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    <title>The Count of Monte Cristo, by Alexandre Dumas père</title>
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    <updated>2008-10-19T22:48:48Z</updated>
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<entry>
    <title>CHAPTER 100. The Apparition.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/02/chapter-100-the-apparition.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1590</id>

    <published>2009-02-23T23:46:58Z</published>
    <updated>2008-10-19T22:48:46Z</updated>

    <summary>As the procureur had told Madame Danglars, Valentine was not yet recovered. Bowed down with fatigue, she was indeed confined to her bed; and it was in her own room, and from the lips of Madame de Villefort, that she...</summary>
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        <![CDATA[<p>As the procureur had told Madame Danglars, Valentine was not yet<br />
recovered. Bowed down with fatigue, she was indeed confined to her bed;<br />
and it was in her own room, and from the lips of Madame de Villefort,<br />
that she heard all the strange events we have related,--we mean the<br />
flight of Eugenie and the arrest of Andrea Cavalcanti, or rather<br />
Benedetto, together with the accusation of murder pronounced against<br />
him. But Valentine was so weak that this recital scarcely produced<br />
the same effect it would have done had she been in her usual state of<br />
health. Indeed, her brain was only the seat of vague ideas, and confused<br />
forms, mingled with strange fancies, alone presented themselves before<br />
her eyes.</p>

<p>During the daytime Valentine's perceptions remained tolerably clear,<br />
owing to the constant presence of M. Noirtier, who caused himself to be<br />
carried to his granddaughter's room, and watched her with his paternal<br />
tenderness; Villefort also, on his return from the law courts,<br />
frequently passed an hour or two with his father and child. At six<br />
o'clock Villefort retired to his study, at eight M. d'Avrigny himself<br />
arrived, bringing the night draught prepared for the young girl, and<br />
then M. Noirtier was carried away. A nurse of the doctor's choice<br />
succeeded them, and never left till about ten or eleven o'clock, when<br />
Valentine was asleep. As she went down-stairs she gave the keys of<br />
Valentine's room to M. de Villefort, so that no one could reach the<br />
sick-room excepting through that of Madame de Villefort and little<br />
Edward.</p>

<p>Every morning Morrel called on Noirtier to receive news of Valentine,<br />
and, extraordinary as it seemed, each day found him less uneasy.<br />
Certainly, though Valentine still labored under dreadful nervous<br />
excitement, she was better; and moreover, Monte Cristo had told him<br />
when, half distracted, he had rushed to the count's house, that if<br />
she were not dead in two hours she would be saved. Now four days had<br />
elapsed, and Valentine still lived.</p>

<p>The nervous excitement of which we speak pursued Valentine even in her<br />
sleep, or rather in that state of somnolence which succeeded her waking<br />
hours; it was then, in the silence of night, in the dim light shed from<br />
the alabaster lamp on the chimney-piece, that she saw the shadows pass<br />
and repass which hover over the bed of sickness, and fan the fever<br />
with their trembling wings. First she fancied she saw her stepmother<br />
threatening her, then Morrel stretched his arms towards her; sometimes<br />
mere strangers, like the Count of Monte Cristo came to visit her; even<br />
the very furniture, in these moments of delirium, seemed to move, and<br />
this state lasted till about three o'clock in the morning, when a deep,<br />
heavy slumber overcame the young girl, from which she did not awake till<br />
daylight. On the evening of the day on which Valentine had learned of<br />
the flight of Eugenie and the arrest of Benedetto,--Villefort having<br />
retired as well as Noirtier and d'Avrigny,--her thoughts wandered in a<br />
confused maze, alternately reviewing her own situation and the events<br />
she had just heard.</p>

<p>Eleven o'clock had struck. The nurse, having placed the beverage<br />
prepared by the doctor within reach of the patient, and locked the<br />
door, was listening with terror to the comments of the servants in the<br />
kitchen, and storing her memory with all the horrible stories which had<br />
for some months past amused the occupants of the ante-chambers in the<br />
house of the king's attorney. Meanwhile an unexpected scene was passing<br />
in the room which had been so carefully locked. Ten minutes had elapsed<br />
since the nurse had left; Valentine, who for the last hour had<br />
been suffering from the fever which returned nightly, incapable of<br />
controlling her ideas, was forced to yield to the excitement which<br />
exhausted itself in producing and reproducing a succession and<br />
recurrence of the same fancies and images. The night-lamp threw out<br />
countless rays, each resolving itself into some strange form to her<br />
disordered imagination, when suddenly by its flickering light Valentine<br />
thought she saw the door of her library, which was in the recess by the<br />
chimney-piece, open slowly, though she in vain listened for the sound of<br />
the hinges on which it turned.</p>

<p>At any other time Valentine would have seized the silken bell-pull<br />
and summoned assistance, but nothing astonished her in her present<br />
situation. Her reason told her that all the visions she beheld were but<br />
the children of her imagination, and the conviction was strengthened<br />
by the fact that in the morning no traces remained of the nocturnal<br />
phantoms, who disappeared with the coming of daylight. From behind the<br />
door a human figure appeared, but the girl was too familiar with<br />
such apparitions to be alarmed, and therefore only stared, hoping to<br />
recognize Morrel. The figure advanced towards the bed and appeared to<br />
listen with profound attention. At this moment a ray of light glanced<br />
across the face of the midnight visitor.</p>

<p>"It is not he," she murmured, and waited, in the assurance that this was<br />
but a dream, for the man to disappear or assume some other form. Still,<br />
she felt her pulse, and finding it throb violently she remembered that<br />
the best method of dispelling such illusions was to drink, for a draught<br />
of the beverage prepared by the doctor to allay her fever seemed to<br />
cause a reaction of the brain, and for a short time she suffered less.<br />
Valentine therefore reached her hand towards the glass, but as soon<br />
as her trembling arm left the bed the apparition advanced more quickly<br />
towards her, and approached the young girl so closely that she fancied<br />
she heard his breath, and felt the pressure of his hand.</p>

<p>This time the illusion, or rather the reality, surpassed anything<br />
Valentine had before experienced; she began to believe herself really<br />
alive and awake, and the belief that her reason was this time not<br />
deceived made her shudder. The pressure she felt was evidently intended<br />
to arrest her arm, and she slowly withdrew it. Then the figure, from<br />
whom she could not detach her eyes, and who appeared more protecting<br />
than menacing, took the glass, and walking towards the night-light held<br />
it up, as if to test its transparency. This did not seem sufficient;<br />
the man, or rather the ghost--for he trod so softly that no sound was<br />
heard--then poured out about a spoonful into the glass, and drank it.<br />
Valentine witnessed this scene with a sentiment of stupefaction. Every<br />
minute she had expected that it would vanish and give place to another<br />
vision; but the man, instead of dissolving like a shadow, again<br />
approached her, and said in an agitated voice, "Now you may drink."</p>

<p>Valentine shuddered. It was the first time one of these visions had<br />
ever addressed her in a living voice, and she was about to utter an<br />
exclamation. The man placed his finger on her lips. "The Count of Monte<br />
Cristo!" she murmured.</p>

<p>It was easy to see that no doubt now remained in the young girl's mind<br />
as to the reality of the scene; her eyes started with terror, her hands<br />
trembled, and she rapidly drew the bedclothes closer to her. Still, the<br />
presence of Monte Cristo at such an hour, his mysterious, fanciful, and<br />
extraordinary entrance into her room through the wall, might well seem<br />
impossibilities to her shattered reason. "Do not call any one--do not be<br />
alarmed," said the Count; "do not let a shade of suspicion or uneasiness<br />
remain in your breast; the man standing before you, Valentine (for this<br />
time it is no ghost), is nothing more than the tenderest father and the<br />
most respectful friend you could dream of."</p>

<p>Valentine could not reply; the voice which indicated the real presence<br />
of a being in the room, alarmed her so much that she feared to utter a<br />
syllable; still the expression of her eyes seemed to inquire, "If your<br />
intentions are pure, why are you here?" The count's marvellous sagacity<br />
understood all that was passing in the young girl's mind.</p>

<p>"Listen to me," he said, "or, rather, look upon me; look at my face,<br />
paler even than usual, and my eyes, red with weariness--for four days<br />
I have not closed them, for I have been constantly watching you, to<br />
protect and preserve you for Maximilian." The blood mounted rapidly<br />
to the cheeks of Valentine, for the name just announced by the count<br />
dispelled all the fear with which his presence had inspired her.<br />
"Maximilian!" she exclaimed, and so sweet did the sound appear to her,<br />
that she repeated it--"Maximilian!--has he then owned all to you?"</p>

<p>"Everything. He told me your life was his, and I have promised him that<br />
you shall live."</p>

<p>"You have promised him that I shall live?"</p>

<p>"Yes."</p>

<p>"But, sir, you spoke of vigilance and protection. Are you a doctor?"</p>

<p>"Yes; the best you could have at the present time, believe me."</p>

<p>"But you say you have watched?" said Valentine uneasily; "where have<br />
you been?--I have not seen you." The count extended his hand towards the<br />
library. "I was hidden behind that door," he said, "which leads into the<br />
next house, which I have rented." Valentine turned her eyes away, and,<br />
with an indignant expression of pride and modest fear, exclaimed: "Sir,<br />
I think you have been guilty of an unparalleled intrusion, and that what<br />
you call protection is more like an insult."</p>

<p>"Valentine," he answered, "during my long watch over you, all I<br />
have observed has been what people visited you, what nourishment was<br />
prepared, and what beverage was served; then, when the latter appeared<br />
dangerous to me, I entered, as I have now done, and substituted, in the<br />
place of the poison, a healthful draught; which, instead of producing<br />
the death intended, caused life to circulate in your veins."</p>

<p>"Poison--death!" exclaimed Valentine, half believing herself under the<br />
influence of some feverish hallucination; "what are you saying, sir?"</p>

<p>"Hush, my child," said Monte Cristo, again placing his finger upon her<br />
lips, "I did say poison and death. But drink some of this;" and the<br />
count took a bottle from his pocket, containing a red liquid, of which<br />
he poured a few drops into the glass. "Drink this, and then take nothing<br />
more to-night." Valentine stretched out her hand, but scarcely had she<br />
touched the glass when she drew back in fear. Monte Cristo took the<br />
glass, drank half its contents, and then presented it to Valentine, who<br />
smiled and swallowed the rest. "Oh, yes," she exclaimed, "I recognize<br />
the flavor of my nocturnal beverage which refreshed me so much, and<br />
seemed to ease my aching brain. Thank you, sir, thank you!"</p>

<p>"This is how you have lived during the last four nights, Valentine,"<br />
said the count. "But, oh, how I passed that time! Oh, the wretched hours<br />
I have endured--the torture to which I have submitted when I saw the<br />
deadly poison poured into your glass, and how I trembled lest you should<br />
drink it before I could find time to throw it away!"</p>

<p>"Sir," said Valentine, at the height of her terror, "you say you endured<br />
tortures when you saw the deadly poison poured into my glass; but if you<br />
saw this, you must also have seen the person who poured it?"</p>

<p>"Yes." Valentine raised herself in bed, and drew over her chest, which<br />
appeared whiter than snow, the embroidered cambric, still moist with the<br />
cold dews of delirium, to which were now added those of terror. "You saw<br />
the person?" repeated the young girl. "Yes," repeated the count.</p>

<p>"What you tell me is horrible, sir. You wish to make me believe<br />
something too dreadful. What?--attempt to murder me in my father's<br />
house, in my room, on my bed of sickness? Oh, leave me, sir; you<br />
are tempting me--you make me doubt the goodness of providence--it is<br />
impossible, it cannot be!"</p>

<p>"Are you the first that this hand has stricken? Have you not seen M.<br />
de Saint-Meran, Madame de Saint-Meran, Barrois, all fall? would not M.<br />
Noirtier also have fallen a victim, had not the treatment he has<br />
been pursuing for the last three years neutralized the effects of the<br />
poison?"</p>

<p>"Oh, heaven," said Valentine; "is this the reason why grandpapa has made<br />
me share all his beverages during the last month?"</p>

<p>"And have they all tasted of a slightly bitter flavor, like that of<br />
dried orange-peel?"</p>

<p>"Oh, yes, yes!"</p>

<p>"Then that explains all," said Monte Cristo. "Your grandfather knows,<br />
then, that a poisoner lives here; perhaps he even suspects the person.<br />
He has been fortifying you, his beloved child, against the fatal<br />
effects of the poison, which has failed because your system was already<br />
impregnated with it. But even this would have availed little against a<br />
more deadly medium of death employed four days ago, which is generally<br />
but too fatal."</p>

<p>"But who, then, is this assassin, this murderer?"</p>

<p>"Let me also ask you a question. Have you never seen any one enter your<br />
room at night?"</p>

<p>"Oh, yes; I have frequently seen shadows pass close to me, approach,<br />
and disappear; but I took them for visions raised by my feverish<br />
imagination, and indeed when you entered I thought I was under the<br />
influence of delirium."</p>

<p>"Then you do not know who it is that attempts your life?"</p>

<p>"No," said Valentine; "who could desire my death?"</p>

<p>"You shall know it now, then," said Monte Cristo, listening.</p>

<p>"How do you mean?" said Valentine, looking anxiously around.</p>

<p>"Because you are not feverish or delirious to-night, but thoroughly<br />
awake; midnight is striking, which is the hour murderers choose."</p>

<p>"Oh, heavens," exclaimed Valentine, wiping off the drops which ran down<br />
her forehead. Midnight struck slowly and sadly; every hour seemed to<br />
strike with leaden weight upon the heart of the poor girl. "Valentine,"<br />
said the count, "summon up all your courage; still the beatings of your<br />
heart; do not let a sound escape you, and feign to be asleep; then you<br />
will see." Valentine seized the count's hand. "I think I hear a noise,"<br />
she said; "leave me."</p>

<p>"Good-by, for the present," replied the count, walking upon tiptoe<br />
towards the library door, and smiling with an expression so sad and<br />
paternal that the young girl's heart was filled with gratitude.<br />
Before closing the door he turned around once more, and said, "Not a<br />
movement--not a word; let them think you asleep, or perhaps you may be<br />
killed before I have the power of helping you." And with this fearful<br />
injunction the count disappeared through the door, which noiselessly<br />
closed after him.</p>]]>
        
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</entry>

<entry>
    <title>CHAPTER 101. Locusta.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/02/chapter-101-locusta.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1591</id>

    <published>2009-02-24T23:46:58Z</published>
    <updated>2008-10-19T22:48:46Z</updated>

    <summary>Valentine was alone; two other clocks, slower than that of Saint-Philippe du Roule, struck the hour of midnight from different directions, and excepting the rumbling of a few carriages all was silent. Then Valentine&apos;s attention was engrossed by the clock...</summary>
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        <![CDATA[<p>Valentine was alone; two other clocks, slower than that of<br />
Saint-Philippe du Roule, struck the hour of midnight from different<br />
directions, and excepting the rumbling of a few carriages all was<br />
silent. Then Valentine's attention was engrossed by the clock in her<br />
room, which marked the seconds. She began counting them, remarking that<br />
they were much slower than the beatings of her heart; and still she<br />
doubted,--the inoffensive Valentine could not imagine that any one<br />
should desire her death. Why should they? To what end? What had she<br />
done to excite the malice of an enemy? There was no fear of her falling<br />
asleep. One terrible idea pressed upon her mind,--that some one existed<br />
in the world who had attempted to assassinate her, and who was about<br />
to endeavor to do so again. Supposing this person, wearied at the<br />
inefficacy of the poison, should, as Monte Cristo intimated, have<br />
recourse to steel!--What if the count should have no time to run to her<br />
rescue!--What if her last moments were approaching, and she should never<br />
again see Morrel! When this terrible chain of ideas presented itself,<br />
Valentine was nearly persuaded to ring the bell, and call for help. But<br />
through the door she fancied she saw the luminous eye of the count--that<br />
eye which lived in her memory, and the recollection overwhelmed her with<br />
so much shame that she asked herself whether any amount of gratitude<br />
could ever repay his adventurous and devoted friendship.</p>

<p>Twenty minutes, twenty tedious minutes, passed thus, then ten more,<br />
and at last the clock struck the half-hour. Just then the sound of<br />
finger-nails slightly grating against the door of the library informed<br />
Valentine that the count was still watching, and recommended her to<br />
do the same; at the same time, on the opposite side, that is towards<br />
Edward's room, Valentine fancied that she heard the creaking of the<br />
floor; she listened attentively, holding her breath till she was nearly<br />
suffocated; the lock turned, and the door slowly opened. Valentine had<br />
raised herself upon her elbow, and had scarcely time to throw herself<br />
down on the bed and shade her eyes with her arm; then, trembling,<br />
agitated, and her heart beating with indescribable terror, she awaited<br />
the event.</p>

<p>Some one approached the bed and drew back the curtains. Valentine<br />
summoned every effort, and breathed with that regular respiration which<br />
announces tranquil sleep. "Valentine!" said a low voice. Still silent:<br />
Valentine had promised not to awake. Then everything was still,<br />
excepting that Valentine heard the almost noiseless sound of some liquid<br />
being poured into the glass she had just emptied. Then she ventured to<br />
open her eyelids, and glance over her extended arm. She saw a woman in a<br />
white dressing-gown pouring a liquor from a phial into her glass. During<br />
this short time Valentine must have held her breath, or moved in some<br />
slight degree, for the woman, disturbed, stopped and leaned over the<br />
bed, in order the better to ascertain whether Valentine slept--it was<br />
Madame de Villefort.</p>

<p>On recognizing her step-mother, Valentine could not repress a shudder,<br />
which caused a vibration in the bed. Madame de Villefort instantly<br />
stepped back close to the wall, and there, shaded by the bed-curtains,<br />
she silently and attentively watched the slightest movement of<br />
Valentine. The latter recollected the terrible caution of Monte Cristo;<br />
she fancied that the hand not holding the phial clasped a long sharp<br />
knife. Then collecting all her remaining strength, she forced herself to<br />
close her eyes; but this simple operation upon the most delicate organs<br />
of our frame, generally so easy to accomplish, became almost impossible<br />
at this moment, so much did curiosity struggle to retain the eyelid<br />
open and learn the truth. Madame de Villefort, however, reassured by<br />
the silence, which was alone disturbed by the regular breathing of<br />
Valentine, again extended her hand, and half hidden by the curtains<br />
succeeded in emptying the contents of the phial into the glass. Then she<br />
retired so gently that Valentine did not know she had left the room. She<br />
only witnessed the withdrawal of the arm--the fair round arm of a woman<br />
but twenty-five years old, and who yet spread death around her.</p>

<p>It is impossible to describe the sensations experienced by Valentine<br />
during the minute and a half Madame de Villefort remained in the room.<br />
The grating against the library-door aroused the young girl from<br />
the stupor in which she was plunged, and which almost amounted to<br />
insensibility. She raised her head with an effort. The noiseless door<br />
again turned on its hinges, and the Count of Monte Cristo reappeared.<br />
"Well," said he, "do you still doubt?"</p>

<p>"Oh," murmured the young girl.</p>

<p>"Have you seen?"</p>

<p>"Alas!"</p>

<p>"Did you recognize?" Valentine groaned. "Oh, yes;" she said, "I saw, but<br />
I cannot believe!"</p>

<p>"Would you rather die, then, and cause Maximilian's death?"</p>

<p>"Oh," repeated the young girl, almost bewildered, "can I not leave the<br />
house?--can I not escape?"</p>

<p>"Valentine, the hand which now threatens you will pursue you everywhere;<br />
your servants will be seduced with gold, and death will be offered to<br />
you disguised in every shape. You will find it in the water you drink<br />
from the spring, in the fruit you pluck from the tree."</p>

<p>"But did you not say that my kind grandfather's precaution had<br />
neutralized the poison?"</p>

<p>"Yes, but not against a strong dose; the poison will be changed, and the<br />
quantity increased." He took the glass and raised it to his lips. "It<br />
is already done," he said; "brucine is no longer employed, but a simple<br />
narcotic! I can recognize the flavor of the alcohol in which it has been<br />
dissolved. If you had taken what Madame de Villefort has poured into<br />
your glass, Valentine--Valentine--you would have been doomed!"</p>

<p>"But," exclaimed the young girl, "why am I thus pursued?"</p>

<p>"Why?--are you so kind--so good--so unsuspicious of ill, that you cannot<br />
understand, Valentine?"</p>

<p>"No, I have never injured her."</p>

<p>"But you are rich, Valentine; you have 200,000 livres a year, and you<br />
prevent her son from enjoying these 200,000. livres."</p>

<p>"How so? The fortune is not her gift, but is inherited from my<br />
relations."</p>

<p>"Certainly; and that is why M. and Madame de Saint-Meran have died; that<br />
is why M. Noirtier was sentenced the day he made you his heir; that<br />
is why you, in your turn, are to die--it is because your father would<br />
inherit your property, and your brother, his only son, succeed to his."</p>

<p>"Edward? Poor child! Are all these crimes committed on his account?"</p>

<p>"Ah, then you at length understand?"</p>

<p>"Heaven grant that this may not be visited upon him!"</p>

<p>"Valentine, you are an angel!"</p>

<p>"But why is my grandfather allowed to live?"</p>

<p>"It was considered, that you dead, the fortune would naturally revert<br />
to your brother, unless he were disinherited; and besides, the crime<br />
appearing useless, it would be folly to commit it."</p>

<p>"And is it possible that this frightful combination of crimes has been<br />
invented by a woman?"</p>

<p>"Do you recollect in the arbor of the Hotel des Postes, at Perugia,<br />
seeing a man in a brown cloak, whom your stepmother was questioning<br />
upon aqua tofana? Well, ever since then, the infernal project has been<br />
ripening in her brain."</p>

<p>"Ah, then, indeed, sir," said the sweet girl, bathed in tears, "I see<br />
that I am condemned to die!"</p>

<p>"No, Valentine, for I have foreseen all their plots; no, your enemy is<br />
conquered since we know her, and you will live, Valentine--live to<br />
be happy yourself, and to confer happiness upon a noble heart; but to<br />
insure this you must rely on me."</p>

<p>"Command me, sir--what am I to do?"</p>

<p>"You must blindly take what I give you."</p>

<p>"Alas, were it only for my own sake, I should prefer to die!"</p>

<p>"You must not confide in any one--not even in your father."</p>

<p>"My father is not engaged in this fearful plot, is he, sir?" asked<br />
Valentine, clasping her hands.</p>

<p>"No; and yet your father, a man accustomed to judicial accusations,<br />
ought to have known that all these deaths have not happened naturally;<br />
it is he who should have watched over you--he should have occupied my<br />
place--he should have emptied that glass--he should have risen against<br />
the assassin. Spectre against spectre!" he murmured in a low voice, as<br />
he concluded his sentence.</p>

<p>"Sir," said Valentine, "I will do all I can to live, for there are<br />
two beings whose existence depends upon mine--my grandfather and<br />
Maximilian."</p>

<p>"I will watch over them as I have over you."</p>

<p>"Well, sir, do as you will with me;" and then she added, in a low voice,<br />
"oh, heavens, what will befall me?"</p>

<p>"Whatever may happen, Valentine, do not be alarmed; though you suffer;<br />
though you lose sight, hearing, consciousness, fear nothing; though<br />
you should awake and be ignorant where you are, still do not fear;<br />
even though you should find yourself in a sepulchral vault or coffin.<br />
Reassure yourself, then, and say to yourself: 'At this moment, a friend,<br />
a father, who lives for my happiness and that of Maximilian, watches<br />
over me!'"</p>

<p>"Alas, alas, what a fearful extremity!"</p>

<p>"Valentine, would you rather denounce your stepmother?"</p>

<p>"I would rather die a hundred times--oh, yes, die!"</p>

<p>"No, you will not die; but will you promise me, whatever happens, that<br />
you will not complain, but hope?"</p>

<p>"I will think of Maximilian!"</p>

<p>"You are my own darling child, Valentine! I alone can save you, and I<br />
will." Valentine in the extremity of her terror joined her hands,--for<br />
she felt that the moment had arrived to ask for courage,--and began to<br />
pray, and while uttering little more than incoherent words, she forgot<br />
that her white shoulders had no other covering than her long hair, and<br />
that the pulsations of her heart could be seen through the lace of her<br />
nightdress. Monte Cristo gently laid his hand on the young girl's arm,<br />
drew the velvet coverlet close to her throat, and said with a paternal<br />
smile,--"My child, believe in my devotion to you as you believe in the<br />
goodness of providence and the love of Maximilian."</p>

<p>Then he drew from his waistcoat-pocket the little emerald box, raised<br />
the golden lid, and took from it a pastille about the size of a pea,<br />
which he placed in her hand. She took it, and looked attentively on the<br />
count; there was an expression on the face of her intrepid protector<br />
which commanded her veneration. She evidently interrogated him by her<br />
look. "Yes," said he. Valentine carried the pastille to her mouth, and<br />
swallowed it. "And now, my dear child, adieu for the present. I will try<br />
and gain a little sleep, for you are saved."</p>

<p>"Go," said Valentine, "whatever happens, I promise you not to fear."</p>

<p>Monte Cristo for some time kept his eyes fixed on the young girl, who<br />
gradually fell asleep, yielding to the effects of the narcotic the<br />
count had given her. Then he took the glass, emptied three parts of the<br />
contents in the fireplace, that it might be supposed Valentine had taken<br />
it, and replaced it on the table; then he disappeared, after throwing<br />
a farewell glance on Valentine, who slept with the confidence and<br />
innocence of an angel.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 102. Valentine.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/02/chapter-102-valentine.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1592</id>

    <published>2009-02-25T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The night-light continued to burn on the chimney-piece, exhausting the last drops of oil which floated on the surface of the water. The globe of the lamp appeared of a reddish hue, and the flame, brightening before it expired, threw...</summary>
    <author>
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    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The night-light continued to burn on the chimney-piece, exhausting the<br />
last drops of oil which floated on the surface of the water. The globe<br />
of the lamp appeared of a reddish hue, and the flame, brightening before<br />
it expired, threw out the last flickerings which in an inanimate object<br />
have been so often compared with the convulsions of a human creature in<br />
its final agonies. A dull and dismal light was shed over the bedclothes<br />
and curtains surrounding the young girl. All noise in the streets had<br />
ceased, and the silence was frightful. It was then that the door of<br />
Edward's room opened, and a head we have before noticed appeared in<br />
the glass opposite; it was Madame de Villefort, who came to witness<br />
the effects of the drink she had prepared. She stopped in the doorway,<br />
listened for a moment to the flickering of the lamp, the only sound in<br />
that deserted room, and then advanced to the table to see if Valentine's<br />
glass were empty. It was still about a quarter full, as we before<br />
stated. Madame de Villefort emptied the contents into the ashes, which<br />
she disturbed that they might the more readily absorb the liquid; then<br />
she carefully rinsed the glass, and wiping it with her handkerchief<br />
replaced it on the table.</p>

<p>If any one could have looked into the room just then he would have<br />
noticed the hesitation with which Madame de Villefort approached the bed<br />
and looked fixedly on Valentine. The dim light, the profound silence,<br />
and the gloomy thoughts inspired by the hour, and still more by her own<br />
conscience, all combined to produce a sensation of fear; the poisoner<br />
was terrified at the contemplation of her own work. At length she<br />
rallied, drew aside the curtain, and leaning over the pillow gazed<br />
intently on Valentine. The young girl no longer breathed, no breath<br />
issued through the half-closed teeth; the white lips no longer<br />
quivered--the eyes were suffused with a bluish vapor, and the long black<br />
lashes rested on a cheek white as wax. Madame de Villefort gazed upon<br />
the face so expressive even in its stillness; then she ventured to raise<br />
the coverlet and press her hand upon the young girl's heart. It was<br />
cold and motionless. She only felt the pulsation in her own fingers, and<br />
withdrew her hand with a shudder. One arm was hanging out of the bed;<br />
from shoulder to elbow it was moulded after the arms of Germain<br />
Pillon's "Graces," [*] but the fore-arm seemed to be slightly distorted<br />
by convulsion, and the hand, so delicately formed, was resting with<br />
stiff outstretched fingers on the framework of the bed. The nails, too,<br />
were turning blue.</p>

<p>     * Germain Pillon was a famous French sculptor (1535-1598).<br />
     His best known work is "The Three Graces," now in the<br />
     Louvre.</p>

<p>Madame de Villefort had no longer any doubt; all was over--she had<br />
consummated the last terrible work she had to accomplish. There was no<br />
more to do in the room, so the poisoner retired stealthily, as though<br />
fearing to hear the sound of her own footsteps; but as she withdrew she<br />
still held aside the curtain, absorbed in the irresistible attraction<br />
always exerted by the picture of death, so long as it is merely<br />
mysterious and does not excite disgust. Just then the lamp again<br />
flickered; the noise startled Madame de Villefort, who shuddered and<br />
dropped the curtain. Immediately afterwards the light expired, and the<br />
room was plunged in frightful obscurity, while the clock at that<br />
minute struck half-past four. Overpowered with agitation, the poisoner<br />
succeeded in groping her way to the door, and reached her room in an<br />
agony of fear.</p>

<p>The darkness lasted two hours longer; then by degrees a cold light crept<br />
through the Venetian blinds, until at length it revealed the objects in<br />
the room. About this time the nurse's cough was heard on the stairs and<br />
the woman entered the room with a cup in her hand. To the tender eye<br />
of a father or a lover, the first glance would have sufficed to reveal<br />
Valentine's condition; but to this hireling, Valentine only appeared to<br />
sleep. "Good," she exclaimed, approaching the table, "she has taken part<br />
of her draught; the glass is three-quarters empty."</p>

<p>Then she went to the fireplace and lit the fire, and although she<br />
had just left her bed, she could not resist the temptation offered by<br />
Valentine's sleep, so she threw herself into an arm-chair to snatch a<br />
little more rest. The clock striking eight awoke her. Astonished at the<br />
prolonged slumber of the patient, and frightened to see that the arm was<br />
still hanging out of the bed, she advanced towards Valentine, and for<br />
the first time noticed the white lips. She tried to replace the arm, but<br />
it moved with a frightful rigidity which could not deceive a sick-nurse.<br />
She screamed aloud; then running to the door exclaimed,--"Help, help!"</p>

<p>"What is the matter?" asked M. d'Avrigny, at the foot of the stairs, it<br />
being the hour he usually visited her.</p>

<p>"What is it?" asked Villefort, rushing from his room. "Doctor, do you<br />
hear them call for help?"</p>

<p>"Yes, yes; let us hasten up; it was in Valentine's room." But before the<br />
doctor and the father could reach the room, the servants who were on the<br />
same floor had entered, and seeing Valentine pale and motionless on her<br />
bed, they lifted up their hands towards heaven and stood transfixed, as<br />
though struck by lightening. "Call Madame de Villefort!--wake Madame<br />
de Villefort!" cried the procureur from the door of his chamber, which<br />
apparently he scarcely dared to leave. But instead of obeying him, the<br />
servants stood watching M. d'Avrigny, who ran to Valentine, and raised<br />
her in his arms. "What?--this one, too?" he exclaimed. "Oh, where will<br />
be the end?" Villefort rushed into the room. "What are you saying,<br />
doctor?" he exclaimed, raising his hands to heaven.</p>

<p>"I say that Valentine is dead!" replied d'Avrigny, in a voice terrible<br />
in its solemn calm.</p>

<p>M. de Villefort staggered and buried his head in the bed. On the<br />
exclamation of the doctor and the cry of the father, the servants all<br />
fled with muttered imprecations; they were heard running down the stairs<br />
and through the long passages, then there was a rush in the court,<br />
afterwards all was still; they had, one and all, deserted the accursed<br />
house. Just then, Madame de Villefort, in the act of slipping on<br />
her dressing-gown, threw aside the drapery and for a moment stood<br />
motionless, as though interrogating the occupants of the room, while she<br />
endeavored to call up some rebellious tears. On a sudden she stepped,<br />
or rather bounded, with outstretched arms, towards the table. She saw<br />
d'Avrigny curiously examining the glass, which she felt certain of<br />
having emptied during the night. It was now a third full, just as it<br />
was when she threw the contents into the ashes. The spectre of Valentine<br />
rising before the poisoner would have alarmed her less. It was, indeed,<br />
the same color as the draught she had poured into the glass, and which<br />
Valentine had drank; it was indeed the poison, which could not deceive<br />
M. d'Avrigny, which he now examined so closely; it was doubtless a<br />
miracle from heaven, that, notwithstanding her precautions, there should<br />
be some trace, some proof remaining to reveal the crime. While Madame<br />
de Villefort remained rooted to the spot like a statue of terror, and<br />
Villefort, with his head hidden in the bedclothes, saw nothing around<br />
him, d'Avrigny approached the window, that he might the better examine<br />
the contents of the glass, and dipping the tip of his finger in, tasted<br />
it. "Ah," he exclaimed, "it is no longer brucine that is used; let me<br />
see what it is!"</p>

<p>Then he ran to one of the cupboards in Valentine's room, which had been<br />
transformed into a medicine closet, and taking from its silver case a<br />
small bottle of nitric acid, dropped a little of it into the liquor,<br />
which immediately changed to a blood-red color. "Ah," exclaimed<br />
d'Avrigny, in a voice in which the horror of a judge unveiling the truth<br />
was mingled with the delight of a student making a discovery. Madame<br />
de Villefort was overpowered, her eyes first flashed and then swam,<br />
she staggered towards the door and disappeared. Directly afterwards the<br />
distant sound of a heavy weight falling on the ground was heard, but<br />
no one paid any attention to it; the nurse was engaged in watching<br />
the chemical analysis, and Villefort was still absorbed in grief. M.<br />
d'Avrigny alone had followed Madame de Villefort with his eyes, and<br />
watched her hurried retreat. He lifted up the drapery over the entrance<br />
to Edward's room, and his eye reaching as far as Madame de Villefort's<br />
apartment, he beheld her extended lifeless on the floor. "Go to the<br />
assistance of Madame de Villefort," he said to the nurse. "Madame de<br />
Villefort is ill."</p>

<p>"But Mademoiselle de Villefort"--stammered the nurse.</p>

<p>"Mademoiselle de Villefort no longer requires help," said d'Avrigny,<br />
"since she is dead."</p>

<p>"Dead,--dead!" groaned forth Villefort, in a paroxysm of grief, which<br />
was the more terrible from the novelty of the sensation in the iron<br />
heart of that man.</p>

<p>"Dead!" repeated a third voice. "Who said Valentine was dead?"</p>

<p>The two men turned round, and saw Morrel standing at the door, pale and<br />
terror-stricken. This is what had happened. At the usual time, Morrel<br />
had presented himself at the little door leading to Noirtier's room.<br />
Contrary to custom, the door was open, and having no occasion to ring he<br />
entered. He waited for a moment in the hall and called for a servant to<br />
conduct him to M. Noirtier; but no one answered, the servants having,<br />
as we know, deserted the house. Morrel had no particular reason for<br />
uneasiness; Monte Cristo had promised him that Valentine should live,<br />
and so far he had always fulfilled his word. Every night the count had<br />
given him news, which was the next morning confirmed by Noirtier. Still<br />
this extraordinary silence appeared strange to him, and he called a<br />
second and third time; still no answer. Then he determined to go up.<br />
Noirtier's room was opened, like all the rest. The first thing he saw<br />
was the old man sitting in his arm-chair in his usual place, but his<br />
eyes expressed alarm, which was confirmed by the pallor which overspread<br />
his features.</p>

<p>"How are you, sir?" asked Morrel, with a sickness of heart.</p>

<p>"Well," answered the old man, by closing his eyes; but his appearance<br />
manifested increasing uneasiness.</p>

