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    <title>The Mysterious Affair at Styles, by Agatha Christie</title>
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    <title>CHAPTER I.</title>
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    <summary>I GO TO STYLES The intense interest aroused in the public by what was known at the time as &quot;The Styles Case&quot; has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked,...</summary>
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        <![CDATA[<p>I GO TO STYLES</p>

<p><br />
The intense interest aroused in the public by what was known at<br />
the time as "The Styles Case" has now somewhat subsided.<br />
Nevertheless, in view of the world-wide notoriety which attended<br />
it, I have been asked, both by my friend Poirot and the family<br />
themselves, to write an account of the whole story.  This, we<br />
trust, will effectually silence the sensational rumours which<br />
still persist.</p>

<p>I will therefore briefly set down the circumstances which led to<br />
my being connected with the affair.</p>

<p>I had been invalided home from the Front; and, after spending<br />
some months in a rather depressing Convalescent Home, was given a<br />
month's sick leave.  Having no near relations or friends, I was<br />
trying to make up my mind what to do, when I ran across John<br />
Cavendish.  I had seen very little of him for some years.<br />
Indeed, I had never known him particularly well.  He was a good<br />
fifteen years my senior, for one thing, though he hardly looked<br />
his forty-five years.  As a boy, though, I had often stayed at<br />
Styles, his mother's place in Essex.</p>

<p>We had a good yarn about old times, and it ended in his inviting<br />
me down to Styles to spend my leave there.</p>

<p>"The mater will be delighted to see you again--after all those<br />
years," he added.</p>

<p>"Your mother keeps well?" I asked.</p>

<p>"Oh, yes.  I suppose you know that she has married again?"</p>

<p>I am afraid I showed my surprise rather plainly.  Mrs. Cavendish,<br />
who had married John's father when he was a widower with two<br />
sons, had been a handsome woman of middle-age as I remembered<br />
her.  She certainly could not be a day less than seventy now.  I<br />
recalled her as an energetic, autocratic personality, somewhat<br />
inclined to charitable and social notoriety, with a fondness for<br />
opening bazaars and playing the Lady Bountiful.  She was a most<br />
generous woman, and possessed a considerable fortune of her own.</p>

<p>Their country-place, Styles Court, had been purchased by Mr.<br />
Cavendish early in their married life.  He had been completely<br />
under his wife's ascendancy, so much so that, on dying, he left<br />
the place to her for her lifetime, as well as the larger part of<br />
his income; an arrangement that was distinctly unfair to his two<br />
sons.  Their step-mother, however, had always been most generous<br />
to them; indeed, they were so young at the time of their father's<br />
remarriage that they always thought of her as their own mother.</p>

<p>Lawrence, the younger, had been a delicate youth.  He had<br />
qualified as a doctor but early relinquished the profession of<br />
medicine, and lived at home while pursuing literary ambitions;<br />
though his verses never had any marked success.</p>

<p>John practiced for some time as a barrister, but had finally<br />
settled down to the more congenial life of a country squire.  He<br />
had married two years ago, and had taken his wife to live at<br />
Styles, though I entertained a shrewd suspicion that he would<br />
have preferred his mother to increase his allowance, which would<br />
have enabled him to have a home of his own.  Mrs. Cavendish,<br />
however, was a lady who liked to make her own plans, and expected<br />
other people to fall in with them, and in this case she certainly<br />
had the whip hand, namely: the purse strings.</p>

<p>John noticed my surprise at the news of his mother's remarriage<br />
and smiled rather ruefully.</p>

<p>"Rotten little bounder too!" he said savagely.  "I can tell you,<br />
Hastings, it's making life jolly difficult for us.  As for<br />
Evie--you remember Evie?"</p>

<p>"No."</p>

<p>"Oh, I suppose she was after your time.  She's the mater's<br />
factotum, companion, Jack of all trades! A great sport--old Evie!<br />
Not precisely young and beautiful, but as game as they make<br />
them."</p>

<p>"You were going to say----?"</p>

<p>"Oh, this fellow! He turned up from nowhere, on the pretext of<br />
being a second cousin or something of Evie's, though she didn't<br />
seem particularly keen to acknowledge the relationship.  The<br />
fellow is an absolute outsider, anyone can see that.  He's got a<br />
great black beard, and wears patent leather boots in all<br />
weathers! But the mater cottoned to him at once, took him on as<br />
secretary--you know how she's always running a hundred<br />
societies?"</p>

<p>I nodded.</p>

<p>"Well, of course the war has turned the hundreds into thousands.<br />
No doubt the fellow was very useful to her.  But you could have<br />
knocked us all down with a feather when, three months ago, she<br />
suddenly announced that she and Alfred were engaged! The fellow<br />
must be at least twenty years younger than she is! It's simply<br />
bare-faced fortune hunting; but there you are--she is her own<br />
mistress, and she's married him."</p>

<p>"It must be a difficult situation for you all."</p>

<p>"Difficult! It's damnable!"</p>

<p>Thus it came about that, three days later, I descended from the<br />
train at Styles St. Mary, an absurd little station, with no<br />
apparent reason for existence, perched up in the midst of green<br />
fields and country lanes.  John Cavendish was waiting on the<br />
platform, and piloted me out to the car.</p>

<p>"Got a drop or two of petrol still, you see," he remarked.<br />
"Mainly owing to the mater's activities."</p>

<p>The village of Styles St. Mary was situated about two miles from<br />
the little station, and Styles Court lay a mile the other side of<br />
it.  It was a still, warm day in early July.  As one looked out<br />
over the flat Essex country, lying so green and peaceful under<br />
the afternoon sun, it seemed almost impossible to believe that,<br />
not so very far away, a great war was running its appointed<br />
course.  I felt I had suddenly strayed into another world.  As we<br />
turned in at the lodge gates, John said:</p>

<p>"I'm afraid you'll find it very quiet down here, Hastings."</p>

<p>"My dear fellow, that's just what I want."</p>

<p>"Oh, it's pleasant enough if you want to lead the idle life.  I<br />
drill with the volunteers twice a week, and lend a hand at the<br />
farms.  My wife works regularly 'on the land'.  She is up at five<br />
every morning to milk, and keeps at it steadily until lunchtime.<br />
It's a jolly good life taking it all round--if it weren't for<br />
that fellow Alfred Inglethorp!" He checked the car suddenly, and<br />
glanced at his watch.  "I wonder if we've time to pick up<br />
Cynthia.  No, she'll have started from the hospital by now."</p>

<p>"Cynthia! That's not your wife?"</p>

<p>"No, Cynthia is a protegee of my mother's, the daughter of an old<br />
schoolfellow of hers, who married a rascally solicitor.  He came<br />
a cropper, and the girl was left an orphan and penniless.  My<br />
mother came to the rescue, and Cynthia has been with us nearly<br />
two years now.  She works in the Red Cross Hospital at<br />
Tadminster, seven miles away."</p>

<p>As he spoke the last words, we drew up in front of the fine old<br />
house.  A lady in a stout tweed skirt, who was bending over a<br />
flower bed, straightened herself at our approach.</p>

<p>"Hullo, Evie, here's our wounded hero! Mr. Hastings--Miss<br />
Howard."</p>

<p>Miss Howard shook hands with a hearty, almost painful, grip.  I<br />
had an impression of very blue eyes in a sunburnt face.  She was<br />
a pleasant-looking woman of about forty, with a deep voice,<br />
almost manly in its stentorian tones, and had a large sensible<br />
square body, with feet to match--these last encased in good thick<br />
boots.  Her conversation, I soon found, was couched in the<br />
telegraphic style.</p>

<p>"Weeds grow like house afire.  Can't keep even with 'em.  Shall<br />
press you in.  Better be careful."</p>

<p>"I'm sure I shall be only too delighted to make myself useful," I<br />
responded.</p>

<p>"Don't say it.  Never does.  Wish you hadn't later."</p>

<p>"You're a cynic, Evie," said John, laughing.  "Where's tea<br />
to-day--inside or out?"</p>

<p>"Out.  Too fine a day to be cooped up in the house."</p>

<p>"Come on then, you've done enough gardening for to-day.  'The<br />
labourer is worthy of his hire', you know.  Come and be<br />
refreshed."</p>

<p>"Well," said Miss Howard, drawing off her gardening gloves, "I'm<br />
inclined to agree with you."</p>

<p>She led the way round the house to where tea was spread under the<br />
shade of a large sycamore.</p>

<p>A figure rose from one of the basket chairs, and came a few steps<br />
to meet us.</p>

<p>"My wife, Hastings," said John.</p>

<p>I shall never forget my first sight of Mary Cavendish.  Her tall,<br />
slender form, outlined against the bright light; the vivid sense<br />
of slumbering fire that seemed to find expression only in those<br />
wonderful tawny eyes of hers, remarkable eyes, different from any<br />
other woman's that I have ever known; the intense power of<br />
stillness she possessed, which nevertheless conveyed the<br />
impression of a wild untamed spirit in an exquisitely civilised<br />
body--all these things are burnt into my memory.  I shall never<br />
forget them.</p>

<p>She greeted me with a few words of pleasant welcome in a low<br />
clear voice, and I sank into a basket chair feeling distinctly<br />
glad that I had accepted John's invitation.  Mrs. Cavendish gave<br />
me some tea, and her few quiet remarks heightened my first<br />
impression of her as a thoroughly fascinating woman.  An<br />
appreciative listener is always stimulating, and I described, in<br />
a humorous manner, certain incidents of my Convalescent Home, in<br />
a way which, I flatter myself, greatly amused my hostess.  John,<br />
of course, good fellow though he is, could hardly be called a<br />
brilliant conversationalist.</p>

<p>At that moment a well remembered voice floated through the open<br />
French window near at hand:</p>

<p>"Then you'll write to the Princess after tea, Alfred? I'll write<br />
to Lady Tadminster for the second day, myself.  Or shall we wait<br />
until we hear from the Princess? In case of a refusal, Lady<br />
Tadminster might open it the first day, and Mrs. Crosbie the<br />
second.  Then there's the Duchess--about the school fete."</p>

<p>There was the murmur of a man's voice, and then Mrs. Inglethorp's<br />
rose in reply:</p>

<p>"Yes, certainly.  After tea will do quite well.  You are so<br />
thoughtful, Alfred dear."</p>

<p>The French window swung open a little wider, and a handsome<br />
white-haired old lady, with a somewhat masterful cast of<br />
features, stepped out of it on to the lawn.  A man followed her,<br />
a suggestion of deference in his manner.</p>

