Think of your joy, mother, when you see me return<br />
with an embroidered uniform! I declare, I expect to look magnificent<br />
in it, and chose that regiment only from vanity." Mercedes sighed while<br />
endeavoring to smile; the devoted mother felt that she ought not to<br />
allow the whole weight of the sacrifice to fall upon her son. "Well,<br />
now you understand, mother!" continued Albert; "here are more than 4,000<br />
francs settled on you; upon these you can live at least two years."</p>

<p>"Do you think so?" said Mercedes. These words were uttered in so<br />
mournful a tone that their real meaning did not escape Albert; he felt<br />
his heart beat, and taking his mother's hand within his own he said,<br />
tenderly,--</p>

<p>"Yes, you will live!"</p>

<p>"I shall live!--then you will not leave me, Albert?"</p>

<p>"Mother, I must go," said Albert in a firm, calm voice; "you love me<br />
too well to wish me to remain useless and idle with you; besides, I have<br />
signed."</p>

<p>"You will obey your own wish and the will of heaven!"</p>

<p>"Not my own wish, mother, but reason--necessity. Are we not two<br />
despairing creatures? What is life to you?--Nothing. What is life to<br />
me?--Very little without you, mother; for believe me, but for you I<br />
should have ceased to live on the day I doubted my father and renounced<br />
his name. Well, I will live, if you promise me still to hope; and if<br />
you grant me the care of your future prospects, you will redouble my<br />
strength. Then I will go to the governor of Algeria; he has a royal<br />
heart, and is essentially a soldier; I will tell him my gloomy story.<br />
I will beg him to turn his eyes now and then towards me, and if he<br />
keep his word and interest himself for me, in six months I shall be an<br />
officer, or dead. If I am an officer, your fortune is certain, for I<br />
shall have money enough for both, and, moreover, a name we shall both<br />
be proud of, since it will be our own. If I am killed--well then mother,<br />
you can also die, and there will be an end of our misfortunes."</p>

<p>"It is well," replied Mercedes, with her eloquent glance; "you are<br />
right, my love; let us prove to those who are watching our actions that<br />
we are worthy of compassion."</p>

<p>"But let us not yield to gloomy apprehensions," said the young man; "I<br />
assure you we are, or rather we shall be, very happy. You are a woman at<br />
once full of spirit and resignation; I have become simple in my tastes,<br />
and am without passion, I hope. Once in service, I shall be rich--once<br />
in M. Dantes' house, you will be at rest. Let us strive, I beseech<br />
you,--let us strive to be cheerful."</p>

<p>"Yes, let us strive, for you ought to live, and to be happy, Albert."</p>

<p>"And so our division is made, mother," said the young man, affecting<br />
ease of mind. "We can now part; come, I shall engage your passage."</p>

<p>"And you, my dear boy?"</p>

<p>"I shall stay here for a few days longer; we must accustom ourselves to<br />
parting. I want recommendations and some information relative to Africa.<br />
I will join you again at Marseilles."</p>

<p>"Well, be it so--let us part," said Mercedes, folding around her<br />
shoulders the only shawl she had taken away, and which accidentally<br />
happened to be a valuable black cashmere. Albert gathered up his papers<br />
hastily, rang the bell to pay the thirty francs he owed to the landlord,<br />
and offering his arm to his mother, they descended the stairs. Some one<br />
was walking down before them, and this person, hearing the rustling of a<br />
silk dress, turned around. "Debray!" muttered Albert.</p>

<p>"You, Morcerf?" replied the secretary, resting on the stairs. Curiosity<br />
had vanquished the desire of preserving his incognito, and he was<br />
recognized. It was, indeed, strange in this unknown spot to find the<br />
young man whose misfortunes had made so much noise in Paris.</p>

<p>"Morcerf!" repeated Debray. Then noticing in the dim light the still<br />
youthful and veiled figure of Madame de Morcerf:--"Pardon me," he added<br />
with a smile, "I leave you, Albert." Albert understood his thoughts.<br />
"Mother," he said, turning towards Mercedes, "this is M. Debray,<br />
secretary of the minister for the interior, once a friend of mine."</p>

<p>"How once?" stammered Debray; "what do you mean?"</p>

<p>"I say so, M. Debray, because I have no friends now, and I ought not<br />
to have any. I thank you for having recognized me, sir." Debray stepped<br />
forward, and cordially pressed the hand of his interlocutor. "Believe<br />
me, dear Albert," he said, with all the emotion he was capable of<br />
feeling,--"believe me, I feel deeply for your misfortunes, and if in any<br />
way I can serve you, I am yours."</p>

<p>"Thank you, sir," said Albert, smiling. "In the midst of our<br />
misfortunes, we are still rich enough not to require assistance from any<br />
one. We are leaving Paris, and when our journey is paid, we shall have<br />
5,000 francs left." The blood mounted to the temples of Debray, who held<br />
a million in his pocket-book, and unimaginative as he was he could not<br />
help reflecting that the same house had contained two women, one of<br />
whom, justly dishonored, had left it poor with 1,500,000. francs under<br />
her cloak, while the other, unjustly stricken, but sublime in her<br />
misfortune, was yet rich with a few deniers. This parallel disturbed his<br />
usual politeness, the philosophy he witnessed appalled him, he muttered<br />
a few words of general civility and ran down-stairs.</p>

<p>That day the minister's clerks and the subordinates had a great deal to<br />
put up with from his ill-humor. But that same night, he found himself<br />
the possessor of a fine house, situated on the Boulevard de la<br />
Madeleine, and an income of 50,000 livres. The next day, just as Debray<br />
was signing the deed, that is about five o'clock in the afternoon,<br />
Madame de Morcerf, after having affectionately embraced her son, entered<br />
the coupe of the diligence, which closed upon her. A man was hidden in<br />
Lafitte's banking-house, behind one of the little arched windows which<br />
are placed above each desk; he saw Mercedes enter the diligence, and he<br />
also saw Albert withdraw. Then he passed his hand across his forehead,<br />
which was clouded with doubt. "Alas," he exclaimed, "how can I restore<br />
the happiness I have taken away from these poor innocent creatures? God<br />
help me!"</p>]]>
        
    </content>
</entry>



<entry>
    <title>War and Peace, by Leo Tolstoy - CHAPTER XXIX</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/war_and_peace/2009/03/chapter-xxix-1.html" />
    <id>tag:www.greatbooksforfree.com,2009:/war_and_peace//8.559</id>

    <published>2009-03-01T23:37:47Z</published>
    <updated>2008-06-17T22:39:30Z</updated>

    <summary>When the French officer went into the room with Pierre the latter again thought it his duty to assure him that he was not French and wished to go away, but the officer would not hear of it. He was...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/war_and_peace/">
        <![CDATA[<p>When the French officer went into the room with Pierre the latter<br />
again thought it his duty to assure him that he was not French and<br />
wished to go away, but the officer would not hear of it. He was so<br />
very polite, amiable, good-natured, and genuinely grateful to Pierre<br />
for saving his life that Pierre had not the heart to refuse, and sat<br />
down with him in the parlor--the first room they entered. To<br />
Pierre's assurances that he was not a Frenchman, the captain,<br />
evidently not understanding how anyone could decline so flattering<br />
an appellation, shrugged his shoulders and said that if Pierre<br />
absolutely insisted on passing for a Russian let it be so, but for all<br />
that he would be forever bound to Pierre by gratitude for saving his<br />
life.</p>

<p>Had this man been endowed with the slightest capacity for perceiving<br />
the feelings of others, and had he at all understood what Pierre's<br />
feelings were, the latter would probably have left him, but the<br />
man's animated obtuseness to everything other than himself disarmed<br />
Pierre.</p>

<p>"A Frenchman or a Russian prince incognito," said the officer,<br />
looking at Pierre's fine though dirty linen and at the ring on his<br />
finger. "I owe my life to you and offer you my friendship. A Frenchman<br />
never forgets either an insult or a service. I offer you my<br />
friendship. That is all I can say."</p>

<p>There was so much good nature and nobility (in the French sense of<br />
the word) in the officer's voice, in the expression of his face and in<br />
his gestures, that Pierre, unconsciously smiling in response to the<br />
Frenchman's smile, pressed the hand held out to him.</p>

<p>"Captain Ramballe, of the 13th Light Regiment, Chevalier of the<br />
Legion of Honor for the affair on the seventh of September," he<br />
introduced himself, a self-satisfied irrepressible smile puckering his<br />
lips under his mustache. "Will you now be so good as to tell me with<br />
whom I have the honor of conversing so pleasantly, instead of being in<br />
the ambulance with that maniac's bullet in my body?"</p>

<p>Pierre replied that he could not tell him his name and, blushing,<br />
began to try to invent a name and to say something about his reason<br />
for concealing it, but the Frenchman hastily interrupted him.</p>

<p>"Oh, please!" said he. "I understand your reasons. You are an<br />
officer... a superior officer perhaps. You have borne arms against us.<br />
That's not my business. I owe you my life. That is enough for me. I am<br />
quite at your service. You belong to the gentry?" he concluded with<br />
a shade of inquiry in his tone. Pierre bent his head. "Your<br />
baptismal name, if you please. That is all I ask. Monsieur Pierre, you<br />
say.... That's all I want to know."</p>

<p>When the mutton and an omelet had been served and a samovar and<br />
vodka brought, with some wine which the French had taken from a<br />
Russian cellar and brought with them, Ramballe invited Pierre to share<br />
his dinner, and himself began to eat greedily and quickly like a<br />
healthy and hungry man, munching his food rapidly with his strong<br />
teeth, continually smacking his lips, and repeating--"Excellent!<br />
Delicious!" His face grew red and was covered with perspiration.<br />
Pierre was hungry and shared the dinner with pleasure. Morel, the<br />
orderly, brought some hot water in a saucepan and placed a bottle of<br />
claret in it. He also brought a bottle of kvass, taken from the<br />
kitchen for them to try. That beverage was already known to the French<br />
and had been given a special name. They called it limonade de cochon<br />
(pig's lemonade), and Morel spoke well of the limonade de cochon he<br />
had found in the kitchen. But as the captain had the wine they had<br />
taken while passing through Moscow, he left the kvass to Morel and<br />
applied himself to the bottle of Bordeaux. He wrapped the bottle up to<br />
its neck in a table napkin and poured out wine for himself and for<br />
Pierre. The satisfaction of his hunger and the wine rendered the<br />
captain still more lively and he chatted incessantly all through<br />
dinner.</p>