<p>"You are thoughtful, sir," continued Morrel; "you want something; shall<br />
I call one of the servants?"</p>

<p>"Yes," replied Noirtier.</p>

<p>Morrel pulled the bell, but though he nearly broke the cord no one<br />
answered. He turned towards Noirtier; the pallor and anguish expressed<br />
on his countenance momentarily increased.</p>

<p>"Oh," exclaimed Morrel, "why do they not come? Is any one ill in the<br />
house?" The eyes of Noirtier seemed as though they would start from<br />
their sockets. "What is the matter? You alarm me. Valentine? Valentine?"</p>

<p>"Yes, yes," signed Noirtier. Maximilian tried to speak, but he could<br />
articulate nothing; he staggered, and supported himself against the<br />
wainscot. Then he pointed to the door.</p>

<p>"Yes, yes, yes!" continued the old man. Maximilian rushed up the little<br />
staircase, while Noirtier's eyes seemed to say,--"Quicker, quicker!"</p>

<p>In a minute the young man darted through several rooms, till at length<br />
he reached Valentine's. There was no occasion to push the door, it was<br />
wide open. A sob was the only sound he heard. He saw as though in a<br />
mist, a black figure kneeling and buried in a confused mass of white<br />
drapery. A terrible fear transfixed him. It was then he heard a voice<br />
exclaim "Valentine is dead!" and another voice which, like an echo<br />
repeated,--"Dead,--dead!"</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 103. Maximilian.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/02/chapter-103-maximilian.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1593</id>

    <published>2009-02-26T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>Villefort rose, half ashamed of being surprised in such a paroxysm of grief. The terrible office he had held for twenty-five years had succeeded in making him more or less than man. His glance, at first wandering, fixed itself upon...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>Villefort rose, half ashamed of being surprised in such a paroxysm<br />
of grief. The terrible office he had held for twenty-five years had<br />
succeeded in making him more or less than man. His glance, at first<br />
wandering, fixed itself upon Morrel. "Who are you, sir," he asked, "that<br />
forget that this is not the manner to enter a house stricken with death?<br />
Go, sir, go!" But Morrel remained motionless; he could not detach his<br />
eyes from that disordered bed, and the pale corpse of the young girl<br />
who was lying on it. "Go!--do you hear?" said Villefort, while d'Avrigny<br />
advanced to lead Morrel out. Maximilian stared for a moment at the<br />
corpse, gazed all around the room, then upon the two men; he opened<br />
his mouth to speak, but finding it impossible to give utterance to the<br />
innumerable ideas that occupied his brain, he went out, thrusting his<br />
hands through his hair in such a manner that Villefort and d'Avrigny,<br />
for a moment diverted from the engrossing topic, exchanged glances,<br />
which seemed to say,--"He is mad!"</p>

<p>But in less than five minutes the staircase groaned beneath an<br />
extraordinary weight. Morrel was seen carrying, with superhuman<br />
strength, the arm-chair containing Noirtier up-stairs. When he reached<br />
the landing he placed the arm-chair on the floor and rapidly rolled it<br />
into Valentine's room. This could only have been accomplished by means<br />
of unnatural strength supplied by powerful excitement. But the most<br />
fearful spectacle was Noirtier being pushed towards the bed, his face<br />
expressing all his meaning, and his eyes supplying the want of every<br />
other faculty. That pale face and flaming glance appeared to Villefort<br />
like a frightful apparition. Each time he had been brought into contact<br />
with his father, something terrible had happened. "See what they have<br />
done!" cried Morrel, with one hand leaning on the back of the chair, and<br />
the other extended towards Valentine. "See, my father, see!"</p>

<p>Villefort drew back and looked with astonishment on the young man, who,<br />
almost a stranger to him, called Noirtier his father. At this moment<br />
the whole soul of the old man seemed centred in his eyes which became<br />
bloodshot; the veins of the throat swelled; his cheeks and temples<br />
became purple, as though he was struck with epilepsy; nothing was<br />
wanting to complete this but the utterance of a cry. And the cry issued<br />
from his pores, if we may thus speak--a cry frightful in its silence.<br />
D'Avrigny rushed towards the old man and made him inhale a powerful<br />
restorative.</p>

<p>"Sir," cried Morrel, seizing the moist hand of the paralytic, "they ask<br />
me who I am, and what right I have to be here. Oh, you know it, tell<br />
them, tell them!" And the young man's voice was choked by sobs. As for<br />
the old man, his chest heaved with his panting respiration. One could<br />
have thought that he was undergoing the agonies preceding death. At<br />
length, happier than the young man, who sobbed without weeping, tears<br />
glistened in the eyes of Noirtier. "Tell them," said Morrel in a hoarse<br />
voice, "tell them that I am her betrothed. Tell them she was my beloved,<br />
my noble girl, my only blessing in the world. Tell them--oh, tell them,<br />
that corpse belongs to me!"</p>

<p>The young man overwhelmed by the weight of his anguish, fell heavily<br />
on his knees before the bed, which his fingers grasped with convulsive<br />
energy. D'Avrigny, unable to bear the sight of this touching emotion,<br />
turned away; and Villefort, without seeking any further explanation,<br />
and attracted towards him by the irresistible magnetism which draws us<br />
towards those who have loved the people for whom we mourn, extended his<br />
hand towards the young man. But Morrel saw nothing; he had grasped the<br />
hand of Valentine, and unable to weep vented his agony in groans as<br />
he bit the sheets. For some time nothing was heard in that chamber but<br />
sobs, exclamations, and prayers. At length Villefort, the most composed<br />
of all, spoke: "Sir," said he to Maximilian, "you say you loved<br />
Valentine, that you were betrothed to her. I knew nothing of this<br />
engagement, of this love, yet I, her father, forgive you, for I see that<br />
your grief is real and deep; and besides my own sorrow is too great for<br />
anger to find a place in my heart. But you see that the angel whom<br />
you hoped for has left this earth--she has nothing more to do with the<br />
adoration of men. Take a last farewell, sir, of her sad remains; take<br />
the hand you expected to possess once more within your own, and then<br />
separate yourself from her forever. Valentine now requires only the<br />
ministrations of the priest."</p>

<p>"You are mistaken, sir," exclaimed Morrel, raising himself on one knee,<br />
his heart pierced by a more acute pang than any he had yet felt--"you<br />
are mistaken; Valentine, dying as she has, not only requires a priest,<br />
but an avenger. You, M. de Villefort, send for the priest; I will be the<br />
avenger."</p>

<p>"What do you mean, sir?" asked Villefort, trembling at the new idea<br />
inspired by the delirium of Morrel.</p>

<p>"I tell you, sir, that two persons exist in you; the father has mourned<br />
sufficiently, now let the procureur fulfil his office."</p>

<p>The eyes of Noirtier glistened, and d'Avrigny approached.</p>

<p>"Gentlemen," said Morrel, reading all that passed through the minds of<br />
the witnesses to the scene, "I know what I am saying, and you know as<br />
well as I do what I am about to say--Valentine has been assassinated!"<br />
Villefort hung his head, d'Avrigny approached nearer, and Noirtier said<br />
"Yes" with his eyes. "Now, sir," continued Morrel, "in these days no one<br />
can disappear by violent means without some inquiries being made as to<br />
the cause of her disappearance, even were she not a young, beautiful,<br />
and adorable creature like Valentine. Mr. Procureur," said Morrel with<br />
increasing vehemence, "no mercy is allowed; I denounce the crime; it<br />
is your place to seek the assassin." The young man's implacable eyes<br />
interrogated Villefort, who, on his side, glanced from Noirtier to<br />
d'Avrigny. But instead of finding sympathy in the eyes of the doctor<br />
and his father, he only saw an expression as inflexible as that of<br />
Maximilian. "Yes," indicated the old man.</p>

<p>"Assuredly," said d'Avrigny.</p>

<p>"Sir," said Villefort, striving to struggle against this triple force<br />
and his own emotion,--"sir, you are deceived; no one commits crimes<br />
here. I am stricken by fate. It is horrible, indeed, but no one<br />
assassinates."</p>

<p>The eyes of Noirtier lighted up with rage, and d'Avrigny prepared to<br />
speak. Morrel, however, extended his arm, and commanded silence. "And I<br />
say that murders are committed here," said Morrel, whose voice, though<br />
lower in tone, lost none of its terrible distinctness: "I tell you<br />
that this is the fourth victim within the last four months. I tell<br />
you, Valentine's life was attempted by poison four days ago, though she<br />
escaped, owing to the precautions of M. Noirtier. I tell you that the<br />
dose has been double, the poison changed, and that this time it has<br />
succeeded. I tell you that you know these things as well as I do, since<br />
this gentleman has forewarned you, both as a doctor and as a friend."</p>

<p>"Oh, you rave, sir," exclaimed Villefort, in vain endeavoring to escape<br />
the net in which he was taken.</p>

<p>"I rave?" said Morrel; "well, then, I appeal to M. d'Avrigny himself.<br />
Ask him, sir, if he recollects the words he uttered in the garden of<br />
this house on the night of Madame de Saint-Meran's death. You thought<br />
yourselves alone, and talked about that tragical death, and the<br />
fatality you mentioned then is the same which has caused the murder<br />
of Valentine." Villefort and d'Avrigny exchanged looks. "Yes, yes,"<br />
continued Morrel; "recall the scene, for the words you thought were<br />
only given to silence and solitude fell into my ears. Certainly, after<br />
witnessing the culpable indolence manifested by M. de Villefort towards<br />
his own relations, I ought to have denounced him to the authorities;<br />
then I should not have been an accomplice to thy death, as I now am,<br />
sweet, beloved Valentine; but the accomplice shall become the avenger.<br />
This fourth murder is apparent to all, and if thy father abandon thee,<br />
Valentine, it is I, and I swear it, that shall pursue the assassin."<br />
And this time, as though nature had at least taken compassion on the<br />
vigorous frame, nearly bursting with its own strength, the words of<br />
Morrel were stifled in his throat; his breast heaved; the tears, so long<br />
rebellious, gushed from his eyes; and he threw himself weeping on his<br />
knees by the side of the bed.</p>

<p>Then d'Avrigny spoke. "And I, too," he exclaimed in a low voice, "I<br />
unite with M. Morrel in demanding justice for crime; my blood boils at<br />
the idea of having encouraged a murderer by my cowardly concession."</p>

<p>"Oh, merciful heavens!" murmured Villefort. Morrel raised his head,<br />
and reading the eyes of the old man, which gleamed with unnatural<br />
lustre,--"Stay," he said, "M. Noirtier wishes to speak."</p>

<p>"Yes," indicated Noirtier, with an expression the more terrible, from<br />
all his faculties being centred in his glance.</p>

<p>"Do you know the assassin?" asked Morrel.</p>

<p>"Yes," replied Noirtier.</p>

<p>"And will you direct us?" exclaimed the young man. "Listen, M.<br />
d'Avrigny, listen!" Noirtier looked upon Morrel with one of those<br />
melancholy smiles which had so often made Valentine happy, and thus<br />
fixed his attention. Then, having riveted the eyes of his interlocutor<br />
on his own, he glanced towards the door.</p>

<p>"Do you wish me to leave?" said Morrel, sadly.</p>

<p>"Yes," replied Noirtier.</p>

<p>"Alas, alas, sir, have pity on me!"</p>

<p>The old man's eyes remained fixed on the door.</p>

<p>"May I, at least, return?" asked Morrel.</p>

<p>"Yes."</p>

<p>"Must I leave alone?"</p>

<p>"No."</p>

<p>"Whom am I to take with me? The procureur?"</p>

<p>"No."</p>

<p>"The doctor?"</p>

<p>"Yes."</p>

<p>"You wish to remain alone with M. de Villefort?"</p>

<p>"Yes."</p>

<p>"But can he understand you?"</p>

<p>"Yes."</p>

<p>"Oh," said Villefort, inexpressibly delighted to think that the<br />
inquiries were to be made by him alone,--"oh, be satisfied, I can<br />
understand my father." D'Avrigny took the young man's arm, and led<br />
him out of the room. A more than deathlike silence then reigned in<br />
the house. At the end of a quarter of an hour a faltering footstep<br />
was heard, and Villefort appeared at the door of the apartment where<br />
d'Avrigny and Morrel had been staying, one absorbed in meditation, the<br />
other in grief. "You can come," he said, and led them back to Noirtier.<br />
Morrel looked attentively on Villefort. His face was livid, large drops<br />
rolled down his face, and in his fingers he held the fragments of a<br />
quill pen which he had torn to atoms.</p>

<p>"Gentlemen," he said in a hoarse voice, "give me your word of honor that<br />
this horrible secret shall forever remain buried amongst ourselves!" The<br />
two men drew back.</p>

<p>"I entreat you."--continued Villefort.</p>

<p>"But," said Morrel, "the culprit--the murderer--the assassin."</p>

<p>"Do not alarm yourself, sir; justice will be done," said Villefort. "My<br />
father has revealed the culprit's name; my father thirsts for revenge as<br />
much as you do, yet even he conjures you as I do to keep this secret. Do<br />
you not, father?"</p>

<p>"Yes," resolutely replied Noirtier. Morrel suffered an exclamation of<br />
horror and surprise to escape him. "Oh, sir," said Villefort, arresting<br />
Maximilian by the arm, "if my father, the inflexible man, makes this<br />
request, it is because he knows, be assured, that Valentine will be<br />
terribly revenged. Is it not so, father?" The old man made a sign in the<br />
affirmative. Villefort continued: "He knows me, and I have pledged my<br />
word to him. Rest assured, gentlemen, that within three days, in a less<br />
time than justice would demand, the revenge I shall have taken for the<br />
murder of my child will be such as to make the boldest heart tremble;"<br />
and as he spoke these words he ground his teeth, and grasped the old<br />
man's senseless hand.</p>

<p>"Will this promise be fulfilled, M. Noirtier?" asked Morrel, while<br />
d'Avrigny looked inquiringly.</p>

<p>"Yes," replied Noirtier with an expression of sinister joy.</p>

<p>"Swear, then," said Villefort, joining the hands of Morrel and<br />
d'Avrigny, "swear that you will spare the honor of my house, and leave<br />
me to avenge my child." D'Avrigny turned round and uttered a very feeble<br />
"Yes," but Morrel, disengaging his hand, rushed to the bed, and after<br />
having pressed the cold lips of Valentine with his own, hurriedly left,<br />
uttering a long, deep groan of despair and anguish. We have before<br />
stated that all the servants had fled. M. de Villefort was therefore<br />
obliged to request M. d'Avrigny to superintend all the arrangements<br />
consequent upon a death in a large city, more especially a death under<br />
such suspicious circumstances.</p>

<p>It was something terrible to witness the silent agony, the mute despair<br />
of Noirtier, whose tears silently rolled down his cheeks. Villefort<br />
retired to his study, and d'Avrigny left to summon the doctor of the<br />
mayoralty, whose office it is to examine bodies after decease, and who<br />
is expressly named "the doctor of the dead." M. Noirtier could not be<br />
persuaded to quit his grandchild. At the end of a quarter of an hour M.<br />
d'Avrigny returned with his associate; they found the outer gate closed,<br />
and not a servant remaining in the house; Villefort himself was obliged<br />
to open to them. But he stopped on the landing; he had not the courage<br />
to again visit the death chamber. The two doctors, therefore, entered<br />
the room alone. Noirtier was near the bed, pale, motionless, and silent<br />
as the corpse. The district doctor approached with the indifference of<br />
a man accustomed to spend half his time amongst the dead; he then lifted<br />
the sheet which was placed over the face, and just unclosed the lips.</p>

<p>"Alas," said d'Avrigny, "she is indeed dead, poor child!"</p>

<p>"Yes," answered the doctor laconically, dropping the sheet he had<br />
raised. Noirtier uttered a kind of hoarse, rattling sound; the old man's<br />
eyes sparkled, and the good doctor understood that he wished to behold<br />
his child. He therefore approached the bed, and while his companion was<br />
dipping the fingers with which he had touched the lips of the corpse in<br />
chloride of lime, he uncovered the calm and pale face, which looked like<br />
that of a sleeping angel. A tear, which appeared in the old man's eye,<br />
expressed his thanks to the doctor. The doctor of the dead then laid his<br />
permit on the corner of the table, and having fulfilled his duty, was<br />
conducted out by d'Avrigny. Villefort met them at the door of his<br />
study; having in a few words thanked the district doctor, he turned to<br />
d'Avrigny, and said,--"And now the priest."</p>

<p>"Is there any particular priest you wish to pray with Valentine?" asked<br />
d'Avrigny.</p>

<p>"No." said Villefort; "fetch the nearest."</p>

<p>"The nearest," said the district doctor, "is a good Italian abbe, who<br />
lives next door to you. Shall I call on him as I pass?"</p>

<p>"D'Avrigny," said Villefort, "be so kind, I beseech you, as to accompany<br />
this gentleman. Here is the key of the door, so that you can go in and<br />
out as you please; you will bring the priest with you, and will oblige<br />
me by introducing him into my child's room."</p>

<p>"Do you wish to see him?"</p>

<p>"I only wish to be alone. You will excuse me, will you not? A priest<br />
can understand a father's grief." And M. de Villefort, giving the key to<br />
d'Avrigny, again bade farewell to the strange doctor, and retired to his<br />
study, where he began to work. For some temperaments work is a remedy<br />
for all afflictions. As the doctors entered the street, they saw a man<br />
in a cassock standing on the threshold of the next door. "This is the<br />
abbe of whom I spoke," said the doctor to d'Avrigny. D'Avrigny accosted<br />
the priest. "Sir," he said, "are you disposed to confer a great<br />
obligation on an unhappy father who has just lost his daughter? I mean<br />
M. de Villefort, the king's attorney."</p>

<p>"Ah," said the priest, in a marked Italian accent; "yes, I have heard<br />
that death is in that house."</p>

<p>"Then I need not tell you what kind of service he requires of you."</p>

<p>"I was about to offer myself, sir," said the priest; "it is our mission<br />
to forestall our duties."</p>

<p>"It is a young girl."</p>

<p>"I know it, sir; the servants who fled from the house informed me. I<br />
also know that her name is Valentine, and I have already prayed for<br />
her."</p>

<p>"Thank you, sir," said d'Avrigny; "since you have commenced your sacred<br />
office, deign to continue it. Come and watch by the dead, and all the<br />
wretched family will be grateful to you."</p>

<p>"I am going, sir; and I do not hesitate to say that no prayers will be<br />
more fervent than mine." D'Avrigny took the priest's hand, and<br />
without meeting Villefort, who was engaged in his study, they reached<br />
Valentine's room, which on the following night was to be occupied by<br />
the undertakers. On entering the room, Noirtier's eyes met those of the<br />
abbe, and no doubt he read some particular expression in them, for he<br />
remained in the room. D'Avrigny recommended the attention of the priest<br />
to the living as well as to the dead, and the abbe promised to devote<br />
his prayers to Valentine and his attentions to Noirtier. In order,<br />
doubtless, that he might not be disturbed while fulfilling his sacred<br />
mission, the priest rose as soon as d'Avrigny departed, and not only<br />
bolted the door through which the doctor had just left, but also that<br />
leading to Madame de Villefort's room.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 104. Danglars Signature.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/02/chapter-104-danglars-signature.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1594</id>

    <published>2009-02-27T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The next morning dawned dull and cloudy. During the night the undertakers had executed their melancholy office, and wrapped the corpse in the winding-sheet, which, whatever may be said about the equality of death, is at least a last proof...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The next morning dawned dull and cloudy. During the night the<br />
undertakers had executed their melancholy office, and wrapped the corpse<br />
in the winding-sheet, which, whatever may be said about the equality of<br />
death, is at least a last proof of the luxury so pleasing in life. This<br />
winding-sheet was nothing more than a beautiful piece of cambric, which<br />
the young girl had bought a fortnight before. During the evening two<br />
men, engaged for the purpose, had carried Noirtier from Valentine's room<br />
into his own, and contrary to all expectation there was no difficulty<br />
in withdrawing him from his child. The Abbe Busoni had watched till<br />
daylight, and then left without calling any one. D'Avrigny returned<br />
about eight o'clock in the morning; he met Villefort on his way to<br />
Noirtier's room, and accompanied him to see how the old man had slept.<br />
They found him in the large arm-chair, which served him for a bed,<br />
enjoying a calm, nay, almost a smiling sleep. They both stood in<br />
amazement at the door.</p>

<p>"See," said d'Avrigny to Villefort, "nature knows how to alleviate the<br />
deepest sorrow. No one can say that M. Noirtier did not love his child,<br />
and yet he sleeps."</p>

<p>"Yes, you are right," replied Villefort, surprised; "he sleeps, indeed!<br />
And this is the more strange, since the least contradiction keeps him<br />
awake all night."</p>

<p>"Grief has stunned him," replied d'Avrigny; and they both returned<br />
thoughtfully to the procureur's study.</p>

<p>"See, I have not slept," said Villefort, showing his undisturbed bed;<br />
"grief does not stun me. I have not been in bed for two nights; but<br />
then look at my desk; see what I have written during these two days and<br />
nights. I have filled those papers, and have made out the accusation<br />
against the assassin Benedetto. Oh, work, work,--my passion, my joy, my<br />
delight,--it is for thee to alleviate my sorrows!" and he convulsively<br />
grasped the hand of d'Avrigny.</p>

<p>"Do you require my services now?" asked d'Avrigny.</p>

<p>"No," said Villefort; "only return again at eleven o'clock; at twelve<br />
the--the--oh, heavens, my poor, poor child!" and the procureur again<br />
becoming a man, lifted up his eyes and groaned.</p>

<p>"Shall you be present in the reception room?"</p>

<p>"No; I have a cousin who has undertaken this sad office. I shall work,<br />
doctor--when I work I forget everything." And, indeed, no sooner had<br />
the doctor left the room, than he was again absorbed in study. On the<br />
doorsteps d'Avrigny met the cousin whom Villefort had mentioned, a<br />
personage as insignificant in our story as in the world he occupied--one<br />
of those beings designed from their birth to make themselves useful to<br />
others. He was punctual, dressed in black, with crape around his hat,<br />
and presented himself at his cousin's with a face made up for the<br />
occasion, and which he could alter as might be required. At twelve<br />
o'clock the mourning-coaches rolled into the paved court, and the Rue du<br />
Faubourg Saint-Honore was filled with a crowd of idlers, equally pleased<br />
to witness the festivities or the mourning of the rich, and who rush<br />
with the same avidity to a funeral procession as to the marriage of a<br />
duchess.</p>

<p>Gradually the reception-room filled, and some of our old friends<br />
made their appearance--we mean Debray, Chateau-Renaud, and Beauchamp,<br />
accompanied by all the leading men of the day at the bar, in literature,<br />
or the army, for M. de Villefort moved in the first Parisian circles,<br />
less owing to his social position than to his personal merit. The cousin<br />
standing at the door ushered in the guests, and it was rather a relief<br />
to the indifferent to see a person as unmoved as themselves, and who did<br />
not exact a mournful face or force tears, as would have been the case<br />
with a father, a brother, or a lover. Those who were acquainted<br />
soon formed into little groups. One of them was made of Debray,<br />
Chateau-Renaud, and Beauchamp.</p>

<p>"Poor girl," said Debray, like the rest, paying an involuntary tribute<br />
to the sad event,--"poor girl, so young, so rich, so beautiful! Could<br />
you have imagined this scene, Chateau-Renaud, when we saw her, at the<br />
most three weeks ago, about to sign that contract?"</p>

<p>"Indeed, no," said Chateau-Renaud--"Did you know her?"</p>

<p>"I spoke to her once or twice at Madame de Morcerf's, among the rest;<br />
she appeared to me charming, though rather melancholy. Where is her<br />
stepmother? Do you know?"</p>

<p>"She is spending the day with the wife of the worthy gentleman who is<br />
receiving us."</p>

<p>"Who is he?"</p>

<p>"Whom do you mean?"</p>

<p>"The gentleman who receives us? Is he a deputy?"</p>

<p>"Oh, no. I am condemned to witness those gentlemen every day," said<br />
Beauchamp; "but he is perfectly unknown to me."</p>

<p>"Have you mentioned this death in your paper?"</p>

<p>"It has been mentioned, but the article is not mine; indeed, I doubt if<br />
it will please M. Villefort, for it says that if four successive deaths<br />
had happened anywhere else than in the house of the king's attorney, he<br />
would have interested himself somewhat more about it."</p>

<p>"Still," said Chateau-Renaud, "Dr. d'Avrigny, who attends my mother,<br />
declares he is in despair about it. But whom are you seeking, Debray?"</p>

<p>"I am seeking the Count of Monte Cristo" said the young man.</p>

<p>"I met him on the boulevard, on my way here," said Beauchamp. "I think<br />
he is about to leave Paris; he was going to his banker."</p>

<p>"His banker? Danglars is his banker, is he not?" asked Chateau-Renaud of<br />
Debray.</p>

<p>"I believe so," replied the secretary with slight uneasiness. "But Monte<br />
Cristo is not the only one I miss here; I do not see Morrel."</p>

<p>"Morrel? Do they know him?" asked Chateau-Renaud. "I think he has only<br />
been introduced to Madame de Villefort."</p>

<p>"Still, he ought to have been here," said Debray; "I wonder what will<br />
be talked about to-night; this funeral is the news of the day. But hush,<br />
here comes our minister of justice; he will feel obliged to make some<br />
little speech to the cousin," and the three young men drew near to<br />
listen. Beauchamp told the truth when he said that on his way to the<br />
funeral he had met Monte Cristo, who was directing his steps towards the<br />
Rue de la Chausse d'Antin, to M. Danglars'.</p>

<p>The banker saw the carriage of the count enter the court yard, and<br />
advanced to meet him with a sad, though affable smile. "Well," said<br />
he, extending his hand to Monte Cristo, "I suppose you have come to<br />
sympathize with me, for indeed misfortune has taken possession of my<br />
house. When I perceived you, I was just asking myself whether I had not<br />
wished harm towards those poor Morcerfs, which would have justified the<br />
proverb of 'He who wishes misfortunes to happen to others experiences<br />
them himself.' Well, on my word of honor, I answered, 'No!' I wished<br />
no ill to Morcerf; he was a little proud, perhaps, for a man who like<br />
myself has risen from nothing; but we all have our faults. Do you know,<br />
count, that persons of our time of life--not that you belong to the<br />
class, you are still a young man,--but as I was saying, persons of our<br />
time of life have been very unfortunate this year. For example, look at<br />
the puritanical procureur, who has just lost his daughter, and in fact<br />
nearly all his family, in so singular a manner; Morcerf dishonored<br />
and dead; and then myself covered with ridicule through the villany of<br />
Benedetto; besides"--</p>

<p>"Besides what?" asked the Count.</p>

<p>"Alas, do you not know?"</p>

<p>"What new calamity?"</p>

<p>"My daughter"--</p>

<p>"Mademoiselle Danglars?"</p>

<p>"Eugenie has left us!"</p>

<p>"Good heavens, what are you telling me?"</p>

<p>"The truth, my dear count. Oh, how happy you must be in not having<br />
either wife or children!"</p>

<p>"Do you think so?"</p>

<p>"Indeed I do."</p>

<p>"And so Mademoiselle Danglars"--</p>

<p>"She could not endure the insult offered to us by that wretch, so she<br />
asked permission to travel."</p>

<p>"And is she gone?"</p>

<p>"The other night she left."</p>

<p>"With Madame Danglars?"</p>

<p>"No, with a relation. But still, we have quite lost our dear Eugenie;<br />
for I doubt whether her pride will ever allow her to return to France."</p>

<p>"Still, baron," said Monte Cristo, "family griefs, or indeed any other<br />
affliction which would crush a man whose child was his only treasure,<br />
are endurable to a millionaire. Philosophers may well say, and practical<br />
men will always support the opinion, that money mitigates many trials;<br />
and if you admit the efficacy of this sovereign balm, you ought to<br />
be very easily consoled--you, the king of finance, the focus of<br />
immeasurable power."</p>

<p>Danglars looked at him askance, as though to ascertain whether he spoke<br />
seriously. "Yes," he answered, "if a fortune brings consolation, I ought<br />
to be consoled; I am rich."</p>

<p>"So rich, dear sir, that your fortune resembles the pyramids; if you<br />
wished to demolish them you could not, and if it were possible, you<br />
would not dare!" Danglars smiled at the good-natured pleasantry of the<br />
count. "That reminds me," he said, "that when you entered I was on the<br />
point of signing five little bonds; I have already signed two: will you<br />
allow me to do the same to the others?"</p>

<p>"Pray do so."</p>

<p>There was a moment's silence, during which the noise of the banker's pen<br />
was alone heard, while Monte Cristo examined the gilt mouldings on the<br />
ceiling. "Are they Spanish, Haitian, or Neapolitan bonds?" said Monte<br />
Cristo. "No," said Danglars, smiling, "they are bonds on the bank of<br />
France, payable to bearer. Stay, count," he added, "you, who may be<br />
called the emperor, if I claim the title of king of finance, have you<br />
many pieces of paper of this size, each worth a million?" The count took<br />
into his hands the papers, which Danglars had so proudly presented to<br />
him, and read:--</p>

<p>"To the Governor of the Bank. Please pay to my order, from the fund<br />
deposited by me, the sum of a million, and charge the same to my<br />
account.</p>

<p>"Baron Danglars."</p>

<p>"One, two, three, four, five," said Monte Cristo; "five millions--why<br />
what a Croesus you are!"</p>

<p>"This is how I transact business," said Danglars.</p>

<p>"It is really wonderful," said the count; "above all, if, as I suppose,<br />
it is payable at sight."</p>

<p>"It is, indeed, said Danglars.</p>

<p>"It is a fine thing to have such credit; really, it is only in France<br />
these things are done. Five millions on five little scraps of paper!--it<br />
must be seen to be believed."</p>

<p>"You do not doubt it?"</p>

<p>"No!"</p>

<p>"You say so with an accent--stay, you shall be convinced; take my clerk<br />
to the bank, and you will see him leave it with an order on the Treasury<br />
for the same sum."</p>

<p>"No," said Monte Cristo folding the five notes, "most decidedly not; the<br />
thing is so curious, I will make the experiment myself. I am credited<br />
on you for six millions. I have drawn nine hundred thousand francs, you<br />
therefore still owe me five millions and a hundred thousand francs. I<br />
will take the five scraps of paper that I now hold as bonds, with your<br />
signature alone, and here is a receipt in full for the six millions<br />
between us. I had prepared it beforehand, for I am much in want of money<br />
to-day." And Monte Cristo placed the bonds in his pocket with one<br />
hand, while with the other he held out the receipt to Danglars. If<br />
a thunderbolt had fallen at the banker's feet, he could not have<br />
experienced greater terror.</p>

<p>"What," he stammered, "do you mean to keep that money? Excuse me,<br />
excuse me, but I owe this money to the charity fund,--a deposit which I<br />
promised to pay this morning."</p>

<p>"Oh, well, then," said Monte Cristo, "I am not particular about these<br />
five notes, pay me in a different form; I wished, from curiosity, to<br />
take these, that I might be able to say that without any advice or<br />
preparation the house of Danglars had paid me five millions without a<br />
minute's delay; it would have been remarkable. But here are your bonds;<br />
pay me differently;" and he held the bonds towards Danglars, who seized<br />
them like a vulture extending its claws to withhold the food that is<br />
being wrested from its grasp. Suddenly he rallied, made a violent effort<br />
to restrain himself, and then a smile gradually widened the features of<br />
his disturbed countenance.</p>

<p>"Certainly," he said, "your receipt is money."</p>

<p>"Oh dear, yes; and if you were at Rome, the house of Thomson & French<br />
would make no more difficulty about paying the money on my receipt than<br />
you have just done."</p>

<p>"Pardon me, count, pardon me."</p>

<p>"Then I may keep this money?"</p>

<p>"Yes," said Danglars, while the perspiration started from the roots of<br />
his hair. "Yes, keep it--keep it."</p>

<p>Monte Cristo replaced the notes in his pocket with that indescribable<br />
expression which seemed to say, "Come, reflect; if you repent there is<br />
still time."</p>

<p>"No," said Danglars, "no, decidedly no; keep my signatures. But you know<br />
none are so formal as bankers in transacting business; I intended this<br />
money for the charity fund, and I seemed to be robbing them if I did not<br />
pay them with these precise bonds. How absurd--as if one crown were<br />
not as good as another. Excuse me;" and he began to laugh loudly, but<br />
nervously.</p>

<p>"Certainly, I excuse you," said Monte Cristo graciously, "and pocket<br />
them." And he placed the bonds in his pocket-book.</p>

<p>"But," said Danglars, "there is still a sum of one hundred thousand<br />
francs?"</p>

<p>"Oh, a mere nothing," said Monte Cristo. "The balance would come to<br />
about that sum; but keep it, and we shall be quits."</p>

<p>"Count." said Danglars, "are you speaking seriously?"</p>

<p>"I never joke with bankers," said Monte Cristo in a freezing manner,<br />
which repelled impertinence; and he turned to the door, just as the<br />
valet de chambre announced,--"M. de Boville, receiver-general of the<br />
charities."</p>

<p>"Ma foi," said Monte Cristo; "I think I arrived just in time to obtain<br />
your signatures, or they would have been disputed with me."</p>

<p>Danglars again became pale, and hastened to conduct the count out. Monte<br />
Cristo exchanged a ceremonious bow with M. de Boville, who was standing<br />
in the waiting-room, and who was introduced into Danglars' room as soon<br />
as the count had left. The count's sad face was illumined by a faint<br />
smile, as he noticed the portfolio which the receiver-general held in<br />
his hand. At the door he found his carriage, and was immediately driven<br />
to the bank. Meanwhile Danglars, repressing all emotion, advanced to<br />
meet the receiver-general. We need not say that a smile of condescension<br />
was stamped upon his lips. "Good-morning, creditor," said he; "for I<br />
wager anything it is the creditor who visits me."</p>

<p>"You are right, baron," answered M. de Boville; "the charities present<br />
themselves to you through me: the widows and orphans depute me to<br />
receive alms to the amount of five millions from you."</p>

<p>"And yet they say orphans are to be pitied," said Danglars, wishing to<br />
prolong the jest. "Poor things!"</p>

<p>"Here I am in their name," said M. de Boville; "but did you receive my<br />
letter yesterday?"</p>

<p>"Yes."</p>

<p>"I have brought my receipt."</p>

<p>"My dear M. de Boville, your widows and orphans must oblige me by<br />
waiting twenty-four hours, since M. de Monte Cristo whom you just saw<br />
leaving here--you did see him, I think?"</p>

<p>"Yes; well?"</p>

<p>"Well, M. de Monte Cristo has just carried off their five millions."</p>

<p>"How so?"</p>

<p>"The count has an unlimited credit upon me; a credit opened by Thomson<br />
& French, of Rome; he came to demand five millions at once, which I paid<br />
him with checks on the bank. My funds are deposited there, and you<br />
can understand that if I draw out ten millions on the same day it will<br />
appear rather strange to the governor. Two days will be a different<br />
thing," said Danglars, smiling.</p>

<p>"Come," said Boville, with a tone of entire incredulity, "five millions<br />
to that gentleman who just left, and who bowed to me as though he knew<br />
me?"</p>

<p>"Perhaps he knows you, though you do not know him; M. de Monte Cristo<br />
knows everybody."</p>

<p>"Five millions!"</p>

<p>"Here is his receipt. Believe your own eyes." M. de Boville took the<br />
paper Danglars presented him, and read:--</p>

<p>"Received of Baron Danglars the sum of five million one hundred thousand<br />
francs, to be repaid on demand by the house of Thomson & French of<br />
Rome."</p>