<p>Mrs. Inglethorp greeted me with effusion.</p>

<p>"Why, if it isn't too delightful to see you again, Mr. Hastings,<br />
after all these years.  Alfred, darling, Mr. Hastings--my<br />
husband."</p>

<p>I looked with some curiosity at "Alfred darling".  He certainly<br />
struck a rather alien note.  I did not wonder at John objecting<br />
to his beard.  It was one of the longest and blackest I have ever<br />
seen.  He wore gold-rimmed pince-nez, and had a curious<br />
impassivity of feature.  It struck me that he might look natural<br />
on a stage, but was strangely out of place in real life.  His<br />
voice was rather deep and unctuous.  He placed a wooden hand in<br />
mine and said:</p>

<p>"This is a pleasure, Mr. Hastings." Then, turning to his wife:<br />
"Emily dearest, I think that cushion is a little damp."</p>

<p>She beamed fondly on him, as he substituted another with every<br />
demonstration of the tenderest care.  Strange infatuation of an<br />
otherwise sensible woman!</p>

<p>With the presence of Mr. Inglethorp, a sense of constraint and<br />
veiled hostility seemed to settle down upon the company.  Miss<br />
Howard, in particular, took no pains to conceal her feelings.<br />
Mrs. Inglethorp, however, seemed to notice nothing unusual.  Her<br />
volubility, which I remembered of old, had lost nothing in the<br />
intervening years, and she poured out a steady flood of<br />
conversation, mainly on the subject of the forthcoming bazaar<br />
which she was organizing and which was to take place shortly.<br />
Occasionally she referred to her husband over a question of days<br />
or dates.  His watchful and attentive manner never varied.  From<br />
the very first I took a firm and rooted dislike to him, and I<br />
flatter myself that my first judgments are usually fairly shrewd.</p>

<p>Presently Mrs. Inglethorp turned to give some instructions about<br />
letters to Evelyn Howard, and her husband addressed me in his<br />
painstaking voice:</p>

<p>"Is soldiering your regular profession, Mr. Hastings?"</p>

<p>"No, before the war I was in Lloyd's."</p>

<p>"And you will return there after it is over?"</p>

<p>"Perhaps.  Either that or a fresh start altogether."</p>

<p>Mary Cavendish leant forward.</p>

<p>"What would you really choose as a profession, if you could just<br />
consult your inclination?"</p>

<p>"Well, that depends."</p>

<p>"No secret hobby?" she asked.  "Tell me--you're drawn to<br />
something? Every one is--usually something absurd."</p>

<p>"You'll laugh at me."</p>

<p>She smiled.</p>

<p>"Perhaps."</p>

<p>"Well, I've always had a secret hankering to be a detective!"</p>

<p>"The real thing--Scotland Yard? Or Sherlock Holmes?"</p>

<p>"Oh, Sherlock Holmes by all means.  But really, seriously, I am<br />
awfully drawn to it.  I came across a man in Belgium once, a very<br />
famous detective, and he quite inflamed me.  He was a marvellous<br />
little fellow.  He used to say that all good detective work was a<br />
mere matter of method.  My system is based on his--though of<br />
course I have progressed rather further.  He was a funny little<br />
man, a great dandy, but wonderfully clever."</p>

<p>"Like a good detective story myself," remarked Miss Howard.<br />
"Lots of nonsense written, though.  Criminal discovered in last<br />
chapter.  Every one dumbfounded.  Real crime--you'd know at<br />
once."</p>

<p>"There have been a great number of undiscovered crimes," I<br />
argued.</p>

<p>"Don't mean the police, but the people that are right in it.  The<br />
family.  You couldn't really hoodwink them.  They'd know."</p>

<p>"Then," I said, much amused, "you think that if you were mixed up<br />
in a crime, say a murder, you'd be able to spot the murderer<br />
right off?"</p>

<p>"Of course I should.  Mightn't be able to prove it to a pack of<br />
lawyers.  But I'm certain I'd know.  I'd feel it in my fingertips<br />
if he came near me."</p>

<p>"It might be a 'she,' " I suggested.</p>

<p>"Might.  But murder's a violent crime.  Associate it more with a<br />
man."</p>

<p>"Not in a case of poisoning." Mrs. Cavendish's clear voice<br />
startled me.  "Dr. Bauerstein was saying yesterday that, owing to<br />
the general ignorance of the more uncommon poisons among the<br />
medical profession, there were probably countless cases of<br />
poisoning quite unsuspected."</p>

<p>"Why, Mary, what a gruesome conversation!" cried Mrs. Inglethorp.<br />
"It makes me feel as if a goose were walking over my grave.  Oh,<br />
there's Cynthia!"</p>

<p>A young girl in V.  A.  D.  uniform ran lightly across the lawn.</p>

<p>"Why, Cynthia, you are late to-day.  This is Mr. Hastings--Miss<br />
Murdoch."</p>

<p>Cynthia Murdoch was a fresh-looking young creature, full of life<br />
and vigour.  She tossed off her little V.  A.  D.  cap, and I<br />
admired the great loose waves of her auburn hair, and the<br />
smallness and whiteness of the hand she held out to claim her<br />
tea.  With dark eyes and eyelashes she would have been a beauty.</p>

<p>She flung herself down on the ground beside John, and as I handed<br />
her a plate of sandwiches she smiled up at me.</p>

<p>"Sit down here on the grass, do.  It's ever so much nicer."</p>

<p>I dropped down obediently.</p>

<p>"You work at Tadminster, don't you, Miss Murdoch?"</p>

<p>She nodded.</p>

<p>"For my sins."</p>

<p>"Do they bully you, then?" I asked, smiling.</p>

<p>"I should like to see them!" cried Cynthia with dignity.</p>

<p>"I have got a cousin who is nursing," I remarked.  "And she is<br />
terrified of 'Sisters'."</p>

<p>"I don't wonder.  Sisters _are_, you know, Mr. Hastings.  They<br />
simp--ly _are_! You've no idea! But I'm not a nurse, thank heaven,<br />
I work in the dispensary."</p>

<p>"How many people do you poison?" I asked, smiling.</p>

<p>Cynthia smiled too.</p>

<p>"Oh, hundreds!" she said.</p>

<p>"Cynthia," called Mrs. Inglethorp, "do you think you could write<br />
a few notes for me?"</p>

<p>"Certainly, Aunt Emily."</p>

<p>She jumped up promptly, and something in her manner reminded me<br />
that her position was a dependent one, and that Mrs. Inglethorp,<br />
kind as she might be in the main, did not allow her to forget it.</p>

<p>My hostess turned to me.</p>

<p>"John will show you your room.  Supper is at half-past seven.  We<br />
have given up late dinner for some time now.  Lady Tadminster,<br />
our Member's wife--she was the late Lord Abbotsbury's<br />
daughter--does the same.  She agrees with me that one must set an<br />
example of economy.  We are quite a war household; nothing is<br />
wasted here--every scrap of waste paper, even, is saved and sent<br />
away in sacks."</p>

<p>I expressed my appreciation, and John took me into the house and<br />
up the broad staircase, which forked right and left half-way to<br />
different wings of the building.  My room was in the left wing,<br />
and looked out over the park.</p>

<p>John left me, and a few minutes later I saw him from my window<br />
walking slowly across the grass arm in arm with Cynthia Murdoch.<br />
I heard Mrs. Inglethorp call "Cynthia" impatiently, and the girl<br />
started and ran back to the house.  At the same moment, a man<br />
stepped out from the shadow of a tree and walked slowly in the<br />
same direction.  He looked about forty, very dark with a<br />
melancholy clean-shaven face.  Some violent emotion seemed to be<br />
mastering him.  He looked up at my window as he passed, and I<br />
recognized him, though he had changed much in the fifteen years<br />
that had elapsed since we last met.  It was John's younger<br />
brother, Lawrence Cavendish.  I wondered what it was that had<br />
brought that singular expression to his face.</p>

<p>Then I dismissed him from my mind, and returned to the<br />
contemplation of my own affairs.</p>

<p>The evening passed pleasantly enough; and I dreamed that night of<br />
that enigmatical woman, Mary Cavendish.</p>

<p>The next morning dawned bright and sunny, and I was full of the<br />
anticipation of a delightful visit.</p>

<p>I did not see Mrs. Cavendish until lunch-time, when she<br />
volunteered to take me for a walk, and we spent a charming<br />
afternoon roaming in the woods, returning to the house about<br />
five.</p>

<p>As we entered the large hall, John beckoned us both into the<br />
smoking-room.  I saw at once by his face that something<br />
disturbing had occurred.  We followed him in, and he shut the<br />
door after us.</p>

<p>"Look here, Mary, there's the deuce of a mess.  Evie's had a row<br />
with Alfred Inglethorp, and she's off."</p>

<p>"Evie? Off?"</p>

<p>John nodded gloomily.</p>

<p>"Yes; you see she went to the mater, and--Oh, here's Evie<br />
herself."</p>

<p>Miss Howard entered.  Her lips were set grimly together, and she<br />
carried a small suit-case.  She looked excited and determined,<br />
and slightly on the defensive.</p>

<p>"At any rate," she burst out, "I've spoken my mind!"</p>

<p>"My dear Evelyn," cried Mrs. Cavendish, "this can't be true!"</p>

<p>Miss Howard nodded grimly.</p>

<p>"True enough! Afraid I said some things to Emily she won't forget<br />
or forgive in a hurry.  Don't mind if they've only sunk in a bit.<br />
Probably water off a duck's back, though.  I said right out:<br />
'You're an old woman, Emily, and there's no fool like an old<br />
fool.  The man's twenty years younger than you, and don't you<br />
fool yourself as to what he married you for.  Money! Well, don't<br />
let him have too much of it.  Farmer Raikes has got a very pretty<br />
young wife.  Just ask your Alfred how much time he spends over<br />
there.' She was very angry.  Natural! I went on, 'I'm going to<br />
warn you, whether you like it or not.  That man would as soon<br />
murder you in your bed as look at you.  He's a bad lot.  You can<br />
say what you like to me, but remember what I've told you.  He's a<br />
bad lot!' "</p>

<p>"What did she say?"</p>

<p>Miss Howard made an extremely expressive grimace.</p>

<p>" 'Darling Alfred'--'dearest Alfred'--'wicked calumnies'<br />
--'wicked lies'--'wicked woman'--to accuse her 'dear husband'!<br />
The sooner I left her house the better.  So I'm off."</p>