<p>"Yes, my dear Monsieur Pierre, I owe you a fine votive candle for<br />
saving me from that maniac.... You see, I have bullets enough in my<br />
body already. Here is one I got at Wagram" (he touched his side)<br />
"and a second at Smolensk"--he showed a scar on his cheek--"and this<br />
leg which as you see does not want to march, I got that on the seventh<br />
at the great battle of la Moskowa. Sacre Dieu! It was splendid! That<br />
deluge of fire was worth seeing. It was a tough job you set us<br />
there, my word! You may be proud of it! And on my honor, in spite of<br />
the cough I caught there, I should be ready to begin again. I pity<br />
those who did not see it."</p>

<p>"I was there," said Pierre.</p>

<p>"Bah, really? So much the better! You are certainly brave foes.<br />
The great redoubt held out well, by my pipe!" continued the Frenchman.<br />
"And you made us pay dear for it. I was at it three times--sure as I<br />
sit here. Three times we reached the guns and three times we were<br />
thrown back like cardboard figures. Oh, it was beautiful, Monsieur<br />
Pierre! Your grenadiers were splendid, by heaven! I saw them close<br />
up their ranks six times in succession and march as if on parade. Fine<br />
fellows! Our King of Naples, who knows what's what, cried 'Bravo!' Ha,<br />
ha! So you are one of us soldiers!" he added, smiling, after a<br />
momentary pause. "So much the better, so much the better, Monsieur<br />
Pierre! Terrible in battle... gallant... with the fair" (he winked and<br />
smiled), "that's what the French are, Monsieur Pierre, aren't they?"</p>

<p>The captain was so naively and good-humoredly gay, so real, and so<br />
pleased with himself that Pierre almost winked back as he looked<br />
merrily at him. Probably the word "gallant" turned the captain's<br />
thoughts to the state of Moscow.</p>

<p>"Apropos, tell me please, is it true that the women have all left<br />
Moscow? What a queer idea! What had they to be afraid of?"</p>

<p>"Would not the French ladies leave Paris if the Russians entered<br />
it?" asked Pierre.</p>

<p>"Ha, ha, ha!" The Frenchman emitted a merry, sanguine chuckle,<br />
patting Pierre on the shoulder. "What a thing to say!" he exclaimed.<br />
"Paris?... But Paris, Paris..."</p>

<p>"Paris--the capital of the world," Pierre finished his remark for<br />
him.</p>

<p>The captain looked at Pierre. He had a habit of stopping short in<br />
the middle of his talk and gazing intently with his laughing, kindly<br />
eyes.</p>

<p>"Well, if you hadn't told me you were Russian, I should have wagered<br />
that you were Parisian! You have that... I don't know what, that..."<br />
and having uttered this compliment, he again gazed at him in silence.</p>

<p>"I have been in Paris. I spent years there," said Pierre.</p>

<p>"Oh yes, one sees that plainly. Paris!... A man who doesn't know<br />
Paris is a savage. You can tell a Parisian two leagues off. Paris is<br />
Talma, la Duchenois, Potier, the Sorbonne, the boulevards," and<br />
noticing that his conclusion was weaker than what had gone before,<br />
he added quickly: "There is only one Paris in the world. You have been<br />
to Paris and have remained Russian. Well, I don't esteem you the<br />
less for it."</p>

<p>Under the influence of the wine he had drunk, and after the days<br />
he had spent alone with his depressing thoughts, Pierre<br />
involuntarily enjoyed talking with this cheerful and good-natured man.</p>

<p>"To return to your ladies--I hear they are lovely. What a wretched<br />
idea to go and bury themselves in the steppes when the French army<br />
is in Moscow. What a chance those girls have missed! Your peasants,<br />
now--that's another thing; but you civilized people, you ought to know<br />
us better than that. We took Vienna, Berlin, Madrid, Naples, Rome,<br />
Warsaw, all the world's capitals.... We are feared, but we are<br />
loved. We are nice to know. And then the Emperor..." he began, but<br />
Pierre interrupted him.</p>

<p>"The Emperor," Pierre repeated, and his face suddenly became sad and<br />
embarrassed, "is the Emperor...?"</p>

<p>"The Emperor? He is generosity, mercy, justice, order, genius--that's<br />
what the Emperor is! It is I, Ramballe, who tell you so.... I assure<br />
you I was his enemy eight years ago. My father was an emigrant<br />
count.... But that man has vanquished me. He has taken hold of me. I<br />
could not resist the sight of the grandeur and glory with which he has<br />
covered France. When I understood what he wanted--when I saw that he<br />
was preparing a bed of laurels for us, you know, I said to myself:<br />
'That is a monarch,' and I devoted myself to him! So there! Oh yes,<br />
mon cher, he is the greatest man of the ages past or future."</p>

<p>"Is he in Moscow?" Pierre stammered with a guilty look.</p>

<p>The Frenchman looked at his guilty face and smiled.</p>

<p>"No, he will make his entry tomorrow," he replied, and continued his<br />
talk.</p>

<p>Their conversation was interrupted by the cries of several voices at<br />
the gate and by Morel, who came to say that some Wurttemberg hussars<br />
had come and wanted to put up their horses in the yard where the<br />
captain's horses were. This difficulty had arisen chiefly because<br />
the hussars did not understand what was said to them in French.</p>

<p>The captain had their senior sergeant called in, and in a stern<br />
voice asked him to what regiment he belonged, who was his commanding<br />
officer, and by what right he allowed himself to claim quarters that<br />
were already occupied. The German who knew little French, answered the<br />
two first questions by giving the names of his regiment and of his<br />
commanding officer, but in reply to the third question which he did<br />
not understand said, introducing broken French into his own German,<br />
that he was the quartermaster of the regiment and his commander had<br />
ordered him to occupy all the houses one after another. Pierre, who<br />
knew German, translated what the German said to the captain and gave<br />
the captain's reply to the Wurttemberg hussar in German. When he had<br />
understood what was said to him, the German submitted and took his men<br />
elsewhere. The captain went out into the porch and gave some orders in<br />
a loud voice.</p>

<p>When he returned to the room Pierre was sitting in the same place as<br />
before, with his head in his hands. His face expressed suffering. He<br />
really was suffering at that moment. When the captain went out and<br />
he was left alone, suddenly he came to himself and realized the<br />
position he was in. It was not that Moscow had been taken or that<br />
the happy conquerors were masters in it and were patronizing him.<br />
Painful as that was it was not that which tormented Pierre at the<br />
moment. He was tormented by the consciousness of his own weakness. The<br />
few glasses of wine he had drunk and the conversation with this<br />
good-natured man had destroyed the mood of concentrated gloom in which<br />
he had spent the last few days and which was essential for the<br />
execution of his design. The pistol, dagger, and peasant coat were<br />
ready. Napoleon was to enter the town next day. Pierre still<br />
considered that it would be a useful and worthy action to slay the<br />
evildoer, but now he felt that he would not do it. He did not know<br />
why, but he felt a foreboding that he would not carry out his<br />
intention. He struggled against the confession of his weakness but<br />
dimly felt that he could not overcome it and that his former gloomy<br />
frame of mind, concerning vengeance, killing, and self-sacrifice,<br />
had been dispersed like dust by contact with the first man he met.</p>

<p>The captain returned to the room, limping slightly and whistling a<br />
tune.</p>

<p>The Frenchman's chatter which had previously amused Pierre now<br />
repelled him. The tune he was whistling, his gait, and the gesture<br />
with which he twirled his mustache, all now seemed offensive. "I<br />
will go away immediately. I won't say another word to him," thought<br />
Pierre. He thought this, but still sat in the same place. A strange<br />
feeling of weakness tied him to the spot; he wished to get up and go<br />
away, but could not do so.</p>

<p>The captain, on the other hand, seemed very cheerful. He paced up<br />
and down the room twice. His eyes shone and his mustache twitched as<br />
if he were smiling to himself at some amusing thought.</p>

<p>"The colonel of those Wurttembergers is delightful," he suddenly<br />
said. "He's a German, but a nice fellow all the same.... But he's a<br />
German." He sat down facing Pierre. "By the way, you know German,<br />
then?"</p>

<p>Pierre looked at him in silence.</p>

<p>"What is the German for 'shelter'?"</p>

<p>"Shelter?" Pierre repeated. "The German for shelter is Unterkunft."</p>

<p>"How do you say it?" the captain asked quickly and doubtfully.</p>

<p>"Unterkunft," Pierre repeated.</p>

<p>"Onterkoff," said the captain and looked at Pierre for some<br />
seconds with laughing eyes. "These Germans are first-rate fools, don't<br />
you think so, Monsieur Pierre?" he concluded.</p>

<p>"Well, let's have another bottle of this Moscow Bordeaux, shall<br />
we? Morel will warm us up another little bottle. Morel!" he called out<br />
gaily.</p>

<p>Morel brought candles and a bottle of wine. The captain looked at<br />
Pierre by the candlelight and was evidently struck by the troubled<br />
expression on his companion's face. Ramballe, with genuine distress<br />
and sympathy in his face, went up to Pierre and bent over him.</p>

<p>"There now, we're sad," said he, touching Pierre's hand. "Have I<br />
upset you? No, really, have you anything against me?" he asked Pierre.<br />
"Perhaps it's the state of affairs?"</p>

<p>Pierre did not answer, but looked cordially into the Frenchman's<br />
eyes whose expression of sympathy was pleasing to him.</p>

<p>"Honestly, without speaking of what I owe you, I feel friendship for<br />
you. Can I do anything for you? Dispose of me. It is for life and<br />
death. I say it with my hand on my heart!" said he, striking his<br />
chest.</p>

<p>"Thank you," said Pierre.</p>

<p>The captain gazed intently at him as he had done when he learned<br />
that "shelter" was Unterkunft in German, and his face suddenly<br />
brightened.</p>

<p>"Well, in that case, I drink to our friendship!" he cried gaily,<br />
filling two glasses with wine.</p>

<p>Pierre took one of the glasses and emptied it. Ramballe emptied<br />
his too, again pressed Pierre's hand, and leaned his elbows on the<br />
table in a pensive attitude.</p>

<p>"Yes, my dear friend," he began, "such is fortune's caprice. Who<br />
would have said that I should be a soldier and a captain of dragoons<br />
in the service of Bonaparte, as we used to call him? Yet here I am<br />
in Moscow with him. I must tell you, mon cher," he continued in the<br />
sad and measured tones of a man who intends to tell a long story,<br />
"that our name is one of the most ancient in France."</p>

<p>And with a Frenchman's easy and naive frankness the captain told<br />
Pierre the story of his ancestors, his childhood, youth, and<br />
manhood, and all about his relations and his financial and family<br />
affairs, "ma pauvre mere" playing of course an important part in the<br />
story.</p>

<p>"But all that is only life's setting, the real thing is love--love! Am<br />
I not right, Monsieur Pierre?" said he, growing animated. "Another<br />
glass?"</p>