<p>"It is really true," said M. de Boville.</p>

<p>"Do you know the house of Thomson & French?"</p>

<p>"Yes, I once had business to transact with it to the amount of 200,000<br />
francs; but since then I have not heard it mentioned."</p>

<p>"It is one of the best houses in Europe," said Danglars, carelessly<br />
throwing down the receipt on his desk.</p>

<p>"And he had five millions in your hands alone! Why, this Count of Monte<br />
Cristo must be a nabob?"</p>

<p>"Indeed I do not know what he is; he has three unlimited credits--one<br />
on me, one on Rothschild, one on Lafitte; and, you see," he added<br />
carelessly, "he has given me the preference, by leaving a balance<br />
of 100,000 francs." M. de Boville manifested signs of extraordinary<br />
admiration. "I must visit him," he said, "and obtain some pious grant<br />
from him."</p>

<p>"Oh, you may make sure of him; his charities alone amount to 20,000<br />
francs a month."</p>

<p>"It is magnificent! I will set before him the example of Madame de<br />
Morcerf and her son."</p>

<p>"What example?"</p>

<p>"They gave all their fortune to the hospitals."</p>

<p>"What fortune?"</p>

<p>"Their own--M. de Morcerf's, who is deceased."</p>

<p>"For what reason?"</p>

<p>"Because they would not spend money so guiltily acquired."</p>

<p>"And what are they to live upon?"</p>

<p>"The mother retires into the country, and the son enters the army."</p>

<p>"Well, I must confess, these are scruples."</p>

<p>"I registered their deed of gift yesterday."</p>

<p>"And how much did they possess?"</p>

<p>"Oh, not much--from twelve to thirteen hundred thousand francs. But to<br />
return to our millions."</p>

<p>"Certainly," said Danglars, in the most natural tone in the world. "Are<br />
you then pressed for this money?"</p>

<p>"Yes; for the examination of our cash takes place to-morrow."</p>

<p>"To-morrow? Why did you not tell me so before? Why, it is as good as a<br />
century! At what hour does the examination take place?"</p>

<p>"At two o'clock."</p>

<p>"Send at twelve," said Danglars, smiling. M. de Boville said nothing,<br />
but nodded his head, and took up the portfolio. "Now I think of it, you<br />
can do better," said Danglars.</p>

<p>"How do you mean?"</p>

<p>"The receipt of M. de Monte Cristo is as good as money; take it to<br />
Rothschild's or Lafitte's, and they will take it off your hands at<br />
once."</p>

<p>"What, though payable at Rome?"</p>

<p>"Certainly; it will only cost you a discount of 5,000 or 6,000 francs."<br />
The receiver started back. "Ma foi," he said, "I prefer waiting till<br />
to-morrow. What a proposition!"</p>

<p>"I thought, perhaps," said Danglars with supreme impertinence, "that you<br />
had a deficiency to make up?"</p>

<p>"Indeed," said the receiver.</p>

<p>"And if that were the case it would be worth while to make some<br />
sacrifice."</p>

<p>"Thank you, no, sir."</p>

<p>"Then it will be to-morrow."</p>

<p>"Yes; but without fail."</p>

<p>"Ah, you are laughing at me; send to-morrow at twelve, and the bank<br />
shall be notified."</p>

<p>"I will come myself."</p>

<p>"Better still, since it will afford me the pleasure of seeing you." They<br />
shook hands. "By the way," said M. de Boville, "are you not going to the<br />
funeral of poor Mademoiselle de Villefort, which I met on my road here?"</p>

<p>"No," said the banker; "I have appeared rather ridiculous since that<br />
affair of Benedetto, so I remain in the background."</p>

<p>"Bah, you are wrong. How were you to blame in that affair?"</p>

<p>"Listen--when one bears an irreproachable name, as I do, one is rather<br />
sensitive."</p>

<p>"Everybody pities you, sir; and, above all, Mademoiselle Danglars!"</p>

<p>"Poor Eugenie!" said Danglars; "do you know she is going to embrace a<br />
religious life?"</p>

<p>"No."</p>

<p>"Alas, it is unhappily but too true. The day after the event, she<br />
decided on leaving Paris with a nun of her acquaintance; they are gone<br />
to seek a very strict convent in Italy or Spain."</p>

<p>"Oh, it is terrible!" and M. de Boville retired with this exclamation,<br />
after expressing acute sympathy with the father. But he had scarcely<br />
left before Danglars, with an energy of action those can alone<br />
understand who have seen Robert Macaire represented by Frederic, [*]<br />
exclaimed,--"Fool!" Then enclosing Monte Cristo's receipt in a little<br />
pocket-book, he added:--"Yes, come at twelve o'clock; I shall then be<br />
far away." Then he double-locked his door, emptied all his drawers,<br />
collected about fifty thousand francs in bank-notes, burned several<br />
papers, left others exposed to view, and then commenced writing a letter<br />
which he addressed:</p>

<p>"To Madame la Baronne Danglars."</p>

<p>     * Frederic Lemaitre--French actor (1800-1876). Robert<br />
     Macaire is the hero of two favorite melodramas--"Chien de<br />
     Montargis" and "Chien d'Aubry"--and the name is applied to<br />
     bold criminals as a term of derision.</p>

<p>"I will place it on her table myself to-night," he murmured. Then taking<br />
a passport from his drawer he said,--"Good, it is available for two<br />
months longer."</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 105. The Cemetery of Pere-la-Chaise.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-105-the-cemetery-of-pere-la-chaise.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1595</id>

    <published>2009-02-28T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>M. de Boville had indeed met the funeral procession which was taking Valentine to her last home on earth. The weather was dull and stormy, a cold wind shook the few remaining yellow leaves from the boughs of the trees,...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>M. de Boville had indeed met the funeral procession which was taking<br />
Valentine to her last home on earth. The weather was dull and stormy, a<br />
cold wind shook the few remaining yellow leaves from the boughs of the<br />
trees, and scattered them among the crowd which filled the boulevards.<br />
M. de Villefort, a true Parisian, considered the cemetery of<br />
Pere-la-Chaise alone worthy of receiving the mortal remains of a<br />
Parisian family; there alone the corpses belonging to him would be<br />
surrounded by worthy associates. He had therefore purchased a vault,<br />
which was quickly occupied by members of his family. On the front of the<br />
monument was inscribed: "The families of Saint-Meran and Villefort," for<br />
such had been the last wish expressed by poor Renee, Valentine's mother.<br />
The pompous procession therefore wended its way towards Pere-la-Chaise<br />
from the Faubourg Saint-Honore. Having crossed Paris, it passed through<br />
the Faubourg du Temple, then leaving the exterior boulevards, it reached<br />
the cemetery. More than fifty private carriages followed the twenty<br />
mourning-coaches, and behind them more than five hundred persons joined<br />
in the procession on foot.</p>

<p>These last consisted of all the young people whom Valentine's death had<br />
struck like a thunderbolt, and who, notwithstanding the raw chilliness<br />
of the season, could not refrain from paying a last tribute to the<br />
memory of the beautiful, chaste, and adorable girl, thus cut off in the<br />
flower of her youth. As they left Paris, an equipage with four horses,<br />
at full speed, was seen to draw up suddenly; it contained Monte Cristo.<br />
The count left the carriage and mingled in the crowd who followed on<br />
foot. Chateau-Renaud perceived him and immediately alighting from his<br />
coupe, joined him.</p>

<p>The count looked attentively through every opening in the crowd; he was<br />
evidently watching for some one, but his search ended in disappointment.<br />
"Where is Morrel?" he asked; "do either of these gentlemen know where he<br />
is?"</p>

<p>"We have already asked that question," said Chateau-Renaud, "for none<br />
of us has seen him." The count was silent, but continued to gaze around<br />
him. At length they arrived at the cemetery. The piercing eye of Monte<br />
Cristo glanced through clusters of bushes and trees, and was soon<br />
relieved from all anxiety, for seeing a shadow glide between the<br />
yew-trees, Monte Cristo recognized him whom he sought. One funeral is<br />
generally very much like another in this magnificent metropolis. Black<br />
figures are seen scattered over the long white avenues; the silence<br />
of earth and heaven is alone broken by the noise made by the crackling<br />
branches of hedges planted around the monuments; then follows the<br />
melancholy chant of the priests, mingled now and then with a sob of<br />
anguish, escaping from some woman concealed behind a mass of flowers.</p>

<p>The shadow Monte Cristo had noticed passed rapidly behind the tomb of<br />
Abelard and Heloise, placed itself close to the heads of the horses<br />
belonging to the hearse, and following the undertaker's men, arrived<br />
with them at the spot appointed for the burial. Each person's attention<br />
was occupied. Monte Cristo saw nothing but the shadow, which no one else<br />
observed. Twice the count left the ranks to see whether the object of<br />
his interest had any concealed weapon beneath his clothes. When the<br />
procession stopped, this shadow was recognized as Morrel, who, with<br />
his coat buttoned up to his throat, his face livid, and convulsively<br />
crushing his hat between his fingers, leaned against a tree, situated<br />
on an elevation commanding the mausoleum, so that none of the funeral<br />
details could escape his observation. Everything was conducted in<br />
the usual manner. A few men, the least impressed of all by the scene,<br />
pronounced a discourse, some deploring this premature death, others<br />
expatiating on the grief of the father, and one very ingenious person<br />
quoting the fact that Valentine had solicited pardon of her father for<br />
criminals on whom the arm of justice was ready to fall--until at length<br />
they exhausted their stores of metaphor and mournful speeches.</p>

<p>Monte Cristo heard and saw nothing, or rather he only saw Morrel, whose<br />
calmness had a frightful effect on those who knew what was passing in<br />
his heart. "See," said Beauchamp, pointing out Morrel to Debray. "What<br />
is he doing up there?" And they called Chateau-Renaud's attention to<br />
him.</p>

<p>"How pale he is!" said Chateau-Renaud, shuddering.</p>

<p>"He is cold," said Debray.</p>

<p>"Not at all," said Chateau-Renaud, slowly; "I think he is violently<br />
agitated. He is very susceptible."</p>

<p>"Bah," said Debray; "he scarcely knew Mademoiselle de Villefort; you<br />
said so yourself."</p>

<p>"True. Still I remember he danced three times with her at Madame de<br />
Morcerf's. Do you recollect that ball, count, where you produced such an<br />
effect?"</p>

<p>"No, I do not," replied Monte Cristo, without even knowing of what or<br />
to whom he was speaking, so much was he occupied in watching Morrel, who<br />
was holding his breath with emotion. "The discourse is over; farewell,<br />
gentlemen," said the count. And he disappeared without anyone seeing<br />
whither he went. The funeral being over, the guests returned to Paris.<br />
Chateau-Renaud looked for a moment for Morrel; but while they were<br />
watching the departure of the count, Morrel had quitted his post, and<br />
Chateau-Renaud, failing in his search, joined Debray and Beauchamp.</p>

<p>Monte Cristo concealed himself behind a large tomb and awaited the<br />
arrival of Morrel, who by degrees approached the tomb now abandoned<br />
by spectators and workmen. Morrel threw a glance around, but before it<br />
reached the spot occupied by Monte Cristo the latter had advanced yet<br />
nearer, still unperceived. The young man knelt down. The count, with<br />
outstretched neck and glaring eyes, stood in an attitude ready to<br />
pounce upon Morrel upon the first occasion. Morrel bent his head till<br />
it touched the stone, then clutching the grating with both hands,<br />
he murmured,--"Oh, Valentine!" The count's heart was pierced by the<br />
utterance of these two words; he stepped forward, and touching the young<br />
man's shoulder, said,--"I was looking for you, my friend." Monte Cristo<br />
expected a burst of passion, but he was deceived, for Morrel turning<br />
round, said calmly,--</p>

<p>"You see I was praying." The scrutinizing glance of the count searched<br />
the young man from head to foot. He then seemed more easy.</p>

<p>"Shall I drive you back to Paris?" he asked.</p>

<p>"No, thank you."</p>

<p>"Do you wish anything?"</p>

<p>"Leave me to pray." The count withdrew without opposition, but it was<br />
only to place himself in a situation where he could watch every movement<br />
of Morrel, who at length arose, brushed the dust from his knees, and<br />
turned towards Paris, without once looking back. He walked slowly down<br />
the Rue de la Roquette. The count, dismissing his carriage, followed him<br />
about a hundred paces behind. Maximilian crossed the canal and entered<br />
the Rue Meslay by the boulevards. Five minutes after the door had been<br />
closed on Morrel's entrance, it was again opened for the count. Julie<br />
was at the entrance of the garden, where she was attentively watching<br />
Penelon, who, entering with zeal into his profession of gardener, was<br />
very busy grafting some Bengal roses. "Ah, count," she exclaimed, with<br />
the delight manifested by every member of the family whenever he visited<br />
the Rue Meslay.</p>

<p>"Maximilian has just returned, has he not, madame?" asked the count.</p>

<p>"Yes, I think I saw him pass; but pray, call Emmanuel."</p>

<p>"Excuse me, madame, but I must go up to Maximilian's room this instant,"<br />
replied Monte Cristo, "I have something of the greatest importance to<br />
tell him."</p>

<p>"Go, then," she said with a charming smile, which accompanied him until<br />
he had disappeared. Monte Cristo soon ran up the staircase conducting<br />
from the ground-floor to Maximilian's room; when he reached the landing<br />
he listened attentively, but all was still. Like many old houses<br />
occupied by a single family, the room door was panelled with glass; but<br />
it was locked, Maximilian was shut in, and it was impossible to see<br />
what was passing in the room, because a red curtain was drawn before the<br />
glass. The count's anxiety was manifested by a bright color which seldom<br />
appeared on the face of that imperturbable man.</p>

<p>"What shall I do!" he uttered, and reflected for a moment; "shall I<br />
ring? No, the sound of a bell, announcing a visitor, will but accelerate<br />
the resolution of one in Maximilian's situation, and then the bell would<br />
be followed by a louder noise." Monte Cristo trembled from head to<br />
foot and as if his determination had been taken with the rapidity of<br />
lightning, he struck one of the panes of glass with his elbow; the glass<br />
was shivered to atoms, then withdrawing the curtain he saw Morrel, who<br />
had been writing at his desk, bound from his seat at the noise of the<br />
broken window.</p>

<p>"I beg a thousand pardons," said the count, "there is nothing the<br />
matter, but I slipped down and broke one of your panes of glass with<br />
my elbow. Since it is opened, I will take advantage of it to enter your<br />
room; do not disturb yourself--do not disturb yourself!" And passing<br />
his hand through the broken glass, the count opened the door. Morrel,<br />
evidently discomposed, came to meet Monte Cristo less with the intention<br />
of receiving him than to exclude his entry. "Ma foi," said Monte Cristo,<br />
rubbing his elbow, "it's all your servant's fault; your stairs are so<br />
polished, it is like walking on glass."</p>

<p>"Are you hurt, sir?" coldly asked Morrel.</p>

<p>"I believe not. But what are you about there? You were writing."</p>

<p>"I?"</p>

<p>"Your fingers are stained with ink."</p>

<p>"Ah, true, I was writing. I do sometimes, soldier though I am."</p>

<p>Monte Cristo advanced into the room; Maximilian was obliged to let him<br />
pass, but he followed him. "You were writing?" said Monte Cristo with a<br />
searching look.</p>

<p>"I have already had the honor of telling you I was," said Morrel.</p>

<p>The count looked around him. "Your pistols are beside your desk," said<br />
Monte Cristo, pointing with his finger to the pistols on the table.</p>

<p>"I am on the point of starting on a journey," replied Morrel<br />
disdainfully.</p>

<p>"My friend," exclaimed Monte Cristo in a tone of exquisite sweetness.</p>

<p>"Sir?"</p>

<p>"My friend, my dear Maximilian, do not make a hasty resolution, I<br />
entreat you."</p>

<p>"I make a hasty resolution?" said Morrel, shrugging his shoulders; "is<br />
there anything extraordinary in a journey?"</p>

<p>"Maximilian," said the count, "let us both lay aside the mask we have<br />
assumed. You no more deceive me with that false calmness than I impose<br />
upon you with my frivolous solicitude. You can understand, can you not,<br />
that to have acted as I have done, to have broken that glass, to have<br />
intruded on the solitude of a friend--you can understand that, to have<br />
done all this, I must have been actuated by real uneasiness, or rather<br />
by a terrible conviction. Morrel, you are going to destroy yourself!"</p>

<p>"Indeed, count," said Morrel, shuddering; "what has put this into your<br />
head?"</p>

<p>"I tell you that you are about to destroy yourself," continued the<br />
count, "and here is proof of what I say;" and, approaching the desk, he<br />
removed the sheet of paper which Morrel had placed over the letter he<br />
had begun, and took the latter in his hands.</p>

<p>Morrel rushed forward to tear it from him, but Monte Cristo perceiving<br />
his intention, seized his wrist with his iron grasp. "You wish to<br />
destroy yourself," said the count; "you have written it."</p>

<p>"Well," said Morrel, changing his expression of calmness for one of<br />
violence--"well, and if I do intend to turn this pistol against myself,<br />
who shall prevent me--who will dare prevent me? All my hopes are<br />
blighted, my heart is broken, my life a burden, everything around me is<br />
sad and mournful; earth has become distasteful to me, and human voices<br />
distract me. It is a mercy to let me die, for if I live I shall lose<br />
my reason and become mad. When, sir, I tell you all this with tears of<br />
heartfelt anguish, can you reply that I am wrong, can you prevent my<br />
putting an end to my miserable existence? Tell me, sir, could you have<br />
the courage to do so?"</p>

<p>"Yes, Morrel," said Monte Cristo, with a calmness which contrasted<br />
strangely with the young man's excitement; "yes, I would do so."</p>

<p>"You?" exclaimed Morrel, with increasing anger and reproach--"you, who<br />
have deceived me with false hopes, who have cheered and soothed me with<br />
vain promises, when I might, if not have saved her, at least have seen<br />
her die in my arms! You, who pretend to understand everything, even the<br />
hidden sources of knowledge,--and who enact the part of a guardian angel<br />
upon earth, and could not even find an antidote to a poison administered<br />
to a young girl! Ah, sir, indeed you would inspire me with pity, were<br />
you not hateful in my eyes."</p>

<p>"Morrel"--</p>

<p>"Yes; you tell me to lay aside the mask, and I will do so, be satisfied!<br />
When you spoke to me at the cemetery, I answered you--my heart was<br />
softened; when you arrived here, I allowed you to enter. But since<br />
you abuse my confidence, since you have devised a new torture after<br />
I thought I had exhausted them all, then, Count of Monte Cristo my<br />
pretended benefactor--then, Count of Monte Cristo, the universal<br />
guardian, be satisfied, you shall witness the death of your friend;" and<br />
Morrel, with a maniacal laugh, again rushed towards the pistols.</p>

<p>"And I again repeat, you shall not commit suicide."</p>

<p>"Prevent me, then!" replied Morrel, with another struggle, which, like<br />
the first, failed in releasing him from the count's iron grasp.</p>

<p>"I will prevent you."</p>

<p>"And who are you, then, that arrogate to yourself this tyrannical right<br />
over free and rational beings?"</p>

<p>"Who am I?" repeated Monte Cristo. "Listen; I am the only man in the<br />
world having the right to say to you, 'Morrel, your father's son shall<br />
not die to-day;'" and Monte Cristo, with an expression of majesty<br />
and sublimity, advanced with arms folded toward the young man, who,<br />
involuntarily overcome by the commanding manner of this man, recoiled a<br />
step.</p>

<p>"Why do you mention my father?" stammered he; "why do you mingle a<br />
recollection of him with the affairs of today?"</p>

<p>"Because I am he who saved your father's life when he wished to destroy<br />
himself, as you do to-day--because I am the man who sent the purse<br />
to your young sister, and the Pharaon to old Morrel--because I am the<br />
Edmond Dantes who nursed you, a child, on my knees." Morrel made another<br />
step back, staggering, breathless, crushed; then all his strength<br />
give way, and he fell prostrate at the feet of Monte Cristo. Then his<br />
admirable nature underwent a complete and sudden revulsion; he arose,<br />
rushed out of the room and to the stairs, exclaiming energetically,<br />
"Julie, Julie--Emmanuel, Emmanuel!"</p>

<p>Monte Cristo endeavored also to leave, but Maximilian would have died<br />
rather than relax his hold of the handle of the door, which he closed<br />
upon the count. Julie, Emmanuel, and some of the servants, ran up in<br />
alarm on hearing the cries of Maximilian. Morrel seized their hands,<br />
and opening the door exclaimed in a voice choked with sobs, "On your<br />
knees--on your knees--he is our benefactor--the saviour of our father!<br />
He is"--</p>

<p>He would have added "Edmond Dantes," but the count seized his arm and<br />
prevented him. Julie threw herself into the arms of the count; Emmanuel<br />
embraced him as a guardian angel; Morrel again fell on his knees, and<br />
struck the ground with his forehead. Then the iron-hearted man felt his<br />
heart swell in his breast; a flame seemed to rush from his throat to his<br />
eyes, he bent his head and wept. For a while nothing was heard in the<br />
room but a succession of sobs, while the incense from their grateful<br />
hearts mounted to heaven. Julie had scarcely recovered from her deep<br />
emotion when she rushed out of the room, descended to the next floor,<br />
ran into the drawing-room with childlike joy and raised the crystal<br />
globe which covered the purse given by the unknown of the Allees de<br />
Meillan. Meanwhile, Emmanuel in a broken voice said to the count,<br />
"Oh, count, how could you, hearing us so often speak of our unknown<br />
benefactor, seeing us pay such homage of gratitude and adoration to his<br />
memory,--how could you continue so long without discovering yourself to<br />
us? Oh, it was cruel to us, and--dare I say it?--to you also."</p>

<p>"Listen, my friends," said the count--"I may call you so since we have<br />
really been friends for the last eleven years--the discovery of this<br />
secret has been occasioned by a great event which you must never know.<br />
I wish to bury it during my whole life in my own bosom, but your brother<br />
Maximilian wrested it from me by a violence he repents of now, I am<br />
sure." Then turning around, and seeing that Morrel, still on his knees,<br />
had thrown himself into an arm-chair, he added in a low voice, pressing<br />
Emmanuel's hand significantly, "Watch over him."</p>

<p>"Why so?" asked the young man, surprised.</p>

<p>"I cannot explain myself; but watch over him." Emmanuel looked around<br />
the room and caught sight of the pistols; his eyes rested on the<br />
weapons, and he pointed to them. Monte Cristo bent his head. Emmanuel<br />
went towards the pistols. "Leave them," said Monte Cristo. Then walking<br />
towards Morrel, he took his hand; the tumultuous agitation of the young<br />
man was succeeded by a profound stupor. Julie returned, holding the<br />
silken purse in her hands, while tears of joy rolled down her cheeks,<br />
like dewdrops on the rose.</p>

<p>"Here is the relic," she said; "do not think it will be less dear to us<br />
now we are acquainted with our benefactor!"</p>

<p>"My child," said Monte Cristo, coloring, "allow me to take back that<br />
purse? Since you now know my face, I wish to be remembered alone through<br />
the affection I hope you will grant me.</p>

<p>"Oh," said Julie, pressing the purse to her heart, "no, no, I beseech<br />
you do not take it, for some unhappy day you will leave us, will you<br />
not?"</p>

<p>"You have guessed rightly, madame," replied Monte Cristo, smiling; "in a<br />
week I shall have left this country, where so many persons who merit the<br />
vengeance of heaven lived happily, while my father perished of hunger<br />
and grief." While announcing his departure, the count fixed his eyes on<br />
Morrel, and remarked that the words, "I shall have left this country,"<br />
had failed to rouse him from his lethargy. He then saw that he must make<br />
another struggle against the grief of his friend, and taking the hands<br />
of Emmanuel and Julie, which he pressed within his own, he said with<br />
the mild authority of a father, "My kind friends, leave me alone with<br />
Maximilian." Julie saw the means offered of carrying off her precious<br />
relic, which Monte Cristo had forgotten. She drew her husband to the<br />
door. "Let us leave them," she said. The count was alone with Morrel,<br />
who remained motionless as a statue.</p>

<p>"Come," said Monte-Cristo, touching his shoulder with his finger, "are<br />
you a man again, Maximilian?"</p>

<p>"Yes; for I begin to suffer again."</p>

<p>The count frowned, apparently in gloomy hesitation.</p>

<p>"Maximilian, Maximilian," he said, "the ideas you yield to are unworthy<br />
of a Christian."</p>

<p>"Oh, do not fear, my friend," said Morrel, raising his head, and smiling<br />
with a sweet expression on the count; "I shall no longer attempt my<br />
life."</p>

<p>"Then we are to have no more pistols--no more despair?"</p>

<p>"No; I have found a better remedy for my grief than either a bullet or a<br />
knife."</p>

<p>"Poor fellow, what is it?"</p>

<p>"My grief will kill me of itself."</p>

<p>"My friend," said Monte Cristo, with an expression of melancholy equal<br />
to his own, "listen to me. One day, in a moment of despair like yours,<br />
since it led to a similar resolution, I also wished to kill myself; one<br />
day your father, equally desperate, wished to kill himself too. If any<br />
one had said to your father, at the moment he raised the pistol to his<br />
head--if any one had told me, when in my prison I pushed back the food I<br />
had not tasted for three days--if anyone had said to either of us<br />
then, 'Live--the day will come when you will be happy, and will bless<br />
life!'--no matter whose voice had spoken, we should have heard him with<br />
the smile of doubt, or the anguish of incredulity,--and yet how many<br />
times has your father blessed life while embracing you--how often have I<br />
myself"--</p>

<p>"Ah," exclaimed Morrel, interrupting the count, "you had only lost<br />
your liberty, my father had only lost his fortune, but I have lost<br />
Valentine."</p>

<p>"Look at me," said Monte Cristo, with that expression which sometimes<br />
made him so eloquent and persuasive--"look at me. There are no tears<br />
in my eyes, nor is there fever in my veins, yet I see you suffer--you,<br />
Maximilian, whom I love as my own son. Well, does not this tell you<br />
that in grief, as in life, there is always something to look forward to<br />
beyond? Now, if I entreat, if I order you to live, Morrel, it is in<br />
the conviction that one day you will thank me for having preserved your<br />
life."</p>

<p>"Oh, heavens," said the young man, "oh, heavens--what are you saying,<br />
count? Take care. But perhaps you have never loved!"</p>

<p>"Child!" replied the count.</p>

<p>"I mean, as I love. You see, I have been a soldier ever since I attained<br />
manhood. I reached the age of twenty-nine without loving, for none of<br />
the feelings I before then experienced merit the appellation of love.<br />
Well, at twenty-nine I saw Valentine; for two years I have loved her,<br />
for two years I have seen written in her heart, as in a book, all the<br />
virtues of a daughter and wife. Count, to possess Valentine would have<br />
been a happiness too infinite, too ecstatic, too complete, too divine<br />
for this world, since it has been denied me; but without Valentine the<br />
earth is desolate."</p>

<p>"I have told you to hope," said the count.</p>

<p>"Then have a care, I repeat, for you seek to persuade me, and if you<br />
succeed I should lose my reason, for I should hope that I could again<br />
behold Valentine." The count smiled. "My friend, my father," said Morrel<br />
with excitement, "have a care, I again repeat, for the power you wield<br />
over me alarms me. Weigh your words before you speak, for my eyes have<br />
already become brighter, and my heart beats strongly; be cautious, or<br />
you will make me believe in supernatural agencies. I must obey you,<br />
though you bade me call forth the dead or walk upon the water."</p>

<p>"Hope, my friend," repeated the count.</p>

<p>"Ah," said Morrel, falling from the height of excitement to the abyss<br />
of despair--"ah, you are playing with me, like those good, or rather<br />
selfish mothers who soothe their children with honeyed words, because<br />
their screams annoy them. No, my friend, I was wrong to caution you; do<br />
not fear, I will bury my grief so deep in my heart, I will disguise<br />
it so, that you shall not even care to sympathize with me. Adieu, my<br />
friend, adieu!"</p>

<p>"On the contrary," said the count, "after this time you must live with<br />
me--you must not leave me, and in a week we shall have left France<br />
behind us."</p>

<p>"And you still bid me hope?"</p>

<p>"I tell you to hope, because I have a method of curing you."</p>

<p>"Count, you render me sadder than before, if it be possible. You think<br />
the result of this blow has been to produce an ordinary grief, and<br />
you would cure it by an ordinary remedy--change of scene." And Morrel<br />
dropped his head with disdainful incredulity. "What can I say more?"<br />
asked Monte Cristo. "I have confidence in the remedy I propose, and only<br />
ask you to permit me to assure you of its efficacy."</p>

<p>"Count, you prolong my agony."</p>

<p>"Then," said the count, "your feeble spirit will not even grant me the<br />
trial I request? Come--do you know of what the Count of Monte Cristo is<br />
capable? do you know that he holds terrestrial beings under his control?<br />
nay, that he can almost work a miracle? Well, wait for the miracle I<br />
hope to accomplish, or"--</p>

<p>"Or?" repeated Morrel.</p>

<p>"Or, take care, Morrel, lest I call you ungrateful."</p>

<p>"Have pity on me, count!"</p>

<p>"I feel so much pity towards you, Maximilian, that--listen to me<br />
attentively--if I do not cure you in a month, to the day, to the very<br />
hour, mark my words, Morrel, I will place loaded pistols before you,<br />
and a cup of the deadliest Italian poison--a poison more sure and prompt<br />
than that which has killed Valentine."</p>

<p>"Will you promise me?"</p>

<p>"Yes; for I am a man, and have suffered like yourself, and also<br />
contemplated suicide; indeed, often since misfortune has left me I have<br />
longed for the delights of an eternal sleep."</p>

<p>"But you are sure you will promise me this?" said Morrel, intoxicated.<br />
"I not only promise, but swear it!" said Monte Cristo extending his<br />
hand.</p>

<p>"In a month, then, on your honor, if I am not consoled, you will let<br />
me take my life into my own hands, and whatever may happen you will not<br />
call me ungrateful?"</p>

<p>"In a month, to the day, the very hour and the date are sacred,<br />
Maximilian. I do not know whether you remember that this is the 5th of<br />
September; it is ten years to-day since I saved your father's life, who<br />
wished to die." Morrel seized the count's hand and kissed it; the count<br />
allowed him to pay the homage he felt due to him. "In a month you will<br />
find on the table, at which we shall be then sitting, good pistols and<br />
a delicious draught; but, on the other hand, you must promise me not to<br />
attempt your life before that time."</p>

<p>"Oh, I also swear it!" Monte Cristo drew the young man towards him,<br />
and pressed him for some time to his heart. "And now," he said,<br />
"after to-day, you will come and live with me; you can occupy Haidee's<br />
apartment, and my daughter will at least be replaced by my son."</p>

<p>"Haidee?" said Morrel, "what has become of her?"</p>

<p>"She departed last night."</p>

<p>"To leave you?"</p>

<p>"To wait for me. Hold yourself ready then to join me at the Champs<br />
Elysees, and lead me out of this house without any one seeing my<br />
departure." Maximilian hung his head, and obeyed with childlike<br />
reverence.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 106. Dividing the Proceeds.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-106-dividing-the-proceeds.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1596</id>

    <published>2009-03-01T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The apartment on the second floor of the house in the Rue Saint-Germain-des-Pres, where Albert de Morcerf had selected a home for his mother, was let to a very mysterious person. This was a man whose face the concierge himself...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The apartment on the second floor of the house in the Rue<br />
Saint-Germain-des-Pres, where Albert de Morcerf had selected a home for<br />
his mother, was let to a very mysterious person. This was a man whose<br />
face the concierge himself had never seen, for in the winter his chin<br />
was buried in one of the large red handkerchiefs worn by gentlemen's<br />
coachmen on a cold night, and in the summer he made a point of always<br />
blowing his nose just as he approached the door. Contrary to custom,<br />
this gentleman had not been watched, for as the report ran that he was<br />
a person of high rank, and one who would allow no impertinent<br />
interference, his incognito was strictly respected.</p>

<p>His visits were tolerably regular, though occasionally he appeared<br />
a little before or after his time, but generally, both in summer and<br />
winter, he took possession of his apartment about four o'clock, though<br />
he never spent the night there. At half-past three in the winter the<br />
fire was lighted by the discreet servant, who had the superintendence of<br />
the little apartment, and in the summer ices were placed on the table<br />
at the same hour. At four o'clock, as we have already stated, the<br />
mysterious personage arrived. Twenty minutes afterwards a carriage<br />
stopped at the house, a lady alighted in a black or dark blue dress, and<br />
always thickly veiled; she passed like a shadow through the lodge, and<br />
ran up-stairs without a sound escaping under the touch of her light<br />
foot. No one ever asked her where she was going. Her face, therefore,<br />
like that of the gentleman, was perfectly unknown to the two concierges,<br />
who were perhaps unequalled throughout the capital for discretion.<br />
We need not say she stopped at the second floor. Then she tapped in a<br />
peculiar manner at a door, which after being opened to admit her was<br />
again fastened, and curiosity penetrated no farther. They used the same<br />
precautions in leaving as in entering the house. The lady always left<br />
first, and as soon as she had stepped into her carriage, it drove away,<br />
sometimes towards the right hand, sometimes to the left; then about<br />
twenty minutes afterwards the gentleman would also leave, buried in his<br />
cravat or concealed by his handkerchief.</p>

<p>The day after Monte Cristo had called upon Danglars, the mysterious<br />
lodger entered at ten o'clock in the morning instead of four in the<br />
afternoon. Almost directly afterwards, without the usual interval of<br />
time, a cab arrived, and the veiled lady ran hastily up-stairs. The<br />
door opened, but before it could be closed, the lady exclaimed: "Oh,<br />
Lucien--oh, my friend!" The concierge therefore heard for the first time<br />
that the lodger's name was Lucien; still, as he was the very perfection<br />
of a door-keeper, he made up his mind not to tell his wife. "Well,<br />
what is the matter, my dear?" asked the gentleman whose name the lady's<br />
agitation revealed; "tell me what is the matter."</p>

<p>"Oh, Lucien, can I confide in you?"</p>

<p>"Of course, you know you can do so. But what can be the matter?<br />
Your note of this morning has completely bewildered me. This<br />
precipitation--this unusual appointment. Come, ease me of my anxiety, or<br />
else frighten me at once."</p>

<p>"Lucien, a great event has happened!" said the lady, glancing<br />
inquiringly at Lucien,--"M. Danglars left last night!"</p>

<p>"Left?--M. Danglars left? Where has he gone?"</p>

<p>"I do not know."</p>

<p>"What do you mean? Has he gone intending not to return?"</p>

<p>"Undoubtedly;--at ten o'clock at night his horses took him to the<br />
barrier of Charenton; there a post-chaise was waiting for him--he<br />
entered it with his valet de chambre, saying that he was going to<br />
Fontainebleau."</p>

<p>"Then what did you mean"--</p>

<p>"Stay--he left a letter for me."</p>

<p>"A letter?"</p>

<p>"Yes; read it." And the baroness took from her pocket a letter which she<br />
gave to Debray. Debray paused a moment before reading, as if trying<br />
to guess its contents, or perhaps while making up his mind how to act,<br />
whatever it might contain. No doubt his ideas were arranged in a few<br />
minutes, for he began reading the letter which caused so much uneasiness<br />
in the heart of the baroness, and which ran as follows:--</p>

<p>"Madame and most faithful wife."</p>

<p>Debray mechanically stopped and looked at the baroness, whose face<br />
became covered with blushes. "Read," she said.</p>