<p>"But not now?"</p>

<p>"This minute!"</p>

<p>For a moment we sat and stared at her.  Finally John Cavendish,<br />
finding his persuasions of no avail, went off to look up the<br />
trains.  His wife followed him, murmuring something about<br />
persuading Mrs. Inglethorp to think better of it.</p>

<p>As she left the room, Miss Howard's face changed.  She leant<br />
towards me eagerly.</p>

<p>"Mr. Hastings, you're honest.  I can trust you?"</p>

<p>I was a little startled.  She laid her hand on my arm, and sank<br />
her voice to a whisper.</p>

<p>"Look after her, Mr. Hastings.  My poor Emily.  They're a lot of<br />
sharks--all of them.  Oh, I know what I'm talking about.  There<br />
isn't one of them that's not hard up and trying to get money out<br />
of her.  I've protected her as much as I could.  Now I'm out of<br />
the way, they'll impose upon her."</p>

<p>"Of course, Miss Howard," I said, "I'll do everything I can, but<br />
I'm sure you're excited and overwrought."</p>

<p>She interrupted me by slowly shaking her forefinger.</p>

<p>"Young man, trust me.  I've lived in the world rather longer than<br />
you have.  All I ask you is to keep your eyes open.  You'll see<br />
what I mean."</p>

<p>The throb of the motor came through the open window, and Miss<br />
Howard rose and moved to the door.  John's voice sounded outside.<br />
With her hand on the handle, she turned her head over her<br />
shoulder, and beckoned to me.</p>

<p>"Above all, Mr. Hastings, watch that devil--her husband!"</p>

<p>There was no time for more.  Miss Howard was swallowed up in an<br />
eager chorus of protests and good-byes.  The Inglethorps did not<br />
appear.</p>

<p>As the motor drove away, Mrs. Cavendish suddenly detached herself<br />
from the group, and moved across the drive to the lawn to meet a<br />
tall bearded man who had been evidently making for the house.<br />
The colour rose in her cheeks as she held out her hand to him.</p>

<p>"Who is that?" I asked sharply, for instinctively I distrusted<br />
the man.</p>

<p>"That's Dr. Bauerstein," said John shortly.</p>

<p>"And who is Dr. Bauerstein?"</p>

<p>"He's staying in the village doing a rest cure, after a bad<br />
nervous breakdown.  He's a London specialist; a very clever<br />
man--one of the greatest living experts on poisons, I believe."</p>

<p>"And he's a great friend of Mary's," put in Cynthia, the<br />
irrepressible.</p>

<p>John Cavendish frowned and changed the subject.</p>

<p>"Come for a stroll, Hastings.  This has been a most rotten<br />
business.  She always had a rough tongue, but there is no<br />
stauncher friend in England than Evelyn Howard."</p>

<p>He took the path through the plantation, and we walked down to<br />
the village through the woods which bordered one side of the<br />
estate.</p>

<p>As we passed through one of the gates on our way home again, a<br />
pretty young woman of gipsy type coming in the opposite direction<br />
bowed and smiled.</p>

<p>"That's a pretty girl," I remarked appreciatively.</p>

<p>John's face hardened.</p>

<p>"That is Mrs. Raikes."</p>

<p>"The one that Miss Howard----"</p>

<p>"Exactly," said John, with rather unnecessary abruptness.</p>

<p>I thought of the white-haired old lady in the big house, and that<br />
vivid wicked little face that had just smiled into ours, and a<br />
vague chill of foreboding crept over me.  I brushed it aside.</p>

<p>"Styles is really a glorious old place," I said to John.</p>

<p>He nodded rather gloomily.</p>

<p>"Yes, it's a fine property.  It'll be mine some day--should be<br />
mine now by rights, if my father had only made a decent will.<br />
And then I shouldn't be so damned hard up as I am now."</p>

<p>"Hard up, are you?"</p>

<p>"My dear Hastings, I don't mind telling you that I'm at my wit's<br />
end for money."</p>

<p>"Couldn't your brother help you?"</p>

<p>"Lawrence? He's gone through every penny he ever had, publishing<br />
rotten verses in fancy bindings.  No, we're an impecunious lot.<br />
My mother's always been awfully good to us, I must say.  That is,<br />
up to now.  Since her marriage, of course----" he broke off,<br />
frowning.</p>

<p>For the first time I felt that, with Evelyn Howard, something<br />
indefinable had gone from the atmosphere.  Her presence had spelt<br />
security.  Now that security was removed--and the air seemed rife<br />
with suspicion.  The sinister face of Dr. Bauerstein recurred to<br />
me unpleasantly.  A vague suspicion of every one and everything<br />
filled my mind.  Just for a moment I had a premonition of<br />
approaching evil.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER II.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-ii.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.823</id>

    <published>2008-07-06T21:21:08Z</published>
    <updated>2008-06-20T21:35:58Z</updated>

    <summary>THE 16TH AND 17TH OF JULY I had arrived at Styles on the 5th of July. I come now to the events of the 16th and 17th of that month. For the convenience of the reader I will recapitulate the...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>THE 16TH AND 17TH OF JULY</p>

<p><br />
I had arrived at Styles on the 5th of July.  I come now to the<br />
events of the 16th and 17th of that month.  For the convenience<br />
of the reader I will recapitulate the incidents of those days in<br />
as exact a manner as possible.  They were elicited subsequently<br />
at the trial by a process of long and tedious cross-examinations.</p>

<p>I received a letter from Evelyn Howard a couple of days after her<br />
departure, telling me she was working as a nurse at the big<br />
hospital in Middlingham, a manufacturing town some fifteen miles<br />
away, and begging me to let her know if Mrs. Inglethorp should<br />
show any wish to be reconciled.</p>

<p>The only fly in the ointment of my peaceful days was Mrs.<br />
Cavendish's extraordinary, and, for my part, unaccountable<br />
preference for the society of Dr. Bauerstein.  What she saw in<br />
the man I cannot imagine, but she was always asking him up to the<br />
house, and often went off for long expeditions with him.  I must<br />
confess that I was quite unable to see his attraction.</p>

<p>The 16th of July fell on a Monday.  It was a day of turmoil.  The<br />
famous bazaar had taken place on Saturday, and an entertainment,<br />
in connection with the same charity, at which Mrs. Inglethorp was<br />
to recite a War poem, was to be held that night.  We were all<br />
busy during the morning arranging and decorating the Hall in the<br />
village where it was to take place.  We had a late luncheon and<br />
spent the afternoon resting in the garden.  I noticed that John's<br />
manner was somewhat unusual.  He seemed very excited and<br />
restless.</p>

<p>After tea, Mrs. Inglethorp went to lie down to rest before her<br />
efforts in the evening and I challenged Mary Cavendish to a<br />
single at tennis.</p>

<p>About a quarter to seven, Mrs. Inglethorp called us that we<br />
should be late as supper was early that night.  We had rather a<br />
scramble to get ready in time; and before the meal was over the<br />
motor was waiting at the door.</p>

<p>The entertainment was a great success, Mrs. Inglethorp's<br />
recitation receiving tremendous applause.  There were also some<br />
tableaux in which Cynthia took part.  She did not return with us,<br />
having been asked to a supper party, and to remain the night with<br />
some friends who had been acting with her in the tableaux.</p>

<p>The following morning, Mrs. Inglethorp stayed in bed to<br />
breakfast, as she was rather overtired; but she appeared in her<br />
briskest mood about 12.30, and swept Lawrence and myself off to a<br />
luncheon party.</p>

<p>"Such a charming invitation from Mrs. Rolleston.  Lady<br />
Tadminster's sister, you know.  The Rollestons came over with the<br />
Conqueror--one of our oldest families."</p>

<p>Mary had excused herself on the plea of an engagement with Dr.<br />
Bauerstein.</p>

<p>We had a pleasant luncheon, and as we drove away Lawrence<br />
suggested that we should return by Tadminster, which was barely a<br />
mile out of our way, and pay a visit to Cynthia in her<br />
dispensary.  Mrs. Inglethorp replied that this was an excellent<br />
idea, but as she had several letters to write she would drop us<br />
there, and we could come back with Cynthia in the pony-trap.</p>

<p>We were detained under suspicion by the hospital porter, until<br />
Cynthia appeared to vouch for us, looking very cool and sweet in<br />
her long white overall.  She took us up to her sanctum, and<br />
introduced us to her fellow dispenser, a rather awe-inspiring<br />
individual, whom Cynthia cheerily addressed as "Nibs."</p>

<p>"What a lot of bottles!" I exclaimed, as my eye travelled round<br />
the small room.  "Do you really know what's in them all?"</p>

<p>"Say something original," groaned Cynthia.  "Every single person<br />
who comes up here says that.  We are really thinking of bestowing<br />
a prize on the first individual who does _not_ say: 'What a lot of<br />
bottles!' And I know the next thing you're going to say is: 'How<br />
many people have you poisoned?' "</p>

<p>I pleaded guilty with a laugh.</p>

<p>"If you people only knew how fatally easy it is to poison some<br />
one by mistake, you wouldn't joke about it.  Come on, let's have<br />
tea.  We've got all sorts of secret stories in that cupboard.<br />
No, Lawrence--that's the poison cupboard.  The big<br />
cupboard--that's right."</p>

<p>We had a very cheery tea, and assisted Cynthia to wash up<br />
afterwards.  We had just put away the last tea-spoon when a knock<br />
came at the door.  The countenances of Cynthia and Nibs were<br />
suddenly petrified into a stern and forbidding expression.</p>

<p>"Come in," said Cynthia, in a sharp professional tone.</p>

<p>A young and rather scared looking nurse appeared with a bottle<br />
which she proffered to Nibs, who waved her towards Cynthia with<br />
the somewhat enigmatical remark:</p>

<p>"_I_'m not really here to-day."</p>

<p>Cynthia took the bottle and examined it with the severity of a<br />
judge.</p>

<p>"This should have been sent up this morning."</p>

<p>"Sister is very sorry.  She forgot."</p>

<p>"Sister should read the rules outside the door."</p>

<p>I gathered from the little nurse's expression that there was not<br />
the least likelihood of her having the hardihood to retail this<br />
message to the dreaded "Sister".</p>

<p>"So now it can't be done until to-morrow," finished Cynthia.</p>

<p>"Don't you think you could possibly let us have it to-night?"</p>

<p>"Well," said Cynthia graciously, "we are very busy, but if we<br />
have time it shall be done."</p>

<p>The little nurse withdrew, and Cynthia promptly took a jar from<br />
the shelf, refilled the bottle, and placed it on the table<br />
outside the door.</p>