<p>Pierre again emptied his glass and poured himself out a third.</p>

<p>"Oh, women, women!" and the captain, looking with glistening eyes at<br />
Pierre, began talking of love and of his love affairs.</p>

<p>There were very many of these, as one could easily believe,<br />
looking at the officer's handsome, self-satisfied face, and noting the<br />
eager enthusiasm with which he spoke of women. Though all Ramballe's<br />
love stories had the sensual character which Frenchmen regard as the<br />
special charm and poetry of love, yet he told his story with such<br />
sincere conviction that he alone had experienced and known all the<br />
charm of love and he described women so alluringly that Pierre<br />
listened to him with curiosity.</p>

<p>It was plain that l'amour which the Frenchman was so fond of was not<br />
that low and simple kind that Pierre had once felt for his wife, nor<br />
was it the romantic love stimulated by himself that he experienced for<br />
Natasha. (Ramballe despised both these kinds of love equally: the<br />
one he considered the "love of clodhoppers" and the other the "love of<br />
simpletons.") L'amour which the Frenchman worshiped consisted<br />
principally in the unnaturalness of his relation to the woman and in a<br />
combination of incongruities giving the chief charm to the feeling.</p>

<p>Thus the captain touchingly recounted the story of his love for a<br />
fascinating marquise of thirty-five and at the same time for a<br />
charming, innocent child of seventeen, daughter of the bewitching<br />
marquise. The conflict of magnanimity between the mother and the<br />
daughter, ending in the mother's sacrificing herself and offering<br />
her daughter in marriage to her lover, even now agitated the<br />
captain, though it was the memory of a distant past. Then he recounted<br />
an episode in which the husband played the part of the lover, and<br />
he--the lover--assumed the role of the husband, as well as several<br />
droll incidents from his recollections of Germany, where "shelter"<br />
is called Unterkunft and where the husbands eat sauerkraut and the<br />
young girls are "too blonde."</p>

<p>Finally, the latest episode in Poland still fresh in the captain's<br />
memory, and which he narrated with rapid gestures and glowing face,<br />
was of how he had saved the life of a Pole (in general, the saving<br />
of life continually occurred in the captain's stories) and the Pole<br />
had entrusted to him his enchanting wife (parisienne de coeur) while<br />
himself entering the French service. The captain was happy, the<br />
enchanting Polish lady wished to elope with him, but, prompted by<br />
magnanimity, the captain restored the wife to the husband, saying as<br />
he did so: "I have saved your life, and I save your honor!" Having<br />
repeated these words the captain wiped his eyes and gave himself a<br />
shake, as if driving away the weakness which assailed him at this<br />
touching recollection.</p>

<p>Listening to the captain's tales, Pierre--as often happens late in<br />
the evening and under the influence of wine--followed all that was<br />
told him, understood it all, and at the same time followed a train<br />
of personal memories which, he knew not why, suddenly arose in his<br />
mind. While listening to these love stories his own love for Natasha<br />
unexpectedly rose to his mind, and going over the pictures of that<br />
love in his imagination he mentally compared them with Ramballe's<br />
tales. Listening to the story of the struggle between love and duty,<br />
Pierre saw before his eyes every minutest detail of his last meeting<br />
with the object of his love at the Sukharev water tower. At the time<br />
of that meeting it had not produced an effect upon him--he had not<br />
even once recalled it. But now it seemed to him that that meeting<br />
had had in it something very important and poetic.</p>

<p>"Peter Kirilovich, come here! We have recognized you," he now seemed<br />
to hear the words she had uttered and to see before him her eyes,<br />
her smile, her traveling hood, and a stray lock of her hair... and<br />
there seemed to him something pathetic and touching in all this.</p>

<p>Having finished his tale about the enchanting Polish lady, the<br />
captain asked Pierre if he had ever experienced a similar impulse to<br />
sacrifice himself for love and a feeling of envy of the legitimate<br />
husband.</p>

<p>Challenged by this question Pierre raised his head and felt a need<br />
to express the thoughts that filled his mind. He began to explain that<br />
he understood love for a women somewhat differently. He said that in<br />
all his life he had loved and still loved only one woman, and that she<br />
could never be his.</p>

<p>"Tiens!" said the captain.</p>

<p>Pierre then explained that he had loved this woman from his earliest<br />
years, but that he had not dared to think of her because she was too<br />
young, and because he had been an illegitimate son without a name.<br />
Afterwards when he had received a name and wealth he dared not think<br />
of her because he loved her too well, placing her far above everything<br />
in the world, and especially therefore above himself.</p>

<p>When he had reached this point, Pierre asked the captain whether<br />
he understood that.</p>

<p>The captain made a gesture signifying that even if he did not<br />
understand it he begged Pierre to continue.</p>

<p>"Platonic love, clouds..." he muttered.</p>

<p>Whether it was the wine he had drunk, or an impulse of frankness, or<br />
the thought that this man did not, and never would, know any of<br />
those who played a part in his story, or whether it was all these<br />
things together, something loosened Pierre's tongue. Speaking<br />
thickly and with a faraway look in his shining eyes, he told the whole<br />
story of his life: his marriage, Natasha's love for his best friend,<br />
her betrayal of him, and all his own simple relations with her.<br />
Urged on by Ramballe's questions he also told what he had at first<br />
concealed--his own position and even his name.</p>

<p>More than anything else in Pierre's story the captain was<br />
impressed by the fact that Pierre was very rich, had two mansions in<br />
Moscow, and that he had abandoned everything and not left the city,<br />
but remained there concealing his name and station.</p>

<p>When it was late at night they went out together into the street.<br />
The night was warm and light. To the left of the house on the Pokrovka<br />
a fire glowed--the first of those that were beginning in Moscow. To<br />
the right and high up in the sky was the sickle of the waning moon and<br />
opposite to it hung that bright comet which was connected in<br />
Pierre's heart with his love. At the gate stood Gerasim, the cook, and<br />
two Frenchmen. Their laughter and their mutually incomprehensible<br />
remarks in two languages could be heard. They were looking at the glow<br />
seen in the town.</p>

<p>There was nothing terrible in the one small, distant fire in the<br />
immense city.</p>

<p>Gazing at the high starry sky, at the moon, at the comet, and at the<br />
glow from the fire, Pierre experienced a joyful emotion. "There now,<br />
how good it is, what more does one need?" thought he. And suddenly<br />
remembering his intention he grew dizzy and felt so faint that he<br />
leaned against the fence to save himself from falling.</p>

<p>Without taking leave of his new friend, Pierre left the gate with<br />
unsteady steps and returning to his room lay down on the sofa and<br />
immediately fell asleep.</p>]]>
        
    </content>
</entry>



<entry>
    <title>Les Miserables, by Victor Hugo - CHAPTER III</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/les_miserables/2009/03/chapter-iii-23.html" />
    <id>tag:www.greatbooksforfree.com,2009:/les_miserables//15.1106</id>

    <published>2009-03-01T23:13:50Z</published>
    <updated>2008-06-20T22:15:59Z</updated>

    <summary>LOUIS PHILIPPE Revolutions have a terrible arm and a happy hand, they strike firmly and choose well. Even incomplete, even debased and abused and reduced to the state of a junior revolution like the Revolution of 1830, they nearly always...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/les_miserables/">
        <![CDATA[<p>LOUIS PHILIPPE</p>

<p><br />
Revolutions have a terrible arm and a happy hand, they strike firmly<br />
and choose well.  Even incomplete, even debased and abused and reduced<br />
to the state of a junior revolution like the Revolution of 1830,<br />
they nearly always retain sufficient providential lucidity to prevent<br />
them from falling amiss.  Their eclipse is never an abdication.</p>

<p>Nevertheless, let us not boast too loudly; revolutions also may<br />
be deceived, and grave errors have been seen.</p>

<p>Let us return to 1830.  1830, in its deviation, had good luck. <br />
In the establishment which entitled itself order after the revolution<br />
had been cut short, the King amounted to more than royalty. <br />
Louis Philippe was a rare man.</p>

<p>The son of a father to whom history will accord certain attenuating<br />
circumstances, but also as worthy of esteem as that father had been<br />
of blame; possessing all private virtues and many public virtues;<br />
careful of his health, of his fortune, of his person, of his affairs,<br />
knowing the value of a minute and not always the value of a year;<br />
sober, serene, peaceable, patient; a good man and a good prince;<br />
sleeping with his wife, and having in his palace lackeys charged<br />
with the duty of showing the conjugal bed to the bourgeois,<br />
an ostentation of the regular sleeping-apartment which had become<br />
useful after the former illegitimate displays of the elder branch;<br />
knowing all the languages of Europe, and, what is more rare,<br />
all the languages of all interests, and speaking them; an admirable<br />
representative of the "middle class," but outstripping it, and in every<br />
way greater than it; possessing excellent sense, while appreciating<br />
the blood from which he had sprung, counting most of all on his<br />
intrinsic worth, and, on the question of his race, very particular,<br />
declaring himself Orleans and not Bourbon; thoroughly the first<br />
Prince of the Blood Royal while he was still only a Serene Highness,<br />
but a frank bourgeois from the day he became king; diffuse in public,<br />
concise in private; reputed, but not proved to be a miser;<br />
at bottom, one of those economists who are readily prodigal at their<br />
own fancy or duty; lettered, but not very sensitive to letters;<br />
a gentleman, but not a chevalier; simple, calm, and strong;<br />
adored by his family and his household; a fascinating talker,<br />
an undeceived statesman, inwardly cold, dominated by immediate interest,<br />
always governing at the shortest range, incapable of rancor and<br />
of gratitude, making use without mercy of superiority on mediocrity,<br />
clever in getting parliamentary majorities to put in the wrong<br />
those mysterious unanimities which mutter dully under thrones;<br />
unreserved, sometimes imprudent in his lack of reserve, but with<br />
marvellous address in that imprudence; fertile in expedients,<br />
in countenances, in masks; making France fear Europe and Europe France! <br />
Incontestably fond of his country, but preferring his family;<br />
assuming more domination than authority and more authority than dignity,<br />
a disposition which has this unfortunate property, that as it turns<br />
everything to success, it admits of ruse and does not absolutely<br />
repudiate baseness, but which has this valuable side, that it<br />
preserves politics from violent shocks, the state from fractures,<br />
and society from catastrophes; minute, correct, vigilant, attentive,<br />
sagacious, indefatigable; contradicting himself at times and giving<br />
himself the lie; bold against Austria at Ancona, obstinate against<br />
England in Spain, bombarding Antwerp, and paying off Pritchard;<br />
singing the Marseillaise with conviction, inaccessible to despondency,<br />
to lassitude, to the taste for the beautiful and the ideal,<br />
to daring generosity, to Utopia, to chimeras, to wrath, to vanity,<br />
to fear; possessing all the forms of personal intrepidity; a general<br />
at Valmy; a soldier at Jemappes; attacked eight times by regicides<br />
and always smiling.  Brave as a grenadier, courageous as a thinker;<br />
uneasy only in the face of the chances of a European shaking up,<br />
and unfitted for great political adventures; always ready to risk<br />
his life, never his work; disguising his will in influence, in order<br />
that he might be obeyed as an intelligence rather than as a king;<br />
endowed with observation and not with divination; not very attentive<br />
to minds, but knowing men, that is to say requiring to see in order<br />
to judge; prompt and penetrating good sense, practical wisdom,<br />
easy speech, prodigious memory; drawing incessantly on this memory,<br />
his only point of resemblance with Caesar, Alexander, and Napoleon;<br />
knowing deeds, facts, details, dates, proper names, ignorant<br />
of tendencies, passions, the diverse geniuses of the crowd,<br />
the interior aspirations, the hidden and obscure uprisings of souls,<br />
in a word, all that can be designated as the invisible currents<br />
of consciences; accepted by the surface, but little in accord<br />
with France lower down; extricating himself by dint of tact;<br />
governing too much and not enough; his own first minister;<br />
excellent at creating out of the pettiness of realities an obstacle<br />
to the immensity of ideas; mingling a genuine creative faculty<br />
of civilization, of order and organization, an indescribable spirit<br />
of proceedings and chicanery, the founder and lawyer of a dynasty;<br />
having something of Charlemagne and something of an attorney; in short,<br />
a lofty and original figure, a prince who understood how to create<br />
authority in spite of the uneasiness of France, and power in spite<br />
of the jealousy of Europe.  Louis Philippe will be classed among<br />
the eminent men of his century, and would be ranked among the most<br />
illustrious governors of history had he loved glory but a little,<br />
and if he had had the sentiment of what is great to the same degree<br />
as the feeling for what is useful.</p>