<p>Debray continued:--</p>

<p>"When you receive this, you will no longer have a husband. Oh, you<br />
need not be alarmed, you will only have lost him as you have lost your<br />
daughter; I mean that I shall be travelling on one of the thirty or<br />
forty roads leading out of France. I owe you some explanations for my<br />
conduct, and as you are a woman that can perfectly understand me, I will<br />
give them. Listen, then. I received this morning five millions which I<br />
paid away; almost directly afterwards another demand for the same sum<br />
was presented to me; I put this creditor off till to-morrow and I intend<br />
leaving to-day, to escape that to-morrow, which would be rather too<br />
unpleasant for me to endure. You understand this, do you not, my most<br />
precious wife? I say you understand this, because you are as conversant<br />
with my affairs as I am; indeed, I think you understand them better,<br />
since I am ignorant of what has become of a considerable portion of my<br />
fortune, once very tolerable, while I am sure, madame, that you know<br />
perfectly well. For women have infallible instincts; they can even<br />
explain the marvellous by an algebraic calculation they have invented;<br />
but I, who only understand my own figures, know nothing more than that<br />
one day these figures deceived me. Have you admired the rapidity of my<br />
fall? Have you been slightly dazzled at the sudden fusion of my ingots?<br />
I confess I have seen nothing but the fire; let us hope you have found<br />
some gold among the ashes. With this consoling idea, I leave you,<br />
madame, and most prudent wife, without any conscientious reproach for<br />
abandoning you; you have friends left, and the ashes I have already<br />
mentioned, and above all the liberty I hasten to restore to you. And<br />
here, madame, I must add another word of explanation. So long as I hoped<br />
you were working for the good of our house and for the fortune of our<br />
daughter, I philosophically closed my eyes; but as you have transformed<br />
that house into a vast ruin I will not be the foundation of another<br />
man's fortune. You were rich when I married you, but little respected.<br />
Excuse me for speaking so very candidly, but as this is intended<br />
only for ourselves, I do not see why I should weigh my words. I have<br />
augmented our fortune, and it has continued to increase during the<br />
last fifteen years, till extraordinary and unexpected catastrophes<br />
have suddenly overturned it,--without any fault of mine, I can honestly<br />
declare. You, madame, have only sought to increase your own, and I am<br />
convinced that you have succeeded. I leave you, therefore, as I took<br />
you,--rich, but little respected. Adieu! I also intend from this time<br />
to work on my own account. Accept my acknowledgments for the example you<br />
have set me, and which I intend following.</p>

<p>"Your very devoted husband,</p>

<p>"Baron Danglars."</p>

<p>The baroness had watched Debray while he read this long and painful<br />
letter, and saw him, notwithstanding his self-control, change color<br />
once or twice. When he had ended the perusal, he folded the letter and<br />
resumed his pensive attitude. "Well?" asked Madame Danglars, with an<br />
anxiety easy to be understood.</p>

<p>"Well, madame?" unhesitatingly repeated Debray.</p>

<p>"With what ideas does that letter inspire you?"</p>

<p>"Oh, it is simple enough, madame; it inspires me with the idea that M.<br />
Danglars has left suspiciously."</p>

<p>"Certainly; but is this all you have to say to me?"</p>

<p>"I do not understand you," said Debray with freezing coldness.</p>

<p>"He is gone! Gone, never to return!"</p>

<p>"Oh, madame, do not think that!"</p>

<p>"I tell you he will never return. I know his character; he is inflexible<br />
in any resolutions formed for his own interests. If he could have made<br />
any use of me, he would have taken me with him; he leaves me in Paris,<br />
as our separation will conduce to his benefit;--therefore he has gone,<br />
and I am free forever," added Madame Danglars, in the same supplicating<br />
tone. Debray, instead of answering, allowed her to remain in an attitude<br />
of nervous inquiry. "Well?" she said at length, "do you not answer me?"</p>

<p>"I have but one question to ask you,--what do you intend to do?"</p>

<p>"I was going to ask you," replied the baroness with a beating heart.</p>

<p>"Ah, then, you wish to ask advice of me?"</p>

<p>"Yes; I do wish to ask your advice," said Madame Danglars with anxious<br />
expectation.</p>

<p>"Then if you wish to take my advice," said the young man coldly, "I<br />
would recommend you to travel."</p>

<p>"To travel!" she murmured.</p>

<p>"Certainly; as M. Danglars says, you are rich, and perfectly free. In<br />
my opinion, a withdrawal from Paris is absolutely necessary after the<br />
double catastrophe of Mademoiselle Danglars' broken contract and M.<br />
Danglars' disappearance. The world will think you abandoned and poor,<br />
for the wife of a bankrupt would never be forgiven, were she to keep up<br />
an appearance of opulence. You have only to remain in Paris for about a<br />
fortnight, telling the world you are abandoned, and relating the details<br />
of this desertion to your best friends, who will soon spread the report.<br />
Then you can quit your house, leaving your jewels and giving up your<br />
jointure, and every one's mouth will be filled with praises of your<br />
disinterestedness. They will know you are deserted, and think you also<br />
poor, for I alone know your real financial position, and am quite ready<br />
to give up my accounts as an honest partner." The dread with which the<br />
pale and motionless baroness listened to this, was equalled by the calm<br />
indifference with which Debray had spoken. "Deserted?" she repeated;<br />
"ah, yes, I am, indeed, deserted! You are right, sir, and no one can<br />
doubt my position." These were the only words that this proud and<br />
violently enamoured woman could utter in response to Debray.</p>

<p>"But then you are rich,--very rich, indeed," continued Debray, taking<br />
out some papers from his pocket-book, which he spread upon the table.<br />
Madame Danglars did not see them; she was engaged in stilling the<br />
beatings of her heart, and restraining the tears which were ready to<br />
gush forth. At length a sense of dignity prevailed, and if she did not<br />
entirely master her agitation, she at least succeeded in preventing the<br />
fall of a single tear. "Madame," said Debray, "it is nearly six months<br />
since we have been associated. You furnished a principal of 100,000<br />
francs. Our partnership began in the month of April. In May we commenced<br />
operations, and in the course of the month gained 450,000 francs.<br />
In June the profit amounted to 900,000. In July we added 1,700,000<br />
francs,--it was, you know, the month of the Spanish bonds. In August we<br />
lost 300,000 francs at the beginning of the month, but on the 13th we<br />
made up for it, and we now find that our accounts, reckoning from the<br />
first day of partnership up to yesterday, when I closed them, showed<br />
a capital of 2,400,000 francs, that is, 1,200,000 for each of us. Now,<br />
madame," said Debray, delivering up his accounts in the methodical<br />
manner of a stockbroker, "there are still 80,000 francs, the interest of<br />
this money, in my hands."</p>

<p>"But," said the baroness, "I thought you never put the money out to<br />
interest."</p>

<p>"Excuse me, madame," said Debray coldly, "I had your permission to do<br />
so, and I have made use of it. There are, then, 40,000 francs for your<br />
share, besides the 100,000 you furnished me to begin with, making in all<br />
1,340,000 francs for your portion. Now, madame, I took the precaution of<br />
drawing out your money the day before yesterday; it is not long ago, you<br />
see, and I was in continual expectation of being called on to deliver up<br />
my accounts. There is your money,--half in bank-notes, the other half<br />
in checks payable to bearer. I say there, for as I did not consider<br />
my house safe enough, or lawyers sufficiently discreet, and as landed<br />
property carries evidence with it, and moreover since you have no right<br />
to possess anything independent of your husband, I have kept this sum,<br />
now your whole fortune, in a chest concealed under that closet, and for<br />
greater security I myself concealed it there.</p>

<p>"Now, madame," continued Debray, first opening the closet, then<br />
the chest;--"now, madame, here are 800 notes of 1,000. francs each,<br />
resembling, as you see, a large book bound in iron; to this I add a<br />
certificate in the funds of 25,000. francs; then, for the odd cash,<br />
making I think about 110,000. francs, here is a check upon my banker,<br />
who, not being M. Danglars, will pay you the amount, you may rest<br />
assured." Madame Danglars mechanically took the check, the bond, and the<br />
heap of bank-notes. This enormous fortune made no great appearance on<br />
the table. Madame Danglars, with tearless eyes, but with her breast<br />
heaving with concealed emotion, placed the bank-notes in her bag, put<br />
the certificate and check into her pocket-book, and then, standing pale<br />
and mute, awaited one kind word of consolation. But she waited in vain.</p>

<p>"Now, madame," said Debray, "you have a splendid fortune, an income of<br />
about 60,000 livres a year, which is enormous for a woman who cannot<br />
keep an establishment here for a year, at least. You will be able<br />
to indulge all your fancies; besides, should you find your income<br />
insufficient, you can, for the sake of the past, madame, make use of<br />
mine; and I am ready to offer you all I possess, on loan."</p>

<p>"Thank you, sir--thank you," replied the baroness; "you forget that<br />
what you have just paid me is much more than a poor woman requires, who<br />
intends for some time, at least, to retire from the world."</p>

<p>Debray was, for a moment, surprised, but immediately recovering himself,<br />
he bowed with an air which seemed to say, "As you please, madame."</p>

<p>Madame Danglars had until then, perhaps, hoped for something; but when<br />
she saw the careless bow of Debray, and the glance by which it was<br />
accompanied, together with his significant silence, she raised her head,<br />
and without passion or violence or even hesitation, ran down-stairs,<br />
disdaining to address a last farewell to one who could thus part from<br />
her. "Bah," said Debray, when she had left, "these are fine projects!<br />
She will remain at home, read novels, and speculate at cards, since she<br />
can no longer do so on the Bourse." Then taking up his account book, he<br />
cancelled with the greatest care all the entries of the amounts he had<br />
just paid away. "I have 1,060,000 francs remaining," he said. "What a<br />
pity Mademoiselle de Villefort is dead! She suited me in every respect,<br />
and I would have married her." And he calmly waited until the twenty<br />
minutes had elapsed after Madame Danglars' departure before he left the<br />
house. During this time he occupied himself in making figures, with his<br />
watch by his side.</p>

<p>Asmodeus--that diabolical personage, who would have been created by<br />
every fertile imagination if Le Sage had not acquired the priority in<br />
his great masterpiece--would have enjoyed a singular spectacle, if<br />
he had lifted up the roof of the little house in the Rue<br />
Saint-Germain-des-Pres, while Debray was casting up his figures. Above<br />
the room in which Debray had been dividing two millions and a half with<br />
Madame Danglars was another, inhabited by persons who have played too<br />
prominent a part in the incidents we have related for their appearance<br />
not to create some interest. Mercedes and Albert were in that room.<br />
Mercedes was much changed within the last few days; not that even in her<br />
days of fortune she had ever dressed with the magnificent display which<br />
makes us no longer able to recognize a woman when she appears in a<br />
plain and simple attire; nor indeed, had she fallen into that state of<br />
depression where it is impossible to conceal the garb of misery; no,<br />
the change in Mercedes was that her eye no longer sparkled, her lips<br />
no longer smiled, and there was now a hesitation in uttering the words<br />
which formerly sprang so fluently from her ready wit.</p>

<p>It was not poverty which had broken her spirit; it was not a want<br />
of courage which rendered her poverty burdensome. Mercedes, although<br />
deposed from the exalted position she had occupied, lost in the sphere<br />
she had now chosen, like a person passing from a room splendidly lighted<br />
into utter darkness, appeared like a queen, fallen from her palace to<br />
a hovel, and who, reduced to strict necessity, could neither become<br />
reconciled to the earthen vessels she was herself forced to place<br />
upon the table, nor to the humble pallet which had become her bed. The<br />
beautiful Catalane and noble countess had lost both her proud glance and<br />
charming smile, because she saw nothing but misery around her; the walls<br />
were hung with one of the gray papers which economical landlords choose<br />
as not likely to show the dirt; the floor was uncarpeted; the furniture<br />
attracted the attention to the poor attempt at luxury; indeed,<br />
everything offended eyes accustomed to refinement and elegance.</p>

<p>Madame de Morcerf had lived there since leaving her house; the continual<br />
silence of the spot oppressed her; still, seeing that Albert continually<br />
watched her countenance to judge the state of her feelings, she<br />
constrained herself to assume a monotonous smile of the lips alone,<br />
which, contrasted with the sweet and beaming expression that usually<br />
shone from her eyes, seemed like "moonlight on a statue,"--yielding<br />
light without warmth. Albert, too, was ill at ease; the remains of<br />
luxury prevented him from sinking into his actual position. If he wished<br />
to go out without gloves, his hands appeared too white; if he wished to<br />
walk through the town, his boots seemed too highly polished. Yet these<br />
two noble and intelligent creatures, united by the indissoluble ties<br />
of maternal and filial love, had succeeded in tacitly understanding one<br />
another, and economizing their stores, and Albert had been able to tell<br />
his mother without extorting a change of countenance,--"Mother, we have<br />
no more money."</p>

<p>Mercedes had never known misery; she had often, in her youth, spoken of<br />
poverty, but between want and necessity, those synonymous words, there<br />
is a wide difference. Amongst the Catalans, Mercedes wished for a<br />
thousand things, but still she never really wanted any. So long as the<br />
nets were good, they caught fish; and so long as they sold their fish,<br />
they were able to buy twine for new nets. And then, shut out from<br />
friendship, having but one affection, which could not be mixed up with<br />
her ordinary pursuits, she thought of herself--of no one but herself.<br />
Upon the little she earned she lived as well as she could; now there<br />
were two to be supported, and nothing to live upon.</p>

<p>Winter approached. Mercedes had no fire in that cold and naked<br />
room--she, who was accustomed to stoves which heated the house from<br />
the hall to the boudoir; she had not even one little flower--she whose<br />
apartment had been a conservatory of costly exotics. But she had her<br />
son. Hitherto the excitement of fulfilling a duty had sustained them.<br />
Excitement, like enthusiasm, sometimes renders us unconscious to the<br />
things of earth. But the excitement had calmed down, and they felt<br />
themselves obliged to descend from dreams to reality; after having<br />
exhausted the ideal, they found they must talk of the actual.</p>

<p>"Mother," exclaimed Albert, just as Madame Danglars was descending the<br />
stairs, "let us reckon our riches, if you please; I want capital to<br />
build my plans upon."</p>

<p>"Capital--nothing!" replied Mercedes with a mournful smile.</p>

<p>"No, mother,--capital 3,000 francs. And I have an idea of our leading a<br />
delightful life upon this 3,000 francs."</p>

<p>"Child!" sighed Mercedes.</p>

<p>"Alas, dear mother," said the young man, "I have unhappily spent too<br />
much of your money not to know the value of it. These 3,000 francs<br />
are enormous, and I intend building upon this foundation a miraculous<br />
certainty for the future."</p>

<p>"You say this, my dear boy; but do you think we ought to accept these<br />
3,000 francs?" said Mercedes, coloring.</p>

<p>"I think so," answered Albert in a firm tone. "We will accept them the<br />
more readily, since we have them not here; you know they are buried in<br />
the garden of the little house in the Allees de Meillan, at Marseilles.<br />
With 200 francs we can reach Marseilles."</p>

<p>"With 200 francs?--are you sure, Albert?"</p>

<p>"Oh, as for that, I have made inquiries respecting the diligences and<br />
steamboats, and my calculations are made. You will take your place<br />
in the coupe to Chalons. You see, mother, I treat you handsomely for<br />
thirty-five francs." Albert then took a pen, and wrote:--</p>

<p>                                                         Frs.<br />
  Coupe, thirty-five francs.............................. 35.<br />
  From Chalons to Lyons you will go on by the steamboat..  6.<br />
  From Lyons to Avignon (still by steamboat)............. 16.<br />
  From Avignon to Marseilles, seven franc................  7.<br />
  Expenses on the road, about fifty francs............... 50.<br />
  Total................................................. 114 frs.</p>

<p>"Let us put down 120," added Albert, smiling. "You see I am generous, am<br />
I not, mother?"</p>

<p>"But you, my poor child?"</p>

<p>"I? do you not see that I reserve eighty francs for myself? A young man<br />
does not require luxuries; besides, I know what travelling is."</p>

<p>"With a post-chaise and valet de chambre?"</p>

<p>"Any way, mother."</p>

<p>"Well, be it so. But these 200 francs?"</p>

<p>"Here they are, and 200 more besides. See, I have sold my watch for<br />
100 francs, and the guard and seals for 300. How fortunate that the<br />
ornaments were worth more than the watch. Still the same story of<br />
superfluities! Now I think we are rich, since instead of the 114 francs<br />
we require for the journey we find ourselves in possession of 250."</p>

<p>"But we owe something in this house?"</p>

<p>"Thirty francs; but I pay that out of my 150 francs,--that is<br />
understood,--and as I require only eighty francs for my journey, you see<br />
I am overwhelmed with luxury. But that is not all. What do you say to<br />
this, mother?"</p>

<p>And Albert took out of a little pocket-book with golden clasps, a<br />
remnant of his old fancies, or perhaps a tender souvenir from one of<br />
the mysterious and veiled ladies who used to knock at his little<br />
door,--Albert took out of this pocket-book a note of 1,000 francs.</p>

<p>"What is this?" asked Mercedes.</p>

<p>"A thousand francs."</p>

<p>"But whence have you obtained them?"</p>

<p>"Listen to me, mother, and do not yield too much to agitation." And<br />
Albert, rising, kissed his mother on both cheeks, then stood looking at<br />
her. "You cannot imagine, mother, how beautiful I think you!" said the<br />
young man, impressed with a profound feeling of filial love. "You are,<br />
indeed, the most beautiful and most noble woman I ever saw!"</p>

<p>"Dear child!" said Mercedes, endeavoring in vain to restrain a tear<br />
which glistened in the corner of her eye. "Indeed, you only wanted<br />
misfortune to change my love for you to admiration. I am not unhappy<br />
while I possess my son!"</p>

<p>"Ah, just so," said Albert; "here begins the trial. Do you know the<br />
decision we have come to, mother?"</p>

<p>"Have we come to any?"</p>

<p>"Yes; it is decided that you are to live at Marseilles, and that I am to<br />
leave for Africa, where I will earn for myself the right to use the name<br />
I now bear, instead of the one I have thrown aside." Mercedes sighed.<br />
"Well, mother, I yesterday engaged myself as substitute in the Spahis,"<br />
[*] added the young man, lowering his eyes with a certain feeling of<br />
shame, for even he was unconscious of the sublimity of his self-<br />
abasement. "I thought my body was my own, and that I might sell it. I<br />
yesterday took the place of another. I sold myself for more than I<br />
thought I was worth," he added, attempting to smile; "I fetched 2,000<br />
francs."</p>

<p>     * The Spahis are French cavalry reserved for service in<br />
     Africa.</p>

<p>"Then these 1,000 francs"--said Mercedes, shuddering--</p>

<p>"Are the half of the sum, mother; the other will be paid in a year."</p>

<p>Mercedes raised her eyes to heaven with an expression it would be<br />
impossible to describe, and tears, which had hitherto been restrained,<br />
now yielded to her emotion, and ran down her cheeks.</p>

<p>"The price of his blood!" she murmured.</p>

<p>"Yes, if I am killed," said Albert, laughing. "But I assure you, mother,<br />
I have a strong intention of defending my person, and I never felt half<br />
so strong an inclination to live as I do now."</p>

<p>"Merciful heavens!"</p>

<p>"Besides, mother, why should you make up your mind that I am to be<br />
killed? Has Lamoriciere, that Ney of the South, been killed? Has<br />
Changarnier been killed? Has Bedeau been killed? Has Morrel, whom we<br />
know, been killed? Think of your joy, mother, when you see me return<br />
with an embroidered uniform! I declare, I expect to look magnificent<br />
in it, and chose that regiment only from vanity." Mercedes sighed while<br />
endeavoring to smile; the devoted mother felt that she ought not to<br />
allow the whole weight of the sacrifice to fall upon her son. "Well,<br />
now you understand, mother!" continued Albert; "here are more than 4,000<br />
francs settled on you; upon these you can live at least two years."</p>

<p>"Do you think so?" said Mercedes. These words were uttered in so<br />
mournful a tone that their real meaning did not escape Albert; he felt<br />
his heart beat, and taking his mother's hand within his own he said,<br />
tenderly,--</p>

<p>"Yes, you will live!"</p>

<p>"I shall live!--then you will not leave me, Albert?"</p>

<p>"Mother, I must go," said Albert in a firm, calm voice; "you love me<br />
too well to wish me to remain useless and idle with you; besides, I have<br />
signed."</p>

<p>"You will obey your own wish and the will of heaven!"</p>

<p>"Not my own wish, mother, but reason--necessity. Are we not two<br />
despairing creatures? What is life to you?--Nothing. What is life to<br />
me?--Very little without you, mother; for believe me, but for you I<br />
should have ceased to live on the day I doubted my father and renounced<br />
his name. Well, I will live, if you promise me still to hope; and if<br />
you grant me the care of your future prospects, you will redouble my<br />
strength. Then I will go to the governor of Algeria; he has a royal<br />
heart, and is essentially a soldier; I will tell him my gloomy story.<br />
I will beg him to turn his eyes now and then towards me, and if he<br />
keep his word and interest himself for me, in six months I shall be an<br />
officer, or dead. If I am an officer, your fortune is certain, for I<br />
shall have money enough for both, and, moreover, a name we shall both<br />
be proud of, since it will be our own. If I am killed--well then mother,<br />
you can also die, and there will be an end of our misfortunes."</p>

<p>"It is well," replied Mercedes, with her eloquent glance; "you are<br />
right, my love; let us prove to those who are watching our actions that<br />
we are worthy of compassion."</p>

<p>"But let us not yield to gloomy apprehensions," said the young man; "I<br />
assure you we are, or rather we shall be, very happy. You are a woman at<br />
once full of spirit and resignation; I have become simple in my tastes,<br />
and am without passion, I hope. Once in service, I shall be rich--once<br />
in M. Dantes' house, you will be at rest. Let us strive, I beseech<br />
you,--let us strive to be cheerful."</p>

<p>"Yes, let us strive, for you ought to live, and to be happy, Albert."</p>

<p>"And so our division is made, mother," said the young man, affecting<br />
ease of mind. "We can now part; come, I shall engage your passage."</p>

<p>"And you, my dear boy?"</p>

<p>"I shall stay here for a few days longer; we must accustom ourselves to<br />
parting. I want recommendations and some information relative to Africa.<br />
I will join you again at Marseilles."</p>

<p>"Well, be it so--let us part," said Mercedes, folding around her<br />
shoulders the only shawl she had taken away, and which accidentally<br />
happened to be a valuable black cashmere. Albert gathered up his papers<br />
hastily, rang the bell to pay the thirty francs he owed to the landlord,<br />
and offering his arm to his mother, they descended the stairs. Some one<br />
was walking down before them, and this person, hearing the rustling of a<br />
silk dress, turned around. "Debray!" muttered Albert.</p>

<p>"You, Morcerf?" replied the secretary, resting on the stairs. Curiosity<br />
had vanquished the desire of preserving his incognito, and he was<br />
recognized. It was, indeed, strange in this unknown spot to find the<br />
young man whose misfortunes had made so much noise in Paris.</p>

<p>"Morcerf!" repeated Debray. Then noticing in the dim light the still<br />
youthful and veiled figure of Madame de Morcerf:--"Pardon me," he added<br />
with a smile, "I leave you, Albert." Albert understood his thoughts.<br />
"Mother," he said, turning towards Mercedes, "this is M. Debray,<br />
secretary of the minister for the interior, once a friend of mine."</p>

<p>"How once?" stammered Debray; "what do you mean?"</p>

<p>"I say so, M. Debray, because I have no friends now, and I ought not<br />
to have any. I thank you for having recognized me, sir." Debray stepped<br />
forward, and cordially pressed the hand of his interlocutor. "Believe<br />
me, dear Albert," he said, with all the emotion he was capable of<br />
feeling,--"believe me, I feel deeply for your misfortunes, and if in any<br />
way I can serve you, I am yours."</p>

<p>"Thank you, sir," said Albert, smiling. "In the midst of our<br />
misfortunes, we are still rich enough not to require assistance from any<br />
one. We are leaving Paris, and when our journey is paid, we shall have<br />
5,000 francs left." The blood mounted to the temples of Debray, who held<br />
a million in his pocket-book, and unimaginative as he was he could not<br />
help reflecting that the same house had contained two women, one of<br />
whom, justly dishonored, had left it poor with 1,500,000. francs under<br />
her cloak, while the other, unjustly stricken, but sublime in her<br />
misfortune, was yet rich with a few deniers. This parallel disturbed his<br />
usual politeness, the philosophy he witnessed appalled him, he muttered<br />
a few words of general civility and ran down-stairs.</p>

<p>That day the minister's clerks and the subordinates had a great deal to<br />
put up with from his ill-humor. But that same night, he found himself<br />
the possessor of a fine house, situated on the Boulevard de la<br />
Madeleine, and an income of 50,000 livres. The next day, just as Debray<br />
was signing the deed, that is about five o'clock in the afternoon,<br />
Madame de Morcerf, after having affectionately embraced her son, entered<br />
the coupe of the diligence, which closed upon her. A man was hidden in<br />
Lafitte's banking-house, behind one of the little arched windows which<br />
are placed above each desk; he saw Mercedes enter the diligence, and he<br />
also saw Albert withdraw. Then he passed his hand across his forehead,<br />
which was clouded with doubt. "Alas," he exclaimed, "how can I restore<br />
the happiness I have taken away from these poor innocent creatures? God<br />
help me!"</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 107. The Lions&apos; Den.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-107-the-lions-den.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1597</id>

    <published>2009-03-02T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>One division of La Force, in which the most dangerous and desperate prisoners are confined, is called the court of Saint-Bernard. The prisoners, in their expressive language, have named it the &quot;Lions&apos; Den,&quot; probably because the captives possess teeth which...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>One division of La Force, in which the most dangerous and desperate<br />
prisoners are confined, is called the court of Saint-Bernard. The<br />
prisoners, in their expressive language, have named it the "Lions' Den,"<br />
probably because the captives possess teeth which frequently gnaw the<br />
bars, and sometimes the keepers also. It is a prison within a prison;<br />
the walls are double the thickness of the rest. The gratings are every<br />
day carefully examined by jailers, whose herculean proportions and cold<br />
pitiless expression prove them to have been chosen to reign over their<br />
subjects for their superior activity and intelligence. The court-yard of<br />
this quarter is enclosed by enormous walls, over which the sun glances<br />
obliquely, when it deigns to penetrate into this gulf of moral and<br />
physical deformity. On this paved yard are to be seen,--pacing to and<br />
fro from morning till night, pale, careworn, and haggard, like so<br />
many shadows,--the men whom justice holds beneath the steel she is<br />
sharpening. There, crouched against the side of the wall which attracts<br />
and retains the most heat, they may be seen sometimes talking to one<br />
another, but more frequently alone, watching the door, which sometimes<br />
opens to call forth one from the gloomy assemblage, or to throw in<br />
another outcast from society.</p>

<p>The court of Saint-Bernard has its own particular apartment for the<br />
reception of guests; it is a long rectangle, divided by two upright<br />
gratings placed at a distance of three feet from one another to prevent<br />
a visitor from shaking hands with or passing anything to the prisoners.<br />
It is a wretched, damp, nay, even horrible spot, more especially when we<br />
consider the agonizing conferences which have taken place between those<br />
iron bars. And yet, frightful though this spot may be, it is looked upon<br />
as a kind of paradise by the men whose days are numbered; it is so rare<br />
for them to leave the Lions' Den for any other place than the barrier<br />
Saint-Jacques or the galleys!</p>

<p>In the court which we have attempted to describe, and from which a damp<br />
vapor was rising, a young man with his hands in his pockets, who had<br />
excited much curiosity among the inhabitants of the "Den," might be seen<br />
walking. The cut of his clothes would have made him pass for an elegant<br />
man, if those clothes had not been torn to shreds; still they did not<br />
show signs of wear, and the fine cloth, beneath the careful hands of<br />
the prisoner, soon recovered its gloss in the parts which were still<br />
perfect, for the wearer tried his best to make it assume the appearance<br />
of a new coat. He bestowed the same attention upon the cambric front of<br />
a shirt, which had considerably changed in color since his entrance into<br />
the prison, and he polished his varnished boots with the corner of a<br />
handkerchief embroidered with initials surmounted by a coronet. Some<br />
of the inmates of the "Lions' Den" were watching the operations of<br />
the prisoner's toilet with considerable interest. "See, the prince is<br />
pluming himself," said one of the thieves. "He's a fine looking fellow,"<br />
said another; "if he had only a comb and hair-grease, he'd take the<br />
shine off the gentlemen in white kids."</p>

<p>"His coat looks almost new, and his boots shine like a nigger's face.<br />
It's pleasant to have such well-dressed comrades; but didn't those<br />
gendarmes behave shameful?--must 'a been jealous, to tear such clothes!"</p>

<p>"He looks like a big-bug," said another; "dresses in fine style. And,<br />
then, to be here so young! Oh, what larks!" Meanwhile the object of<br />
this hideous admiration approached the wicket, against which one of the<br />
keepers was leaning. "Come, sir," he said, "lend me twenty francs; you<br />
will soon be paid; you run no risks with me. Remember, I have relations<br />
who possess more millions than you have deniers. Come, I beseech<br />
you, lend me twenty francs, so that I may buy a dressing-gown; it is<br />
intolerable always to be in a coat and boots! And what a coat, sir, for<br />
a prince of the Cavalcanti!" The keeper turned his back, and shrugged<br />
his shoulders; he did not even laugh at what would have caused any one<br />
else to do so; he had heard so many utter the same things,--indeed, he<br />
heard nothing else.</p>

<p>"Come," said Andrea, "you are a man void of compassion; I'll have you<br />
turned out." This made the keeper turn around, and he burst into a loud<br />
laugh. The prisoners then approached and formed a circle. "I tell you<br />
that with that wretched sum," continued Andrea, "I could obtain a<br />
coat, and a room in which to receive the illustrious visitor I am daily<br />
expecting."</p>

<p>"Of course--of course," said the prisoners;--"any one can see he's a<br />
gentleman!"</p>

<p>"Well, then, lend him the twenty francs," said the keeper, leaning on<br />
the other shoulder; "surely you will not refuse a comrade!"</p>

<p>"I am no comrade of these people," said the young man, proudly, "you<br />
have no right to insult me thus."</p>

<p>The thieves looked at one another with low murmurs, and a storm gathered<br />
over the head of the aristocratic prisoner, raised less by his own<br />
words than by the manner of the keeper. The latter, sure of quelling<br />
the tempest when the waves became too violent, allowed them to rise to<br />
a certain pitch that he might be revenged on the importunate Andrea,<br />
and besides it would afford him some recreation during the long day. The<br />
thieves had already approached Andrea, some screaming, "La savate--La<br />
savate!" [*] a cruel operation, which consists in cuffing a comrade who<br />
may have fallen into disgrace, not with an old shoe, but with an<br />
iron-heeled one. Others proposed the "anguille," another kind of<br />
recreation, in which a handkerchief is filled with sand, pebbles, and<br />
two-sous pieces, when they have them, which the wretches beat like a<br />
flail over the head and shoulders of the unhappy sufferer. "Let us<br />
horsewhip the fine gentleman!" said others.</p>

<p>     * Savate: an old shoe.</p>

<p>But Andrea, turning towards them, winked his eyes, rolled his tongue<br />
around his cheeks, and smacked his lips in a manner equivalent to a<br />
hundred words among the bandits when forced to be silent. It was a<br />
Masonic sign Caderousse had taught him. He was immediately recognized as<br />
one of them; the handkerchief was thrown down, and the iron-heeled shoe<br />
replaced on the foot of the wretch to whom it belonged. Some voices were<br />
heard to say that the gentleman was right; that he intended to be<br />
civil, in his way, and that they would set the example of liberty of<br />
conscience,--and the mob retired. The keeper was so stupefied at this<br />
scene that he took Andrea by the hands and began examining his person,<br />
attributing the sudden submission of the inmates of the Lions' Den<br />
to something more substantial than mere fascination. Andrea made no<br />
resistance, although he protested against it. Suddenly a voice was heard<br />
at the wicket. "Benedetto!" exclaimed an inspector. The keeper relaxed<br />
his hold. "I am called," said Andrea. "To the visitors' room!" said the<br />
same voice.</p>

<p>"You see some one pays me a visit. Ah, my dear sir, you will see whether<br />
a Cavalcanti is to be treated like a common person!" And Andrea, gliding<br />
through the court like a black shadow, rushed out through the wicket,<br />
leaving his comrades, and even the keeper, lost in wonder. Certainly<br />
a call to the visitors' room had scarcely astonished Andrea less than<br />
themselves, for the wily youth, instead of making use of his privilege<br />
of waiting to be claimed on his entry into La Force, had maintained<br />
a rigid silence. "Everything," he said, "proves me to be under the<br />
protection of some powerful person,--this sudden fortune, the facility<br />
with which I have overcome all obstacles, an unexpected family and an<br />
illustrious name awarded to me, gold showered down upon me, and the most<br />
splendid alliances about to be entered into. An unhappy lapse of fortune<br />
and the absence of my protector have cast me down, certainly, but<br />
not forever. The hand which has retreated for a while will be again<br />
stretched forth to save me at the very moment when I shall think myself<br />
sinking into the abyss. Why should I risk an imprudent step? It might<br />
alienate my protector. He has two means of extricating me from this<br />
dilemma,--the one by a mysterious escape, managed through bribery; the<br />
other by buying off my judges with gold. I will say and do nothing until<br />
I am convinced that he has quite abandoned me, and then"--</p>

<p>Andrea had formed a plan which was tolerably clever. The unfortunate<br />
youth was intrepid in the attack, and rude in the defence. He had borne<br />
with the public prison, and with privations of all sorts; still, by<br />
degrees nature, or rather custom, had prevailed, and he suffered from<br />
being naked, dirty, and hungry. It was at this moment of discomfort that<br />
the inspector's voice called him to the visiting-room. Andrea felt his<br />
heart leap with joy. It was too soon for a visit from the examining<br />
magistrate, and too late for one from the director of the prison, or the<br />
doctor; it must, then, be the visitor he hoped for. Behind the grating<br />
of the room into which Andrea had been led, he saw, while his eyes<br />
dilated with surprise, the dark and intelligent face of M. Bertuccio,<br />
who was also gazing with sad astonishment upon the iron bars, the bolted<br />
doors, and the shadow which moved behind the other grating.</p>

<p>"Ah," said Andrea, deeply affected.</p>

<p>"Good morning, Benedetto," said Bertuccio, with his deep, hollow voice.</p>

<p>"You--you?" said the young man, looking fearfully around him.</p>

<p>"Do you not recognize me, unhappy child?"</p>

<p>"Silence,--be silent!" said Andrea, who knew the delicate sense of<br />
hearing possessed by the walls; "for heaven's sake, do not speak so<br />
loud!"</p>

<p>"You wish to speak with me alone, do you not?" said Bertuccio.</p>

<p>"Oh, yes."</p>

<p>"That is well." And Bertuccio, feeling in his pocket, signed to a keeper<br />
whom he saw through the window of the wicket.</p>

<p>"Read?" he said.</p>

<p>"What is that?" asked Andrea.</p>

<p>"An order to conduct you to a room, and to leave you there to talk to<br />
me."</p>

<p>"Oh," cried Andrea, leaping with joy. Then he mentally added,--"Still my<br />
unknown protector! I am not forgotten. They wish for secrecy, since we<br />
are to converse in a private room. I understand, Bertuccio has been sent<br />
by my protector."</p>