<p>I laughed.</p>

<p>"Discipline must be maintained?"</p>

<p>"Exactly.  Come out on our little balcony.  You can see all the<br />
outside wards there."</p>

<p>I followed Cynthia and her friend and they pointed out the<br />
different wards to me.  Lawrence remained behind, but after a few<br />
moments Cynthia called to him over her shoulder to come and join<br />
us.  Then she looked at her watch.</p>

<p>"Nothing more to do, Nibs?"</p>

<p>"No."</p>

<p>"All right.  Then we can lock up and go."</p>

<p>I had seen Lawrence in quite a different light that afternoon.<br />
Compared to John, he was an astoundingly difficult person to get<br />
to know.  He was the opposite of his brother in almost every<br />
respect, being unusually shy and reserved.  Yet he had a certain<br />
charm of manner, and I fancied that, if one really knew him well,<br />
one could have a deep affection for him.  I had always fancied<br />
that his manner to Cynthia was rather constrained, and that she<br />
on her side was inclined to be shy of him.  But they were both<br />
gay enough this afternoon, and chatted together like a couple of<br />
children.</p>

<p>As we drove through the village, I remembered that I wanted some<br />
stamps, so accordingly we pulled up at the post office.</p>

<p>As I came out again, I cannoned into a little man who was just<br />
entering.  I drew aside and apologised, when suddenly, with a<br />
loud exclamation, he clasped me in his arms and kissed me warmly.</p>

<p>"Mon ami Hastings!" he cried.  "It is indeed mon ami Hastings!"</p>

<p>"Poirot!" I exclaimed.</p>

<p>I turned to the pony-trap.</p>

<p>"This is a very pleasant meeting for me, Miss Cynthia.  This is<br />
my old friend, Monsieur Poirot, whom I have not seen for years."</p>

<p>"Oh, we know Monsieur Poirot," said Cynthia gaily.  "But I had no<br />
idea he was a friend of yours."</p>

<p>"Yes, indeed," said Poirot seriously.  "I know Mademoiselle<br />
Cynthia.  It is by the charity of that good Mrs. Inglethorp that<br />
I am here." Then, as I looked at him inquiringly: "Yes, my<br />
friend, she had kindly extended hospitality to seven of my<br />
countrypeople who, alas, are refugees from their native land.  We<br />
Belgians will always remember her with gratitude."</p>

<p>Poirot was an extraordinary looking little man.  He was hardly<br />
more than five feet, four inches, but carried himself with great<br />
dignity.  His head was exactly the shape of an egg, and he always<br />
perched it a little on one side.  His moustache was very stiff<br />
and military.  The neatness of his attire was almost incredible.<br />
I believe a speck of dust would have caused him more pain than a<br />
bullet wound.  Yet this quaint dandyfied little man who, I was<br />
sorry to see, now limped badly, had been in his time one of the<br />
most celebrated members of the Belgian police.  As a detective,<br />
his flair had been extraordinary, and he had achieved triumphs by<br />
unravelling some of the most baffling cases of the day.</p>

<p>He pointed out to me the little house inhabited by him and his<br />
fellow Belgians, and I promised to go and see him at an early<br />
date.  Then he raised his hat with a flourish to Cynthia, and we<br />
drove away.</p>

<p>"He's a dear little man," said Cynthia.  "I'd no idea you knew<br />
him."</p>

<p>"You've been entertaining a celebrity unawares," I replied.</p>

<p>And, for the rest of the way home, I recited to them the various<br />
exploits and triumphs of Hercule Poirot.</p>

<p>We arrived back in a very cheerful mood.  As we entered the hall,<br />
Mrs. Inglethorp came out of her boudoir.  She looked flushed and<br />
upset.</p>

<p>"Oh, it's you," she said.</p>

<p>"Is there anything the matter, Aunt Emily?" asked Cynthia.</p>

<p>"Certainly not," said Mrs. Inglethorp sharply.  "What should<br />
there be?" Then catching sight of Dorcas, the parlourmaid, going<br />
into the dining-room, she called to her to bring some stamps into<br />
the boudoir.</p>

<p>"Yes, m'm." The old servant hesitated, then added diffidently:<br />
"Don't you think, m'm, you'd better get to bed? You're looking<br />
very tired."</p>

<p>"Perhaps you're right, Dorcas--yes--no--not now.  I've some<br />
letters I must finish by post-time.  Have you lighted the fire in<br />
my room as I told you?"</p>

<p>"Yes, m'm."</p>

<p>"Then I'll go to bed directly after supper."</p>

<p>She went into the boudoir again, and Cynthia stared after her.</p>

<p>"Goodness gracious! I wonder what's up?" she said to Lawrence.</p>

<p>He did not seem to have heard her, for without a word he turned<br />
on his heel and went out of the house.</p>

<p>I suggested a quick game of tennis before supper and, Cynthia<br />
agreeing, I ran upstairs to fetch my racquet.</p>

<p>Mrs. Cavendish was coming down the stairs.  It may have been my<br />
fancy, but she, too, was looking odd and disturbed.</p>

<p>"Had a good walk with Dr. Bauerstein?" I asked, trying to appear<br />
as indifferent as I could.</p>

<p>"I didn't go," she replied abruptly.  "Where is Mrs. Inglethorp?"</p>

<p>"In the boudoir."</p>

<p>Her hand clenched itself on the banisters, then she seemed to<br />
nerve herself for some encounter, and went rapidly past me down<br />
the stairs across the hall to the boudoir, the door of which she<br />
shut behind her.</p>

<p>As I ran out to the tennis court a few moments later, I had to<br />
pass the open boudoir window, and was unable to help overhearing<br />
the following scrap of dialogue.  Mary Cavendish was saying in<br />
the voice of a woman desperately controlling herself:</p>

<p>"Then you won't show it to me?"</p>

<p>To which Mrs. Inglethorp replied:</p>

<p>"My dear Mary, it has nothing to do with that matter."</p>

<p>"Then show it to me."</p>

<p>"I tell you it is not what you imagine.  It does not concern you<br />
in the least."</p>

<p>To which Mary Cavendish replied, with a rising bitterness:</p>

<p>"Of course, I might have known you would shield him."</p>

<p>Cynthia was waiting for me, and greeted me eagerly with:</p>

<p>"I say! There's been the most awful row! I've got it all out of<br />
Dorcas."</p>

<p>"What kind of a row?"</p>

<p>"Between Aunt Emily and _him_.  I do hope she's found him out at<br />
last!"</p>

<p>"Was Dorcas there, then?"</p>

<p>"Of course not.  She 'happened to be near the door'.  It was a<br />
real old bust-up.  I do wish I knew what it was all about."</p>

<p>I thought of Mrs. Raikes's gipsy face, and Evelyn Howard's<br />
warnings, but wisely decided to hold my peace, whilst Cynthia<br />
exhausted every possible hypothesis, and cheerfully hoped, "Aunt<br />
Emily will send him away, and will never speak to him again."</p>

<p>I was anxious to get hold of John, but he was nowhere to be seen.<br />
Evidently something very momentous had occurred that afternoon.<br />
I tried to forget the few words I had overheard; but, do what I<br />
would, I could not dismiss them altogether from my mind.  What<br />
was Mary Cavendish's concern in the matter?</p>

<p>Mr. Inglethorp was in the drawing-room when I came down to<br />
supper.  His face was impassive as ever, and the strange<br />
unreality of the man struck me afresh.</p>

<p>Mrs. Inglethorp came down last.  She still looked agitated, and<br />
during the meal there was a somewhat constrained silence.<br />
Inglethorp was unusually quiet.  As a rule, he surrounded his<br />
wife with little attentions, placing a cushion at her back, and<br />
altogether playing the part of the devoted husband.  Immediately<br />
after supper, Mrs. Inglethorp retired to her boudoir again.</p>

<p>"Send my coffee in here, Mary," she called.  "I've just five<br />
minutes to catch the post."</p>

<p>Cynthia and I went and sat by the open window in the<br />
drawing-room.  Mary Cavendish brought our coffee to us.  She<br />
seemed excited.</p>

<p>"Do you young people want lights, or do you enjoy the twilight?"<br />
she asked.  "Will you take Mrs. Inglethorp her coffee, Cynthia? I<br />
will pour it out."</p>

<p>"Do not trouble, Mary," said Inglethorp.  "I will take it to<br />
Emily." He poured it out, and went out of the room carrying it<br />
carefully.</p>

<p>Lawrence followed him, and Mrs. Cavendish sat down by us.</p>

<p>We three sat for some time in silence.  It was a glorious night,<br />
hot and still.  Mrs. Cavendish fanned herself gently with a palm<br />
leaf.</p>

<p>"It's almost too hot," she murmured.  "We shall have a<br />
thunderstorm."</p>

<p>Alas, that these harmonious moments can never endure! My paradise<br />
was rudely shattered by the sound of a well known, and heartily<br />
disliked, voice in the hall.</p>

<p>"Dr. Bauerstein!" exclaimed Cynthia.  "What a funny time to<br />
come."</p>

<p>I glanced jealously at Mary Cavendish, but she seemed quite<br />
undisturbed, the delicate pallor of her cheeks did not vary.</p>

<p>In a few moments, Alfred Inglethorp had ushered the doctor in,<br />
the latter laughing, and protesting that he was in no fit state<br />
for a drawing-room.  In truth, he presented a sorry spectacle,<br />
being literally plastered with mud.</p>

<p>"What have you been doing, doctor?" cried Mrs. Cavendish.</p>

<p>"I must make my apologies," said the doctor.  "I did not really<br />
mean to come in, but Mr. Inglethorp insisted."</p>

<p>"Well, Bauerstein, you are in a plight," said John, strolling in<br />
from the hall.  "Have some coffee, and tell us what you have been<br />
up to."</p>

<p>"Thank you, I will." He laughed rather ruefully, as he described<br />
how he had discovered a very rare species of fern in an<br />
inaccessible place, and in his efforts to obtain it had lost his<br />
footing, and slipped ignominiously into a neighbouring pond.</p>

<p>"The sun soon dried me off," he added, "but I'm afraid my<br />
appearance is very disreputable."</p>

<p>At this juncture, Mrs. Inglethorp called to Cynthia from the<br />
hall, and the girl ran out.</p>

<p>"Just carry up my despatch-case, will you, dear? I'm going to<br />
bed."</p>

<p>The door into the hall was a wide one.  I had risen when Cynthia<br />
did, John was close by me.  There were therefore three witnesses<br />
who could swear that Mrs. Inglethorp was carrying her coffee, as<br />
yet untasted, in her hand.</p>