<p>Louis Philippe had been handsome, and in his old age he remained graceful;<br />
not always approved by the nation, he always was so by the masses;<br />
he pleased.  He had that gift of charming.  He lacked majesty; he wore<br />
no crown, although a king, and no white hair, although an old man;<br />
his manners belonged to the old regime and his habits to the new;<br />
a mixture of the noble and the bourgeois which suited 1830;<br />
Louis Philippe was transition reigning; he had preserved the<br />
ancient pronunciation and the ancient orthography which he placed<br />
at the service of opinions modern; he loved Poland and Hungary,<br />
but he wrote les Polonois, and he pronounced les Hongrais.  He wore<br />
the uniform of the national guard, like Charles X., and the ribbon<br />
of the Legion of Honor, like Napoleon.</p>

<p>He went a little to chapel, not at all to the chase, never to the opera. <br />
Incorruptible by sacristans, by whippers-in, by ballet-dancers;<br />
this made a part of his bourgeois popularity.  He had no heart. <br />
He went out with his umbrella under his arm, and this umbrella<br />
long formed a part of his aureole.  He was a bit of a mason, a bit<br />
of a gardener, something of a doctor; he bled a postilion who had<br />
tumbled from his horse; Louis Philippe no more went about without<br />
his lancet, than did Henri IV.  without his poniard.  The Royalists<br />
jeered at this ridiculous king, the first who had ever shed blood<br />
with the object of healing.</p>

<p>For the grievances against Louis Philippe, there is one deduction<br />
to be made; there is that which accuses royalty, that which<br />
accuses the reign, that which accuses the King; three columns<br />
which all give different totals.  Democratic right confiscated,<br />
progress becomes a matter of secondary interest, the protests of the<br />
street violently repressed, military execution of insurrections,<br />
the rising passed over by arms, the Rue Transnonain, the counsels<br />
of war, the absorption of the real country by the legal country,<br />
on half shares with three hundred thousand privileged persons,--<br />
these are the deeds of royalty; Belgium refused, Algeria too<br />
harshly conquered, and, as in the case of India by the English,<br />
with more barbarism than civilization, the breach of faith,<br />
to Abd-el-Kader, Blaye, Deutz bought, Pritchard paid,--these are<br />
the doings of the reign; the policy which was more domestic than<br />
national was the doing of the King.</p>

<p>As will be seen, the proper deduction having been made, the King's<br />
charge is decreased.</p>

<p>This is his great fault; he was modest in the name of France.</p>

<p>Whence arises this fault?</p>

<p>We will state it.</p>

<p>Louis Philippe was rather too much of a paternal king; that incubation<br />
of a family with the object of founding a dynasty is afraid<br />
of everything and does not like to be disturbed; hence excessive<br />
timidity, which is displeasing to the people, who have the<br />
14th of July in their civil and Austerlitz in their military tradition.</p>

<p>Moreover, if we deduct the public duties which require to be fulfilled<br />
first of all, that deep tenderness of Louis Philippe towards his<br />
family was deserved by the family.  That domestic group was worthy<br />
of admiration.  Virtues there dwelt side by side with talents. <br />
One of Louis Philippe's daughters, Marie d'Orleans, placed the name<br />
of her race among artists, as Charles d'Orleans had placed it<br />
among poets.  She made of her soul a marble which she named Jeanne<br />
d'Arc. Two of Louis Philippe's daughters elicited from Metternich<br />
this eulogium:  "They are young people such as are rarely seen,<br />
and princes such as are never seen."</p>

<p>This, without any dissimulation, and also without any exaggeration,<br />
is the truth about Louis Philippe.</p>

<p>To be Prince Equality, to bear in his own person the contradiction<br />
of the Restoration and the Revolution, to have that disquieting<br />
side of the revolutionary which becomes reassuring in governing<br />
power, therein lay the fortune of Louis Philippe in 1830;<br />
never was there a more complete adaptation of a man to an event;<br />
the one entered into the other, and the incarnation took place. <br />
Louis Philippe is 1830 made man.  Moreover, he had in his favor that<br />
great recommendation to the throne, exile.  He had been proscribed,<br />
a wanderer, poor.  He had lived by his own labor.  In Switzerland,<br />
this heir to the richest princely domains in France had sold an old<br />
horse in order to obtain bread.  At Reichenau, he gave lessons<br />
in mathematics, while his sister Adelaide did wool work and sewed. <br />
These souvenirs connected with a king rendered the bourgeoisie<br />
enthusiastic.  He had, with his own hands, demolished the iron cage<br />
of Mont-Saint-Michel, built by Louis XI, and used by Louis XV. <br />
He was the companion of Dumouriez, he was the friend of Lafayette;<br />
he had belonged to the Jacobins' club; Mirabeau had slapped<br />
him on the shoulder; Danton had said to him:  "Young man!" <br />
At the age of four and twenty, in '93, being then M. de Chartres,<br />
he had witnessed, from the depth of a box, the trial of Louis<br />
XVI., so well named that poor tyrant.  The blind clairvoyance<br />
of the Revolution, breaking royalty in the King and the King<br />
with royalty, did so almost without noticing the man in the fierce<br />
crushing of the idea, the vast storm of the Assembly-Tribunal,<br />
the public wrath interrogating, Capet not knowing what to reply,<br />
the alarming, stupefied vacillation by that royal head beneath that<br />
sombre breath, the relative innocence of all in that catastrophe,<br />
of those who condemned as well as of the man condemned,--he had looked<br />
on those things, he had contemplated that giddiness; he had seen<br />
the centuries appear before the bar of the Assembly-Convention;<br />
he had beheld, behind Louis XVI., that unfortunate passer-by<br />
who was made responsible, the terrible culprit, the monarchy,<br />
rise through the shadows; and there had lingered in his soul<br />
the respectful fear of these immense justices of the populace,<br />
which are almost as impersonal as the justice of God.</p>

<p>The trace left in him by the Revolution was prodigious.  Its memory<br />
was like a living imprint of those great years, minute by minute. <br />
One day, in the presence of a witness whom we are not permitted<br />
to doubt, he rectified from memory the whole of the letter A in the<br />
alphabetical list of the Constituent Assembly.</p>

<p>Louis Philippe was a king of the broad daylight.  While he<br />
reigned the press was free, the tribune was free, conscience and<br />
speech were free.  The laws of September are open to sight. <br />
Although fully aware of the gnawing power of light on privileges,<br />
he left his throne exposed to the light.  History will do justice<br />
to him for this loyalty.</p>

<p>Louis Philippe, like all historical men who have passed from the scene,<br />
is to-day put on his trial by the human conscience.  His case is,<br />
as yet, only in the lower court.</p>

<p>The hour when history speaks with its free and venerable accent,<br />
has not yet sounded for him; the moment has not come to pronounce<br />
a definite judgment on this king; the austere and illustrious<br />
historian Louis Blanc has himself recently softened his first verdict;<br />
Louis Philippe was elected by those two almosts which are called<br />
the 221 and 1830, that is to say, by a half-Parliament, and<br />
a half-revolution; and in any case, from the superior point of view<br />
where philosophy must place itself, we cannot judge him here, as the<br />
reader has seen above, except with certain reservations in the name<br />
of the absolute democratic principle; in the eyes of the absolute,<br />
outside these two rights, the right of man in the first place,<br />
the right of the people in the second, all is usurpation; but what we<br />
can say, even at the present day, that after making these reserves is,<br />
that to sum up the whole, and in whatever manner he is considered,<br />
Louis Philippe, taken in himself, and from the point of view<br />
of human goodness, will remain, to use the antique language<br />
of ancient history, one of the best princes who ever sat on a throne.</p>

<p>What is there against him?  That throne.  Take away Louis Philippe<br />
the king, there remains the man.  And the man is good.  He is good at<br />
times even to the point of being admirable.  Often, in the midst of his<br />
gravest souvenirs, after a day of conflict with the whole diplomacy<br />
of the continent, he returned at night to his apartments, and there,<br />
exhausted with fatigue, overwhelmed with sleep, what did he do? <br />
He took a death sentence and passed the night in revising a criminal suit,<br />
considering it something to hold his own against Europe, but that it<br />
was a still greater matter to rescue a man from the executioner. <br />
He obstinately maintained his opinion against his keeper of the seals;<br />
he disputed the ground with the guillotine foot by foot against the<br />
crown attorneys, those chatterers of the law, as he called them. <br />
Sometimes the pile of sentences covered his table; he examined them all;<br />
it was anguish to him to abandon these miserable, condemned heads. <br />
One day, he said to the same witness to whom we have recently referred: <br />
"I won seven last night."  During the early years of his reign,<br />
the death penalty was as good as abolished, and the erection of a<br />
scaffold was a violence committed against the King.  The Greve having<br />
disappeared with the elder branch, a bourgeois place of execution<br />
was instituted under the name of the Barriere-Saint-Jacques;<br />
"practical men" felt the necessity of a quasi-legitimate guillotine;<br />
and this was one of the victories of Casimir Perier, who represented<br />
the narrow sides of the bourgeoisie, over Louis Philippe,<br />
who represented its liberal sides.  Louis Philippe annotated Beccaria<br />
with his own hand.  After the Fieschi machine, he exclaimed: <br />
"What a pity that I was not wounded!  Then I might have pardoned!" <br />
On another occasion, alluding to the resistance offered by his ministry,<br />
he wrote in connection with a political criminal, who is one of the most<br />
generous figures of our day:  "His pardon is granted; it only remains<br />
for me to obtain it."  Louis Philippe was as gentle as Louis IX. <br />
and as kindly as Henri IV.</p>