<p>The keeper spoke for a moment with an official, then opened the iron<br />
gates and conducted Andrea to a room on the first floor. The room was<br />
whitewashed, as is the custom in prisons, but it looked quite brilliant<br />
to a prisoner, though a stove, a bed, a chair, and a table formed the<br />
whole of its sumptuous furniture. Bertuccio sat down upon the chair,<br />
Andrea threw himself upon the bed; the keeper retired.</p>

<p>"Now," said the steward, "what have you to tell me?"</p>

<p>"And you?" said Andrea.</p>

<p>"You speak first."</p>

<p>"Oh, no. You must have much to tell me, since you have come to seek me."</p>

<p>"Well, be it so. You have continued your course of villany; you have<br />
robbed--you have assassinated."</p>

<p>"Well, I should say! If you had me taken to a private room only to tell<br />
me this, you might have saved yourself the trouble. I know all these<br />
things. But there are some with which, on the contrary, I am not<br />
acquainted. Let us talk of those, if you please. Who sent you?"</p>

<p>"Come, come, you are going on quickly, M. Benedetto!"</p>

<p>"Yes, and to the point. Let us dispense with useless words. Who sends<br />
you?"</p>

<p>"No one."</p>

<p>"How did you know I was in prison?"</p>

<p>"I recognized you, some time since, as the insolent dandy who so<br />
gracefully mounted his horse in the Champs Elysees."</p>

<p>"Oh, the Champs Elysees? Ah, yes; we burn, as they say at the game<br />
of pincette. The Champs Elysees? Come, let us talk a little about my<br />
father."</p>

<p>"Who, then, am I?"</p>

<p>"You, sir?--you are my adopted father. But it was not you, I presume,<br />
who placed at my disposal 100,000 francs, which I spent in four or five<br />
months; it was not you who manufactured an Italian gentleman for my<br />
father; it was not you who introduced me into the world, and had me<br />
invited to a certain dinner at Auteuil, which I fancy I am eating<br />
at this moment, in company with the most distinguished people in<br />
Paris--amongst the rest with a certain procureur, whose acquaintance I<br />
did very wrong not to cultivate, for he would have been very useful<br />
to me just now;--it was not you, in fact, who bailed me for one or two<br />
millions, when the fatal discovery of my little secret took place. Come,<br />
speak, my worthy Corsican, speak!"</p>

<p>"What do you wish me to say?"</p>

<p>"I will help you. You were speaking of the Champs Elysees just now,<br />
worthy foster-father."</p>

<p>"Well?"</p>

<p>"Well, in the Champs Elysees there resides a very rich gentleman."</p>

<p>"At whose house you robbed and murdered, did you not?"</p>

<p>"I believe I did."</p>

<p>"The Count of Monte Cristo?"</p>

<p>"'Tis you who have named him, as M. Racine says. Well, am I to rush into<br />
his arms, and strain him to my heart, crying, 'My father, my father!'<br />
like Monsieur Pixerecourt." [*]</p>

<p>"Do not let us jest," gravely replied Bertuccio, "and dare not to utter<br />
that name again as you have pronounced it."</p>

<p>     * Guilbert de Pixerecourt, French dramatist<br />
     (1775-1844).</p>

<p>"Bah," said Andrea, a little overcome, by the solemnity of Bertuccio's<br />
manner, "why not?"</p>

<p>"Because the person who bears it is too highly favored by heaven to be<br />
the father of such a wretch as you."</p>

<p>"Oh, these are fine words."</p>

<p>"And there will be fine doings, if you do not take care."</p>

<p>"Menaces--I do not fear them. I will say"--</p>

<p>"Do you think you are engaged with a pygmy like yourself?" said<br />
Bertuccio, in so calm a tone, and with so steadfast a look, that<br />
Andrea was moved to the very soul. "Do you think you have to do with<br />
galley-slaves, or novices in the world? Benedetto, you are fallen into<br />
terrible hands; they are ready to open for you--make use of them. Do not<br />
play with the thunderbolt they have laid aside for a moment, but which<br />
they can take up again instantly, if you attempt to intercept their<br />
movements."</p>

<p>"My father--I will know who my father is," said the obstinate youth; "I<br />
will perish if I must, but I will know it. What does scandal signify<br />
to me? What possessions, what reputation, what 'pull,' as Beauchamp<br />
says,--have I? You great people always lose something by scandal,<br />
notwithstanding your millions. Come, who is my father?"</p>

<p>"I came to tell you."</p>

<p>"Ah," cried Benedetto, his eyes sparkling with joy. Just then the door<br />
opened, and the jailer, addressing himself to Bertuccio, said,--"Excuse<br />
me, sir, but the examining magistrate is waiting for the prisoner."</p>

<p>"And so closes our interview," said Andrea to the worthy steward; "I<br />
wish the troublesome fellow were at the devil!"</p>

<p>"I will return to-morrow," said Bertuccio.</p>

<p>"Good! Gendarmes, I am at your service. Ah, sir, do leave a few crowns<br />
for me at the gate that I may have some things I am in need of!"</p>

<p>"It shall be done," replied Bertuccio. Andrea extended his hand;<br />
Bertuccio kept his own in his pocket, and merely jingled a few pieces<br />
of money. "That's what I mean," said Andrea, endeavoring to smile, quite<br />
overcome by the strange tranquillity of Bertuccio. "Can I be deceived?"<br />
he murmured, as he stepped into the oblong and grated vehicle which they<br />
call "the salad basket." "Never mind, we shall see! To-morrow, then!" he<br />
added, turning towards Bertuccio.</p>

<p>"To-morrow!" replied the steward.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 108. The Judge.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-108-the-judge.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1598</id>

    <published>2009-03-03T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>We remember that the Abbe Busoni remained alone with Noirtier in the chamber of death, and that the old man and the priest were the sole guardians of the young girl&apos;s body. Perhaps it was the Christian exhortations of the...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>We remember that the Abbe Busoni remained alone with Noirtier in the<br />
chamber of death, and that the old man and the priest were the sole<br />
guardians of the young girl's body. Perhaps it was the Christian<br />
exhortations of the abbe, perhaps his kind charity, perhaps his<br />
persuasive words, which had restored the courage of Noirtier, for ever<br />
since he had conversed with the priest his violent despair had yielded<br />
to a calm resignation which surprised all who knew his excessive<br />
affection for Valentine. M. de Villefort had not seen his father since<br />
the morning of the death. The whole establishment had been changed;<br />
another valet was engaged for himself, a new servant for Noirtier, two<br />
women had entered Madame de Villefort's service,--in fact, everywhere,<br />
to the concierge and coachmen, new faces were presented to the different<br />
masters of the house, thus widening the division which had always<br />
existed between the members of the same family.</p>

<p>The assizes, also, were about to begin, and Villefort, shut up in his<br />
room, exerted himself with feverish anxiety in drawing up the case<br />
against the murderer of Caderousse. This affair, like all those in which<br />
the Count of Monte Cristo had interfered, caused a great sensation in<br />
Paris. The proofs were certainly not convincing, since they rested upon<br />
a few words written by an escaped galley-slave on his death-bed, and who<br />
might have been actuated by hatred or revenge in accusing his companion.<br />
But the mind of the procureur was made up; he felt assured that<br />
Benedetto was guilty, and he hoped by his skill in conducting this<br />
aggravated case to flatter his self-love, which was about the only<br />
vulnerable point left in his frozen heart.</p>

<p>The case was therefore prepared owing to the incessant labor of<br />
Villefort, who wished it to be the first on the list in the coming<br />
assizes. He had been obliged to seclude himself more than ever, to evade<br />
the enormous number of applications presented to him for the purpose<br />
of obtaining tickets of admission to the court on the day of trial. And<br />
then so short a time had elapsed since the death of poor Valentine,<br />
and the gloom which overshadowed the house was so recent, that no one<br />
wondered to see the father so absorbed in his professional duties, which<br />
were the only means he had of dissipating his grief.</p>

<p>Once only had Villefort seen his father; it was the day after that upon<br />
which Bertuccio had paid his second visit to Benedetto, when the latter<br />
was to learn his father's name. The magistrate, harassed and fatigued,<br />
had descended to the garden of his house, and in a gloomy mood, similar<br />
to that in which Tarquin lopped off the tallest poppies, he began<br />
knocking off with his cane the long and dying branches of the<br />
rose-trees, which, placed along the avenue, seemed like the spectres of<br />
the brilliant flowers which had bloomed in the past season. More than<br />
once he had reached that part of the garden where the famous boarded<br />
gate stood overlooking the deserted enclosure, always returning by the<br />
same path, to begin his walk again, at the same pace and with the same<br />
gesture, when he accidentally turned his eyes towards the house, whence<br />
he heard the noisy play of his son, who had returned from school to<br />
spend the Sunday and Monday with his mother. While doing so, he observed<br />
M. Noirtier at one of the open windows, where the old man had been<br />
placed that he might enjoy the last rays of the sun which yet yielded<br />
some heat, and was now shining upon the dying flowers and red leaves of<br />
the creeper which twined around the balcony.</p>

<p>The eye of the old man was riveted upon a spot which Villefort could<br />
scarcely distinguish. His glance was so full of hate, of ferocity, and<br />
savage impatience, that Villefort turned out of the path he had been<br />
pursuing, to see upon what person this dark look was directed. Then he<br />
saw beneath a thick clump of linden-trees, which were nearly divested<br />
of foliage, Madame de Villefort sitting with a book in her hand, the<br />
perusal of which she frequently interrupted to smile upon her son, or<br />
to throw back his elastic ball, which he obstinately threw from the<br />
drawing-room into the garden. Villefort became pale; he understood the<br />
old man's meaning. Noirtier continued to look at the same object, but<br />
suddenly his glance was transferred from the wife to the husband, and<br />
Villefort himself had to submit to the searching investigation of eyes,<br />
which, while changing their direction and even their language, had lost<br />
none of their menacing expression. Madame de Villefort, unconscious of<br />
the passions that exhausted their fire over her head, at that moment<br />
held her son's ball, and was making signs to him to reclaim it with a<br />
kiss. Edward begged for a long while, the maternal kiss probably not<br />
offering sufficient recompense for the trouble he must take to obtain<br />
it; however at length he decided, leaped out of the window into a<br />
cluster of heliotropes and daisies, and ran to his mother, his forehead<br />
streaming with perspiration. Madame de Villefort wiped his forehead,<br />
pressed her lips upon it, and sent him back with the ball in one hand<br />
and some bonbons in the other.</p>

<p>Villefort, drawn by an irresistible attraction, like that of the bird to<br />
the serpent, walked towards the house. As he approached it, Noirtier's<br />
gaze followed him, and his eyes appeared of such a fiery brightness that<br />
Villefort felt them pierce to the depths of his heart. In that earnest<br />
look might be read a deep reproach, as well as a terrible menace. Then<br />
Noirtier raised his eyes to heaven, as though to remind his son of a<br />
forgotten oath. "It is well, sir," replied Villefort from below,--"it<br />
is well; have patience but one day longer; what I have said I will do."<br />
Noirtier seemed to be calmed by these words, and turned his eyes with<br />
indifference to the other side. Villefort violently unbuttoned his<br />
great-coat, which seemed to strangle him, and passing his livid hand<br />
across his forehead, entered his study.</p>

<p>The night was cold and still; the family had all retired to rest but<br />
Villefort, who alone remained up, and worked till five o'clock in the<br />
morning, reviewing the last interrogatories made the night before by the<br />
examining magistrates, compiling the depositions of the witnesses, and<br />
putting the finishing stroke to the deed of accusation, which was one of<br />
the most energetic and best conceived of any he had yet delivered.</p>

<p>The next day, Monday, was the first sitting of the assizes. The morning<br />
dawned dull and gloomy, and Villefort saw the dim gray light shine upon<br />
the lines he had traced in red ink. The magistrate had slept for a short<br />
time while the lamp sent forth its final struggles; its flickerings<br />
awoke him, and he found his fingers as damp and purple as though they<br />
had been dipped in blood. He opened the window; a bright yellow streak<br />
crossed the sky, and seemed to divide in half the poplars, which stood<br />
out in black relief on the horizon. In the clover-fields beyond the<br />
chestnut-trees, a lark was mounting up to heaven, while pouring out her<br />
clear morning song. The damps of the dew bathed the head of Villefort,<br />
and refreshed his memory. "To-day," he said with an effort,--"to-day the<br />
man who holds the blade of justice must strike wherever there is guilt."<br />
Involuntarily his eyes wandered towards the window of Noirtier's room,<br />
where he had seen him the preceding night. The curtain was drawn, and<br />
yet the image of his father was so vivid to his mind that he addressed<br />
the closed window as though it had been open, and as if through the<br />
opening he had beheld the menacing old man. "Yes," he murmured,--"yes,<br />
be satisfied."</p>

<p>His head dropped upon his chest, and in this position he paced his<br />
study; then he threw himself, dressed as he was, upon a sofa, less to<br />
sleep than to rest his limbs, cramped with cold and study. By degrees<br />
every one awoke. Villefort, from his study, heard the successive noises<br />
which accompany the life of a house,--the opening and shutting of doors,<br />
the ringing of Madame de Villefort's bell, to summon the waiting-maid,<br />
mingled with the first shouts of the child, who rose full of the<br />
enjoyment of his age. Villefort also rang; his new valet brought him the<br />
papers, and with them a cup of chocolate.</p>

<p>"What are you bringing me?" said he.</p>

<p>"A cup of chocolate."</p>

<p>"I did not ask for it. Who has paid me this attention?"</p>

<p>"My mistress, sir. She said you would have to speak a great deal in<br />
the murder case, and that you should take something to keep up your<br />
strength;" and the valet placed the cup on the table nearest to the<br />
sofa, which was, like all the rest, covered with papers. The valet then<br />
left the room. Villefort looked for an instant with a gloomy expression,<br />
then, suddenly, taking it up with a nervous motion, he swallowed its<br />
contents at one draught. It might have been thought that he hoped the<br />
beverage would be mortal, and that he sought for death to deliver him<br />
from a duty which he would rather die than fulfil. He then rose, and<br />
paced his room with a smile it would have been terrible to witness.<br />
The chocolate was inoffensive, for M. de Villefort felt no effects. The<br />
breakfast-hour arrived, but M. de Villefort was not at table. The valet<br />
re-entered.</p>

<p>"Madame de Villefort wishes to remind you, sir," he said, "that eleven<br />
o'clock has just struck, and that the trial commences at twelve."</p>

<p>"Well," said Villefort, "what then?"</p>

<p>"Madame de Villefort is dressed; she is quite ready, and wishes to know<br />
if she is to accompany you, sir?"</p>

<p>"Where to?"</p>

<p>"To the Palais."</p>

<p>"What to do?"</p>

<p>"My mistress wishes much to be present at the trial."</p>

<p>"Ah," said Villefort, with a startling accent; "does she wish<br />
that?"--The man drew back and said, "If you wish to go alone, sir, I<br />
will go and tell my mistress." Villefort remained silent for a moment,<br />
and dented his pale cheeks with his nails. "Tell your mistress," he at<br />
length answered, "that I wish to speak to her, and I beg she will wait<br />
for me in her own room."</p>

<p>"Yes, sir."</p>

<p>"Then come to dress and shave me."</p>

<p>"Directly, sir." The valet re-appeared almost instantly, and, having<br />
shaved his master, assisted him to dress entirely in black. When he had<br />
finished, he said,--</p>

<p>"My mistress said she should expect you, sir, as soon as you had<br />
finished dressing."</p>

<p>"I am going to her." And Villefort, with his papers under his arm and<br />
hat in hand, directed his steps toward the apartment of his wife. At the<br />
door he paused for a moment to wipe his damp, pale brow. He then entered<br />
the room. Madame de Villefort was sitting on an ottoman and impatiently<br />
turning over the leaves of some newspapers and pamphlets which young<br />
Edward, by way of amusing himself, was tearing to pieces before his<br />
mother could finish reading them. She was dressed to go out, her bonnet<br />
was placed beside her on a chair, and her gloves were on her hands.</p>

<p>"Ah, here you are, monsieur," she said in her naturally calm voice; "but<br />
how pale you are! Have you been working all night? Why did you not come<br />
down to breakfast? Well, will you take me, or shall I take Edward?"<br />
Madame de Villefort had multiplied her questions in order to gain one<br />
answer, but to all her inquiries M. de Villefort remained mute and cold<br />
as a statue. "Edward," said Villefort, fixing an imperious glance on<br />
the child, "go and play in the drawing-room, my dear; I wish to speak<br />
to your mamma." Madame de Villefort shuddered at the sight of that cold<br />
countenance, that resolute tone, and the awfully strange preliminaries.<br />
Edward raised his head, looked at his mother, and then, finding that<br />
she did not confirm the order, began cutting off the heads of his leaden<br />
soldiers.</p>

<p>"Edward," cried M. de Villefort, so harshly that the child started up<br />
from the floor, "do you hear me?--Go!" The child, unaccustomed to such<br />
treatment, arose, pale and trembling; it would be difficult to say<br />
whether his emotion were caused by fear or passion. His father went up<br />
to him, took him in his arms, and kissed his forehead. "Go," he said:<br />
"go, my child." Edward ran out. M. de Villefort went to the door, which<br />
he closed behind the child, and bolted. "Dear me!" said the young woman,<br />
endeavoring to read her husband's inmost thoughts, while a smile passed<br />
over her countenance which froze the impassibility of Villefort; "what<br />
is the matter?"</p>

<p>"Madame, where do you keep the poison you generally use?" said the<br />
magistrate, without any introduction, placing himself between his wife<br />
and the door.</p>

<p>Madame de Villefort must have experienced something of the sensation of<br />
a bird which, looking up, sees the murderous trap closing over its head.<br />
A hoarse, broken tone, which was neither a cry nor a sigh, escaped from<br />
her, while she became deadly pale. "Monsieur," she said, "I--I do not<br />
understand you." And, in her first paroxysm of terror, she had raised<br />
herself from the sofa, in the next, stronger very likely than the other,<br />
she fell down again on the cushions. "I asked you," continued Villefort,<br />
in a perfectly calm tone, "where you conceal the poison by the aid<br />
of which you have killed my father-in-law, M. de Saint-Meran, my<br />
mother-in-law, Madame de Saint-Meran, Barrois, and my daughter<br />
Valentine."</p>

<p>"Ah, sir," exclaimed Madame de Villefort, clasping her hands, "what do<br />
you say?"</p>

<p>"It is not for you to interrogate, but to answer."</p>

<p>"Is it to the judge or to the husband?" stammered Madame de Villefort.<br />
"To the judge--to the judge, madame!" It was terrible to behold the<br />
frightful pallor of that woman, the anguish of her look, the trembling<br />
of her whole frame. "Ah, sir," she muttered, "ah, sir," and this was<br />
all.</p>

<p>"You do not answer, madame!" exclaimed the terrible interrogator. Then<br />
he added, with a smile yet more terrible than his anger, "It is true,<br />
then; you do not deny it!" She moved forward. "And you cannot deny it!"<br />
added Villefort, extending his hand toward her, as though to seize her<br />
in the name of justice. "You have accomplished these different crimes<br />
with impudent address, but which could only deceive those whose<br />
affections for you blinded them. Since the death of Madame de<br />
Saint-Meran, I have known that a poisoner lived in my house. M.<br />
d'Avrigny warned me of it. After the death of Barrois my suspicions were<br />
directed towards an angel,--those suspicions which, even when there<br />
is no crime, are always alive in my heart; but after the death of<br />
Valentine, there has been no doubt in my mind, madame, and not only in<br />
mine, but in those of others; thus your crime, known by two persons,<br />
suspected by many, will soon become public, and, as I told you just now,<br />
you no longer speak to the husband, but to the judge."</p>

<p>The young woman hid her face in her hands. "Oh, sir," she stammered, "I<br />
beseech you, do not believe appearances."</p>

<p>"Are you, then, a coward?" cried Villefort, in a contemptuous voice.<br />
"But I have always observed that poisoners were cowards. Can you be a<br />
coward,--you who have had the courage to witness the death of two old<br />
men and a young girl murdered by you?"</p>

<p>"Sir! sir!"</p>

<p>"Can you be a coward?" continued Villefort, with increasing excitement,<br />
"you, who could count, one by one, the minutes of four death agonies?<br />
You, who have arranged your infernal plans, and removed the beverages<br />
with a talent and precision almost miraculous? Have you, then, who have<br />
calculated everything with such nicety, have you forgotten to calculate<br />
one thing--I mean where the revelation of your crimes will lead you to?<br />
Oh, it is impossible--you must have saved some surer, more subtle and<br />
deadly poison than any other, that you might escape the punishment<br />
that you deserve. You have done this--I hope so, at least." Madame de<br />
Villefort stretched out her hands, and fell on her knees.</p>

<p>"I understand," he said, "you confess; but a confession made to the<br />
judges, a confession made at the last moment, extorted when the crime<br />
cannot be denied, diminishes not the punishment inflicted on the<br />
guilty!"</p>

<p>"The punishment?" exclaimed Madame de Villefort, "the punishment,<br />
monsieur? Twice you have pronounced that word!"</p>

<p>"Certainly. Did you hope to escape it because you were four times<br />
guilty? Did you think the punishment would be withheld because you are<br />
the wife of him who pronounces it?--No, madame, no; the scaffold awaits<br />
the poisoner, whoever she may be, unless, as I just said, the poisoner<br />
has taken the precaution of keeping for herself a few drops of her<br />
deadliest potion." Madame de Villefort uttered a wild cry, and a hideous<br />
and uncontrollable terror spread over her distorted features. "Oh,<br />
do not fear the scaffold, madame," said the magistrate; "I will not<br />
dishonor you, since that would be dishonor to myself; no, if you have<br />
heard me distinctly, you will understand that you are not to die on the<br />
scaffold."</p>

<p>"No, I do not understand; what do you mean?" stammered the unhappy<br />
woman, completely overwhelmed. "I mean that the wife of the first<br />
magistrate in the capital shall not, by her infamy, soil an unblemished<br />
name; that she shall not, with one blow, dishonor her husband and her<br />
child."</p>

<p>"No, no--oh, no!"</p>

<p>"Well, madame, it will be a laudable action on your part, and I will<br />
thank you for it!"</p>

<p>"You will thank me--for what?"</p>

<p>"For what you have just said."</p>

<p>"What did I say? Oh, my brain whirls; I no longer understand anything.<br />
Oh, my God, my God!" And she rose, with her hair dishevelled, and her<br />
lips foaming.</p>

<p>"Have you answered the question I put to you on entering the<br />
room?--where do you keep the poison you generally use, madame?" Madame<br />
de Villefort raised her arms to heaven, and convulsively struck one<br />
hand against the other. "No, no," she vociferated, "no, you cannot wish<br />
that!"</p>

<p>"What I do not wish, madame, is that you should perish on the scaffold.<br />
Do you understand?" asked Villefort.</p>

<p>"Oh, mercy, mercy, monsieur!"</p>

<p>"What I require is, that justice be done. I am on the earth to punish,<br />
madame," he added, with a flaming glance; "any other woman, were it the<br />
queen herself, I would send to the executioner; but to you I shall be<br />
merciful. To you I will say, 'Have you not, madame, put aside some of<br />
the surest, deadliest, most speedy poison?'"</p>

<p>"Oh, pardon me, sir; let me live!"</p>

<p>"She is cowardly," said Villefort.</p>

<p>"Reflect that I am your wife!"</p>

<p>"You are a poisoner."</p>

<p>"In the name of heaven!"</p>

<p>"No!"</p>

<p>"In the name of the love you once bore me!"</p>

<p>"No, no!"</p>

<p>"In the name of our child! Ah, for the sake of our child, let me live!"</p>

<p>"No, no, no, I tell you; one day, if I allow you to live, you will<br />
perhaps kill him, as you have the others!"</p>

<p>"I?--I kill my boy?" cried the distracted mother, rushing toward<br />
Villefort; "I kill my son? Ha, ha, ha!" and a frightful, demoniac laugh<br />
finished the sentence, which was lost in a hoarse rattle. Madame de<br />
Villefort fell at her husband's feet. He approached her. "Think of it,<br />
madame," he said; "if, on my return, justice his not been satisfied, I<br />
will denounce you with my own mouth, and arrest you with my own hands!"<br />
She listened, panting, overwhelmed, crushed; her eye alone lived, and<br />
glared horribly. "Do you understand me?" he said. "I am going down there<br />
to pronounce the sentence of death against a murderer. If I find you<br />
alive on my return, you shall sleep to-night in the conciergerie."<br />
Madame de Villefort sighed; her nerves gave way, and she sunk on the<br />
carpet. The king's attorney seemed to experience a sensation of pity;<br />
he looked upon her less severely, and, bowing to her, said slowly,<br />
"Farewell, madame, farewell!" That farewell struck Madame de Villefort<br />
like the executioner's knife. She fainted. The procureur went out, after<br />
having double-locked the door.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 109. The Assizes.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-109-the-assizes.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1599</id>

    <published>2009-03-04T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The Benedetto affair, as it was called at the Palais, and by people in general, had produced a tremendous sensation. Frequenting the Cafe de Paris, the Boulevard de Gand, and the Bois de Boulogne, during his brief career of splendor,...</summary>
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        <![CDATA[<p>The Benedetto affair, as it was called at the Palais, and by people in<br />
general, had produced a tremendous sensation. Frequenting the Cafe de<br />
Paris, the Boulevard de Gand, and the Bois de Boulogne, during his<br />
brief career of splendor, the false Cavalcanti had formed a host of<br />
acquaintances. The papers had related his various adventures, both as<br />
the man of fashion and the galley-slave; and as every one who had been<br />
personally acquainted with Prince Andrea Cavalcanti experienced a<br />
lively curiosity in his fate, they all determined to spare no trouble in<br />
endeavoring to witness the trial of M. Benedetto for the murder of his<br />
comrade in chains. In the eyes of many, Benedetto appeared, if not<br />
a victim to, at least an instance of, the fallibility of the law. M.<br />
Cavalcanti, his father, had been seen in Paris, and it was expected that<br />
he would re-appear to claim the illustrious outcast. Many, also, who<br />
were not aware of the circumstances attending his withdrawal from Paris,<br />
were struck with the worthy appearance, the gentlemanly bearing, and<br />
the knowledge of the world displayed by the old patrician, who certainly<br />
played the nobleman very well, so long as he said nothing, and made no<br />
arithmetical calculations. As for the accused himself, many remembered<br />
him as being so amiable, so handsome, and so liberal, that they chose<br />
to think him the victim of some conspiracy, since in this world large<br />
fortunes frequently excite the malevolence and jealousy of some unknown<br />
enemy. Every one, therefore, ran to the court; some to witness the<br />
sight, others to comment upon it. From seven o'clock in the morning<br />
a crowd was stationed at the iron gates, and an hour before the trial<br />
commenced the hall was full of the privileged. Before the entrance of<br />
the magistrates, and indeed frequently afterwards, a court of justice,<br />
on days when some especial trial is to take place, resembles a<br />
drawing-room where many persons recognize each other and converse if<br />
they can do so without losing their seats; or, if they are separated by<br />
too great a number of lawyers, communicate by signs.</p>

<p>It was one of the magnificent autumn days which make amends for a short<br />
summer; the clouds which M. de Villefort had perceived at sunrise<br />
had all disappeared as if by magic, and one of the softest and most<br />
brilliant days of September shone forth in all its splendor.</p>

<p>Beauchamp, one of the kings of the press, and therefore claiming the<br />
right of a throne everywhere, was eying everybody through his monocle.<br />
He perceived Chateau-Renaud and Debray, who had just gained the good<br />
graces of a sergeant-at-arms, and who had persuaded the latter to let<br />
them stand before, instead of behind him, as they ought to have done.<br />
The worthy sergeant had recognized the minister's secretary and the<br />
millionnaire, and, by way of paying extra attention to his noble<br />
neighbors, promised to keep their places while they paid a visit to<br />
Beauchamp.</p>

<p>"Well," said Beauchamp, "we shall see our friend!"</p>

<p>"Yes, indeed!" replied Debray. "That worthy prince. Deuce take those<br />
Italian princes!"</p>

<p>"A man, too, who could boast of Dante for a genealogist, and could<br />
reckon back to the 'Divine Comedy.'"</p>

<p>"A nobility of the rope!" said Chateau-Renaud phlegmatically.</p>

<p>"He will be condemned, will he not?" asked Debray of Beauchamp.</p>

<p>"My dear fellow, I think we should ask you that question; you know such<br />
news much better than we do. Did you see the president at the minister's<br />
last night?"</p>

<p>"Yes."</p>

<p>"What did he say?"</p>

<p>"Something which will surprise you."</p>

<p>"Oh, make haste and tell me, then; it is a long time since that has<br />
happened."</p>

<p>"Well, he told me that Benedetto, who is considered a serpent of<br />
subtlety and a giant of cunning, is really but a very commonplace, silly<br />
rascal, and altogether unworthy of the experiments that will be made on<br />
his phrenological organs after his death."</p>

<p>"Bah," said Beauchamp, "he played the prince very well."</p>

<p>"Yes, for you who detest those unhappy princes, Beauchamp, and are<br />
always delighted to find fault with them; but not for me, who discover<br />
a gentleman by instinct, and who scent out an aristocratic family like a<br />
very bloodhound of heraldry."</p>

<p>"Then you never believed in the principality?"</p>

<p>"Yes.--in the principality, but not in the prince."</p>

<p>"Not so bad," said Beauchamp; "still, I assure you, he passed very well<br />
with many people; I saw him at the ministers' houses."</p>

<p>"Ah, yes," said Chateau-Renaud. "The idea of thinking ministers<br />
understand anything about princes!"</p>

<p>"There is something in what you have just said," said Beauchamp,<br />
laughing.</p>

<p>"But," said Debray to Beauchamp, "if I spoke to the president, you must<br />
have been with the procureur."</p>

<p>"It was an impossibility; for the last week M. de Villefort has<br />
secluded himself. It is natural enough; this strange chain of domestic<br />
afflictions, followed by the no less strange death of his daughter"--</p>

<p>"Strange? What do you mean, Beauchamp?"</p>

<p>"Oh, yes; do you pretend that all this has been unobserved at the<br />
minister's?" said Beauchamp, placing his eye-glass in his eye, where he<br />
tried to make it remain.</p>

<p>"My dear sir," said Chateau-Renaud, "allow me to tell you that you do<br />
not understand that manoeuvre with the eye-glass half so well as Debray.<br />
Give him a lesson, Debray."</p>

<p>"Stay," said Beauchamp, "surely I am not deceived."</p>

<p>"What is it?"</p>

<p>"It is she!"</p>

<p>"Whom do you mean?"</p>

<p>"They said she had left."</p>

<p>"Mademoiselle Eugenie?" said Chateau-Renaud; "has she returned?"</p>

<p>"No, but her mother."</p>

<p>"Madame Danglars? Nonsense! Impossible!" said Chateau-Renaud; "only<br />
ten days after the flight of her daughter, and three days from the<br />
bankruptcy of her husband?"</p>

<p>Debray colored slightly, and followed with his eyes the direction of<br />
Beauchamp's glance. "Come," he said, "it is only a veiled lady, some<br />
foreign princess, perhaps the mother of Cavalcanti. But you were just<br />
speaking on a very interesting topic, Beauchamp."</p>

<p>"I?"</p>

<p>"Yes; you were telling us about the extraordinary death of Valentine."</p>

<p>"Ah, yes, so I was. But how is it that Madame de Villefort is not here?"</p>

<p>"Poor, dear woman," said Debray, "she is no doubt occupied in distilling<br />
balm for the hospitals, or in making cosmetics for herself or friends.<br />
Do you know she spends two or three thousand crowns a year in this<br />
amusement? But I wonder she is not here. I should have been pleased to<br />
see her, for I like her very much."</p>

<p>"And I hate her," said Chateau-Renaud.</p>

<p>"Why?"</p>

<p>"I do not know. Why do we love? Why do we hate? I detest her, from<br />
antipathy."</p>

<p>"Or, rather, by instinct."</p>

<p>"Perhaps so. But to return to what you were saying, Beauchamp."</p>

<p>"Well, do you know why they die so multitudinously at M. de<br />
Villefort's?"</p>

<p>"'Multitudinously' [drv] is good," said Chateau-Renaud.</p>

<p>"My good fellow, you'll find the word in Saint-Simon."</p>

<p>"But the thing itself is at M. de Villefort's; but let's get back to the<br />
subject."</p>

<p>"Talking of that," said Debray, "Madame was making inquiries about that<br />
house, which for the last three months has been hung with black."</p>

<p>"Who is Madame?" asked Chateau-Renaud.</p>

<p>"The minister's wife, pardieu!"</p>

<p>"Oh, your pardon! I never visit ministers; I leave that to the princes."</p>

<p>"Really, You were only before sparkling, but now you are brilliant; take<br />
compassion on us, or, like Jupiter, you will wither us up."</p>

<p>"I will not speak again," said Chateau-Renaud; "pray have compassion<br />
upon me, and do not take up every word I say."</p>

<p>"Come, let us endeavor to get to the end of our story, Beauchamp; I<br />
told you that yesterday Madame made inquiries of me upon the subject;<br />
enlighten me, and I will then communicate my information to her."</p>

<p>"Well, gentlemen, the reason people die so multitudinously (I like the<br />
word) at M. de Villefort's is that there is an assassin in the house!"<br />
The two young men shuddered, for the same idea had more than once<br />
occurred to them. "And who is the assassin;" they asked together.</p>

<p>"Young Edward!" A burst of laughter from the auditors did not in the<br />
least disconcert the speaker, who continued,--"Yes, gentlemen; Edward,<br />
the infant phenomenon, who is quite an adept in the art of killing."</p>

<p>"You are jesting."</p>

<p>"Not at all. I yesterday engaged a servant, who had just left M.<br />
de Villefort--I intend sending him away to-morrow, for he eats so<br />
enormously, to make up for the fast imposed upon him by his terror in<br />
that house. Well, now listen."</p>

<p>"We are listening."</p>

<p>"It appears the dear child has obtained possession of a bottle<br />
containing some drug, which he every now and then uses against those who<br />
have displeased him. First, M. and Madame de Saint-Meran incurred his<br />
displeasure, so he poured out three drops of his elixir--three drops<br />
were sufficient; then followed Barrois, the old servant of M. Noirtier,<br />
who sometimes rebuffed this little wretch--he therefore received the<br />
same quantity of the elixir; the same happened to Valentine, of whom he<br />
was jealous; he gave her the same dose as the others, and all was over<br />
for her as well as the rest."</p>

<p>"Why, what nonsense are you telling us?" said Chateau-Renaud.</p>

<p>"Yes, it is an extraordinary story," said Beauchamp; "is it not?"</p>

<p>"It is absurd," said Debray.</p>

<p>"Ah," said Beauchamp, "you doubt me? Well, you can ask my servant, or<br />
rather him who will no longer be my servant to-morrow, it was the talk<br />
of the house."</p>

<p>"And this elixir, where is it? what is it?"</p>

<p>"The child conceals it."</p>

<p>"But where did he find it?"</p>

<p>"In his mother's laboratory."</p>

<p>"Does his mother then, keep poisons in her laboratory?"</p>

<p>"How can I tell? You are questioning me like a king's attorney. I only<br />
repeat what I have been told, and like my informant I can do no more.<br />
The poor devil would eat nothing, from fear."</p>

<p>"It is incredible!"</p>

<p>"No, my dear fellow, it is not at all incredible. You saw the child pass<br />
through the Rue Richelieu last year, who amused himself with killing his<br />
brothers and sisters by sticking pins in their ears while they slept.<br />
The generation who follow us are very precocious."</p>

<p>"Come, Beauchamp," said Chateau-Renaud, "I will bet anything you do not<br />
believe a word of all you have been telling us."</p>