<p>My evening was utterly and entirely spoilt by the presence of Dr.<br />
Bauerstein.  It seemed to me the man would never go.  He rose at<br />
last, however, and I breathed a sigh of relief.</p>

<p>"I'll walk down to the village with you," said Mr. Inglethorp.<br />
"I must see our agent over those estate accounts." He turned to<br />
John.  "No one need sit up.  I will take the latch-key."</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER III.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-iii.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.824</id>

    <published>2008-07-07T21:21:08Z</published>
    <updated>2008-06-20T21:35:58Z</updated>

    <summary>THE NIGHT OF THE TRAGEDY To make this part of my story clear, I append the following plan of the first floor of Styles. The servants&apos; rooms are reached through the door B. They have no communication with the right...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>THE NIGHT OF THE TRAGEDY</p>

<p><br />
To make this part of my story clear, I append the following plan<br />
of the first floor of Styles.  The servants' rooms are reached<br />
through the door B.  They have no communication with the right<br />
wing, where the Inglethorps' rooms were situated.</p>

<p>It seemed to be the middle of the night when I was awakened by<br />
Lawrence Cavendish.  He had a candle in his hand, and the<br />
agitation of his face told me at once that something was<br />
seriously wrong.</p>

<p>"What's the matter?" I asked, sitting up in bed, and trying to<br />
collect my scattered thoughts.</p>

<p>"We are afraid my mother is very ill.  She seems to be having<br />
some kind of fit.  Unfortunately she has locked herself in."</p>

<p>"I'll come at once."</p>

<p>I sprang out of bed; and, pulling on a dressing-gown, followed<br />
Lawrence along the passage and the gallery to the right wing of<br />
the house.</p>

<p>John Cavendish joined us, and one or two of the servants were<br />
standing round in a state of awe-stricken excitement.  Lawrence<br />
turned to his brother.</p>

<p>"What do you think we had better do?"</p>

<p>Never, I thought, had his indecision of character been more<br />
apparent.</p>

<p>John rattled the handle of Mrs. Inglethorp's door violently, but<br />
with no effect.  It was obviously locked or bolted on the inside.<br />
The whole household was aroused by now.  The most alarming sounds<br />
were audible from the interior of the room.  Clearly something<br />
must be done.</p>

<p>"Try going through Mr. Inglethorp's room, sir," cried Dorcas.<br />
"Oh, the poor mistress!"</p>

<p>Suddenly I realized that Alfred Inglethorp was not with us--that<br />
he alone had given no sign of his presence.  John opened the door<br />
of his room.  It was pitch dark, but Lawrence was following with<br />
the candle, and by its feeble light we saw that the bed had not<br />
been slept in, and that there was no sign of the room having been<br />
occupied.</p>

<p>We went straight to the connecting door.  That, too, was locked<br />
or bolted on the inside.  What was to be done?</p>

<p>"Oh, dear, sir," cried Dorcas, wringing her hands, "what ever<br />
shall we do?"</p>

<p>"We must try and break the door in, I suppose.  It'll be a tough<br />
job, though.  Here, let one of the maids go down and wake Baily<br />
and tell him to go for Dr. Wilkins at once.  Now then, we'll have<br />
a try at the door.  Half a moment, though, isn't there a door<br />
into Miss Cynthia's rooms?"</p>

<p>"Yes, sir, but that's always bolted.  It's never been undone."</p>

<p>"Well, we might just see."</p>

<p>He ran rapidly down the corridor to Cynthia's room.  Mary<br />
Cavendish was there, shaking the girl--who must have been an<br />
unusually sound sleeper--and trying to wake her.</p>

<p>In a moment or two he was back.</p>

<p>"No good.  That's bolted too.  We must break in the door.  I<br />
think this one is a shade less solid than the one in the<br />
passage."</p>

<p>We strained and heaved together.  The framework of the door was<br />
solid, and for a long time it resisted our efforts, but at last<br />
we felt it give beneath our weight, and finally, with a<br />
resounding crash, it was burst open.</p>

<p>We stumbled in together, Lawrence still holding his candle.  Mrs.<br />
Inglethorp was lying on the bed, her whole form agitated by<br />
violent convulsions, in one of which she must have overturned the<br />
table beside her.  As we entered, however, her limbs relaxed, and<br />
she fell back upon the pillows.</p>

<p>John strode across the room, and lit the gas.  Turning to Annie,<br />
one of the housemaids, he sent her downstairs to the dining-room<br />
for brandy.  Then he went across to his mother whilst I unbolted<br />
the door that gave on the corridor.</p>

<p>I turned to Lawrence, to suggest that I had better leave them now<br />
that there was no further need of my services, but the words were<br />
frozen on my lips.  Never have I seen such a ghastly look on any<br />
man's face.  He was white as chalk, the candle he held in his<br />
shaking hand was sputtering onto the carpet, and his eyes,<br />
petrified with terror, or some such kindred emotion, stared<br />
fixedly over my head at a point on the further wall.  It was as<br />
though he had seen something that turned him to stone.  I<br />
instinctively followed the direction of his eyes, but I could see<br />
nothing unusual.  The still feebly flickering ashes in the grate,<br />
and the row of prim ornaments on the mantelpiece, were surely<br />
harmless enough.</p>

<p>The violence of Mrs. Inglethorp's attack seemed to be passing.<br />
She was able to speak in short gasps.</p>

<p>"Better now--very sudden--stupid of me--to lock myself in."</p>

<p>A shadow fell on the bed and, looking up, I saw Mary Cavendish<br />
standing near the door with her arm around Cynthia.  She seemed<br />
to be supporting the girl, who looked utterly dazed and unlike<br />
herself.  Her face was heavily flushed, and she yawned<br />
repeatedly.</p>

<p>"Poor Cynthia is quite frightened," said Mrs. Cavendish in a low<br />
clear voice.  She herself, I noticed, was dressed in her white<br />
land smock.  Then it must be later than I thought.  I saw that a<br />
faint streak of daylight was showing through the curtains of the<br />
windows, and that the clock on the mantelpiece pointed to close<br />
upon five o'clock.</p>

<p>A strangled cry from the bed startled me.  A fresh access of pain<br />
seized the unfortunate old lady.  The convulsions were of a<br />
violence terrible to behold.  Everything was confusion.  We<br />
thronged round her, powerless to help or alleviate.  A final<br />
convulsion lifted her from the bed, until she appeared to rest<br />
upon her head and her heels, with her body arched in an<br />
extraordinary manner.  In vain Mary and John tried to administer<br />
more brandy.  The moments flew.  Again the body arched itself in<br />
that peculiar fashion.</p>

<p>At that moment, Dr. Bauerstein pushed his way authoritatively<br />
into the room.  For one instant he stopped dead, staring at the<br />
figure on the bed, and, at the same instant, Mrs. Inglethorp<br />
cried out in a strangled voice, her eyes fixed on the doctor:</p>

<p>"Alfred--Alfred----" Then she fell back motionless on the<br />
pillows.</p>

<p>With a stride, the doctor reached the bed, and seizing her arms<br />
worked them energetically, applying what I knew to be artificial<br />
respiration.  He issued a few short sharp orders to the servants.<br />
An imperious wave of his hand drove us all to the door.  We<br />
watched him, fascinated, though I think we all knew in our hearts<br />
that it was too late, and that nothing could be done now.  I<br />
could see by the expression on his face that he himself had<br />
little hope.</p>

<p>Finally he abandoned his task, shaking his head gravely.  At that<br />
moment, we heard footsteps outside, and Dr. Wilkins, Mrs.<br />
Inglethorp's own doctor, a portly, fussy little man, came<br />
bustling in.</p>

<p>In a few words Dr. Bauerstein explained how he had happened to be<br />
passing the lodge gates as the car came out, and had run up to<br />
the house as fast as he could, whilst the car went on to fetch<br />
Dr. Wilkins.  With a faint gesture of the hand, he indicated the<br />
figure on the bed.</p>

<p>"Ve--ry sad.  Ve--ry sad," murmured Dr. Wilkins.  "Poor dear<br />
lady.  Always did far too much--far too much--against my advice.<br />
I warned her.  Her heart was far from strong.  'Take it easy,' I<br />
said to her, 'Take--it--easy'.  But no--her zeal for good works<br />
was too great.  Nature rebelled.  Na--ture--re--belled."</p>

<p>Dr. Bauerstein, I noticed, was watching the local doctor<br />
narrowly.  He still kept his eyes fixed on him as he spoke.</p>

<p>"The convulsions were of a peculiar violence, Dr. Wilkins.  I am<br />
sorry you were not here in time to witness them.  They were<br />
quite--tetanic in character."</p>

<p>"Ah!" said Dr. Wilkins wisely.</p>

<p>"I should like to speak to you in private," said Dr. Bauerstein.<br />
He turned to John.  "You do not object?"</p>

<p>"Certainly not."</p>

<p>We all trooped out into the corridor, leaving the two doctors<br />
alone, and I heard the key turned in the lock behind us.</p>

<p>We went slowly down the stairs.  I was violently excited.  I have<br />
a certain talent for deduction, and Dr. Bauerstein's manner had<br />
started a flock of wild surmises in my mind.  Mary Cavendish laid<br />
her hand upon my arm.</p>

<p>"What is it? Why did Dr. Bauerstein seem so--peculiar?"</p>

<p>I looked at her.</p>

<p>"Do you know what I think?"</p>

<p>"What?"</p>

<p>"Listen!" I looked round, the others were out of earshot.  I<br />
lowered my voice to a whisper.  "I believe she has been poisoned!<br />
I'm certain Dr. Bauerstein suspects it."</p>

<p>"_What_?" She shrank against the wall, the pupils of her eyes<br />
dilating wildly.  Then, with a sudden cry that startled me, she<br />
cried out: "No, no--not that--not that!" And breaking from me,<br />
fled up the stairs.  I followed her, afraid that she was going to<br />
faint.  I found her leaning against the bannisters, deadly pale.<br />
She waved me away impatiently.</p>

<p>"No, no--leave me.  I'd rather be alone.  Let me just be quiet<br />
for a minute or two.  Go down to the others."</p>

<p>I obeyed her reluctantly.  John and Lawrence were in the<br />
dining-room.  I joined them.  We were all silent, but I suppose I<br />
voiced the thoughts of us all when I at last broke it by saying:</p>

<p>"Where is Mr. Inglethorp?"</p>

<p>John shook his head.</p>

<p>"He's not in the house."</p>

<p>Our eyes met.  Where _was_ Alfred Inglethorp? His absence was<br />
strange and inexplicable.  I remembered Mrs. Inglethorp's dying<br />
words.  What lay beneath them? What more could she have told us,<br />
if she had had time?</p>