<p>Now, to our mind, in history, where kindness is the rarest of pearls,<br />
the man who is kindly almost takes precedence of the man who is great.</p>

<p>Louis Philippe having been severely judged by some, harshly, perhaps,<br />
by others, it is quite natural that a man, himself a phantom at<br />
the present day, who knew that king, should come and testify in his<br />
favor before history; this deposition, whatever else it may be,<br />
is evidently and above all things, entirely disinterested; an epitaph<br />
penned by a dead man is sincere; one shade may console another shade;<br />
the sharing of the same shadows confers the right to praise it;<br />
it is not greatly to be feared that it will ever be said of two<br />
tombs in exile:  "This one flattered the other."</p>]]>
        
    </content>
</entry>



<entry>
    <title>The Count of Monte Cristo, by Alexandre Dumas père - CHAPTER 105. The Cemetery of Pere-la-Chaise.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-105-the-cemetery-of-pere-la-chaise.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1595</id>

    <published>2009-02-28T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>M. de Boville had indeed met the funeral procession which was taking Valentine to her last home on earth. The weather was dull and stormy, a cold wind shook the few remaining yellow leaves from the boughs of the trees,...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>M. de Boville had indeed met the funeral procession which was taking<br />
Valentine to her last home on earth. The weather was dull and stormy, a<br />
cold wind shook the few remaining yellow leaves from the boughs of the<br />
trees, and scattered them among the crowd which filled the boulevards.<br />
M. de Villefort, a true Parisian, considered the cemetery of<br />
Pere-la-Chaise alone worthy of receiving the mortal remains of a<br />
Parisian family; there alone the corpses belonging to him would be<br />
surrounded by worthy associates. He had therefore purchased a vault,<br />
which was quickly occupied by members of his family. On the front of the<br />
monument was inscribed: "The families of Saint-Meran and Villefort," for<br />
such had been the last wish expressed by poor Renee, Valentine's mother.<br />
The pompous procession therefore wended its way towards Pere-la-Chaise<br />
from the Faubourg Saint-Honore. Having crossed Paris, it passed through<br />
the Faubourg du Temple, then leaving the exterior boulevards, it reached<br />
the cemetery. More than fifty private carriages followed the twenty<br />
mourning-coaches, and behind them more than five hundred persons joined<br />
in the procession on foot.</p>

<p>These last consisted of all the young people whom Valentine's death had<br />
struck like a thunderbolt, and who, notwithstanding the raw chilliness<br />
of the season, could not refrain from paying a last tribute to the<br />
memory of the beautiful, chaste, and adorable girl, thus cut off in the<br />
flower of her youth. As they left Paris, an equipage with four horses,<br />
at full speed, was seen to draw up suddenly; it contained Monte Cristo.<br />
The count left the carriage and mingled in the crowd who followed on<br />
foot. Chateau-Renaud perceived him and immediately alighting from his<br />
coupe, joined him.</p>

<p>The count looked attentively through every opening in the crowd; he was<br />
evidently watching for some one, but his search ended in disappointment.<br />
"Where is Morrel?" he asked; "do either of these gentlemen know where he<br />
is?"</p>

<p>"We have already asked that question," said Chateau-Renaud, "for none<br />
of us has seen him." The count was silent, but continued to gaze around<br />
him. At length they arrived at the cemetery. The piercing eye of Monte<br />
Cristo glanced through clusters of bushes and trees, and was soon<br />
relieved from all anxiety, for seeing a shadow glide between the<br />
yew-trees, Monte Cristo recognized him whom he sought. One funeral is<br />
generally very much like another in this magnificent metropolis. Black<br />
figures are seen scattered over the long white avenues; the silence<br />
of earth and heaven is alone broken by the noise made by the crackling<br />
branches of hedges planted around the monuments; then follows the<br />
melancholy chant of the priests, mingled now and then with a sob of<br />
anguish, escaping from some woman concealed behind a mass of flowers.</p>

<p>The shadow Monte Cristo had noticed passed rapidly behind the tomb of<br />
Abelard and Heloise, placed itself close to the heads of the horses<br />
belonging to the hearse, and following the undertaker's men, arrived<br />
with them at the spot appointed for the burial. Each person's attention<br />
was occupied. Monte Cristo saw nothing but the shadow, which no one else<br />
observed. Twice the count left the ranks to see whether the object of<br />
his interest had any concealed weapon beneath his clothes. When the<br />
procession stopped, this shadow was recognized as Morrel, who, with<br />
his coat buttoned up to his throat, his face livid, and convulsively<br />
crushing his hat between his fingers, leaned against a tree, situated<br />
on an elevation commanding the mausoleum, so that none of the funeral<br />
details could escape his observation. Everything was conducted in<br />
the usual manner. A few men, the least impressed of all by the scene,<br />
pronounced a discourse, some deploring this premature death, others<br />
expatiating on the grief of the father, and one very ingenious person<br />
quoting the fact that Valentine had solicited pardon of her father for<br />
criminals on whom the arm of justice was ready to fall--until at length<br />
they exhausted their stores of metaphor and mournful speeches.</p>

<p>Monte Cristo heard and saw nothing, or rather he only saw Morrel, whose<br />
calmness had a frightful effect on those who knew what was passing in<br />
his heart. "See," said Beauchamp, pointing out Morrel to Debray. "What<br />
is he doing up there?" And they called Chateau-Renaud's attention to<br />
him.</p>

<p>"How pale he is!" said Chateau-Renaud, shuddering.</p>

<p>"He is cold," said Debray.</p>

<p>"Not at all," said Chateau-Renaud, slowly; "I think he is violently<br />
agitated. He is very susceptible."</p>

<p>"Bah," said Debray; "he scarcely knew Mademoiselle de Villefort; you<br />
said so yourself."</p>

<p>"True. Still I remember he danced three times with her at Madame de<br />
Morcerf's. Do you recollect that ball, count, where you produced such an<br />
effect?"</p>

<p>"No, I do not," replied Monte Cristo, without even knowing of what or<br />
to whom he was speaking, so much was he occupied in watching Morrel, who<br />
was holding his breath with emotion. "The discourse is over; farewell,<br />
gentlemen," said the count. And he disappeared without anyone seeing<br />
whither he went. The funeral being over, the guests returned to Paris.<br />
Chateau-Renaud looked for a moment for Morrel; but while they were<br />
watching the departure of the count, Morrel had quitted his post, and<br />
Chateau-Renaud, failing in his search, joined Debray and Beauchamp.</p>

<p>Monte Cristo concealed himself behind a large tomb and awaited the<br />
arrival of Morrel, who by degrees approached the tomb now abandoned<br />
by spectators and workmen. Morrel threw a glance around, but before it<br />
reached the spot occupied by Monte Cristo the latter had advanced yet<br />
nearer, still unperceived. The young man knelt down. The count, with<br />
outstretched neck and glaring eyes, stood in an attitude ready to<br />
pounce upon Morrel upon the first occasion. Morrel bent his head till<br />
it touched the stone, then clutching the grating with both hands,<br />
he murmured,--"Oh, Valentine!" The count's heart was pierced by the<br />
utterance of these two words; he stepped forward, and touching the young<br />
man's shoulder, said,--"I was looking for you, my friend." Monte Cristo<br />
expected a burst of passion, but he was deceived, for Morrel turning<br />
round, said calmly,--</p>

<p>"You see I was praying." The scrutinizing glance of the count searched<br />
the young man from head to foot. He then seemed more easy.</p>

<p>"Shall I drive you back to Paris?" he asked.</p>

<p>"No, thank you."</p>

<p>"Do you wish anything?"</p>

<p>"Leave me to pray." The count withdrew without opposition, but it was<br />
only to place himself in a situation where he could watch every movement<br />
of Morrel, who at length arose, brushed the dust from his knees, and<br />
turned towards Paris, without once looking back. He walked slowly down<br />
the Rue de la Roquette. The count, dismissing his carriage, followed him<br />
about a hundred paces behind. Maximilian crossed the canal and entered<br />
the Rue Meslay by the boulevards. Five minutes after the door had been<br />
closed on Morrel's entrance, it was again opened for the count. Julie<br />
was at the entrance of the garden, where she was attentively watching<br />
Penelon, who, entering with zeal into his profession of gardener, was<br />
very busy grafting some Bengal roses. "Ah, count," she exclaimed, with<br />
the delight manifested by every member of the family whenever he visited<br />
the Rue Meslay.</p>

<p>"Maximilian has just returned, has he not, madame?" asked the count.</p>

<p>"Yes, I think I saw him pass; but pray, call Emmanuel."</p>

<p>"Excuse me, madame, but I must go up to Maximilian's room this instant,"<br />
replied Monte Cristo, "I have something of the greatest importance to<br />
tell him."</p>

<p>"Go, then," she said with a charming smile, which accompanied him until<br />
he had disappeared. Monte Cristo soon ran up the staircase conducting<br />
from the ground-floor to Maximilian's room; when he reached the landing<br />
he listened attentively, but all was still. Like many old houses<br />
occupied by a single family, the room door was panelled with glass; but<br />
it was locked, Maximilian was shut in, and it was impossible to see<br />
what was passing in the room, because a red curtain was drawn before the<br />
glass. The count's anxiety was manifested by a bright color which seldom<br />
appeared on the face of that imperturbable man.</p>

<p>"What shall I do!" he uttered, and reflected for a moment; "shall I<br />
ring? No, the sound of a bell, announcing a visitor, will but accelerate<br />
the resolution of one in Maximilian's situation, and then the bell would<br />
be followed by a louder noise." Monte Cristo trembled from head to<br />
foot and as if his determination had been taken with the rapidity of<br />
lightning, he struck one of the panes of glass with his elbow; the glass<br />
was shivered to atoms, then withdrawing the curtain he saw Morrel, who<br />
had been writing at his desk, bound from his seat at the noise of the<br />
broken window.</p>