<p>"I do not see the Count of Monte Cristo here."</p>

<p>"He is worn out," said Debray; "besides, he could not well appear in<br />
public, since he has been the dupe of the Cavalcanti, who, it appears,<br />
presented themselves to him with false letters of credit, and cheated<br />
him out of 100,000. francs upon the hypothesis of this principality."</p>

<p>"By the way, M. de Chateau-Renaud," asked Beauchamp, "how is Morrel?"</p>

<p>"Ma foi, I have called three times without once seeing him. Still, his<br />
sister did not seem uneasy, and told me that though she had not seen him<br />
for two or three days, she was sure he was well."</p>

<p>"Ah, now I think of it, the Count of Monte Cristo cannot appear in the<br />
hall," said Beauchamp.</p>

<p>"Why not?"</p>

<p>"Because he is an actor in the drama."</p>

<p>"Has he assassinated any one, then?"</p>

<p>"No, on the contrary, they wished to assassinate him. You know that<br />
it was in leaving his house that M. de Caderousse was murdered by his<br />
friend Benedetto. You know that the famous waistcoat was found in<br />
his house, containing the letter which stopped the signature of<br />
the marriage-contract. Do you see the waistcoat? There it is, all<br />
blood-stained, on the desk, as a testimony of the crime."</p>

<p>"Ah, very good."</p>

<p>"Hush, gentlemen, here is the court; let us go back to our places." A<br />
noise was heard in the hall; the sergeant called his two patrons with<br />
an energetic "hem!" and the door-keeper appearing, called out with that<br />
shrill voice peculiar to his order, ever since the days of Beaumarchais,<br />
"The court, gentlemen!"</p>]]>
        
    </content>
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<entry>
    <title>CHAPTER 110. The Indictment.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-110-the-indictment.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1600</id>

    <published>2009-03-05T23:46:58Z</published>
    <updated>2008-10-19T22:48:47Z</updated>

    <summary>The judges took their places in the midst of the most profound silence; the jury took their seats; M. de Villefort, the object of unusual attention, and we had almost said of general admiration, sat in the arm-chair and cast...</summary>
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        <![CDATA[<p>The judges took their places in the midst of the most profound silence;<br />
the jury took their seats; M. de Villefort, the object of unusual<br />
attention, and we had almost said of general admiration, sat in the<br />
arm-chair and cast a tranquil glance around him. Every one looked<br />
with astonishment on that grave and severe face, whose calm expression<br />
personal griefs had been unable to disturb, and the aspect of a man who<br />
was a stranger to all human emotions excited something very like terror.</p>

<p>"Gendarmes," said the president, "lead in the accused."</p>

<p>At these words the public attention became more intense, and all eyes<br />
were turned towards the door through which Benedetto was to enter.<br />
The door soon opened and the accused appeared. The same impression was<br />
experienced by all present, and no one was deceived by the expression<br />
of his countenance. His features bore no sign of that deep emotion<br />
which stops the beating of the heart and blanches the cheek. His hands,<br />
gracefully placed, one upon his hat, the other in the opening of his<br />
white waistcoat, were not at all tremulous; his eye was calm and even<br />
brilliant. Scarcely had he entered the hall when he glanced at the<br />
whole body of magistrates and assistants; his eye rested longer on the<br />
president, and still more so on the king's attorney. By the side of<br />
Andrea was stationed the lawyer who was to conduct his defence, and<br />
who had been appointed by the court, for Andrea disdained to pay<br />
any attention to those details, to which he appeared to attach no<br />
importance. The lawyer was a young man with light hair whose face<br />
expressed a hundred times more emotion than that which characterized the<br />
prisoner.</p>

<p>The president called for the indictment, revised as we know, by the<br />
clever and implacable pen of Villefort. During the reading of this,<br />
which was long, the public attention was continually drawn towards<br />
Andrea, who bore the inspection with Spartan unconcern. Villefort had<br />
never been so concise and eloquent. The crime was depicted in the most<br />
vivid colors; the former life of the prisoner, his transformation, a<br />
review of his life from the earliest period, were set forth with all the<br />
talent that a knowledge of human life could furnish to a mind like that<br />
of the procureur. Benedetto was thus forever condemned in public opinion<br />
before the sentence of the law could be pronounced. Andrea paid no<br />
attention to the successive charges which were brought against him. M.<br />
de Villefort, who examined him attentively, and who no doubt practiced<br />
upon him all the psychological studies he was accustomed to use, in vain<br />
endeavored to make him lower his eyes, notwithstanding the depth and<br />
profundity of his gaze. At length the reading of the indictment was<br />
ended.</p>

<p>"Accused," said the president, "your name and surname?" Andrea arose.<br />
"Excuse me, Mr. President," he said, in a clear voice, "but I see you<br />
are going to adopt a course of questions through which I cannot follow<br />
you. I have an idea, which I will explain by and by, of making an<br />
exception to the usual form of accusation. Allow me, then, if you<br />
please, to answer in different order, or I will not do so at all."<br />
The astonished president looked at the jury, who in turn looked at<br />
Villefort. The whole assembly manifested great surprise, but Andrea<br />
appeared quite unmoved. "Your age?" said the president; "will you answer<br />
that question?"</p>

<p>"I will answer that question, as well as the rest, Mr. President, but in<br />
its turn."</p>

<p>"Your age?" repeated the president.</p>

<p>"I am twenty-one years old, or rather I shall be in a few days, as I was<br />
born the night of the 27th of September, 1817." M. de Villefort, who<br />
was busy taking down some notes, raised his head at the mention of this<br />
date. "Where were you born?" continued the president.</p>

<p>"At Auteuil, near Paris." M. de Villefort a second time raised his head,<br />
looked at Benedetto as if he had been gazing at the head of Medusa, and<br />
became livid. As for Benedetto, he gracefully wiped his lips with a fine<br />
cambric pocket-handkerchief. "Your profession?"</p>

<p>"First I was a forger," answered Andrea, as calmly as possible; "then I<br />
became a thief, and lately have become an assassin." A murmur, or rather<br />
storm, of indignation burst from all parts of the assembly. The judges<br />
themselves appeared to be stupefied, and the jury manifested tokens of<br />
disgust for cynicism so unexpected in a man of fashion. M. de Villefort<br />
pressed his hand upon his brow, which, at first pale, had become red and<br />
burning; then he suddenly arose and looked around as though he had lost<br />
his senses--he wanted air.</p>

<p>"Are you looking for anything, Mr. Procureur?" asked Benedetto, with his<br />
most ingratiating smile. M. de Villefort answered nothing, but sat, or<br />
rather threw himself down again upon his chair. "And now, prisoner,<br />
will you consent to tell your name?" said the president. "The brutal<br />
affectation with which you have enumerated and classified your crimes<br />
calls for a severe reprimand on the part of the court, both in the name<br />
of morality, and for the respect due to humanity. You appear to consider<br />
this a point of honor, and it may be for this reason, that you have<br />
delayed acknowledging your name. You wished it to be preceded by all<br />
these titles."</p>

<p>"It is quite wonderful, Mr. President, how entirely you have read my<br />
thoughts," said Benedetto, in his softest voice and most polite manner.<br />
"This is, indeed, the reason why I begged you to alter the order of the<br />
questions." The public astonishment had reached its height. There was no<br />
longer any deceit or bravado in the manner of the accused. The audience<br />
felt that a startling revelation was to follow this ominous prelude.</p>

<p>"Well," said the president; "your name?"</p>

<p>"I cannot tell you my name, since I do not know it; but I know my<br />
father's, and can tell it to you."</p>

<p>A painful giddiness overwhelmed Villefort; great drops of acrid sweat<br />
fell from his face upon the papers which he held in his convulsed hand.</p>

<p>"Repeat your father's name," said the president. Not a whisper, not a<br />
breath, was heard in that vast assembly; every one waited anxiously.</p>

<p>"My father is king's attorney," replied Andrea calmly.</p>

<p>"King's attorney?" said the president, stupefied, and without noticing<br />
the agitation which spread over the face of M. de Villefort; "king's<br />
attorney?"</p>

<p>"Yes; and if you wish to know his name, I will tell it,--he is named<br />
Villefort." The explosion, which had been so long restrained from a<br />
feeling of respect to the court of justice, now burst forth like thunder<br />
from the breasts of all present; the court itself did not seek to<br />
restrain the feelings of the audience. The exclamations, the insults<br />
addressed to Benedetto, who remained perfectly unconcerned, the<br />
energetic gestures, the movement of the gendarmes, the sneers of the<br />
scum of the crowd always sure to rise to the surface in case of any<br />
disturbance--all this lasted five minutes, before the door-keepers and<br />
magistrates were able to restore silence. In the midst of this tumult<br />
the voice of the president was heard to exclaim,--"Are you playing with<br />
justice, accused, and do you dare set your fellow-citizens an example of<br />
disorder which even in these times has never been equalled?"</p>

<p>Several persons hurried up to M. de Villefort, who sat half bowed over<br />
in his chair, offering him consolation, encouragement, and protestations<br />
of zeal and sympathy. Order was re-established in the hall, except that<br />
a few people still moved about and whispered to one another. A lady,<br />
it was said, had just fainted; they had supplied her with a<br />
smelling-bottle, and she had recovered. During the scene of tumult,<br />
Andrea had turned his smiling face towards the assembly; then, leaning<br />
with one hand on the oaken rail of the dock, in the most graceful<br />
attitude possible, he said: "Gentlemen, I assure you I had no idea of<br />
insulting the court, or of making a useless disturbance in the presence<br />
of this honorable assembly. They ask my age; I tell it. They ask where I<br />
was born; I answer. They ask my name, I cannot give it, since my parents<br />
abandoned me. But though I cannot give my own name, not possessing one,<br />
I can tell them my father's. Now I repeat, my father is named M. de<br />
Villefort, and I am ready to prove it."</p>

<p>There was an energy, a conviction, and a sincerity in the manner of the<br />
young man, which silenced the tumult. All eyes were turned for a moment<br />
towards the procureur, who sat as motionless as though a thunderbolt had<br />
changed him into a corpse. "Gentlemen," said Andrea, commanding silence<br />
by his voice and manner; "I owe you the proofs and explanations of what<br />
I have said."</p>

<p>"But," said the irritated president, "you called yourself Benedetto,<br />
declared yourself an orphan, and claimed Corsica as your country."</p>

<p>"I said anything I pleased, in order that the solemn declaration I have<br />
just made should not be withheld, which otherwise would certainly have<br />
been the case. I now repeat that I was born at Auteuil on the night of<br />
the 27th of September, 1817, and that I am the son of the procureur, M.<br />
de Villefort. Do you wish for any further details? I will give them. I<br />
was born in No. 28, Rue de la Fontaine, in a room hung with red damask;<br />
my father took me in his arms, telling my mother I was dead, wrapped<br />
me in a napkin marked with an H and an N, and carried me into a garden,<br />
where he buried me alive."</p>

<p>A shudder ran through the assembly when they saw that the confidence of<br />
the prisoner increased in proportion to the terror of M. de Villefort.<br />
"But how have you become acquainted with all these details?" asked the<br />
president.</p>

<p>"I will tell you, Mr. President. A man who had sworn vengeance against<br />
my father, and had long watched his opportunity to kill him, had<br />
introduced himself that night into the garden in which my father buried<br />
me. He was concealed in a thicket; he saw my father bury something in<br />
the ground, and stabbed him; then thinking the deposit might contain<br />
some treasure he turned up the ground, and found me still living. The<br />
man carried me to the foundling asylum, where I was registered under the<br />
number 37. Three months afterwards, a woman travelled from Rogliano to<br />
Paris to fetch me, and having claimed me as her son, carried me away.<br />
Thus, you see, though born in Paris, I was brought up in Corsica."</p>

<p>There was a moment's silence, during which one could have fancied<br />
the hall empty, so profound was the stillness. "Proceed," said the<br />
president.</p>

<p>"Certainly, I might have lived happily amongst those good people, who<br />
adored me, but my perverse disposition prevailed over the virtues which<br />
my adopted mother endeavored to instil into my heart. I increased in<br />
wickedness till I committed crime. One day when I cursed providence for<br />
making me so wicked, and ordaining me to such a fate, my adopted father<br />
said to me, 'Do not blaspheme, unhappy child, the crime is that of your<br />
father, not yours,--of your father, who consigned you to hell if you<br />
died, and to misery if a miracle preserved you alive.' After that I<br />
ceased to blaspheme, but I cursed my father. That is why I have uttered<br />
the words for which you blame me; that is why I have filled this whole<br />
assembly with horror. If I have committed an additional crime, punish<br />
me, but if you will allow that ever since the day of my birth my fate<br />
has been sad, bitter, and lamentable, then pity me."</p>

<p>"But your mother?" asked the president.</p>

<p>"My mother thought me dead; she is not guilty. I did not even wish to<br />
know her name, nor do I know it." Just then a piercing cry, ending in a<br />
sob, burst from the centre of the crowd, who encircled the lady who had<br />
before fainted, and who now fell into a violent fit of hysterics. She<br />
was carried out of the hall, the thick veil which concealed her face<br />
dropped off, and Madame Danglars was recognized. Notwithstanding his<br />
shattered nerves, the ringing sensation in his ears, and the madness<br />
which turned his brain, Villefort rose as he perceived her. "The proofs,<br />
the proofs!" said the president; "remember this tissue of horrors must<br />
be supported by the clearest proofs."</p>

<p>"The proofs?" said Benedetto, laughing; "do you want proofs?"</p>

<p>"Yes."</p>

<p>"Well, then, look at M. de Villefort, and then ask me for proofs."</p>

<p>Every one turned towards the procureur, who, unable to bear the<br />
universal gaze now riveted on him alone, advanced staggering into the<br />
midst of the tribunal, with his hair dishevelled and his face indented<br />
with the mark of his nails. The whole assembly uttered a long murmur of<br />
astonishment. "Father," said Benedetto, "I am asked for proofs, do you<br />
wish me to give them?"</p>

<p>"No, no, it is useless," stammered M. de Villefort in a hoarse voice;<br />
"no, it is useless!"</p>

<p>"How useless?" cried the president, "what do you mean?"</p>

<p>"I mean that I feel it impossible to struggle against this deadly weight<br />
which crushes me. Gentlemen, I know I am in the hands of an avenging<br />
God! We need no proofs; everything relating to this young man is true."<br />
A dull, gloomy silence, like that which precedes some awful phenomenon<br />
of nature, pervaded the assembly, who shuddered in dismay. "What, M.<br />
de Villefort," cried the president, "do you yield to an hallucination?<br />
What, are you no longer in possession of your senses? This strange,<br />
unexpected, terrible accusation has disordered your reason. Come,<br />
recover."</p>

<p>The procureur dropped his head; his teeth chattered like those of a man<br />
under a violent attack of fever, and yet he was deadly pale.</p>

<p>"I am in possession of all my senses, sir," he said; "my body alone<br />
suffers, as you may suppose. I acknowledge myself guilty of all the<br />
young man has brought against me, and from this hour hold myself under<br />
the authority of the procureur who will succeed me."</p>

<p>And as he spoke these words with a hoarse, choking voice, he staggered<br />
towards the door, which was mechanically opened by a door-keeper.<br />
The whole assembly were dumb with astonishment at the revelation and<br />
confession which had produced a catastrophe so different from that which<br />
had been expected during the last fortnight by the Parisian world.</p>

<p>"Well," said Beauchamp, "let them now say that drama is unnatural!"</p>

<p>"Ma foi!" said Chateau-Renaud, "I would rather end my career like M.<br />
de Morcerf; a pistol-shot seems quite delightful compared with this<br />
catastrophe."</p>

<p>"And moreover, it kills," said Beauchamp.</p>

<p>"And to think that I had an idea of marrying his daughter," said Debray.<br />
"She did well to die, poor girl!"</p>

<p>"The sitting is adjourned, gentlemen," said the president; "fresh<br />
inquiries will be made, and the case will be tried next session by<br />
another magistrate." As for Andrea, who was calm and more interesting<br />
than ever, he left the hall, escorted by gendarmes, who involuntarily<br />
paid him some attention. "Well, what do you think of this, my fine<br />
fellow?" asked Debray of the sergeant-at-arms, slipping a louis into his<br />
hand. "There will be extenuating circumstances," he replied.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 111. Expiation.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-111-expiation.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1601</id>

    <published>2009-03-06T23:46:58Z</published>
    <updated>2008-10-19T22:48:48Z</updated>

    <summary>Notwithstanding the density of the crowd, M. de Villefort saw it open before him. There is something so awe-inspiring in great afflictions that even in the worst times the first emotion of a crowd has generally been to sympathize with...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>Notwithstanding the density of the crowd, M. de Villefort saw it open<br />
before him. There is something so awe-inspiring in great afflictions<br />
that even in the worst times the first emotion of a crowd has generally<br />
been to sympathize with the sufferer in a great catastrophe. Many people<br />
have been assassinated in a tumult, but even criminals have rarely<br />
been insulted during trial. Thus Villefort passed through the mass<br />
of spectators and officers of the Palais, and withdrew. Though he had<br />
acknowledged his guilt, he was protected by his grief. There are<br />
some situations which men understand by instinct, but which reason is<br />
powerless to explain; in such cases the greatest poet is he who gives<br />
utterance to the most natural and vehement outburst of sorrow. Those<br />
who hear the bitter cry are as much impressed as if they listened to<br />
an entire poem, and when the sufferer is sincere they are right in<br />
regarding his outburst as sublime.</p>

<p>It would be difficult to describe the state of stupor in which Villefort<br />
left the Palais. Every pulse beat with feverish excitement, every nerve<br />
was strained, every vein swollen, and every part of his body seemed<br />
to suffer distinctly from the rest, thus multiplying his agony a<br />
thousand-fold. He made his way along the corridors through force of<br />
habit; he threw aside his magisterial robe, not out of deference to<br />
etiquette, but because it was an unbearable burden, a veritable garb<br />
of Nessus, insatiate in torture. Having staggered as far as the Rue<br />
Dauphine, he perceived his carriage, awoke his sleeping coachman by<br />
opening the door himself, threw himself on the cushions, and pointed<br />
towards the Faubourg Saint-Honore; the carriage drove on. The weight of<br />
his fallen fortunes seemed suddenly to crush him; he could not<br />
foresee the consequences; he could not contemplate the future with the<br />
indifference of the hardened criminal who merely faces a contingency<br />
already familiar. God was still in his heart. "God," he murmured, not<br />
knowing what he said,--"God--God!" Behind the event that had overwhelmed<br />
him he saw the hand of God. The carriage rolled rapidly onward.<br />
Villefort, while turning restlessly on the cushions, felt something<br />
press against him. He put out his hand to remove the object; it was<br />
a fan which Madame de Villefort had left in the carriage; this fan<br />
awakened a recollection which darted through his mind like lightning. He<br />
thought of his wife.</p>

<p>"Oh!" he exclaimed, as though a redhot iron were piercing his heart.<br />
During the last hour his own crime had alone been presented to his mind;<br />
now another object, not less terrible, suddenly presented itself. His<br />
wife! He had just acted the inexorable judge with her, he had condemned<br />
her to death, and she, crushed by remorse, struck with terror,<br />
covered with the shame inspired by the eloquence of his irreproachable<br />
virtue,--she, a poor, weak woman, without help or the power of defending<br />
herself against his absolute and supreme will,--she might at that very<br />
moment, perhaps, be preparing to die! An hour had elapsed since her<br />
condemnation; at that moment, doubtless, she was recalling all her<br />
crimes to her memory; she was asking pardon for her sins; perhaps<br />
she was even writing a letter imploring forgiveness from her virtuous<br />
husband--a forgiveness she was purchasing with her death! Villefort<br />
again groaned with anguish and despair. "Ah," he exclaimed, "that woman<br />
became criminal only from associating with me! I carried the infection<br />
of crime with me, and she has caught it as she would the typhus fever,<br />
the cholera, the plague! And yet I have punished her--I have dared to<br />
tell her--I have--'Repent and die!' But no, she must not die; she shall<br />
live, and with me. We will flee from Paris and go as far as the earth<br />
reaches. I told her of the scaffold; oh, heavens, I forgot that it<br />
awaits me also! How could I pronounce that word? Yes, we will fly;<br />
I will confess all to her,--I will tell her daily that I also have<br />
committed a crime!--Oh, what an alliance--the tiger and the serpent;<br />
worthy wife of such as I am! She must live that my infamy may diminish<br />
hers." And Villefort dashed open the window in front of the carriage.</p>

<p>"Faster, faster!" he cried, in a tone which electrified the coachman.<br />
The horses, impelled by fear, flew towards the house.</p>

<p>"Yes, yes," repeated Villefort, as he approached his home--"yes, that<br />
woman must live; she must repent, and educate my son, the sole survivor,<br />
with the exception of the indestructible old man, of the wreck of<br />
my house. She loves him; it was for his sake she has committed these<br />
crimes. We ought never to despair of softening the heart of a mother who<br />
loves her child. She will repent, and no one will know that she has been<br />
guilty. The events which have taken place in my house, though they now<br />
occupy the public mind, will be forgotten in time, or if, indeed, a few<br />
enemies should persist in remembering them, why then I will add them to<br />
my list of crimes. What will it signify if one, two, or three more are<br />
added? My wife and child shall escape from this gulf, carrying treasures<br />
with them; she will live and may yet be happy, since her child, in whom<br />
all her love is centred, will be with her. I shall have performed a good<br />
action, and my heart will be lighter." And the procureur breathed more<br />
freely than he had done for some time.</p>

<p>The carriage stopped at the door of the house. Villefort leaped out<br />
of the carriage, and saw that his servants were surprised at his early<br />
return; he could read no other expression on their features. Neither of<br />
them spoke to him; they merely stood aside to let him pass by, as usual,<br />
nothing more. As he passed by M. Noirtier's room, he perceived two<br />
figures through the half-open door; but he experienced no curiosity to<br />
know who was visiting his father: anxiety carried him on further.</p>

<p>"Come," he said, as he ascended the stairs leading to his wife's room,<br />
"nothing is changed here." He then closed the door of the landing.<br />
"No one must disturb us," he said; "I must speak freely to her, accuse<br />
myself, and say"--he approached the door, touched the crystal handle,<br />
which yielded to his hand. "Not locked," he cried; "that is well." And<br />
he entered the little room in which Edward slept; for though the child<br />
went to school during the day, his mother could not allow him to be<br />
separated from her at night. With a single glance Villefort's eye<br />
ran through the room. "Not here," he said; "doubtless she is in her<br />
bedroom." He rushed towards the door, found it bolted, and stopped,<br />
shuddering. "Heloise!" he cried. He fancied he heard the sound of a<br />
piece of furniture being removed. "Heloise!" he repeated.</p>

<p>"Who is there?" answered the voice of her he sought. He thought that<br />
voice more feeble than usual.</p>

<p>"Open the door!" cried Villefort. "Open; it is I." But notwithstanding<br />
this request, notwithstanding the tone of anguish in which it was<br />
uttered, the door remained closed. Villefort burst it open with a<br />
violent blow. At the entrance of the room which led to her boudoir,<br />
Madame de Villefort was standing erect, pale, her features contracted,<br />
and her eyes glaring horribly. "Heloise, Heloise!" he said, "what is the<br />
matter? Speak!" The young woman extended her stiff white hands towards<br />
him. "It is done, monsieur," she said with a rattling noise which seemed<br />
to tear her throat. "What more do you want?" and she fell full length on<br />
the floor. Villefort ran to her and seized her hand, which convulsively<br />
clasped a crystal bottle with a golden stopper. Madame de Villefort was<br />
dead. Villefort, maddened with horror, stepped back to the threshhold<br />
of the door, fixing his eyes on the corpse: "My son!" he exclaimed<br />
suddenly, "where is my son?--Edward, Edward!" and he rushed out of the<br />
room, still crying, "Edward, Edward!" The name was pronounced in such a<br />
tone of anguish that the servants ran up.</p>

<p>"Where is my son?" asked Villefort; "let him be removed from the house,<br />
that he may not see"--</p>

<p>"Master Edward is not down-stairs, sir," replied the valet.</p>

<p>"Then he must be playing in the garden; go and see."</p>

<p>"No, sir; Madame de Villefort sent for him half an hour ago; he went<br />
into her room, and has not been down-stairs since." A cold perspiration<br />
burst out on Villefort's brow; his legs trembled, and his thoughts flew<br />
about madly in his brain like the wheels of a disordered watch. "In<br />
Madame de Villefort's room?" he murmured and slowly returned, with one<br />
hand wiping his forehead, and with the other supporting himself<br />
against the wall. To enter the room he must again see the body of his<br />
unfortunate wife. To call Edward he must reawaken the echo of that room<br />
which now appeared like a sepulchre; to speak seemed like violating the<br />
silence of the tomb. His tongue was paralyzed in his mouth.</p>

<p>"Edward!" he stammered--"Edward!" The child did not answer. Where, then,<br />
could he be, if he had entered his mother's room and not since returned?<br />
He stepped forward. The corpse of Madame de Villefort was stretched<br />
across the doorway leading to the room in which Edward must be; those<br />
glaring eyes seemed to watch over the threshold, and the lips bore the<br />
stamp of a terrible and mysterious irony. Through the open door was<br />
visible a portion of the boudoir, containing an upright piano and a blue<br />
satin couch. Villefort stepped forward two or three paces, and beheld<br />
his child lying--no doubt asleep--on the sofa. The unhappy man uttered<br />
an exclamation of joy; a ray of light seemed to penetrate the abyss of<br />
despair and darkness. He had only to step over the corpse, enter the<br />
boudoir, take the child in his arms, and flee far, far away.</p>

<p>Villefort was no longer the civilized man; he was a tiger hurt unto<br />
death, gnashing his teeth in his wound. He no longer feared realities,<br />
but phantoms. He leaped over the corpse as if it had been a burning<br />
brazier. He took the child in his arms, embraced him, shook him, called<br />
him, but the child made no response. He pressed his burning lips to the<br />
cheeks, but they were icy cold and pale; he felt the stiffened limbs; he<br />
pressed his hand upon the heart, but it no longer beat,--the child<br />
was dead. A folded paper fell from Edward's breast. Villefort,<br />
thunderstruck, fell upon his knees; the child dropped from his arms, and<br />
rolled on the floor by the side of its mother. He picked up the paper,<br />
and, recognizing his wife's writing, ran his eyes rapidly over its<br />
contents; it ran as follows:--</p>

<p>"You know that I was a good mother, since it was for my son's sake I<br />
became criminal. A good mother cannot depart without her son."</p>

<p>Villefort could not believe his eyes,--he could not believe his reason;<br />
he dragged himself towards the child's body, and examined it as a<br />
lioness contemplates its dead cub. Then a piercing cry escaped from his<br />
breast, and he cried, "Still the hand of God." The presence of the<br />
two victims alarmed him; he could not bear solitude shared only by two<br />
corpses. Until then he had been sustained by rage, by his strength of<br />
mind, by despair, by the supreme agony which led the Titans to scale the<br />
heavens, and Ajax to defy the gods. He now arose, his head bowed beneath<br />
the weight of grief, and, shaking his damp, dishevelled hair, he who had<br />
never felt compassion for any one determined to seek his father, that he<br />
might have some one to whom he could relate his misfortunes,--some one<br />
by whose side he might weep. He descended the little staircase with<br />
which we are acquainted, and entered Noirtier's room. The old man<br />
appeared to be listening attentively and as affectionately as his<br />
infirmities would allow to the Abbe Busoni, who looked cold and calm, as<br />
usual. Villefort, perceiving the abbe, passed his hand across his<br />
brow. He recollected the call he had made upon him after the dinner at<br />
Auteuil, and then the visit the abbe had himself paid to his house on<br />
the day of Valentine's death. "You here, sir!" he exclaimed; "do you,<br />
then, never appear but to act as an escort to death?"</p>

<p>Busoni turned around, and, perceiving the excitement depicted on the<br />
magistrate's face, the savage lustre of his eyes, he understood that<br />
the revelation had been made at the assizes; but beyond this he was<br />
ignorant. "I came to pray over the body of your daughter."</p>

<p>"And now why are you here?"</p>

<p>"I come to tell you that you have sufficiently repaid your debt, and<br />
that from this moment I will pray to God to forgive you, as I do."</p>

<p>"Good heavens!" exclaimed Villefort, stepping back fearfully, "surely<br />
that is not the voice of the Abbe Busoni!"</p>

<p>"No!" The abbe threw off his wig, shook his head, and his hair, no<br />
longer confined, fell in black masses around his manly face.</p>

<p>"It is the face of the Count of Monte Cristo!" exclaimed the procureur,<br />
with a haggard expression.</p>

<p>"You are not exactly right, M. Procureur; you must go farther back."</p>

<p>"That voice, that voice!--where did I first hear it?"</p>

<p>"You heard it for the first time at Marseilles, twenty-three years ago,<br />
the day of your marriage with Mademoiselle de Saint-Meran. Refer to your<br />
papers."</p>

<p>"You are not Busoni?--you are not Monte Cristo? Oh, heavens--you are,<br />
then, some secret, implacable, and mortal enemy! I must have wronged you<br />
in some way at Marseilles. Oh, woe to me!"</p>

<p>"Yes; you are now on the right path," said the count, crossing his arms<br />
over his broad chest; "search--search!"</p>

<p>"But what have I done to you?" exclaimed Villefort, whose mind was<br />
balancing between reason and insanity, in that cloud which is neither a<br />
dream nor reality; "what have I done to you? Tell me, then! Speak!"</p>

<p>"You condemned me to a horrible, tedious death; you killed my father;<br />
you deprived me of liberty, of love, and happiness."</p>

<p>"Who are you, then? Who are you?"</p>

<p>"I am the spectre of a wretch you buried in the dungeons of the Chateau<br />
d'If. God gave that spectre the form of the Count of Monte Cristo when<br />
he at length issued from his tomb, enriched him with gold and diamonds,<br />
and led him to you!"</p>

<p>"Ah, I recognize you--I recognize you!" exclaimed the king's attorney;<br />
"you are"--</p>

<p>"I am Edmond Dantes!"</p>

<p>"You are Edmond Dantes," cried Villefort, seizing the count by the<br />
wrist; "then come here!" And up the stairs he dragged Monte Cristo; who,<br />
ignorant of what had happened, followed him in astonishment, foreseeing<br />
some new catastrophe. "There, Edmond Dantes!" he said, pointing to the<br />
bodies of his wife and child, "see, are you well avenged?" Monte Cristo<br />
became pale at this horrible sight; he felt that he had passed beyond<br />
the bounds of vengeance, and that he could no longer say, "God is for<br />
and with me." With an expression of indescribable anguish he threw<br />
himself upon the body of the child, reopened its eyes, felt its<br />
pulse, and then rushed with him into Valentine's room, of which he<br />
double-locked the door. "My child," cried Villefort, "he carries away<br />
the body of my child! Oh, curses, woe, death to you!" and he tried to<br />
follow Monte Cristo; but as though in a dream he was transfixed to the<br />
spot,--his eyes glared as though they were starting through the sockets;<br />
he griped the flesh on his chest until his nails were stained with<br />
blood; the veins of his temples swelled and boiled as though they would<br />
burst their narrow boundary, and deluge his brain with living fire.<br />
This lasted several minutes, until the frightful overturn of reason was<br />
accomplished; then uttering a loud cry followed by a burst of laughter,<br />
he rushed down the stairs.</p>

<p>A quarter of an hour afterwards the door of Valentine's room opened, and<br />
Monte Cristo reappeared. Pale, with a dull eye and heavy heart, all the<br />
noble features of that face, usually so calm and serene, were overcast<br />
by grief. In his arms he held the child, whom no skill had been able to<br />
recall to life. Bending on one knee, he placed it reverently by the side<br />
of its mother, with its head upon her breast. Then, rising, he went<br />
out, and meeting a servant on the stairs, he asked, "Where is M. de<br />
Villefort?"</p>

<p>The servant, instead of answering, pointed to the garden. Monte Cristo<br />
ran down the steps, and advancing towards the spot designated beheld<br />
Villefort, encircled by his servants, with a spade in his hand, and<br />
digging the earth with fury. "It is not here!" he cried. "It is not<br />
here!" And then he moved farther on, and began again to dig.</p>

<p>Monte Cristo approached him, and said in a low voice, with an expression<br />
almost humble, "Sir, you have indeed lost a son; but"--</p>

<p>Villefort interrupted him; he had neither listened nor heard. "Oh, I<br />
will find it," he cried; "you may pretend he is not here, but I will<br />
find him, though I dig forever!" Monte Cristo drew back in horror. "Oh,"<br />
he said, "he is mad!" And as though he feared that the walls of the<br />
accursed house would crumble around him, he rushed into the street, for<br />
the first time doubting whether he had the right to do as he had done.<br />
"Oh, enough of this,--enough of this," he cried; "let me save the last."<br />
On entering his house, he met Morrel, who wandered about like a ghost<br />
awaiting the heavenly mandate for return to the tomb. "Prepare yourself,<br />
Maximilian," he said with a smile; "we leave Paris to-morrow."</p>

<p>"Have you nothing more to do there?" asked Morrel.</p>

<p>"No," replied Monte Cristo; "God grant I may not have done too much<br />
already."</p>

<p>The next day they indeed left, accompanied only by Baptistin. Haidee had<br />
taken away Ali, and Bertuccio remained with Noirtier.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 112. The Departure.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-112-the-departure.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1602</id>

    <published>2009-03-07T23:46:58Z</published>
    <updated>2008-10-19T22:48:48Z</updated>

    <summary>The recent event formed the theme of conversation throughout all Paris. Emmanuel and his wife conversed with natural astonishment in their little apartment in the Rue Meslay upon the three successive, sudden, and most unexpected catastrophes of Morcerf, Danglars, and...</summary>
    <author>
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    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The recent event formed the theme of conversation throughout all Paris.<br />
Emmanuel and his wife conversed with natural astonishment in their<br />
little apartment in the Rue Meslay upon the three successive, sudden,<br />
and most unexpected catastrophes of Morcerf, Danglars, and Villefort.<br />
Maximilian, who was paying them a visit, listened to their conversation,<br />
or rather was present at it, plunged in his accustomed state of apathy.<br />
"Indeed," said Julie, "might we not almost fancy, Emmanuel, that<br />
those people, so rich, so happy but yesterday, had forgotten in their<br />
prosperity that an evil genius--like the wicked fairies in Perrault's<br />
stories who present themselves unbidden at a wedding or baptism--hovered<br />
over them, and appeared all at once to revenge himself for their fatal<br />
neglect?"</p>

<p>"What a dire misfortune!" said Emmanuel, thinking of Morcerf and<br />
Danglars.</p>

<p>"What dreadful sufferings!" said Julie, remembering Valentine, but whom,<br />
with a delicacy natural to women, she did not name before her brother.</p>

<p>"If the Supreme Being has directed the fatal blow," said Emmanuel, "it<br />
must be that he in his great goodness has perceived nothing in the past<br />
lives of these people to merit mitigation of their awful punishment."</p>

<p>"Do you not form a very rash judgment, Emmanuel?" said Julie. "When my<br />
father, with a pistol in his hand, was once on the point of committing<br />
suicide, had any one then said, 'This man deserves his misery,' would<br />
not that person have been deceived?"</p>

<p>"Yes; but your father was not allowed to fall. A being was commissioned<br />
to arrest the fatal hand of death about to descend on him."</p>

<p>Emmanuel had scarcely uttered these words when the sound of the bell<br />
was heard, the well-known signal given by the porter that a visitor had<br />
arrived. Nearly at the same instant the door was opened and the Count of<br />
Monte Cristo appeared on the threshold. The young people uttered a<br />
cry of joy, while Maximilian raised his head, but let it fall again<br />
immediately. "Maximilian," said the count, without appearing to notice<br />
the different impressions which his presence produced on the little<br />
circle, "I come to seek you."</p>