<p>At last we heard the doctors descending the stairs.  Dr. Wilkins<br />
was looking important and excited, and trying to conceal an<br />
inward exultation under a manner of decorous calm.  Dr.<br />
Bauerstein remained in the background, his grave bearded face<br />
unchanged.  Dr. Wilkins was the spokesman for the two.  He<br />
addressed himself to John:</p>

<p>"Mr. Cavendish, I should like your consent to a postmortem."</p>

<p>"Is that necessary?" asked John gravely.  A spasm of pain crossed<br />
his face.</p>

<p>"Absolutely," said Dr. Bauerstein.</p>

<p>"You mean by that----?"</p>

<p>"That neither Dr. Wilkins nor myself could give a death<br />
certificate under the circumstances."</p>

<p>John bent his head.</p>

<p>"In that case, I have no alternative but to agree."</p>

<p>"Thank you," said Dr. Wilkins briskly.  "We propose that it<br />
should take place to-morrow night--or rather to-night." And he<br />
glanced at the daylight.  "Under the circumstances, I am afraid<br />
an inquest can hardly be avoided--these formalities are<br />
necessary, but I beg that you won't distress yourselves."</p>

<p>There was a pause, and then Dr. Bauerstein drew two keys from his<br />
pocket, and handed them to John.</p>

<p>"These are the keys of the two rooms.  I have locked them and, in<br />
my opinion, they would be better kept locked for the present."</p>

<p>The doctors then departed.</p>

<p>I had been turning over an idea in my head, and I felt that the<br />
moment had now come to broach it.  Yet I was a little chary of<br />
doing so.  John, I knew, had a horror of any kind of publicity,<br />
and was an easygoing optimist, who preferred never to meet<br />
trouble half-way.  It might be difficult to convince him of the<br />
soundness of my plan.  Lawrence, on the other hand, being less<br />
conventional, and having more imagination, I felt I might count<br />
upon as an ally.  There was no doubt that the moment had come for<br />
me to take the lead.</p>

<p>"John," I said, "I am going to ask you something."</p>

<p>"Well?"</p>

<p>"You remember my speaking of my friend Poirot? The Belgian who is<br />
here? He has been a most famous detective."</p>

<p>"Yes."</p>

<p>"I want you to let me call him in--to investigate this matter."</p>

<p>"What--now? Before the post-mortem?"</p>

<p>"Yes, time is an advantage if--if--there has been foul play."</p>

<p>"Rubbish!" cried Lawrence angrily.  "In my opinion the whole<br />
thing is a mare's nest of Bauerstein's! Wilkins hadn't an idea of<br />
such a thing, until Bauerstein put it into his head.  But, like<br />
all specialists, Bauerstein's got a bee in his bonnet.  Poisons<br />
are his hobby, so of course he sees them everywhere."</p>

<p>I confess that I was surprised by Lawrence's attitude.  He was so<br />
seldom vehement about anything.</p>

<p>John hesitated.</p>

<p>"I can't feel as you do, Lawrence," he said at last.  "I'm<br />
inclined to give Hastings a free hand, though I should prefer to<br />
wait a bit.  We don't want any unnecessary scandal."</p>

<p>"No, no," I cried eagerly, "you need have no fear of that.<br />
Poirot is discretion itself."</p>

<p>"Very well, then, have it your own way.  I leave it in your<br />
hands.  Though, if it is as we suspect, it seems a clear enough<br />
case.  God forgive me if I am wronging him!"</p>

<p>I looked at my watch.  It was six o'clock.  I determined to lose<br />
no time.</p>

<p>Five minutes' delay, however, I allowed myself.  I spent it in<br />
ransacking the library until I discovered a medical book which<br />
gave a description of strychnine poisoning.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER IV.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-iv.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.825</id>

    <published>2008-07-08T21:21:08Z</published>
    <updated>2008-06-20T21:35:58Z</updated>

    <summary>POIROT INVESTIGATES The house which the Belgians occupied in the village was quite close to the park gates. One could save time by taking a narrow path through the long grass, which cut off the detours of the winding drive....</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>POIROT INVESTIGATES</p>

<p><br />
The house which the Belgians occupied in the village was quite<br />
close to the park gates.  One could save time by taking a narrow<br />
path through the long grass, which cut off the detours of the<br />
winding drive.  So I, accordingly, went that way.  I had nearly<br />
reached the lodge, when my attention was arrested by the running<br />
figure of a man approaching me.  It was Mr. Inglethorp.  Where<br />
had he been? How did he intend to explain his absence?</p>

<p>He accosted me eagerly.</p>

<p>"My God! This is terrible! My poor wife! I have only just heard."</p>

<p>"Where have you been?" I asked.</p>

<p>"Denby kept me late last night.  It was one o'clock before we'd<br />
finished.  Then I found that I'd forgotten the latch-key after<br />
all.  I didn't want to arouse the household, so Denby gave me a<br />
bed."</p>

<p>"How did you hear the news?" I asked.</p>

<p>"Wilkins knocked Denby up to tell him.  My poor Emily! She was so<br />
self-sacrificing--such a noble character.  She over-taxed her<br />
strength."</p>

<p>A wave of revulsion swept over me.  What a consummate hypocrite<br />
the man was!</p>

<p>"I must hurry on," I said, thankful that he did not ask me<br />
whither I was bound.</p>

<p>In a few minutes I was knocking at the door of Leastways Cottage.</p>

<p>Getting no answer, I repeated my summons impatiently.  A window<br />
above me was cautiously opened, and Poirot himself looked out.</p>

<p>He gave an exclamation of surprise at seeing me.  In a few brief<br />
words, I explained the tragedy that had occurred, and that I<br />
wanted his help.</p>

<p>"Wait, my friend, I will let you in, and you shall recount to me<br />
the affair whilst I dress."</p>

<p>In a few moments he had unbarred the door, and I followed him up<br />
to his room.  There he installed me in a chair, and I related the<br />
whole story, keeping back nothing, and omitting no circumstance,<br />
however insignificant, whilst he himself made a careful and<br />
deliberate toilet.</p>

<p>I told him of my awakening, of Mrs. Inglethorp's dying words, of<br />
her husband's absence, of the quarrel the day before, of the<br />
scrap of conversation between Mary and her mother-in-law that I<br />
had overheard, of the former quarrel between Mrs. Inglethorp and<br />
Evelyn Howard, and of the latter's innuendoes.</p>

<p>I was hardly as clear as I could wish.  I repeated myself several<br />
times, and occasionally had to go back to some detail that I had<br />
forgotten.  Poirot smiled kindly on me.</p>

<p>"The mind is confused? Is it not so? Take time, mon ami.  You are<br />
agitated; you are excited--it is but natural.  Presently, when we<br />
are calmer, we will arrange the facts, neatly, each in his proper<br />
place.  We will examine--and reject.  Those of importance we will<br />
put on one side; those of no importance, pouf!"--he screwed up<br />
his cherub-like face, and puffed comically enough--"blow them<br />
away!"</p>

<p>"That's all very well," I objected, "but how are you going to<br />
decide what is important, and what isn't? That always seems the<br />
difficulty to me."</p>

<p>Poirot shook his head energetically.  He was now arranging his<br />
moustache with exquisite care.</p>

<p>"Not so.  Voyons! One fact leads to another--so we continue.<br />
Does the next fit in with that? A merveille! Good! We can<br />
proceed.  This next little fact--no! Ah, that is curious! There<br />
is something missing--a link in the chain that is not there.  We<br />
examine.  We search.  And that little curious fact, that possibly<br />
paltry little detail that will not tally, we put it here!" He<br />
made an extravagant gesture with his hand.  "It is significant!<br />
It is tremendous!"</p>

<p>"Y--es--"</p>

<p>"Ah!" Poirot shook his forefinger so fiercely at me that I<br />
quailed before it.  "Beware! Peril to the detective who says: 'It<br />
is so small--it does not matter.  It will not agree.  I will<br />
forget it.' That way lies confusion! Everything matters."</p>

<p>"I know.  You always told me that.  That's why I have gone into<br />
all the details of this thing whether they seemed to me relevant<br />
or not."</p>

<p>"And I am pleased with you.  You have a good memory, and you have<br />
given me the facts faithfully.  Of the order in which you present<br />
them, I say nothing--truly, it is deplorable! But I make<br />
allowances--you are upset.  To that I attribute the circumstance<br />
that you have omitted one fact of paramount importance."</p>

<p>"What is that?" I asked.</p>

<p>"You have not told me if Mrs. Inglethorp ate well last night."</p>

<p>I stared at him.  Surely the war had affected the little man's<br />
brain.  He was carefully engaged in brushing his coat before<br />
putting it on, and seemed wholly engrossed in the task.</p>

<p>"I don't remember," I said.  "And, anyway, I don't see----"</p>

<p>"You do not see? But it is of the first importance."</p>

<p>"I can't see why," I said, rather nettled.  "As far as I can<br />
remember, she didn't eat much.  She was obviously upset, and it<br />
had taken her appetite away.  That was only natural."</p>

<p>"Yes," said Poirot thoughtfully, "it was only natural."</p>

<p>He opened a drawer, and took out a small despatch-case, then<br />
turned to me.</p>

<p>"Now I am ready.  We will proceed to the chateau, and study<br />
matters on the spot.  Excuse me, mon ami, you dressed in haste,<br />
and your tie is on one side.  Permit me." With a deft gesture, he<br />
rearranged it.</p>

<p>"Ca y est! Now, shall we start?"</p>

<p>We hurried up the village, and turned in at the lodge gates.<br />
Poirot stopped for a moment, and gazed sorrowfully over the<br />
beautiful expanse of park, still glittering with morning dew.</p>

<p>"So beautiful, so beautiful, and yet, the poor family, plunged in<br />
sorrow, prostrated with grief."</p>

<p>He looked at me keenly as he spoke, and I was aware that I<br />
reddened under his prolonged gaze.</p>

<p>Was the family prostrated by grief? Was the sorrow at Mrs.<br />
Inglethorp's death so great? I realized that there was an<br />
emotional lack in the atmosphere.  The dead woman had not the<br />
gift of commanding love.  Her death was a shock and a distress,<br />
but she would not be passionately regretted.</p>

<p>Poirot seemed to follow my thoughts.  He nodded his head gravely.</p>

<p>"No, you are right," he said, "it is not as though there was a<br />
blood tie.  She has been kind and generous to these Cavendishes,<br />
but she was not their own mother.  Blood tells--always remember<br />
that--blood tells."</p>