<p>"I beg a thousand pardons," said the count, "there is nothing the<br />
matter, but I slipped down and broke one of your panes of glass with<br />
my elbow. Since it is opened, I will take advantage of it to enter your<br />
room; do not disturb yourself--do not disturb yourself!" And passing<br />
his hand through the broken glass, the count opened the door. Morrel,<br />
evidently discomposed, came to meet Monte Cristo less with the intention<br />
of receiving him than to exclude his entry. "Ma foi," said Monte Cristo,<br />
rubbing his elbow, "it's all your servant's fault; your stairs are so<br />
polished, it is like walking on glass."</p>

<p>"Are you hurt, sir?" coldly asked Morrel.</p>

<p>"I believe not. But what are you about there? You were writing."</p>

<p>"I?"</p>

<p>"Your fingers are stained with ink."</p>

<p>"Ah, true, I was writing. I do sometimes, soldier though I am."</p>

<p>Monte Cristo advanced into the room; Maximilian was obliged to let him<br />
pass, but he followed him. "You were writing?" said Monte Cristo with a<br />
searching look.</p>

<p>"I have already had the honor of telling you I was," said Morrel.</p>

<p>The count looked around him. "Your pistols are beside your desk," said<br />
Monte Cristo, pointing with his finger to the pistols on the table.</p>

<p>"I am on the point of starting on a journey," replied Morrel<br />
disdainfully.</p>

<p>"My friend," exclaimed Monte Cristo in a tone of exquisite sweetness.</p>

<p>"Sir?"</p>

<p>"My friend, my dear Maximilian, do not make a hasty resolution, I<br />
entreat you."</p>

<p>"I make a hasty resolution?" said Morrel, shrugging his shoulders; "is<br />
there anything extraordinary in a journey?"</p>

<p>"Maximilian," said the count, "let us both lay aside the mask we have<br />
assumed. You no more deceive me with that false calmness than I impose<br />
upon you with my frivolous solicitude. You can understand, can you not,<br />
that to have acted as I have done, to have broken that glass, to have<br />
intruded on the solitude of a friend--you can understand that, to have<br />
done all this, I must have been actuated by real uneasiness, or rather<br />
by a terrible conviction. Morrel, you are going to destroy yourself!"</p>

<p>"Indeed, count," said Morrel, shuddering; "what has put this into your<br />
head?"</p>

<p>"I tell you that you are about to destroy yourself," continued the<br />
count, "and here is proof of what I say;" and, approaching the desk, he<br />
removed the sheet of paper which Morrel had placed over the letter he<br />
had begun, and took the latter in his hands.</p>

<p>Morrel rushed forward to tear it from him, but Monte Cristo perceiving<br />
his intention, seized his wrist with his iron grasp. "You wish to<br />
destroy yourself," said the count; "you have written it."</p>

<p>"Well," said Morrel, changing his expression of calmness for one of<br />
violence--"well, and if I do intend to turn this pistol against myself,<br />
who shall prevent me--who will dare prevent me? All my hopes are<br />
blighted, my heart is broken, my life a burden, everything around me is<br />
sad and mournful; earth has become distasteful to me, and human voices<br />
distract me. It is a mercy to let me die, for if I live I shall lose<br />
my reason and become mad. When, sir, I tell you all this with tears of<br />
heartfelt anguish, can you reply that I am wrong, can you prevent my<br />
putting an end to my miserable existence? Tell me, sir, could you have<br />
the courage to do so?"</p>

<p>"Yes, Morrel," said Monte Cristo, with a calmness which contrasted<br />
strangely with the young man's excitement; "yes, I would do so."</p>

<p>"You?" exclaimed Morrel, with increasing anger and reproach--"you, who<br />
have deceived me with false hopes, who have cheered and soothed me with<br />
vain promises, when I might, if not have saved her, at least have seen<br />
her die in my arms! You, who pretend to understand everything, even the<br />
hidden sources of knowledge,--and who enact the part of a guardian angel<br />
upon earth, and could not even find an antidote to a poison administered<br />
to a young girl! Ah, sir, indeed you would inspire me with pity, were<br />
you not hateful in my eyes."</p>

<p>"Morrel"--</p>

<p>"Yes; you tell me to lay aside the mask, and I will do so, be satisfied!<br />
When you spoke to me at the cemetery, I answered you--my heart was<br />
softened; when you arrived here, I allowed you to enter. But since<br />
you abuse my confidence, since you have devised a new torture after<br />
I thought I had exhausted them all, then, Count of Monte Cristo my<br />
pretended benefactor--then, Count of Monte Cristo, the universal<br />
guardian, be satisfied, you shall witness the death of your friend;" and<br />
Morrel, with a maniacal laugh, again rushed towards the pistols.</p>

<p>"And I again repeat, you shall not commit suicide."</p>

<p>"Prevent me, then!" replied Morrel, with another struggle, which, like<br />
the first, failed in releasing him from the count's iron grasp.</p>

<p>"I will prevent you."</p>

<p>"And who are you, then, that arrogate to yourself this tyrannical right<br />
over free and rational beings?"</p>

<p>"Who am I?" repeated Monte Cristo. "Listen; I am the only man in the<br />
world having the right to say to you, 'Morrel, your father's son shall<br />
not die to-day;'" and Monte Cristo, with an expression of majesty<br />
and sublimity, advanced with arms folded toward the young man, who,<br />
involuntarily overcome by the commanding manner of this man, recoiled a<br />
step.</p>

<p>"Why do you mention my father?" stammered he; "why do you mingle a<br />
recollection of him with the affairs of today?"</p>

<p>"Because I am he who saved your father's life when he wished to destroy<br />
himself, as you do to-day--because I am the man who sent the purse<br />
to your young sister, and the Pharaon to old Morrel--because I am the<br />
Edmond Dantes who nursed you, a child, on my knees." Morrel made another<br />
step back, staggering, breathless, crushed; then all his strength<br />
give way, and he fell prostrate at the feet of Monte Cristo. Then his<br />
admirable nature underwent a complete and sudden revulsion; he arose,<br />
rushed out of the room and to the stairs, exclaiming energetically,<br />
"Julie, Julie--Emmanuel, Emmanuel!"</p>

<p>Monte Cristo endeavored also to leave, but Maximilian would have died<br />
rather than relax his hold of the handle of the door, which he closed<br />
upon the count. Julie, Emmanuel, and some of the servants, ran up in<br />
alarm on hearing the cries of Maximilian. Morrel seized their hands,<br />
and opening the door exclaimed in a voice choked with sobs, "On your<br />
knees--on your knees--he is our benefactor--the saviour of our father!<br />
He is"--</p>

<p>He would have added "Edmond Dantes," but the count seized his arm and<br />
prevented him. Julie threw herself into the arms of the count; Emmanuel<br />
embraced him as a guardian angel; Morrel again fell on his knees, and<br />
struck the ground with his forehead. Then the iron-hearted man felt his<br />
heart swell in his breast; a flame seemed to rush from his throat to his<br />
eyes, he bent his head and wept. For a while nothing was heard in the<br />
room but a succession of sobs, while the incense from their grateful<br />
hearts mounted to heaven. Julie had scarcely recovered from her deep<br />
emotion when she rushed out of the room, descended to the next floor,<br />
ran into the drawing-room with childlike joy and raised the crystal<br />
globe which covered the purse given by the unknown of the Allees de<br />
Meillan. Meanwhile, Emmanuel in a broken voice said to the count,<br />
"Oh, count, how could you, hearing us so often speak of our unknown<br />
benefactor, seeing us pay such homage of gratitude and adoration to his<br />
memory,--how could you continue so long without discovering yourself to<br />
us? Oh, it was cruel to us, and--dare I say it?--to you also."</p>

<p>"Listen, my friends," said the count--"I may call you so since we have<br />
really been friends for the last eleven years--the discovery of this<br />
secret has been occasioned by a great event which you must never know.<br />
I wish to bury it during my whole life in my own bosom, but your brother<br />
Maximilian wrested it from me by a violence he repents of now, I am<br />
sure." Then turning around, and seeing that Morrel, still on his knees,<br />
had thrown himself into an arm-chair, he added in a low voice, pressing<br />
Emmanuel's hand significantly, "Watch over him."</p>

<p>"Why so?" asked the young man, surprised.</p>

<p>"I cannot explain myself; but watch over him." Emmanuel looked around<br />
the room and caught sight of the pistols; his eyes rested on the<br />
weapons, and he pointed to them. Monte Cristo bent his head. Emmanuel<br />
went towards the pistols. "Leave them," said Monte Cristo. Then walking<br />
towards Morrel, he took his hand; the tumultuous agitation of the young<br />
man was succeeded by a profound stupor. Julie returned, holding the<br />
silken purse in her hands, while tears of joy rolled down her cheeks,<br />
like dewdrops on the rose.</p>

<p>"Here is the relic," she said; "do not think it will be less dear to us<br />
now we are acquainted with our benefactor!"</p>

<p>"My child," said Monte Cristo, coloring, "allow me to take back that<br />
purse? Since you now know my face, I wish to be remembered alone through<br />
the affection I hope you will grant me.</p>

<p>"Oh," said Julie, pressing the purse to her heart, "no, no, I beseech<br />
you do not take it, for some unhappy day you will leave us, will you<br />
not?"</p>

<p>"You have guessed rightly, madame," replied Monte Cristo, smiling; "in a<br />
week I shall have left this country, where so many persons who merit the<br />
vengeance of heaven lived happily, while my father perished of hunger<br />
and grief." While announcing his departure, the count fixed his eyes on<br />
Morrel, and remarked that the words, "I shall have left this country,"<br />
had failed to rouse him from his lethargy. He then saw that he must make<br />
another struggle against the grief of his friend, and taking the hands<br />
of Emmanuel and Julie, which he pressed within his own, he said with<br />
the mild authority of a father, "My kind friends, leave me alone with<br />
Maximilian." Julie saw the means offered of carrying off her precious<br />
relic, which Monte Cristo had forgotten. She drew her husband to the<br />
door. "Let us leave them," she said. The count was alone with Morrel,<br />
who remained motionless as a statue.</p>

<p>"Come," said Monte-Cristo, touching his shoulder with his finger, "are<br />
you a man again, Maximilian?"</p>

<p>"Yes; for I begin to suffer again."</p>

<p>The count frowned, apparently in gloomy hesitation.</p>

<p>"Maximilian, Maximilian," he said, "the ideas you yield to are unworthy<br />
of a Christian."</p>

<p>"Oh, do not fear, my friend," said Morrel, raising his head, and smiling<br />
with a sweet expression on the count; "I shall no longer attempt my<br />
life."</p>