<p>"To seek me?" repeated Morrel, as if awakening from a dream.</p>

<p>"Yes," said Monte Cristo; "has it not been agreed that I should take you<br />
with me, and did I not tell you yesterday to prepare for departure?"</p>

<p>"I am ready," said Maximilian; "I came expressly to wish them farewell."</p>

<p>"Whither are you going, count?" asked Julie.</p>

<p>"In the first instance to Marseilles, madame."</p>

<p>"To Marseilles!" exclaimed the young couple.</p>

<p>"Yes, and I take your brother with me."</p>

<p>"Oh, count." said Julie, "will you restore him to us cured of his<br />
melancholy?"--Morrel turned away to conceal the confusion of his<br />
countenance.</p>

<p>"You perceive, then, that he is not happy?" said the count. "Yes,"<br />
replied the young woman; "and fear much that he finds our home but a<br />
dull one."</p>

<p>"I will undertake to divert him," replied the count.</p>

<p>"I am ready to accompany you, sir," said Maximilian. "Adieu, my kind<br />
friends! Emmanuel--Julie--farewell!"</p>

<p>"How farewell?" exclaimed Julie; "do you leave us thus, so suddenly,<br />
without any preparations for your journey, without even a passport?"</p>

<p>"Needless delays but increase the grief of parting," said Monte<br />
Cristo, "and Maximilian has doubtless provided himself with everything<br />
requisite; at least, I advised him to do so."</p>

<p>"I have a passport, and my clothes are ready packed," said Morrel in his<br />
tranquil but mournful manner.</p>

<p>"Good," said Monte Cristo, smiling; "in these prompt arrangements we<br />
recognize the order of a well-disciplined soldier."</p>

<p>"And you leave us," said Julie, "at a moment's warning? you do not give<br />
us a day--no, not even an hour before your departure?"</p>

<p>"My carriage is at the door, madame, and I must be in Rome in five<br />
days."</p>

<p>"But does Maximilian go to Rome?" exclaimed Emmanuel.</p>

<p>"I am going wherever it may please the count to take me," said Morrel,<br />
with a smile full of grief; "I am under his orders for the next month."</p>

<p>"Oh, heavens, how strangely he expresses himself, count!" said Julie.</p>

<p>"Maximilian goes with me," said the count, in his kindest and most<br />
persuasive manner; "therefore do not make yourself uneasy on your<br />
brother's account."</p>

<p>"Once more farewell, my dear sister; Emmanuel, adieu!" Morrel repeated.</p>

<p>"His carelessness and indifference touch me to the heart," said Julie.<br />
"Oh, Maximilian, Maximilian, you are certainly concealing something from<br />
us."</p>

<p>"Pshaw!" said Monte Cristo, "you will see him return to you gay,<br />
smiling, and joyful."</p>

<p>Maximilian cast a look of disdain, almost of anger, on the count.</p>

<p>"We must leave you," said Monte Cristo.</p>

<p>"Before you quit us, count," said Julie, "will you permit us to express<br />
to you all that the other day"--</p>

<p>"Madame," interrupted the count, taking her two hands in his, "all that<br />
you could say in words would never express what I read in your eyes; the<br />
thoughts of your heart are fully understood by mine. Like benefactors<br />
in romances, I should have left you without seeing you again, but that<br />
would have been a virtue beyond my strength, because I am a weak<br />
and vain man, fond of the tender, kind, and thankful glances of my<br />
fellow-creatures. On the eve of departure I carry my egotism so far as<br />
to say, 'Do not forget me, my kind friends, for probably you will never<br />
see me again.'"</p>

<p>"Never see you again?" exclaimed Emmanuel, while two large tears rolled<br />
down Julie's cheeks, "never behold you again? It is not a man, then, but<br />
some angel that leaves us, and this angel is on the point of returning<br />
to heaven after having appeared on earth to do good."</p>

<p>"Say not so," quickly returned Monte Cristo--"say not so, my friends;<br />
angels never err, celestial beings remain where they wish to be. Fate is<br />
not more powerful than they; it is they who, on the contrary, overcome<br />
fate. No, Emmanuel, I am but a man, and your admiration is as unmerited<br />
as your words are sacrilegious." And pressing his lips on the hand of<br />
Julie, who rushed into his arms, he extended his other hand to Emmanuel;<br />
then tearing himself from this abode of peace and happiness, he made a<br />
sign to Maximilian, who followed him passively, with the indifference<br />
which had been perceptible in him ever since the death of Valentine had<br />
so stunned him. "Restore my brother to peace and happiness," whispered<br />
Julie to Monte Cristo. And the count pressed her hand in reply, as he<br />
had done eleven years before on the staircase leading to Morrel's study.</p>

<p>"You still confide, then, in Sinbad the Sailor?" asked he, smiling.</p>

<p>"Oh, yes," was the ready answer.</p>

<p>"Well, then, sleep in peace, and put your trust in heaven." As we have<br />
before said, the postchaise was waiting; four powerful horses were<br />
already pawing the ground with impatience, while Ali, apparently just<br />
arrived from a long walk, was standing at the foot of the steps, his<br />
face bathed in perspiration. "Well," asked the count in Arabic, "have<br />
you been to see the old man?" Ali made a sign in the affirmative.</p>

<p>"And have you placed the letter before him, as I ordered you to do?"</p>

<p>The slave respectfully signalized that he had. "And what did he say, or<br />
rather do?" Ali placed himself in the light, so that his master might<br />
see him distinctly, and then imitating in his intelligent manner the<br />
countenance of the old man, he closed his eyes, as Noirtier was in the<br />
custom of doing when saying "Yes."</p>

<p>"Good; he accepts," said Monte Cristo. "Now let us go."</p>

<p>These words had scarcely escaped him, when the carriage was on its way,<br />
and the feet of the horses struck a shower of sparks from the pavement.<br />
Maximilian settled himself in his corner without uttering a word. Half<br />
an hour had passed when the carriage stopped suddenly; the count had<br />
just pulled the silken check-string, which was fastened to Ali's finger.<br />
The Nubian immediately descended and opened the carriage door. It was<br />
a lovely starlight night--they had just reached the top of the hill<br />
Villejuif, from whence Paris appears like a sombre sea tossing its<br />
millions of phosphoric waves into light--waves indeed more noisy, more<br />
passionate, more changeable, more furious, more greedy, than those<br />
of the tempestuous ocean,--waves which never rest as those of the sea<br />
sometimes do,--waves ever dashing, ever foaming, ever ingulfing what<br />
falls within their grasp. The count stood alone, and at a sign from his<br />
hand, the carriage went on for a short distance. With folded arms, he<br />
gazed for some time upon the great city. When he had fixed his piercing<br />
look on this modern Babylon, which equally engages the contemplation<br />
of the religious enthusiast, the materialist, and the scoffer,--"Great<br />
city," murmured he, inclining his head, and joining his hands as if in<br />
prayer, "less than six months have elapsed since first I entered thy<br />
gates. I believe that the Spirit of God led my steps to thee and that he<br />
also enables me to quit thee in triumph; the secret cause of my presence<br />
within thy walls I have confided alone to him who only has had the power<br />
to read my heart. God only knows that I retire from thee without pride<br />
or hatred, but not without many regrets; he only knows that the power<br />
confided to me has never been made subservient to my personal good or to<br />
any useless cause. Oh, great city, it is in thy palpitating bosom that<br />
I have found that which I sought; like a patient miner, I have dug<br />
deep into thy very entrails to root out evil thence. Now my work is<br />
accomplished, my mission is terminated, now thou canst neither afford me<br />
pain nor pleasure. Adieu, Paris, adieu!"</p>

<p>His look wandered over the vast plain like that of some genius of the<br />
night; he passed his hand over his brow, got into the carriage, the door<br />
was closed on him, and the vehicle quickly disappeared down the other<br />
side of the hill in a whirlwind of noise and dust.</p>

<p>Ten leagues were passed and not a single word was uttered.</p>

<p>Morrel was dreaming, and Monte Cristo was looking at the dreamer.</p>

<p>"Morrel," said the count to him at length, "do you repent having<br />
followed me?"</p>

<p>"No, count; but to leave Paris"--</p>

<p>"If I thought happiness might await you in Paris, Morrel, I would have<br />
left you there."</p>

<p>"Valentine reposes within the walls of Paris, and to leave Paris is like<br />
losing her a second time."</p>

<p>"Maximilian," said the count, "the friends that we have lost do not<br />
repose in the bosom of the earth, but are buried deep in our hearts, and<br />
it has been thus ordained that we may always be accompanied by them. I<br />
have two friends, who in this way never depart from me; the one who gave<br />
me being, and the other who conferred knowledge and intelligence on me.<br />
Their spirits live in me. I consult them when doubtful, and if I ever do<br />
any good, it is due to their beneficent counsels. Listen to the voice<br />
of your heart, Morrel, and ask it whether you ought to preserve this<br />
melancholy exterior towards me."</p>

<p>"My friend," said Maximilian, "the voice of my heart is very sorrowful,<br />
and promises me nothing but misfortune."</p>

<p>"It is the way of weakened minds to see everything through a black<br />
cloud. The soul forms its own horizons; your soul is darkened, and<br />
consequently the sky of the future appears stormy and unpromising."</p>

<p>"That may possibly be true," said Maximilian, and he again subsided into<br />
his thoughtful mood.</p>

<p>The journey was performed with that marvellous rapidity which the<br />
unlimited power of the count ever commanded. Towns fled from them like<br />
shadows on their path, and trees shaken by the first winds of autumn<br />
seemed like giants madly rushing on to meet them, and retreating<br />
as rapidly when once reached. The following morning they arrived at<br />
Chalons, where the count's steamboat waited for them. Without the loss<br />
of an instant, the carriage was placed on board and the two travellers<br />
embarked without delay. The boat was built for speed; her two<br />
paddle-wheels were like two wings with which she skimmed the water like<br />
a bird. Morrel was not insensible to that sensation of delight which is<br />
generally experienced in passing rapidly through the air, and the wind<br />
which occasionally raised the hair from his forehead seemed on the point<br />
of dispelling momentarily the clouds collected there.</p>

<p>As the distance increased between the travellers and Paris, almost<br />
superhuman serenity appeared to surround the count; he might have been<br />
taken for an exile about to revisit his native land. Ere long Marseilles<br />
presented herself to view,--Marseilles, white, fervid, full of life<br />
and energy,--Marseilles, the younger sister of Tyre and Carthage, the<br />
successor to them in the empire of the Mediterranean,--Marseilles, old,<br />
yet always young. Powerful memories were stirred within them by the<br />
sight of the round tower, Fort Saint-Nicolas, the City Hall designed<br />
by Puget, [*] the port with its brick quays, where they had both played<br />
in childhood, and it was with one accord that they stopped on the<br />
Cannebiere. A vessel was setting sail for Algiers, on board of which the<br />
bustle usually attending departure prevailed. The passengers and their<br />
relations crowded on the deck, friends taking a tender but sorrowful<br />
leave of each other, some weeping, others noisy in their grief, the<br />
whole forming a spectacle that might be exciting even to those who<br />
witnessed similar sights daily, but which had no power to disturb the<br />
current of thought that had taken possession of the mind of Maximilian<br />
from the moment he had set foot on the broad pavement of the quay.</p>

<p>     * Pierre Puget, the sculptor-architect, was born at<br />
     Marseilles in 1622.</p>

<p>"Here," said he, leaning heavily on the arm of Monte Cristo,--"here is<br />
the spot where my father stopped, when the Pharaon entered the port; it<br />
was here that the good old man, whom you saved from death and dishonor,<br />
threw himself into my arms. I yet feel his warm tears on my face, and<br />
his were not the only tears shed, for many who witnessed our meeting<br />
wept also." Monte Cristo gently smiled and said,--"I was there;" at the<br />
same time pointing to the corner of a street. As he spoke, and in the<br />
very direction he indicated, a groan, expressive of bitter grief, was<br />
heard, and a woman was seen waving her hand to a passenger on board the<br />
vessel about to sail. Monte Cristo looked at her with an emotion that<br />
must have been remarked by Morrel had not his eyes been fixed on the<br />
vessel.</p>

<p>"Oh, heavens!" exclaimed Morrel, "I do not deceive myself--that young<br />
man who is waving his hat, that youth in the uniform of a lieutenant, is<br />
Albert de Morcerf!"</p>

<p>"Yes," said Monte Cristo, "I recognized him."</p>

<p>"How so?--you were looking the other way." the count smiled, as he was<br />
in the habit of doing when he did not want to make any reply, and he<br />
again turned towards the veiled woman, who soon disappeared at the<br />
corner of the street. Turning to his friend,--"Dear Maximilian," said<br />
the count, "have you nothing to do in this land?"</p>

<p>"I have to weep over the grave of my father," replied Morrel in a broken<br />
voice.</p>

<p>"Well, then, go,--wait for me there, and I will soon join you."</p>

<p>"You leave me, then?"</p>

<p>"Yes; I also have a pious visit to pay."</p>

<p>Morrel allowed his hand to fall into that which the count extended to<br />
him; then with an inexpressibly sorrowful inclination of the head he<br />
quitted the count and bent his steps to the east of the city. Monte<br />
Cristo remained on the same spot until Maximilian was out of sight; he<br />
then walked slowly towards the Allees de Meillan to seek out a small<br />
house with which our readers were made familiar at the beginning of this<br />
story. It yet stood, under the shade of the fine avenue of lime-trees,<br />
which forms one of the most frequent walks of the idlers of Marseilles,<br />
covered by an immense vine, which spreads its aged and blackened<br />
branches over the stone front, burnt yellow by the ardent sun of the<br />
south. Two stone steps worn away by the friction of many feet led to the<br />
door, which was made of three planks; the door had never been painted or<br />
varnished, so great cracks yawned in it during the dry season to<br />
close again when the rains came on. The house, with all its crumbling<br />
antiquity and apparent misery, was yet cheerful and picturesque, and was<br />
the same that old Dantes formerly inhabited--the only difference being<br />
that the old man occupied merely the garret, while the whole house was<br />
now placed at the command of Mercedes by the count.</p>

<p>The woman whom the count had seen leave the ship with so much regret<br />
entered this house; she had scarcely closed the door after her when<br />
Monte Cristo appeared at the corner of a street, so that he found and<br />
lost her again almost at the same instant. The worn out steps were old<br />
acquaintances of his; he knew better than any one else how to open that<br />
weather-beaten door with the large headed nail which served to raise<br />
the latch within. He entered without knocking, or giving any other<br />
intimation of his presence, as if he had been a friend or the master<br />
of the place. At the end of a passage paved with bricks, was a little<br />
garden, bathed in sunshine, and rich in warmth and light. In this garden<br />
Mercedes had found, at the place indicated by the count, the sum of<br />
money which he, through a sense of delicacy, had described as having<br />
been placed there twenty-four years previously. The trees of the garden<br />
were easily seen from the steps of the street-door. Monte Cristo, on<br />
stepping into the house, heard a sigh that was almost a deep sob; he<br />
looked in the direction whence it came, and there under an arbor of<br />
Virginia jessamine, [*] with its thick foliage and beautiful long purple<br />
flowers, he saw Mercedes seated, with her head bowed, and weeping<br />
bitterly. She had raised her veil, and with her face hidden by her hands<br />
was giving free scope to the sighs and tears which had been so long<br />
restrained by the presence of her son. Monte Cristo advanced a few<br />
steps, which were heard on the gravel. Mercedes raised her head, and<br />
uttered a cry of terror on beholding a man before her.</p>

<p>     * The Carolina--not Virginia--jessamine, gelsemium<br />
     sempervirens (properly speaking not a jessamine at all) has<br />
     yellow blossoms. The reference is no doubt to the Wistaria<br />
     frutescens.--Ed.</p>

<p>"Madame," said the count, "it is no longer in my power to restore you to<br />
happiness, but I offer you consolation; will you deign to accept it as<br />
coming from a friend?"</p>

<p>"I am, indeed, most wretched," replied Mercedes. "Alone in the world, I<br />
had but my son, and he has left me!"</p>

<p>"He possesses a noble heart, madame," replied the count, "and he has<br />
acted rightly. He feels that every man owes a tribute to his country;<br />
some contribute their talents, others their industry; these devote their<br />
blood, those their nightly labors, to the same cause. Had he remained<br />
with you, his life must have become a hateful burden, nor would he have<br />
participated in your griefs. He will increase in strength and honor by<br />
struggling with adversity, which he will convert into prosperity.<br />
Leave him to build up the future for you, and I venture to say you will<br />
confide it to safe hands."</p>

<p>"Oh," replied the wretched woman, mournfully shaking her head, "the<br />
prosperity of which you speak, and which, from the bottom of my heart, I<br />
pray God in his mercy to grant him, I can never enjoy. The bitter cup of<br />
adversity has been drained by me to the very dregs, and I feel that the<br />
grave is not far distant. You have acted kindly, count, in bringing me<br />
back to the place where I have enjoyed so much bliss. I ought to meet<br />
death on the same spot where happiness was once all my own."</p>

<p>"Alas," said Monte Cristo, "your words sear and embitter my heart, the<br />
more so as you have every reason to hate me. I have been the cause of<br />
all your misfortunes; but why do you pity, instead of blaming me? You<br />
render me still more unhappy"--</p>

<p>"Hate you, blame you--you, Edmond! Hate, reproach, the man that has<br />
spared my son's life! For was it not your fatal and sanguinary intention<br />
to destroy that son of whom M. de Morcerf was so proud? Oh, look at me<br />
closely, and discover if you can even the semblance of a reproach in<br />
me." The count looked up and fixed his eyes on Mercedes, who arose<br />
partly from her seat and extended both her hands towards him. "Oh, look<br />
at me," continued she, with a feeling of profound melancholy, "my eyes<br />
no longer dazzle by their brilliancy, for the time has long fled since I<br />
used to smile on Edmond Dantes, who anxiously looked out for me from<br />
the window of yonder garret, then inhabited by his old father. Years<br />
of grief have created an abyss between those days and the present. I<br />
neither reproach you nor hate you, my friend. Oh, no, Edmond, it is<br />
myself that I blame, myself that I hate! Oh, miserable creature that I<br />
am!" cried she, clasping her hands, and raising her eyes to heaven. "I<br />
once possessed piety, innocence, and love, the three ingredients of the<br />
happiness of angels, and now what am I?" Monte Cristo approached her,<br />
and silently took her hand. "No," said she, withdrawing it gently--"no,<br />
my friend, touch me not. You have spared me, yet of all those who have<br />
fallen under your vengeance I was the most guilty. They were influenced<br />
by hatred, by avarice, and by self-love; but I was base, and for want<br />
of courage acted against my judgment. Nay, do not press my hand, Edmond;<br />
you are thinking, I am sure, of some kind speech to console me, but do<br />
not utter it to me, reserve it for others more worthy of your kindness.<br />
See" (and she exposed her face completely to view)--"see, misfortune<br />
has silvered my hair, my eyes have shed so many tears that they are<br />
encircled by a rim of purple, and my brow is wrinkled. You, Edmond, on<br />
the contrary,--you are still young, handsome, dignified; it is because<br />
you have had faith; because you have had strength, because you have had<br />
trust in God, and God has sustained you. But as for me, I have been a<br />
coward; I have denied God and he has abandoned me."</p>

<p>Mercedes burst into tears; her woman's heart was breaking under its load<br />
of memories. Monte Cristo took her hand and imprinted a kiss on it; but<br />
she herself felt that it was a kiss of no greater warmth than he would<br />
have bestowed on the hand of some marble statue of a saint. "It often<br />
happens," continued she, "that a first fault destroys the prospects of a<br />
whole life. I believed you dead; why did I survive you? What good has<br />
it done me to mourn for you eternally in the secret recesses of my<br />
heart?--only to make a woman of thirty-nine look like a woman of fifty.<br />
Why, having recognized you, and I the only one to do so--why was I able<br />
to save my son alone? Ought I not also to have rescued the man that I<br />
had accepted for a husband, guilty though he were? Yet I let him die!<br />
What do I say? Oh, merciful heavens, was I not accessory to his death by<br />
my supine insensibility, by my contempt for him, not remembering, or not<br />
willing to remember, that it was for my sake he had become a traitor and<br />
a perjurer? In what am I benefited by accompanying my son so far, since<br />
I now abandon him, and allow him to depart alone to the baneful climate<br />
of Africa? Oh, I have been base, cowardly, I tell you; I have abjured<br />
my affections, and like all renegades I am of evil omen to those who<br />
surround me!"</p>

<p>"No, Mercedes," said Monte Cristo, "no; you judge yourself with too<br />
much severity. You are a noble-minded woman, and it was your grief<br />
that disarmed me. Still I was but an agent, led on by an invisible and<br />
offended Deity, who chose not to withhold the fatal blow that I was<br />
destined to hurl. I take that God to witness, at whose feet I have<br />
prostrated myself daily for the last ten years, that I would have<br />
sacrificed my life to you, and with my life the projects that were<br />
indissolubly linked with it. But--and I say it with some pride,<br />
Mercedes--God needed me, and I lived. Examine the past and the present,<br />
and endeavor to dive into futurity, and then say whether I am not a<br />
divine instrument. The most dreadful misfortunes, the most frightful<br />
sufferings, the abandonment of all those who loved me, the persecution<br />
of those who did not know me, formed the trials of my youth; when<br />
suddenly, from captivity, solitude, misery, I was restored to light<br />
and liberty, and became the possessor of a fortune so brilliant,<br />
so unbounded, so unheard-of, that I must have been blind not to be<br />
conscious that God had endowed me with it to work out his own great<br />
designs. From that time I looked upon this fortune as something confided<br />
to me for an especial purpose. Not a thought was given to a life which<br />
you once, Mercedes, had the power to render blissful; not one hour<br />
of peaceful calm was mine; but I felt myself driven on like an<br />
exterminating angel. Like adventurous captains about to embark on some<br />
enterprise full of danger, I laid in my provisions, I loaded my weapons,<br />
I collected every means of attack and defence; I inured my body to the<br />
most violent exercises, my soul to the bitterest trials; I taught my<br />
arm to slay, my eyes to behold excruciating sufferings, and my mouth<br />
to smile at the most horrid spectacles. Good-natured, confiding, and<br />
forgiving as I had been, I became revengeful, cunning, and wicked, or<br />
rather, immovable as fate. Then I launched out into the path that was<br />
opened to me. I overcame every obstacle, and reached the goal; but woe<br />
to those who stood in my pathway!"</p>

<p>"Enough," said Mercedes; "enough, Edmond! Believe me, that she who alone<br />
recognized you has been the only one to comprehend you; and had she<br />
crossed your path, and you had crushed her like glass, still, Edmond,<br />
still she must have admired you! Like the gulf between me and the past,<br />
there is an abyss between you, Edmond, and the rest of mankind; and I<br />
tell you freely that the comparison I draw between you and other men<br />
will ever be one of my greatest tortures. No, there is nothing in the<br />
world to resemble you in worth and goodness! But we must say farewell,<br />
Edmond, and let us part."</p>

<p>"Before I leave you, Mercedes, have you no request to make?" said the<br />
count.</p>

<p>"I desire but one thing in this world, Edmond,--the happiness of my<br />
son."</p>

<p>"Pray to the Almighty to spare his life, and I will take upon myself to<br />
promote his happiness."</p>

<p>"Thank you, Edmond."</p>

<p>"But have you no request to make for yourself, Mercedes?"</p>

<p>"For myself I want nothing. I live, as it were, between two graves. One<br />
is that of Edmond Dantes, lost to me long, long since. He had my love!<br />
That word ill becomes my faded lip now, but it is a memory dear to my<br />
heart, and one that I would not lose for all that the world contains.<br />
The other grave is that of the man who met his death from the hand of<br />
Edmond Dantes. I approve of the deed, but I must pray for the dead."</p>

<p>"Your son shall be happy, Mercedes," repeated the count.</p>

<p>"Then I shall enjoy as much happiness as this world can possibly<br />
confer."</p>

<p>"But what are your intentions?"</p>

<p>"To say that I shall live here, like the Mercedes of other times,<br />
gaining my bread by labor, would not be true, nor would you believe me.<br />
I have no longer the strength to do anything but to spend my days in<br />
prayer. However, I shall have no occasion to work, for the little sum of<br />
money buried by you, and which I found in the place you mentioned, will<br />
be sufficient to maintain me. Rumor will probably be busy respecting me,<br />
my occupations, my manner of living--that will signify but little."</p>

<p>"Mercedes," said the count, "I do not say it to blame you, but you<br />
made an unnecessary sacrifice in relinquishing the whole of the fortune<br />
amassed by M. de Morcerf; half of it at least by right belonged to you,<br />
in virtue of your vigilance and economy."</p>

<p>"I perceive what you are intending to propose to me; but I cannot accept<br />
it, Edmond--my son would not permit it."</p>

<p>"Nothing shall be done without the full approbation of Albert de<br />
Morcerf. I will make myself acquainted with his intentions and will<br />
submit to them. But if he be willing to accept my offers, will you<br />
oppose them?"</p>

<p>"You well know, Edmond, that I am no longer a reasoning creature; I<br />
have no will, unless it be the will never to decide. I have been so<br />
overwhelmed by the many storms that have broken over my head, that I<br />
am become passive in the hands of the Almighty, like a sparrow in the<br />
talons of an eagle. I live, because it is not ordained for me to die. If<br />
succor be sent to me, I will accept it."</p>

<p>"Ah, madame," said Monte Cristo, "you should not talk thus! It is not so<br />
we should evince our resignation to the will of heaven; on the contrary,<br />
we are all free agents."</p>

<p>"Alas!" exclaimed Mercedes, "if it were so, if I possessed free-will,<br />
but without the power to render that will efficacious, it would drive me<br />
to despair." Monte Cristo dropped his head and shrank from the vehemence<br />
of her grief. "Will you not even say you will see me again?" he asked.</p>

<p>"On the contrary, we shall meet again," said Mercedes, pointing to<br />
heaven with solemnity. "I tell you so to prove to you that I still<br />
hope." And after pressing her own trembling hand upon that of the count,<br />
Mercedes rushed up the stairs and disappeared. Monte Cristo slowly left<br />
the house and turned towards the quay. But Mercedes did not witness<br />
his departure, although she was seated at the little window of the room<br />
which had been occupied by old Dantes. Her eyes were straining to see<br />
the ship which was carrying her son over the vast sea; but still her<br />
voice involuntarily murmured softly, "Edmond, Edmond, Edmond!"</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 113. The Past.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-113-the-past.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1603</id>

    <published>2009-03-08T23:46:58Z</published>
    <updated>2008-10-19T22:48:48Z</updated>

    <summary>The count departed with a sad heart from the house in which he had left Mercedes, probably never to behold her again. Since the death of little Edward a great change had taken place in Monte Cristo. Having reached the...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>The count departed with a sad heart from the house in which he had left<br />
Mercedes, probably never to behold her again. Since the death of little<br />
Edward a great change had taken place in Monte Cristo. Having reached<br />
the summit of his vengeance by a long and tortuous path, he saw an abyss<br />
of doubt yawning before him. More than this, the conversation which<br />
had just taken place between Mercedes and himself had awakened so many<br />
recollections in his heart that he felt it necessary to combat with<br />
them. A man of the count's temperament could not long indulge in that<br />
melancholy which can exist in common minds, but which destroys superior<br />
ones. He thought he must have made an error in his calculations if he<br />
now found cause to blame himself.</p>

<p>"I cannot have deceived myself," he said; "I must look upon the past in<br />
a false light. What!" he continued, "can I have been following a false<br />
path?--can the end which I proposed be a mistaken end?--can one hour<br />
have sufficed to prove to an architect that the work upon which<br />
he founded all his hopes was an impossible, if not a sacrilegious,<br />
undertaking? I cannot reconcile myself to this idea--it would madden<br />
me. The reason why I am now dissatisfied is that I have not a clear<br />
appreciation of the past. The past, like the country through which we<br />
walk, becomes indistinct as we advance. My position is like that of<br />
a person wounded in a dream; he feels the wound, though he cannot<br />
recollect when he received it. Come, then, thou regenerate man,<br />
thou extravagant prodigal, thou awakened sleeper, thou all-powerful<br />
visionary, thou invincible millionaire,--once again review thy past<br />
life of starvation and wretchedness, revisit the scenes where fate<br />
and misfortune conducted, and where despair received thee. Too many<br />
diamonds, too much gold and splendor, are now reflected by the mirror in<br />
which Monte Cristo seeks to behold Dantes. Hide thy diamonds, bury thy<br />
gold, shroud thy splendor, exchange riches for poverty, liberty for a<br />
prison, a living body for a corpse!" As he thus reasoned, Monte Cristo<br />
walked down the Rue de la Caisserie. It was the same through which,<br />
twenty-four years ago, he had been conducted by a silent and nocturnal<br />
guard; the houses, to-day so smiling and animated, were on that night<br />
dark, mute, and closed. "And yet they were the same," murmured Monte<br />
Cristo, "only now it is broad daylight instead of night; it is the sun<br />
which brightens the place, and makes it appear so cheerful."</p>

<p>He proceeded towards the quay by the Rue Saint-Laurent, and advanced to<br />
the Consigne; it was the point where he had embarked. A pleasure-boat<br />
with striped awning was going by. Monte Cristo called the owner, who<br />
immediately rowed up to him with the eagerness of a boatman hoping for a<br />
good fare. The weather was magnificent, and the excursion a treat.</p>

<p>The sun, red and flaming, was sinking into the embrace of the welcoming<br />
ocean. The sea, smooth as crystal, was now and then disturbed by the<br />
leaping of fish, which were pursued by some unseen enemy and sought for<br />
safety in another element; while on the extreme verge of the horizon<br />
might be seen the fishermen's boats, white and graceful as the sea-gull,<br />
or the merchant vessels bound for Corsica or Spain.</p>

<p>But notwithstanding the serene sky, the gracefully formed boats, and<br />
the golden light in which the whole scene was bathed, the Count of Monte<br />
Cristo, wrapped in his cloak, could think only of this terrible voyage,<br />
the details of which were one by one recalled to his memory. The<br />
solitary light burning at the Catalans; that first sight of the Chateau<br />
d'If, which told him whither they were leading him; the struggle with<br />
the gendarmes when he wished to throw himself overboard; his despair<br />
when he found himself vanquished, and the sensation when the muzzle of<br />
the carbine touched his forehead--all these were brought before him<br />
in vivid and frightful reality. Like the streams which the heat of the<br />
summer has dried up, and which after the autumnal storms gradually begin<br />
oozing drop by drop, so did the count feel his heart gradually fill with<br />
the bitterness which formerly nearly overwhelmed Edmond Dantes. Clear<br />
sky, swift-flitting boats, and brilliant sunshine disappeared; the<br />
heavens were hung with black, and the gigantic structure of the Chateau<br />
d'If seemed like the phantom of a mortal enemy. As they reached the<br />
shore, the count instinctively shrunk to the extreme end of the boat,<br />
and the owner was obliged to call out, in his sweetest tone of voice,<br />
"Sir, we are at the landing."</p>

<p>Monte Cristo remembered that on that very spot, on the same rock, he had<br />
been violently dragged by the guards, who forced him to ascend the slope<br />
at the points of their bayonets. The journey had seemed very long to<br />
Dantes, but Monte Cristo found it equally short. Each stroke of the oar<br />
seemed to awaken a new throng of ideas, which sprang up with the flying<br />
spray of the sea.</p>

<p>There had been no prisoners confined in the Chateau d'If since the<br />
revolution of July; it was only inhabited by a guard, kept there for the<br />
prevention of smuggling. A concierge waited at the door to exhibit to<br />
visitors this monument of curiosity, once a scene of terror. The count<br />
inquired whether any of the ancient jailers were still there; but they<br />
had all been pensioned, or had passed on to some other employment. The<br />
concierge who attended him had only been there since 1830. He visited<br />
his own dungeon. He again beheld the dull light vainly endeavoring to<br />
penetrate the narrow opening. His eyes rested upon the spot where had<br />
stood his bed, since then removed, and behind the bed the new stones<br />
indicated where the breach made by the Abbe Faria had been. Monte Cristo<br />
felt his limbs tremble; he seated himself upon a log of wood.</p>

<p>"Are there any stories connected with this prison besides the one<br />
relating to the poisoning of Mirabeau?" asked the count; "are there any<br />
traditions respecting these dismal abodes,--in which it is difficult to<br />
believe men can ever have imprisoned their fellow-creatures?"</p>

<p>"Yes, sir; indeed, the jailer Antoine told me one connected with this<br />
very dungeon."</p>

<p>Monte Cristo shuddered; Antoine had been his jailer. He had almost<br />
forgotten his name and face, but at the mention of the name he recalled<br />
his person as he used to see it, the face encircled by a beard, wearing<br />
the brown jacket, the bunch of keys, the jingling of which he still<br />
seemed to hear. The count turned around, and fancied he saw him in the<br />
corridor, rendered still darker by the torch carried by the concierge.<br />
"Would you like to hear the story, sir?"</p>

<p>"Yes; relate it," said Monte Cristo, pressing his hand to his heart to<br />
still its violent beatings; he felt afraid of hearing his own history.</p>

<p>"This dungeon," said the concierge, "was, it appears, some time ago<br />
occupied by a very dangerous prisoner, the more so since he was full of<br />
industry. Another person was confined in the Chateau at the same time,<br />
but he was not wicked, he was only a poor mad priest."</p>

<p>"Ah, indeed?--mad!" repeated Monte Cristo; "and what was his mania?"</p>

<p>"He offered millions to any one who would set him at liberty."</p>

<p>Monte Cristo raised his eyes, but he could not see the heavens; there<br />
was a stone veil between him and the firmament. He thought that there<br />
had been no less thick a veil before the eyes of those to whom Faria<br />
offered the treasures. "Could the prisoners see each other?" he asked.</p>

<p>"Oh, no, sir, it was expressly forbidden; but they eluded the vigilance<br />
of the guards, and made a passage from one dungeon to the other."</p>

<p>"And which of them made this passage?"</p>

<p>"Oh, it must have been the young man, certainly, for he was strong and<br />
industrious, while the abbe was aged and weak; besides, his mind was too<br />
vacillating to allow him to carry out an idea."</p>

<p>"Blind fools!" murmured the count.</p>

<p>"However, be that as it may, the young man made a tunnel, how or by<br />
what means no one knows; but he made it, and there is the evidence yet<br />
remaining of his work. Do you see it?" and the man held the torch to the<br />
wall.</p>

<p>"Ah, yes; I see," said the count, in a voice hoarse from emotion.</p>

<p>"The result was that the two men communicated with one another; how long<br />
they did so, nobody knows. One day the old man fell ill and died. Now<br />
guess what the young one did?"</p>

<p>"Tell me."</p>

<p>"He carried off the corpse, which he placed in his own bed with its face<br />
to the wall; then he entered the empty dungeon, closed the entrance, and<br />
slipped into the sack which had contained the dead body. Did you ever<br />
hear of such an idea?" Monte Cristo closed his eyes, and seemed again<br />
to experience all the sensations he had felt when the coarse canvas,<br />
yet moist with the cold dews of death, had touched his face. The jailer<br />
continued: "Now this was his project. He fancied that they buried the<br />
dead at the Chateau d'If, and imagining they would not expend much labor<br />
on the grave of a prisoner, he calculated on raising the earth with<br />
his shoulders, but unfortunately their arrangements at the Chateau<br />
frustrated his projects. They never buried the dead; they merely<br />
attached a heavy cannon-ball to the feet, and then threw them into the<br />
sea. This is what was done. The young man was thrown from the top of the<br />
rock; the corpse was found on the bed next day, and the whole truth was<br />
guessed, for the men who performed the office then mentioned what they<br />
had not dared to speak of before, that at the moment the corpse was<br />
thrown into the deep, they heard a shriek, which was almost immediately<br />
stifled by the water in which it disappeared." The count breathed with<br />
difficulty; the cold drops ran down his forehead, and his heart was full<br />
of anguish.</p>