<p>"Poirot," I said, "I wish you would tell me why you wanted to<br />
know if Mrs. Inglethorp ate well last night? I have been turning<br />
it over in my mind, but I can't see how it has anything to do<br />
with the matter?"</p>

<p>He was silent for a minute or two as we walked along, but finally<br />
he said:</p>

<p>"I do not mind telling you--though, as you know, it is not my<br />
habit to explain until the end is reached.  The present<br />
contention is that Mrs. Inglethorp died of strychnine poisoning,<br />
presumably administered in her coffee."</p>

<p>"Yes?"</p>

<p>"Well, what time was the coffee served?"</p>

<p>"About eight o'clock."</p>

<p>"Therefore she drank it between then and half-past eight--<br />
certainly not much later.  Well, strychnine is a fairly rapid<br />
poison.  Its effects would be felt very soon, probably in about<br />
an hour.  Yet, in Mrs. Inglethorp's case, the symptoms do not<br />
manifest themselves until five o'clock the next morning: nine<br />
hours! But a heavy meal, taken at about the same time as the<br />
poison, might retard its effects, though hardly to that extent.<br />
Still, it is a possibility to be taken into account.  But,<br />
according to you, she ate very little for supper, and yet the<br />
symptoms do not develop until early the next morning! Now that is<br />
a curious circumstance, my friend.  Something may arise at the<br />
autopsy to explain it.  In the meantime, remember it."</p>

<p>As we neared the house, John came out and met us.  His face<br />
looked weary and haggard.</p>

<p>"This is a very dreadful business, Monsieur Poirot," he said.<br />
"Hastings has explained to you that we are anxious for no<br />
publicity?"</p>

<p>"I comprehend perfectly."</p>

<p>"You see, it is only suspicion so far.  We have nothing to go<br />
upon."</p>

<p>"Precisely.  It is a matter of precaution only."</p>

<p>John turned to me, taking out his cigarette-case, and lighting a<br />
cigarette as he did so.</p>

<p>"You know that fellow Inglethorp is back?"</p>

<p>"Yes.  I met him."</p>

<p>John flung the match into an adjacent flower bed, a proceeding<br />
which was too much for Poirot's feelings.  He retrieved it, and<br />
buried it neatly.</p>

<p>"It's jolly difficult to know how to treat him."</p>

<p>"That difficulty will not exist long," pronounced Poirot quietly.</p>

<p>John looked puzzled, not quite understanding the portent of this<br />
cryptic saying.  He handed the two keys which Dr. Bauerstein had<br />
given him to me.</p>

<p>"Show Monsieur Poirot everything he wants to see."</p>

<p>"The rooms are locked?" asked Poirot.</p>

<p>"Dr. Bauerstein considered it advisable."</p>

<p>Poirot nodded thoughtfully.</p>

<p>"Then he is very sure.  Well, that simplifies matters for us."</p>

<p>We went up together to the room of the tragedy.  For convenience<br />
I append a plan of the room and the principal articles of<br />
furniture in it.</p>

<p>Poirot locked the door on the inside, and proceeded to a minute<br />
inspection of the room.  He darted from one object to the other<br />
with the agility of a grasshopper.  I remained by the door,<br />
fearing to obliterate any clues.  Poirot, however, did not seem<br />
grateful to me for my forbearance.</p>

<p>"What have you, my friend," he cried, "that you remain there<br />
like--how do you say it?--ah, yes, the stuck pig?"</p>

<p>I explained that I was afraid of obliterating any foot-marks.</p>

<p>"Foot-marks? But what an idea! There has already been practically<br />
an army in the room! What foot-marks are we likely to find? No,<br />
come here and aid me in my search.  I will put down my little<br />
case until I need it."</p>

<p>He did so, on the round table by the window, but it was an<br />
ill-advised proceeding; for, the top of it being loose, it tilted<br />
up, and precipitated the despatch-case on the floor.</p>

<p>"Eh voila une table!" cried Poirot.  "Ah, my friend, one may live<br />
in a big house and yet have no comfort."</p>

<p>After which piece of moralizing, he resumed his search.</p>

<p>A small purple despatch-case, with a key in the lock, on the<br />
writing-table, engaged his attention for some time.  He took out<br />
the key from the lock, and passed it to me to inspect.  I saw<br />
nothing peculiar, however.  It was an ordinary key of the Yale<br />
type, with a bit of twisted wire through the handle.</p>

<p>Next, he examined the framework of the door we had broken in,<br />
assuring himself that the bolt had really been shot.  Then he<br />
went to the door opposite leading into Cynthia's room.  That door<br />
was also bolted, as I had stated.  However, he went to the length<br />
of unbolting it, and opening and shutting it several times; this<br />
he did with the utmost precaution against making any noise.<br />
Suddenly something in the bolt itself seemed to rivet his<br />
attention.  He examined it carefully, and then, nimbly whipping<br />
out a pair of small forceps from his case, he drew out some<br />
minute particle which he carefully sealed up in a tiny envelope.</p>

<p>On the chest of drawers there was a tray with a spirit lamp and a<br />
small saucepan on it.  A small quantity of a dark fluid remained<br />
in the saucepan, and an empty cup and saucer that had been drunk<br />
out of stood near it.</p>

<p>I wondered how I could have been so unobservant as to overlook<br />
this.  Here was a clue worth having.  Poirot delicately dipped<br />
his finger into liquid, and tasted it gingerly.  He made a<br />
grimace.</p>

<p>"Coco--with--I think--rum in it."</p>

<p>He passed on to the debris on the floor, where the table by the<br />
bed had been overturned.  A reading-lamp, some books, matches, a<br />
bunch of keys, and the crushed fragments of a coffee-cup lay<br />
scattered about.</p>

<p>"Ah, this is curious," said Poirot.</p>

<p>"I must confess that I see nothing particularly curious about<br />
it."</p>

<p>"You do not? Observe the lamp--the chimney is broken in two<br />
places; they lie there as they fell.  But see, the coffee-cup is<br />
absolutely smashed to powder."</p>

<p>"Well," I said wearily, "I suppose some one must have stepped on<br />
it."</p>

<p>"Exactly," said Poirot, in an odd voice.  "Some one stepped on<br />
it."</p>

<p>He rose from his knees, and walked slowly across to the<br />
mantelpiece, where he stood abstractedly fingering the ornaments,<br />
and straightening them--a trick of his when he was agitated.</p>

<p>"Mon ami," he said, turning to me, "somebody stepped on that cup,<br />
grinding it to powder, and the reason they did so was either<br />
because it contained strychnine or--which is far more<br />
serious--because it did not contain strychnine!"</p>

<p>I made no reply.  I was bewildered, but I knew that it was no<br />
good asking him to explain.  In a moment or two he roused<br />
himself, and went on with his investigations.  He picked up the<br />
bunch of keys from the floor, and twirling them round in his<br />
fingers finally selected one, very bright and shining, which he<br />
tried in the lock of the purple despatch-case.  It fitted, and he<br />
opened the box, but after a moment's hesitation, closed and<br />
relocked it, and slipped the bunch of keys, as well as the key<br />
that had originally stood in the lock, into his own pocket.</p>

<p>"I have no authority to go through these papers.  But it should<br />
be done--at once!"</p>

<p>He then made a very careful examination of the drawers of the<br />
wash-stand.  Crossing the room to the left-hand window, a round<br />
stain, hardly visible on the dark brown carpet, seemed to<br />
interest him particularly.  He went down on his knees, examining<br />
it minutely--even going so far as to smell it.</p>

<p>Finally, he poured a few drops of the coco into a test tube,<br />
sealing it up carefully.  His next proceeding was to take out a<br />
little notebook.</p>

<p>"We have found in this room," he said, writing busily, "six<br />
points of interest.  Shall I enumerate them, or will you?"</p>

<p>"Oh, you," I replied hastily.</p>

<p>"Very well, then.  One, a coffee-cup that has been ground into<br />
powder; two, a despatch-case with a key in the lock; three, a<br />
stain on the floor."</p>

<p>"That may have been done some time ago," I interrupted.</p>

<p>"No, for it is still perceptibly damp and smells of coffee.<br />
Four, a fragment of some dark green fabric--only a thread or two,<br />
but recognizable."</p>

<p>"Ah!" I cried.  "That was what you sealed up in the envelope."</p>

<p>"Yes.  It may turn out to be a piece of one of Mrs. Inglethorp's<br />
own dresses, and quite unimportant.  We shall see.  Five, _this_!"<br />
With a dramatic gesture, he pointed to a large splash of candle<br />
grease on the floor by the writing-table.  "It must have been<br />
done since yesterday, otherwise a good housemaid would have at<br />
once removed it with blotting-paper and a hot iron.  One of my<br />
best hats once--but that is not to the point."</p>

<p>"It was very likely done last night.  We were very agitated.  Or<br />
perhaps Mrs. Inglethorp herself dropped her candle."</p>

<p>"You brought only one candle into the room?"</p>

<p>"Yes.  Lawrence Cavendish was carrying it.  But he was very<br />
upset.  He seemed to see something over here"--I indicated the<br />
mantelpiece--"that absolutely paralysed him."</p>

<p>"That is interesting," said Poirot quickly.  "Yes, it is<br />
suggestive"--his eye sweeping the whole length of the wall--"but<br />
it was not his candle that made this great patch, for you<br />
perceive that this is white grease; whereas Monsieur Lawrence's<br />
candle, which is still on the dressing-table, is pink.  On the<br />
other hand, Mrs. Inglethorp had no candlestick in the room, only<br />
a reading-lamp."</p>

<p>"Then," I said, "what do you deduce?"</p>

<p>To which my friend only made a rather irritating reply, urging me<br />
to use my own natural faculties.</p>

<p>"And the sixth point?" I asked.  "I suppose it is the sample of<br />
coco."</p>

<p>"No," said Poirot thoughtfully.  "I might have included that in<br />
the six, but I did not.  No, the sixth point I will keep to<br />
myself for the present."</p>

<p>He looked quickly round the room.  "There is nothing more to be<br />
done here, I think, unless"--he stared earnestly and long at the<br />
dead ashes in the grate.  "The fire burns--and it destroys.  But<br />
by chance--there might be--let us see!"</p>

<p>Deftly, on hands and knees, he began to sort the ashes from the<br />
grate into the fender, handling them with the greatest caution.<br />
Suddenly, he gave a faint exclamation.</p>