<p>"Then we are to have no more pistols--no more despair?"</p>

<p>"No; I have found a better remedy for my grief than either a bullet or a<br />
knife."</p>

<p>"Poor fellow, what is it?"</p>

<p>"My grief will kill me of itself."</p>

<p>"My friend," said Monte Cristo, with an expression of melancholy equal<br />
to his own, "listen to me. One day, in a moment of despair like yours,<br />
since it led to a similar resolution, I also wished to kill myself; one<br />
day your father, equally desperate, wished to kill himself too. If any<br />
one had said to your father, at the moment he raised the pistol to his<br />
head--if any one had told me, when in my prison I pushed back the food I<br />
had not tasted for three days--if anyone had said to either of us<br />
then, 'Live--the day will come when you will be happy, and will bless<br />
life!'--no matter whose voice had spoken, we should have heard him with<br />
the smile of doubt, or the anguish of incredulity,--and yet how many<br />
times has your father blessed life while embracing you--how often have I<br />
myself"--</p>

<p>"Ah," exclaimed Morrel, interrupting the count, "you had only lost<br />
your liberty, my father had only lost his fortune, but I have lost<br />
Valentine."</p>

<p>"Look at me," said Monte Cristo, with that expression which sometimes<br />
made him so eloquent and persuasive--"look at me. There are no tears<br />
in my eyes, nor is there fever in my veins, yet I see you suffer--you,<br />
Maximilian, whom I love as my own son. Well, does not this tell you<br />
that in grief, as in life, there is always something to look forward to<br />
beyond? Now, if I entreat, if I order you to live, Morrel, it is in<br />
the conviction that one day you will thank me for having preserved your<br />
life."</p>

<p>"Oh, heavens," said the young man, "oh, heavens--what are you saying,<br />
count? Take care. But perhaps you have never loved!"</p>

<p>"Child!" replied the count.</p>

<p>"I mean, as I love. You see, I have been a soldier ever since I attained<br />
manhood. I reached the age of twenty-nine without loving, for none of<br />
the feelings I before then experienced merit the appellation of love.<br />
Well, at twenty-nine I saw Valentine; for two years I have loved her,<br />
for two years I have seen written in her heart, as in a book, all the<br />
virtues of a daughter and wife. Count, to possess Valentine would have<br />
been a happiness too infinite, too ecstatic, too complete, too divine<br />
for this world, since it has been denied me; but without Valentine the<br />
earth is desolate."</p>

<p>"I have told you to hope," said the count.</p>

<p>"Then have a care, I repeat, for you seek to persuade me, and if you<br />
succeed I should lose my reason, for I should hope that I could again<br />
behold Valentine." The count smiled. "My friend, my father," said Morrel<br />
with excitement, "have a care, I again repeat, for the power you wield<br />
over me alarms me. Weigh your words before you speak, for my eyes have<br />
already become brighter, and my heart beats strongly; be cautious, or<br />
you will make me believe in supernatural agencies. I must obey you,<br />
though you bade me call forth the dead or walk upon the water."</p>

<p>"Hope, my friend," repeated the count.</p>

<p>"Ah," said Morrel, falling from the height of excitement to the abyss<br />
of despair--"ah, you are playing with me, like those good, or rather<br />
selfish mothers who soothe their children with honeyed words, because<br />
their screams annoy them. No, my friend, I was wrong to caution you; do<br />
not fear, I will bury my grief so deep in my heart, I will disguise<br />
it so, that you shall not even care to sympathize with me. Adieu, my<br />
friend, adieu!"</p>

<p>"On the contrary," said the count, "after this time you must live with<br />
me--you must not leave me, and in a week we shall have left France<br />
behind us."</p>

<p>"And you still bid me hope?"</p>

<p>"I tell you to hope, because I have a method of curing you."</p>

<p>"Count, you render me sadder than before, if it be possible. You think<br />
the result of this blow has been to produce an ordinary grief, and<br />
you would cure it by an ordinary remedy--change of scene." And Morrel<br />
dropped his head with disdainful incredulity. "What can I say more?"<br />
asked Monte Cristo. "I have confidence in the remedy I propose, and only<br />
ask you to permit me to assure you of its efficacy."</p>

<p>"Count, you prolong my agony."</p>

<p>"Then," said the count, "your feeble spirit will not even grant me the<br />
trial I request? Come--do you know of what the Count of Monte Cristo is<br />
capable? do you know that he holds terrestrial beings under his control?<br />
nay, that he can almost work a miracle? Well, wait for the miracle I<br />
hope to accomplish, or"--</p>

<p>"Or?" repeated Morrel.</p>

<p>"Or, take care, Morrel, lest I call you ungrateful."</p>

<p>"Have pity on me, count!"</p>

<p>"I feel so much pity towards you, Maximilian, that--listen to me<br />
attentively--if I do not cure you in a month, to the day, to the very<br />
hour, mark my words, Morrel, I will place loaded pistols before you,<br />
and a cup of the deadliest Italian poison--a poison more sure and prompt<br />
than that which has killed Valentine."</p>

<p>"Will you promise me?"</p>

<p>"Yes; for I am a man, and have suffered like yourself, and also<br />
contemplated suicide; indeed, often since misfortune has left me I have<br />
longed for the delights of an eternal sleep."</p>

<p>"But you are sure you will promise me this?" said Morrel, intoxicated.<br />
"I not only promise, but swear it!" said Monte Cristo extending his<br />
hand.</p>

<p>"In a month, then, on your honor, if I am not consoled, you will let<br />
me take my life into my own hands, and whatever may happen you will not<br />
call me ungrateful?"</p>

<p>"In a month, to the day, the very hour and the date are sacred,<br />
Maximilian. I do not know whether you remember that this is the 5th of<br />
September; it is ten years to-day since I saved your father's life, who<br />
wished to die." Morrel seized the count's hand and kissed it; the count<br />
allowed him to pay the homage he felt due to him. "In a month you will<br />
find on the table, at which we shall be then sitting, good pistols and<br />
a delicious draught; but, on the other hand, you must promise me not to<br />
attempt your life before that time."</p>

<p>"Oh, I also swear it!" Monte Cristo drew the young man towards him,<br />
and pressed him for some time to his heart. "And now," he said,<br />
"after to-day, you will come and live with me; you can occupy Haidee's<br />
apartment, and my daughter will at least be replaced by my son."</p>

<p>"Haidee?" said Morrel, "what has become of her?"</p>

<p>"She departed last night."</p>

<p>"To leave you?"</p>

<p>"To wait for me. Hold yourself ready then to join me at the Champs<br />
Elysees, and lead me out of this house without any one seeing my<br />
departure." Maximilian hung his head, and obeyed with childlike<br />
reverence.</p>]]>
        
    </content>
</entry>



<entry>
    <title>War and Peace, by Leo Tolstoy - CHAPTER XXVIII</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/war_and_peace/2009/03/chapter-xxviii-2.html" />
    <id>tag:www.greatbooksforfree.com,2009:/war_and_peace//8.558</id>

    <published>2009-02-28T23:37:47Z</published>
    <updated>2008-06-17T22:39:30Z</updated>

    <summary>Pierre, having decided that until he had carried out his design he would disclose neither his identity nor his knowledge of French, stood at the half-open door of the corridor, intending to conceal himself as soon as the French entered....</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/war_and_peace/">
        <![CDATA[<p>Pierre, having decided that until he had carried out his design he<br />
would disclose neither his identity nor his knowledge of French, stood<br />
at the half-open door of the corridor, intending to conceal himself as<br />
soon as the French entered. But the French entered and still Pierre<br />
did not retire--an irresistible curiosity kept him there.</p>

<p>There were two of them. One was an officer--a tall, soldierly,<br />
handsome man--the other evidently a private or an orderly,<br />
sunburned, short, and thin, with sunken cheeks and a dull<br />
expression. The officer walked in front, leaning on a stick and<br />
slightly limping. When he had advanced a few steps he stopped,<br />
having apparently decided that these were good quarters, turned<br />
round to the soldiers standing at the entrance, and in a loud voice of<br />
command ordered them to put up the horses. Having done that, the<br />
officer, lifting his elbow with a smart gesture, stroked his<br />
mustache and lightly touched his hat.</p>

<p>"Bonjour, la compagnie!"* said he gaily, smiling and looking about<br />
him.</p>

<p><br />
*"Good day, everybody!"</p>

<p><br />
No one gave any reply.</p>

<p>"Vous etes le bourgeois?"* the officer asked Gerasim.</p>

<p><br />
*"Are you the master here?"</p>

<p><br />
Gerasim gazed at the officer with an alarmed and inquiring look.</p>

<p>"Quartier, quartier, logement!" said the officer, looking down at<br />
the little man with a condescending and good-natured smile. "Les<br />
francais sont de bons enfants. Que diable! Voyons! Ne nous fachons<br />
pas, mon vieux!"* added he, clapping the scared and silent Gerasim<br />
on the shoulder. "Well, does no one speak French in this<br />
establishment?" he asked again in French, looking around and meeting<br />
Pierre's eyes. Pierre moved away from the door.</p>

<p><br />
*"Quarters, quarters, lodgings! The French are good fellows. What<br />
the devil! There, don't let us be cross, old fellow!"</p>

<p><br />
Again the officer turned to Gerasim and asked him to show him the<br />
rooms in the house.</p>

<p>"Master, not here--don't understand... me, you..." said Gerasim,<br />
trying to render his words more comprehensible by contorting them.</p>

<p>Still smiling, the French officer spread out his hands before<br />
Gerasim's nose, intimating that he did not understand him either,<br />
and moved, limping, to the door at which Pierre was standing. Pierre<br />
wished to go away and conceal himself, but at that moment he saw Makar<br />
Alexeevich appearing at the open kitchen door with the pistol in his<br />
hand. With a madman's cunning, Makar Alexeevich eyed the Frenchman,<br />
raised his pistol, and took aim.</p>

<p>"Board them!" yelled the tipsy man, trying to press the trigger.<br />
Hearing the yell the officer turned round, and at the same moment<br />
Pierre threw himself on the drunkard. Just when Pierre snatched at and<br />
struck up the pistol Makar Alexeevich at last got his fingers on the<br />
trigger, there was a deafening report, and all were enveloped in a<br />
cloud of smoke. The Frenchman turned pale and rushed to the door.</p>

<p>Forgetting his intention of concealing his knowledge of French,<br />
Pierre, snatching away the pistol and throwing it down, ran up to<br />
the officer and addressed him in French.</p>