<p>"No," he muttered, "the doubt I felt was but the commencement of<br />
forgetfulness; but here the wound reopens, and the heart again thirsts<br />
for vengeance. And the prisoner," he continued aloud, "was he ever heard<br />
of afterwards?"</p>

<p>"Oh, no; of course not. You can understand that one of two things must<br />
have happened; he must either have fallen flat, in which case the blow,<br />
from a height of ninety feet, must have killed him instantly, or he must<br />
have fallen upright, and then the weight would have dragged him to the<br />
bottom, where he remained--poor fellow!"</p>

<p>"Then you pity him?" said the count.</p>

<p>"Ma foi, yes; though he was in his own element."</p>

<p>"What do you mean?"</p>

<p>"The report was that he had been a naval officer, who had been confined<br />
for plotting with the Bonapartists."</p>

<p>"Great is truth," muttered the count, "fire cannot burn, nor water drown<br />
it! Thus the poor sailor lives in the recollection of those who narrate<br />
his history; his terrible story is recited in the chimney-corner, and a<br />
shudder is felt at the description of his transit through the air to be<br />
swallowed by the deep." Then, the count added aloud, "Was his name ever<br />
known?"</p>

<p>"Oh, yes; but only as No. 34."</p>

<p>"Oh, Villefort, Villefort," murmured the count, "this scene must often<br />
have haunted thy sleepless hours!"</p>

<p>"Do you wish to see anything more, sir?" said the concierge.</p>

<p>"Yes, especially if you will show me the poor abbe's room."</p>

<p>"Ah--No. 27."</p>

<p>"Yes; No. 27." repeated the count, who seemed to hear the voice of the<br />
abbe answering him in those very words through the wall when asked his<br />
name.</p>

<p>"Come, sir."</p>

<p>"Wait," said Monte Cristo, "I wish to take one final glance around this<br />
room."</p>

<p>"This is fortunate," said the guide; "I have forgotten the other key."</p>

<p>"Go and fetch it."</p>

<p>"I will leave you the torch, sir."</p>

<p>"No, take it away; I can see in the dark."</p>

<p>"Why, you are like No. 34. They said he was so accustomed to darkness<br />
that he could see a pin in the darkest corner of his dungeon."</p>

<p>"He spent fourteen years to arrive at that," muttered the count.</p>

<p>The guide carried away the torch. The count had spoken correctly.<br />
Scarcely had a few seconds elapsed, ere he saw everything as distinctly<br />
as by daylight. Then he looked around him, and really recognized his<br />
dungeon.</p>

<p>"Yes," he said, "there is the stone upon which I used to sit; there is<br />
the impression made by my shoulders on the wall; there is the mark of<br />
my blood made when one day I dashed my head against the wall. Oh, those<br />
figures, how well I remember them! I made them one day to calculate<br />
the age of my father, that I might know whether I should find him still<br />
living, and that of Mercedes, to know if I should find her still free.<br />
After finishing that calculation, I had a minute's hope. I did not<br />
reckon upon hunger and infidelity!" and a bitter laugh escaped the<br />
count. He saw in fancy the burial of his father, and the marriage of<br />
Mercedes. On the other side of the dungeon he perceived an inscription,<br />
the white letters of which were still visible on the green wall. "'O<br />
God,'" he read, "'preserve my memory!' Oh, yes," he cried, "that was<br />
my only prayer at last; I no longer begged for liberty, but memory;<br />
I dreaded to become mad and forgetful. O God, thou hast preserved my<br />
memory; I thank thee, I thank thee!" At this moment the light of the<br />
torch was reflected on the wall; the guide was coming; Monte Cristo went<br />
to meet him.</p>

<p>"Follow me, sir;" and without ascending the stairs the guide conducted<br />
him by a subterraneous passage to another entrance. There, again, Monte<br />
Cristo was assailed by a multitude of thoughts. The first thing that<br />
met his eye was the meridian, drawn by the abbe on the wall, by which<br />
he calculated the time; then he saw the remains of the bed on which<br />
the poor prisoner had died. The sight of this, instead of exciting the<br />
anguish experienced by the count in the dungeon, filled his heart with a<br />
soft and grateful sentiment, and tears fell from his eyes.</p>

<p>"This is where the mad abbe was kept, sir, and that is where the young<br />
man entered;" and the guide pointed to the opening, which had remained<br />
unclosed. "From the appearance of the stone," he continued, "a learned<br />
gentleman discovered that the prisoners might have communicated together<br />
for ten years. Poor things! Those must have been ten weary years."</p>

<p>Dantes took some louis from his pocket, and gave them to the man who<br />
had twice unconsciously pitied him. The guide took them, thinking them<br />
merely a few pieces of little value; but the light of the torch revealed<br />
their true worth. "Sir," he said, "you have made a mistake; you have<br />
given me gold."</p>

<p>"I know it." The concierge looked upon the count with surprise. "Sir,"<br />
he cried, scarcely able to believe his good fortune--"sir, I cannot<br />
understand your generosity!"</p>

<p>"Oh, it is very simple, my good fellow; I have been a sailor, and your<br />
story touched me more than it would others."</p>

<p>"Then, sir, since you are so liberal, I ought to offer you something."</p>

<p>"What have you to offer to me, my friend? Shells? Straw-work? Thank<br />
you!"</p>

<p>"No, sir, neither of those; something connected with this story."</p>

<p>"Really? What is it?"</p>

<p>"Listen," said the guide; "I said to myself, 'Something is always left<br />
in a cell inhabited by one prisoner for fifteen years,' so I began to<br />
sound the wall."</p>

<p>"Ah," cried Monte Cristo, remembering the abbe's two hiding-places.</p>

<p>"After some search, I found that the floor gave a hollow sound near the<br />
head of the bed, and at the hearth."</p>

<p>"Yes," said the count, "yes."</p>

<p>"I raised the stones, and found"--</p>

<p>"A rope-ladder and some tools?"</p>

<p>"How do you know that?" asked the guide in astonishment.</p>

<p>"I do not know--I only guess it, because that sort of thing is generally<br />
found in prisoners' cells."</p>

<p>"Yes, sir, a rope-ladder and tools."</p>

<p>"And have you them yet?"</p>

<p>"No, sir; I sold them to visitors, who considered them great<br />
curiosities; but I have still something left."</p>

<p>"What is it?" asked the count, impatiently.</p>

<p>"A sort of book, written upon strips of cloth."</p>

<p>"Go and fetch it, my good fellow; and if it be what I hope, you will do<br />
well."</p>

<p>"I will run for it, sir;" and the guide went out. Then the count knelt<br />
down by the side of the bed, which death had converted into an altar.<br />
"Oh, second father," he exclaimed, "thou who hast given me liberty,<br />
knowledge, riches; thou who, like beings of a superior order to<br />
ourselves, couldst understand the science of good and evil; if in the<br />
depths of the tomb there still remain something within us which can<br />
respond to the voice of those who are left on earth; if after death the<br />
soul ever revisit the places where we have lived and suffered,--then,<br />
noble heart, sublime soul, then I conjure thee by the paternal love thou<br />
didst bear me, by the filial obedience I vowed to thee, grant me some<br />
sign, some revelation! Remove from me the remains of doubt, which, if<br />
it change not to conviction, must become remorse!" The count bowed his<br />
head, and clasped his hands together.</p>

<p>"Here, sir," said a voice behind him.</p>

<p>Monte Cristo shuddered, and arose. The concierge held out the strips of<br />
cloth upon which the Abbe Faria had spread the riches of his mind. The<br />
manuscript was the great work by the Abbe Faria upon the kingdoms of<br />
Italy. The count seized it hastily, his eyes immediately fell upon the<br />
epigraph, and he read, "'Thou shalt tear out the dragons' teeth, and<br />
shall trample the lions under foot, saith the Lord.'"</p>

<p>"Ah," he exclaimed, "here is my answer. Thanks, father, thanks."<br />
And feeling in his pocket, he took thence a small pocket-book, which<br />
contained ten bank-notes, each of 1,000. francs.</p>

<p>"Here," he said, "take this pocket-book."</p>

<p>"Do you give it to me?"</p>

<p>"Yes; but only on condition that you will not open it till I am gone;"<br />
and placing in his breast the treasure he had just found, which was more<br />
valuable to him than the richest jewel, he rushed out of the corridor,<br />
and reaching his boat, cried, "To Marseilles!" Then, as he departed, he<br />
fixed his eyes upon the gloomy prison. "Woe," he cried, "to those who<br />
confined me in that wretched prison; and woe to those who forgot that<br />
I was there!" As he repassed the Catalans, the count turned around and<br />
burying his head in his cloak murmured the name of a woman. The victory<br />
was complete; twice he had overcome his doubts. The name he pronounced,<br />
in a voice of tenderness, amounting almost to love, was that of Haidee.</p>

<p>On landing, the count turned towards the cemetery, where he felt sure of<br />
finding Morrel. He, too, ten years ago, had piously sought out a tomb,<br />
and sought it vainly. He, who returned to France with millions, had been<br />
unable to find the grave of his father, who had perished from hunger.<br />
Morrel had indeed placed a cross over the spot, but it had fallen down<br />
and the grave-digger had burnt it, as he did all the old wood in the<br />
churchyard. The worthy merchant had been more fortunate. Dying in the<br />
arms of his children, he had been by them laid by the side of his<br />
wife, who had preceded him in eternity by two years. Two large slabs of<br />
marble, on which were inscribed their names, were placed on either side<br />
of a little enclosure, railed in, and shaded by four cypress-trees.<br />
Morrel was leaning against one of these, mechanically fixing his eyes<br />
on the graves. His grief was so profound that he was nearly unconscious.<br />
"Maximilian," said the count, "you should not look on the graves, but<br />
there;" and he pointed upwards.</p>

<p>"The dead are everywhere," said Morrel; "did you not yourself tell me so<br />
as we left Paris?"</p>

<p>"Maximilian," said the count, "you asked me during the journey to allow<br />
you to remain some days at Marseilles. Do you still wish to do so?"</p>

<p>"I have no wishes, count; only I fancy I could pass the time less<br />
painfully here than anywhere else."</p>

<p>"So much the better, for I must leave you; but I carry your word with<br />
me, do I not?"</p>

<p>"Ah, count, I shall forget it."</p>

<p>"No, you will not forget it, because you are a man of honor, Morrel,<br />
because you have taken an oath, and are about to do so again."</p>

<p>"Oh, count, have pity upon me. I am so unhappy."</p>

<p>"I have known a man much more unfortunate than you, Morrel."</p>

<p>"Impossible!"</p>

<p>"Alas," said Monte Cristo, "it is the infirmity of our nature always to<br />
believe ourselves much more unhappy than those who groan by our sides!"</p>

<p>"What can be more wretched than the man who has lost all he loved and<br />
desired in the world?"</p>

<p>"Listen, Morrel, and pay attention to what I am about to tell you. I<br />
knew a man who like you had fixed all his hopes of happiness upon a<br />
woman. He was young, he had an old father whom he loved, a betrothed<br />
bride whom he adored. He was about to marry her, when one of the<br />
caprices of fate,--which would almost make us doubt the goodness of<br />
providence, if that providence did not afterwards reveal itself by<br />
proving that all is but a means of conducting to an end,--one of those<br />
caprices deprived him of his mistress, of the future of which he had<br />
dreamed (for in his blindness he forgot he could only read the present),<br />
and cast him into a dungeon."</p>

<p>"Ah," said Morrel, "one quits a dungeon in a week, a month, or a year."</p>

<p>"He remained there fourteen years, Morrel," said the count, placing his<br />
hand on the young man's shoulder. Maximilian shuddered.</p>

<p>"Fourteen years!" he muttered--"Fourteen years!" repeated the count.<br />
"During that time he had many moments of despair. He also, Morrel, like<br />
you, considered himself the unhappiest of men."</p>

<p>"Well?" asked Morrel.</p>

<p>"Well, at the height of his despair God assisted him through human<br />
means. At first, perhaps, he did not recognize the infinite mercy of the<br />
Lord, but at last he took patience and waited. One day he miraculously<br />
left the prison, transformed, rich, powerful. His first cry was for his<br />
father; but that father was dead."</p>

<p>"My father, too, is dead," said Morrel.</p>

<p>"Yes; but your father died in your arms, happy, respected, rich, and<br />
full of years; his father died poor, despairing, almost doubtful of<br />
providence; and when his son sought his grave ten years afterwards, his<br />
tomb had disappeared, and no one could say, 'There sleeps the father you<br />
so well loved.'"</p>

<p>"Oh!" exclaimed Morrel.</p>

<p>"He was, then, a more unhappy son than you, Morrel, for he could not<br />
even find his father's grave."</p>

<p>"But then he had the woman he loved still remaining?"</p>

<p>"You are deceived, Morrel, that woman"--</p>

<p>"She was dead?"</p>

<p>"Worse than that, she was faithless, and had married one of the<br />
persecutors of her betrothed. You see, then, Morrel, that he was a more<br />
unhappy lover than you."</p>

<p>"And has he found consolation?"</p>

<p>"He has at least found peace."</p>

<p>"And does he ever expect to be happy?"</p>

<p>"He hopes so, Maximilian." The young man's head fell on his breast.</p>

<p>"You have my promise," he said, after a minute's pause, extending his<br />
hand to Monte Cristo. "Only remember"--</p>

<p>"On the 5th of October, Morrel, I shall expect you at the Island of<br />
Monte Cristo. On the 4th a yacht will wait for you in the port of<br />
Bastia, it will be called the Eurus. You will give your name to the<br />
captain, who will bring you to me. It is understood--is it not?"</p>

<p>"But, count, do you remember that the 5th of October"--</p>

<p>"Child," replied the count, "not to know the value of a man's word! I<br />
have told you twenty times that if you wish to die on that day, I will<br />
assist you. Morrel, farewell!"</p>

<p>"Do you leave me?"</p>

<p>"Yes; I have business in Italy. I leave you alone with your misfortunes,<br />
and with hope, Maximilian."</p>

<p>"When do you leave?"</p>

<p>"Immediately; the steamer waits, and in an hour I shall be far from you.<br />
Will you accompany me to the harbor, Maximilian?"</p>

<p>"I am entirely yours, count." Morrel accompanied the count to the<br />
harbor. The white steam was ascending like a plume of feathers from the<br />
black chimney. The steamer soon disappeared, and in an hour afterwards,<br />
as the count had said, was scarcely distinguishable in the horizon<br />
amidst the fogs of the night.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER 114. Peppino.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_count_of_monte_cristo/2009/03/chapter-114-peppino.html" />
    <id>tag:www.greatbooksforfree.com,2009:/the_count_of_monte_cristo//24.1604</id>

    <published>2009-03-09T23:46:58Z</published>
    <updated>2008-10-19T22:48:48Z</updated>

    <summary>At the same time that the steamer disappeared behind Cape Morgion, a man travelling post on the road from Florence to Rome had just passed the little town of Aquapendente. He was travelling fast enough to cover a great deal...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_count_of_monte_cristo/">
        <![CDATA[<p>At the same time that the steamer disappeared behind Cape Morgion, a man<br />
travelling post on the road from Florence to Rome had just passed the<br />
little town of Aquapendente. He was travelling fast enough to cover a<br />
great deal of ground without exciting suspicion. This man was dressed<br />
in a greatcoat, or rather a surtout, a little worse for the journey,<br />
but which exhibited the ribbon of the Legion of Honor still fresh and<br />
brilliant, a decoration which also ornamented the under coat. He might<br />
be recognized, not only by these signs, but also from the accent with<br />
which he spoke to the postilion, as a Frenchman. Another proof that he<br />
was a native of the universal country was apparent in the fact of his<br />
knowing no other Italian words than the terms used in music, and<br />
which like the "goddam" of Figaro, served all possible linguistic<br />
requirements. "Allegro!" he called out to the postilions at every<br />
ascent. "Moderato!" he cried as they descended. And heaven knows there<br />
are hills enough between Rome and Florence by the way of Aquapendente!<br />
These two words greatly amused the men to whom they were addressed. On<br />
reaching La Storta, the point from whence Rome is first visible, the<br />
traveller evinced none of the enthusiastic curiosity which usually leads<br />
strangers to stand up and endeavor to catch sight of the dome of<br />
St. Peter's, which may be seen long before any other object is<br />
distinguishable. No, he merely drew a pocketbook from his pocket, and<br />
took from it a paper folded in four, and after having examined it in a<br />
manner almost reverential, he said--"Good! I have it still!"</p>

<p>The carriage entered by the Porto del Popolo, turned to the left, and<br />
stopped at the Hotel d'Espagne. Old Pastrini, our former acquaintance,<br />
received the traveller at the door, hat in hand. The traveller alighted,<br />
ordered a good dinner, and inquired the address of the house of Thomson<br />
& French, which was immediately given to him, as it was one of the most<br />
celebrated in Rome. It was situated in the Via dei Banchi, near St.<br />
Peter's. In Rome, as everywhere else, the arrival of a post-chaise is an<br />
event. Ten young descendants of Marius and the Gracchi, barefooted and<br />
out at elbows, with one hand resting on the hip and the other gracefully<br />
curved above the head, stared at the traveller, the post-chaise, and the<br />
horses; to these were added about fifty little vagabonds from the Papal<br />
States, who earned a pittance by diving into the Tiber at high water<br />
from the bridge of St. Angelo. Now, as these street Arabs of Rome,<br />
more fortunate than those of Paris, understand every language, more<br />
especially the French, they heard the traveller order an apartment, a<br />
dinner, and finally inquire the way to the house of Thomson & French.<br />
The result was that when the new-comer left the hotel with the cicerone,<br />
a man detached himself from the rest of the idlers, and without having<br />
been seen by the traveller, and appearing to excite no attention from<br />
the guide, followed the stranger with as much skill as a Parisian police<br />
agent would have used.</p>

<p>The Frenchman had been so impatient to reach the house of Thomson &<br />
French that he would not wait for the horses to be harnessed, but left<br />
word for the carriage to overtake him on the road, or to wait for him<br />
at the bankers' door. He reached it before the carriage arrived. The<br />
Frenchman entered, leaving in the anteroom his guide, who immediately<br />
entered into conversation with two or three of the industrious idlers<br />
who are always to be found in Rome at the doors of banking-houses,<br />
churches, museums, or theatres. With the Frenchman, the man who had<br />
followed him entered too; the Frenchman knocked at the inner door, and<br />
entered the first room; his shadow did the same.</p>

<p>"Messrs. Thomson & French?" inquired the stranger.</p>

<p>An attendant arose at a sign from a confidential clerk at the first<br />
desk. "Whom shall I announce?" said the attendant.</p>

<p>"Baron Danglars."</p>

<p>"Follow me," said the man. A door opened, through which the attendant<br />
and the baron disappeared. The man who had followed Danglars sat down on<br />
a bench. The clerk continued to write for the next five minutes; the man<br />
preserved profound silence, and remained perfectly motionless. Then the<br />
pen of the clerk ceased to move over the paper; he raised his head, and<br />
appearing to be perfectly sure of privacy,--"Ah, ha," he said, "here you<br />
are, Peppino!"</p>

<p>"Yes," was the laconic reply. "You have found out that there is<br />
something worth having about this large gentleman?"</p>

<p>"There is no great merit due to me, for we were informed of it."</p>

<p>"You know his business here, then."</p>

<p>"Pardieu, he has come to draw, but I don't know how much!"</p>

<p>"You will know presently, my friend."</p>

<p>"Very well, only do not give me false information as you did the other<br />
day."</p>

<p>"What do you mean?--of whom do you speak? Was it the Englishman who<br />
carried off 3,000 crowns from here the other day?"</p>

<p>"No; he really had 3,000 crowns, and we found them. I mean the Russian<br />
prince, who you said had 30,000 livres, and we only found 22,000."</p>

<p>"You must have searched badly."</p>

<p>"Luigi Vampa himself searched."</p>

<p>"Indeed? But you must let me make my observations, or the Frenchman will<br />
transact his business without my knowing the sum." Peppino nodded, and<br />
taking a rosary from his pocket began to mutter a few prayers while<br />
the clerk disappeared through the same door by which Danglars and the<br />
attendant had gone out. At the expiration of ten minutes the clerk<br />
returned with a beaming countenance. "Well?" asked Peppino of his<br />
friend.</p>

<p>"Joy, joy--the sum is large!"</p>

<p>"Five or six millions, is it not?"</p>

<p>"Yes, you know the amount."</p>

<p>"On the receipt of the Count of Monte Cristo?"</p>

<p>"Why, how came you to be so well acquainted with all this?"</p>

<p>"I told you we were informed beforehand."</p>

<p>"Then why do you apply to me?"</p>

<p>"That I may be sure I have the right man."</p>

<p>"Yes, it is indeed he. Five millions--a pretty sum, eh, Peppino?"</p>

<p>"Hush--here is our man!" The clerk seized his pen, and Peppino his<br />
beads; one was writing and the other praying when the door opened.<br />
Danglars looked radiant with joy; the banker accompanied him to the<br />
door. Peppino followed Danglars.</p>

<p>According to the arrangements, the carriage was waiting at the door. The<br />
guide held the door open. Guides are useful people, who will turn their<br />
hands to anything. Danglars leaped into the carriage like a young man of<br />
twenty. The cicerone reclosed the door, and sprang up by the side of the<br />
coachman. Peppino mounted the seat behind.</p>

<p>"Will your excellency visit St. Peter's?" asked the cicerone.</p>

<p>"I did not come to Rome to see," said Danglars aloud; then he added<br />
softly, with an avaricious smile, "I came to touch!" and he rapped his<br />
pocket-book, in which he had just placed a letter.</p>

<p>"Then your excellency is going"--</p>

<p>"To the hotel."</p>

<p>"Casa Pastrini!" said the cicerone to the coachman, and the carriage<br />
drove rapidly on. Ten minutes afterwards the baron entered his<br />
apartment, and Peppino stationed himself on the bench outside the door<br />
of the hotel, after having whispered something in the ear of one of the<br />
descendants of Marius and the Gracchi whom we noticed at the beginning<br />
of the chapter, who immediately ran down the road leading to the Capitol<br />
at his fullest speed. Danglars was tired and sleepy; he therefore went<br />
to bed, placing his pocketbook under his pillow. Peppino had a little<br />
spare time, so he had a game of mora with the facchini, lost three<br />
crowns, and then to console himself drank a bottle of Orvieto.</p>

<p>The next morning Danglars awoke late, though he went to bed so early; he<br />
had not slept well for five or six nights, even if he had slept at all.<br />
He breakfasted heartily, and caring little, as he said, for the beauties<br />
of the Eternal City, ordered post-horses at noon. But Danglars had not<br />
reckoned upon the formalities of the police and the idleness of the<br />
posting-master. The horses only arrived at two o'clock, and the cicerone<br />
did not bring the passport till three. All these preparations had<br />
collected a number of idlers round the door of Signor Pastrini's; the<br />
descendants of Marius and the Gracchi were also not wanting. The baron<br />
walked triumphantly through the crowd, who for the sake of gain styled<br />
him "your excellency." As Danglars had hitherto contented himself<br />
with being called a baron, he felt rather flattered at the title of<br />
excellency, and distributed a dozen silver coins among the beggars, who<br />
were ready, for twelve more, to call him "your highness."</p>

<p>"Which road?" asked the postilion in Italian. "The Ancona road," replied<br />
the baron. Signor Pastrini interpreted the question and answer, and the<br />
horses galloped off. Danglars intended travelling to Venice, where he<br />
would receive one part of his fortune, and then proceeding to Vienna,<br />
where he would find the rest, he meant to take up his residence in the<br />
latter town, which he had been told was a city of pleasure.</p>

<p>He had scarcely advanced three leagues out of Rome when daylight began<br />
to disappear. Danglars had not intended starting so late, or he would<br />
have remained; he put his head out and asked the postilion how long<br />
it would be before they reached the next town. "Non capisco" (do not<br />
understand), was the reply. Danglars bent his head, which he meant to<br />
imply, "Very well." The carriage again moved on. "I will stop at the<br />
first posting-house," said Danglars to himself.</p>

<p>He still felt the same self-satisfaction which he had experienced the<br />
previous evening, and which had procured him so good a night's rest. He<br />
was luxuriously stretched in a good English calash, with double springs;<br />
he was drawn by four good horses, at full gallop; he knew the relay<br />
to be at a distance of seven leagues. What subject of meditation could<br />
present itself to the banker, so fortunately become bankrupt?</p>

<p>Danglars thought for ten minutes about his wife in Paris; another ten<br />
minutes about his daughter travelling with Mademoiselle d'Armilly;<br />
the same period was given to his creditors, and the manner in which<br />
he intended spending their money; and then, having no subject left for<br />
contemplation, he shut his eyes, and fell asleep. Now and then a jolt<br />
more violent than the rest caused him to open his eyes; then he felt<br />
that he was still being carried with great rapidity over the same<br />
country, thickly strewn with broken aqueducts, which looked like granite<br />
giants petrified while running a race. But the night was cold, dull, and<br />
rainy, and it was much more pleasant for a traveller to remain in the<br />
warm carriage than to put his head out of the window to make inquiries<br />
of a postilion whose only answer was "Non capisco."</p>

<p>Danglars therefore continued to sleep, saying to himself that he would<br />
be sure to awake at the posting-house. The carriage stopped. Danglars<br />
fancied that they had reached the long-desired point; he opened his eyes<br />
and looked through the window, expecting to find himself in the midst<br />
of some town, or at least village; but he saw nothing except what<br />
seemed like a ruin, where three or four men went and came like shadows.<br />
Danglars waited a moment, expecting the postilion to come and demand<br />
payment with the termination of his stage. He intended taking advantage<br />
of the opportunity to make fresh inquiries of the new conductor; but the<br />
horses were unharnessed, and others put in their places, without any<br />
one claiming money from the traveller. Danglars, astonished, opened the<br />
door; but a strong hand pushed him back, and the carriage rolled on. The<br />
baron was completely roused. "Eh?" he said to the postilion, "eh, mio<br />
caro?"</p>

<p>This was another little piece of Italian the baron had learned from<br />
hearing his daughter sing Italian duets with Cavalcanti. But mio caro<br />
did not reply. Danglars then opened the window.</p>

<p>"Come, my friend," he said, thrusting his hand through the opening,<br />
"where are we going?"</p>

<p>"Dentro la testa!" answered a solemn and imperious voice, accompanied by<br />
a menacing gesture. Danglars thought dentro la testa meant, "Put in your<br />
head!" He was making rapid progress in Italian. He obeyed, not without<br />
some uneasiness, which, momentarily increasing, caused his mind, instead<br />
of being as unoccupied as it was when he began his journey, to fill with<br />
ideas which were very likely to keep a traveller awake, more especially<br />
one in such a situation as Danglars. His eyes acquired that quality<br />
which in the first moment of strong emotion enables them to see<br />
distinctly, and which afterwards fails from being too much taxed. Before<br />
we are alarmed, we see correctly; when we are alarmed, we see double;<br />
and when we have been alarmed, we see nothing but trouble. Danglars<br />
observed a man in a cloak galloping at the right hand of the carriage.</p>

<p>"Some gendarme!" he exclaimed. "Can I have been intercepted by French<br />
telegrams to the pontifical authorities?" He resolved to end his<br />
anxiety. "Where are you taking me?" he asked. "Dentro la testa," replied<br />
the same voice, with the same menacing accent.</p>

<p>Danglars turned to the left; another man on horseback was galloping<br />
on that side. "Decidedly," said Danglars, with the perspiration on his<br />
forehead, "I must be under arrest." And he threw himself back in the<br />
calash, not this time to sleep, but to think. Directly afterwards the<br />
moon rose. He then saw the great aqueducts, those stone phantoms which<br />
he had before remarked, only then they were on the right hand, now they<br />
were on the left. He understood that they had described a circle, and<br />
were bringing him back to Rome. "Oh, unfortunate!" he cried, "they<br />
must have obtained my arrest." The carriage continued to roll on with<br />
frightful speed. An hour of terror elapsed, for every spot they passed<br />
showed that they were on the road back. At length he saw a dark mass,<br />
against which it seemed as if the carriage was about to dash; but the<br />
vehicle turned to one side, leaving the barrier behind and Danglars saw<br />
that it was one of the ramparts encircling Rome.</p>

<p>"Mon dieu!" cried Danglars, "we are not returning to Rome; then it<br />
is not justice which is pursuing me! Gracious heavens; another idea<br />
presents itself--what if they should be"--</p>

<p>His hair stood on end. He remembered those interesting stories, so<br />
little believed in Paris, respecting Roman bandits; he remembered the<br />
adventures that Albert de Morcerf had related when it was intended that<br />
he should marry Mademoiselle Eugenie. "They are robbers, perhaps," he<br />
muttered. Just then the carriage rolled on something harder than gravel<br />
road. Danglars hazarded a look on both sides of the road, and perceived<br />
monuments of a singular form, and his mind now recalled all the details<br />
Morcerf had related, and comparing them with his own situation, he<br />
felt sure that he must be on the Appian Way. On the left, in a sort of<br />
valley, he perceived a circular excavation. It was Caracalla's circus.<br />
On a word from the man who rode at the side of the carriage, it stopped.<br />
At the same time the door was opened. "Scendi!" exclaimed a commanding<br />
voice. Danglars instantly descended; although he did not yet speak<br />
Italian, he understood it very well. More dead than alive, he looked<br />
around him. Four men surrounded him, besides the postilion.</p>

<p>"Di qua," said one of the men, descending a little path leading out of<br />
the Appian Way. Danglars followed his guide without opposition, and<br />
had no occasion to turn around to see whether the three others were<br />
following him. Still it appeared as though they were stationed at equal<br />
distances from one another, like sentinels. After walking for about ten<br />
minutes, during which Danglars did not exchange a single word with his<br />
guide, he found himself between a hillock and a clump of high weeds;<br />
three men, standing silent, formed a triangle, of which he was the<br />
centre. He wished to speak, but his tongue refused to move. "Avanti!"<br />
said the same sharp and imperative voice.</p>

<p>This time Danglars had double reason to understand, for if the word<br />
and gesture had not explained the speaker's meaning, it was clearly<br />
expressed by the man walking behind him, who pushed him so rudely that<br />
he struck against the guide. This guide was our friend Peppino, who<br />
dashed into the thicket of high weeds, through a path which none but<br />
lizards or polecats could have imagined to be an open road. Peppino<br />
stopped before a pit overhung by thick hedges; the pit, half open,<br />
afforded a passage to the young man, who disappeared like the evil<br />
spirits in the fairy tales. The voice and gesture of the man who<br />
followed Danglars ordered him to do the same. There was no longer<br />
any doubt, the bankrupt was in the hands of Roman banditti. Danglars<br />
acquitted himself like a man placed between two dangerous positions,<br />
and who is rendered brave by fear. Notwithstanding his large stomach,<br />
certainly not intended to penetrate the fissures of the Campagna, he<br />
slid down like Peppino, and closing his eyes fell upon his feet. As he<br />
touched the ground, he opened his eyes. The path was wide, but dark.<br />
Peppino, who cared little for being recognized now that he was in his<br />
own territories, struck a light and lit a torch. Two other men descended<br />
after Danglars forming the rearguard, and pushing Danglars whenever he<br />
happened to stop, they came by a gentle declivity to the intersection of<br />
two corridors. The walls were hollowed out in sepulchres, one above the<br />
other, and which seemed in contrast with the white stones to open their<br />
large dark eyes, like those which we see on the faces of the dead. A<br />
sentinel struck the rings of his carbine against his left hand. "Who<br />
comes there?" he cried.</p>

<p>"A friend, a friend!" said Peppino; "but where is the captain?"</p>

<p>"There," said the sentinel, pointing over his shoulder to a spacious<br />
crypt, hollowed out of the rock, the lights from which shone into the<br />
passage through the large arched openings. "Fine spoil, captain, fine<br />
spoil!" said Peppino in Italian, and taking Danglars by the collar of<br />
his coat he dragged him to an opening resembling a door, through which<br />
they entered the apartment which the captain appeared to have made his<br />
dwelling-place.</p>

<p>"Is this the man?" asked the captain, who was attentively reading<br />
Plutarch's "Life of Alexander."</p>

<p>"Himself, captain--himself."</p>

<p>"Very well, show him to me." At this rather impertinent order, Peppino<br />
raised his torch to the face of Danglars, who hastily withdrew that he<br />
might not have his eyelashes burnt. His agitated features presented<br />
the appearance of pale and hideous terror. "The man is tired," said the<br />
captain, "conduct him to his bed."</p>

<p>"Oh," murmured Danglars, "that bed is probably one of the coffins<br />
hollowed in the wall, and the sleep I shall enjoy will be death from one<br />
of the poniards I see glistening in the darkness."</p>

<p>From their beds of dried leaves or wolf-skins at the back of the chamber<br />
now arose the companions of the man who had been found by Albert de<br />
Morcerf reading "Caesar's Commentaries," and by Danglars studying the<br />
"Life of Alexander." The banker uttered a groan and followed his guide;<br />
he neither supplicated nor exclaimed. He no longer possessed strength,<br />
will, power, or feeling; he followed where they led him. At length he<br />
found himself at the foot of a staircase, and he mechanically lifted<br />
his foot five or six times. Then a low door was opened before him, and<br />
bending his head to avoid striking his forehead he entered a small room<br />
cut out of the rock. The cell was clean, though empty, and dry, though<br />
situated at an immeasurable distance under the earth. A bed of dried<br />
grass covered with goat-skins was placed in one corner. Danglars<br />
brightened up on beholding it, fancying that it gave some promise of<br />
safety. "Oh, God be praised," he said; "it is a real bed!"</p>

<p>"Ecco!" said the guide, and pushing Danglars into the cell, he closed<br />
the door upon him. A bolt grated and Danglars was a prisoner. If there<br />
had been no bolt, it would have been impossible for him to pass through<br />
the midst of the garrison who held the catacombs of St. Sebastian,<br />
encamped round a master whom our readers must have recognized as the<br />
famous Luigi Vampa. Danglars, too, had recognized the bandit, whose<br />
existence he would not believe when Albert de Morcerf mentioned him in<br />
Paris; and not only did he recognize him, but the cell in which Albert<br />
had been confined, and which was probably kept for the accommodation<br />
of strangers. These recollections were dwelt upon with some pleasure<br />
by Danglars, and restored him to some degree of tranquillity. Since the<br />
bandits had not despatched him at once, he felt that they would not kill<br />
him at all. They had arrested him for the purpose of robbery, and as he<br />
had only a few louis about him, he doubted not he would be ransomed.<br />
He remembered that Morcerf had been taxed at 4,000 crowns, and as he<br />
considered himself of much greater importance than Morcerf he fixed<br />
his own price at 8,000 crowns. Eight thousand crowns amounted to 48,000<br />
livres; he would then have about 5,050,000 francs left. With this sum he<br />
could manage to keep out of difficulties. Therefore, tolerably secure in<br />
being able to extricate himself from his position, provided he were not<br />
rated at the unreasonable sum of 5,050,000 francs, he stretched himself<br />
on his bed, and after turning over two or three times, fell asleep with<br />
the tranquillity of the hero whose life Luigi Vampa was studying.</p>]]>
        
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</entry>

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