<p>"You are not wounded?" he asked.</p>

<p>"I think not," answered the Frenchman, feeling himself over. "But<br />
I have had a lucky escape this time," he added, pointing to the<br />
damaged plaster of the wall. "Who is that man?" said he, looking<br />
sternly at Pierre.</p>

<p>"Oh, I am really in despair at what has occurred," said Pierre<br />
rapidly, quite forgetting the part he had intended to play. "He is<br />
an unfortunate madman who did not know what he was doing."</p>

<p>The officer went up to Makar Alexeevich and took him by the collar.</p>

<p>Makar Alexeevich was standing with parted lips, swaying, as if about<br />
to fall asleep, as he leaned against the wall.</p>

<p>"Brigand! You shall pay for this," said the Frenchman, letting go of<br />
him. "We French are merciful after victory, but we do not pardon<br />
traitors," he added, with a look of gloomy dignity and a fine<br />
energetic gesture.</p>

<p>Pierre continued, in French, to persuade the officer not to hold<br />
that drunken imbecile to account. The Frenchman listened in silence<br />
with the same gloomy expression, but suddenly turned to Pierre with<br />
a smile. For a few seconds he looked at him in silence. His handsome<br />
face assumed a melodramatically gentle expression and he held out<br />
his hand.</p>

<p>"You have saved my life. You are French," said he.</p>

<p>For a Frenchman that deduction was indubitable. Only a Frenchman<br />
could perform a great deed, and to save his life--the life of M.<br />
Ramballe, captain of the 13th Light Regiment--was undoubtedly a very<br />
great deed.</p>

<p>But however indubitable that conclusion and the officer's conviction<br />
based upon it, Pierre felt it necessary to disillusion him.</p>

<p>"I am Russian," he said quickly.</p>

<p>"Tut, tut, tut! Tell that to others," said the officer, waving his<br />
finger before his nose and smiling. "You shall tell me all about<br />
that presently. I am delighted to meet a compatriot. Well, and what<br />
are we to do with this man?" he added, addressing himself to Pierre as<br />
to a brother.</p>

<p>Even if Pierre were not a Frenchman, having once received that<br />
loftiest of human appellations he could not renounce it, said the<br />
officer's look and tone. In reply to his last question Pierre again<br />
explained who Makar Alexeevich was and how just before their arrival<br />
that drunken imbecile had seized the loaded pistol which they had<br />
not had time to recover from him, and begged the officer to let the<br />
deed go unpunished.</p>

<p>The Frenchman expanded his chest and made a majestic gesture with<br />
his arm.</p>

<p>"You have saved my life! You are French. You ask his pardon? I grant<br />
it you. Lead that man away!" said he quickly and energetically, and<br />
taking the arm of Pierre whom he had promoted to be a Frenchman for<br />
saving his life, he went with him into the room.</p>

<p>The soldiers in the yard, hearing the shot, came into the passage<br />
asking what had happened, and expressed their readiness to punish<br />
the culprits, but the officer sternly checked them.</p>

<p>"You will be called in when you are wanted," he said.</p>

<p>The soldiers went out again, and the orderly, who had meanwhile<br />
had time to visit the kitchen, came up to his officer.</p>

<p>"Captain, there is soup and a leg of mutton in the kitchen," said<br />
he. "Shall I serve them up?"</p>

<p>"Yes, and some wine," answered the captain.</p>]]>
        
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<entry>
    <title>Les Miserables, by Victor Hugo - CHAPTER II</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/les_miserables/2009/03/chapter-ii-24.html" />
    <id>tag:www.greatbooksforfree.com,2009:/les_miserables//15.1105</id>

    <published>2009-02-28T23:13:50Z</published>
    <updated>2008-06-20T22:15:59Z</updated>

    <summary>BADLY SEWED But the task of sages is one thing, the task of clever men is another. The Revolution of 1830 came to a sudden halt. As soon as a revolution has made the coast, the skilful make haste to...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/les_miserables/">
        <![CDATA[<p>BADLY SEWED</p>

<p><br />
But the task of sages is one thing, the task of clever men is another. <br />
The Revolution of 1830 came to a sudden halt.</p>

<p>As soon as a revolution has made the coast, the skilful make haste<br />
to prepare the shipwreck.</p>

<p>The skilful in our century have conferred on themselves the title<br />
of Statesmen; so that this word, statesmen, has ended by becoming<br />
somewhat of a slang word.  It must be borne in mind, in fact,<br />
that wherever there is nothing but skill, there is necessarily pettiness. <br />
To say "the skilful" amounts to saying "the mediocre."</p>

<p>In the same way, to say "statesmen" is sometimes equivalent<br />
to saying "traitors."  If, then, we are to believe the skilful,<br />
revolutions like the Revolution of July are severed arteries; a prompt<br />
ligature is indispensable.  The right, too grandly proclaimed, is shaken. <br />
Also, right once firmly fixed, the state must be strengthened. <br />
Liberty once assured, attention must be directed to power.</p>

<p>Here the sages are not, as yet, separated from the skilful,<br />
but they begin to be distrustful.  Power, very good.  But, in the<br />
first place, what is power?  In the second, whence comes it? <br />
The skilful do not seem to hear the murmured objection, and they<br />
continue their manoeuvres.</p>

<p>According to the politicians, who are ingenious in putting the<br />
mask of necessity on profitable fictions, the first requirement<br />
of a people after a revolution, when this people forms part<br />
of a monarchical continent, is to procure for itself a dynasty. <br />
In this way, say they, peace, that is to say, time to dress<br />
our wounds, and to repair the house, can be had after a revolution. <br />
The dynasty conceals the scaffolding and covers the ambulance. <br />
Now, it is not always easy to procure a dynasty.</p>

<p>If it is absolutely necessary, the first man of genius or even the first<br />
man of fortune who comes to hand suffices for the manufacturing of<br />
a king.  You have, in the first case, Napoleon; in the second, Iturbide.</p>

<p>But the first family that comes to hand does not suffice to make<br />
a dynasty.  There is necessarily required a certain modicum of antiquity<br />
in a race, and the wrinkle of the centuries cannot be improvised.</p>

<p>If we place ourselves at the point of view of the "statesmen," after<br />
making all allowances, of course, after a revolution, what are the<br />
qualities of the king which result from it?  He may be and it is useful<br />
for him to be a revolutionary; that is to say, a participant in his<br />
own person in that revolution, that he should have lent a hand to it,<br />
that he should have either compromised or distinguished himself therein,<br />
that he should have touched the axe or wielded the sword in it.</p>

<p>What are the qualities of a dynasty?  It should be national; that is<br />
to say, revolutionary at a distance, not through acts committed,<br />
but by reason of ideas accepted.  It should be composed of past<br />
and be historic; be composed of future and be sympathetic.</p>

<p>All this explains why the early revolutions contented themselves<br />
with finding a man, Cromwell or Napoleon; and why the second<br />
absolutely insisted on finding a family, the House of Brunswick<br />
or the House of Orleans.</p>

<p>Royal houses resemble those Indian fig-trees, each branch of which,<br />
bending over to the earth, takes root and becomes a fig-tree itself. <br />
Each branch may become a dynasty.  On the sole condition that it shall<br />
bend down to the people.</p>

<p>Such is the theory of the skilful.</p>

<p>Here, then, lies the great art:  to make a little render to success<br />
the sound of a catastrophe in order that those who profit by it may<br />
tremble from it also, to season with fear every step that is taken,<br />
to augment the curve of the transition to the point of retarding progress,<br />
to dull that aurora, to denounce and retrench the harshness of enthusiasm,<br />
to cut all angles and nails, to wad triumph, to muffle up right,<br />
to envelop the giant-people in flannel, and to put it to bed<br />
very speedily, to impose a diet on that excess of health, to put<br />
Hercules on the treatment of a convalescent, to dilute the event<br />
with the expedient, to offer to spirits thirsting for the ideal<br />
that nectar thinned out with a potion, to take one's precautions<br />
against too much success, to garnish the revolution with a shade.</p>

<p>1830 practised this theory, already applied to England by 1688.</p>

<p>1830 is a revolution arrested midway.  Half of progress, quasi-right. Now,<br />
logic knows not the "almost," absolutely as the sun knows not the candle.</p>

<p>Who arrests revolutions half-way? The bourgeoisie?</p>

<p>Why?</p>

<p>Because the bourgeoisie is interest which has reached satisfaction. <br />
Yesterday it was appetite, to-day it is plenitude, to-morrow it will<br />
be satiety.</p>

<p>The phenomenon of 1814 after Napoleon was reproduced in 1830 after<br />
Charles X.</p>

<p>The attempt has been made, and wrongly, to make a class of<br />
the bourgeoisie.  The bourgeoisie is simply the contented portion<br />
of the people.  The bourgeois is the man who now has time to sit down. <br />
A chair is not a caste.</p>

<p>But through a desire to sit down too soon, one may arrest the very march<br />
of the human race.  This has often been the fault of the bourgeoisie.</p>

<p>One is not a class because one has committed a fault.  Selfishness is<br />
not one of the divisions of the social order.</p>

<p>Moreover, we must be just to selfishness.  The state to which<br />
that part of the nation which is called the bourgeoisie aspired<br />
after the shock of 1830 was not the inertia which is complicated<br />
with indifference and laziness, and which contains a little shame;<br />
it was not the slumber which presupposes a momentary forgetfulness<br />
accessible to dreams; it was the halt.</p>

<p>The halt is a word formed of a singular double<br />
and almost contradictory sense:  a troop<br />
on the march, that is to say, movement; a stand, that is to say, repose.</p>

<p>The halt is the restoration of forces; it is repose armed and on<br />
the alert; it is the accomplished fact which posts sentinels<br />
and holds itself on its guard.</p>

<p>The halt presupposes the combat of yesterday and the combat of to-morrow.</p>

<p>It is the partition between 1830 and 1848.</p>

<p>What we here call combat may also be designated as progress.</p>

<p>The bourgeoisie then, as well as the statesmen, required a man<br />
who should express this word Halt.  An Although-Because.<br />
A composite individuality, signifying revolution and<br />
signifying stability, in other terms, strengthening<br />
the present by the evident compatibility of the past with the future.</p>

<p>This man was "already found."  His name was Louis Philippe d'Orleans.</p>

<p>The 221 made Louis Philippe King.  Lafayette undertook the coronation.</p>

<p>He called it the best of republics.  The town-hall of Paris took<br />
the place of the Cathedral of Rheims.</p>

<p>This substitution of a half-throne for a whole throne was "the work<br />
of 1830."</p>

<p>When the skilful had finished, the immense vice of their<br />
solution became apparent.  All this had been accomplished<br />
outside the bounds of absolute right.  Absolute right cried: <br />
"I protest!" then, terrible to say, it retired into the darkness.</p>]]>
        
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