<p>"The forceps, Hastings!"</p>

<p>I quickly handed them to him, and with skill he extracted a small<br />
piece of half charred paper.</p>

<p>"There, mon ami!" he cried.  "What do you think of that?"</p>

<p>I scrutinized the fragment.  This is an exact reproduction of it:--</p>

<p>I was puzzled.  It was unusually thick, quite unlike ordinary<br />
notepaper.  Suddenly an idea struck me.</p>

<p>"Poirot!" I cried.  "This is a fragment of a will!"</p>

<p>"Exactly."</p>

<p>I looked up at him sharply.</p>

<p>"You are not surprised?"</p>

<p>"No," he said gravely, "I expected it."</p>

<p>I relinquished the piece of paper, and watched him put it away in<br />
his case, with the same methodical care that he bestowed on<br />
everything.  My brain was in a whirl.  What was this complication<br />
of a will? Who had destroyed it? The person who had left the<br />
candle grease on the floor? Obviously.  But how had anyone gained<br />
admission? All the doors had been bolted on the inside.</p>

<p>"Now, my friend," said Poirot briskly, "we will go.  I should<br />
like to ask a few questions of the parlourmaid--Dorcas, her name<br />
is, is it not?"</p>

<p>We passed through Alfred Inglethorp's room, and Poirot delayed<br />
long enough to make a brief but fairly comprehensive examination<br />
of it.  We went out through that door, locking both it and that<br />
of Mrs. Inglethorp's room as before.</p>

<p>I took him down to the boudoir which he had expressed a wish to<br />
see, and went myself in search of Dorcas.</p>

<p>When I returned with her, however, the boudoir was empty.</p>

<p>"Poirot," I cried, "where are you?"</p>

<p>"I am here, my friend."</p>

<p>He had stepped outside the French window, and was standing,<br />
apparently lost in admiration, before the various shaped flower<br />
beds.</p>

<p>"Admirable!" he murmured.  "Admirable! What symmetry! Observe<br />
that crescent; and those diamonds--their neatness rejoices the<br />
eye.  The spacing of the plants, also, is perfect.  It has been<br />
recently done; is it not so?"</p>

<p>"Yes, I believe they were at it yesterday afternoon.  But come<br />
in--Dorcas is here."</p>

<p>"Eh bien, eh bien! Do not grudge me a moment's satisfaction of<br />
the eye."</p>

<p>"Yes, but this affair is more important."</p>

<p>"And how do you know that these fine begonias are not of equal<br />
importance?"</p>

<p>I shrugged my shoulders.  There was really no arguing with him if<br />
he chose to take that line.</p>

<p>"You do not agree? But such things have been.  Well, we will come<br />
in and interview the brave Dorcas."</p>

<p>Dorcas was standing in the boudoir, her hands folded in front of<br />
her, and her grey hair rose in stiff waves under her white cap.<br />
She was the very model and picture of a good old-fashioned<br />
servant.</p>

<p>In her attitude towards Poirot, she was inclined to be<br />
suspicious, but he soon broke down her defences.  He drew forward<br />
a chair.</p>

<p>"Pray be seated, mademoiselle."</p>

<p>"Thank you, sir."</p>

<p>"You have been with your mistress many years, is it not so?"</p>

<p>"Ten years, sir."</p>

<p>"That is a long time, and very faithful service.  You were much<br />
attached to her, were you not?"</p>

<p>"She was a very good mistress to me, sir."</p>

<p>"Then you will not object to answering a few questions.  I put<br />
them to you with Mr. Cavendish's full approval."</p>

<p>"Oh, certainly, sir."</p>

<p>"Then I will begin by asking you about the events of yesterday<br />
afternoon.  Your mistress had a quarrel?"</p>

<p>"Yes, sir.  But I don't know that I ought----" Dorcas hesitated.<br />
Poirot looked at her keenly.</p>

<p>"My good Dorcas, it is necessary that I should know every detail<br />
of that quarrel as fully as possible.  Do not think that you are<br />
betraying your mistress's secrets.  Your mistress lies dead, and<br />
it is necessary that we should know all--if we are to avenge her.<br />
Nothing can bring her back to life, but we do hope, if there has<br />
been foul play, to bring the murderer to justice."</p>

<p>"Amen to that," said Dorcas fiercely.  "And, naming no names,<br />
there's _one_ in this house that none of us could ever abide! And<br />
an ill day it was when first _he_ darkened the threshold."</p>

<p>Poirot waited for her indignation to subside, and then, resuming<br />
his business-like tone, he asked:</p>

<p>"Now, as to this quarrel? What is the first you heard of it?"</p>

<p>"Well, sir, I happened to be going along the hall outside<br />
yesterday----"</p>

<p>"What time was that?"</p>

<p>"I couldn't say exactly, sir, but it wasn't tea-time by a long<br />
way.  Perhaps four o'clock--or it may have been a bit later.<br />
Well, sir, as I said, I happened to be passing along, when I<br />
heard voices very loud and angry in here.  I didn't exactly mean<br />
to listen, but--well, there it is.  I stopped.  The door was<br />
shut, but the mistress was speaking very sharp and clear, and I<br />
heard what she said quite plainly.  'You have lied to me, and<br />
deceived me,' she said.  I didn't hear what Mr. Inglethorp<br />
replied.  He spoke a good bit lower than she did--but she<br />
answered: 'How dare you? I have kept you and clothed you and fed<br />
you! You owe everything to me! And this is how you repay me! By<br />
bringing disgrace upon our name!' Again I didn't hear what he<br />
said, but she went on: 'Nothing that you can say will make any<br />
difference.  I see my duty clearly.  My mind is made up.  You<br />
need not think that any fear of publicity, or scandal between<br />
husband and wife will deter me.' Then I thought I heard them<br />
coming out, so I went off quickly."</p>

<p>"You are sure it was Mr. Inglethorp's voice you heard?"</p>

<p>"Oh, yes, sir, whose else's could it be?"</p>

<p>"Well, what happened next?"</p>

<p>"Later, I came back to the hall; but it was all quiet.  At five<br />
o'clock, Mrs. Inglethorp rang the bell and told me to bring her a<br />
cup of tea--nothing to eat--to the boudoir.  She was looking<br />
dreadful--so white and upset.  'Dorcas,' she says, 'I've had a<br />
great shock.' 'I'm sorry for that, m'm,' I says.  'You'll feel<br />
better after a nice hot cup of tea, m'm.' She had something in<br />
her hand.  I don't know if it was a letter, or just a piece of<br />
paper, but it had writing on it, and she kept staring at it,<br />
almost as if she couldn't believe what was written there.  She<br />
whispered to herself, as though she had forgotten I was there:<br />
'These few words--and everything's changed.' And then she says to<br />
me: 'Never trust a man, Dorcas, they're not worth it!' I hurried<br />
off, and got her a good strong cup of tea, and she thanked me,<br />
and said she'd feel better when she'd drunk it.  'I don't know<br />
what to do,' she says.  'Scandal between husband and wife is a<br />
dreadful thing, Dorcas.  I'd rather hush it up if I could.' Mrs.<br />
Cavendish came in just then, so she didn't say any more."</p>

<p>"She still had the letter, or whatever it was, in her hand?"<br />
"Yes, sir."</p>

<p>"What would she be likely to do with it afterwards?"</p>

<p>"Well, I don't know, sir, I expect she would lock it up in that<br />
purple case of hers."</p>

<p>"Is that where she usually kept important papers?"</p>

<p>"Yes, sir.  She brought it down with her every morning, and took<br />
it up every night."</p>

<p>"When did she lose the key of it?"</p>

<p>"She missed it yesterday at lunch-time, sir, and told me to look<br />
carefully for it.  She was very much put out about it."</p>

<p>"But she had a duplicate key?"</p>

<p>"Oh, yes, sir."</p>

<p>Dorcas was looking very curiously at him and, to tell the truth,<br />
so was I.  What was all this about a lost key? Poirot smiled.</p>

<p>"Never mind, Dorcas, it is my business to know things.  Is this<br />
the key that was lost?" He drew from his pocket the key that he<br />
had found in the lock of the despatch-case upstairs.</p>

<p>Dorcas's eyes looked as though they would pop out of her head.</p>

<p>"That's it, sir, right enough.  But where did you find it? I<br />
looked everywhere for it."</p>

<p>"Ah, but you see it was not in the same place yesterday as it was<br />
to-day.  Now, to pass to another subject, had your mistress a<br />
dark green dress in her wardrobe?"</p>

<p>Dorcas was rather startled by the unexpected question.</p>

<p>"No, sir."</p>

<p>"Are you quite sure?"</p>

<p>"Oh, yes, sir."</p>

<p>"Has anyone else in the house got a green dress?"</p>

<p>Dorcas reflected.</p>

<p>"Miss Cynthia has a green evening dress."</p>

<p>"Light or dark green?"</p>

<p>"A light green, sir; a sort of chiffon, they call it."</p>

<p>"Ah, that is not what I want.  And nobody else has anything<br />
green?"</p>

<p>"No, sir--not that I know of."</p>

<p>Poirot's face did not betray a trace of whether he was<br />
disappointed or otherwise.  He merely remarked:</p>

<p>"Good, we will leave that and pass on.  Have you any reason to<br />
believe that your mistress was likely to take a sleeping powder<br />
last night?"</p>

<p>"Not _last_ night, sir, I know she didn't."</p>

<p>"Why do you know so positively?"</p>

<p>"Because the box was empty.  She took the last one two days ago,<br />
and she didn't have any more made up."</p>

<p>"You are quite sure of that?"</p>

<p>"Positive, sir."</p>

<p>"Then that is cleared up! By the way, your mistress didn't ask<br />
you to sign any paper yesterday?"</p>

<p>"To sign a paper? No, sir."</p>

<p>"When Mr. Hastings and Mr. Lawrence came in yesterday evening,<br />
they found your mistress busy writing letters.  I suppose you can<br />
give me no idea to whom these letters were addressed?"</p>

<p>"I'm afraid I couldn't, sir.  I was out in the evening.  Perhaps<br />
Annie could tell you, though she's a careless girl.  Never<br />
cleared the coffee-cups away last night.  That's what happens<br />
when I'm not here to look after things."</p>

<p>Poirot lifted his hand.</p>

<p>"Since they have been left, Dorcas, leave them a little longer, I<br />
pray you.  I should like to examine them."</p>

<p>"Very well, sir."</p>

<p>"What time did you go out last evening?"</p>

<p>"About six o'clock, sir."</p>

<p>"Thank you, Dorcas, that is all I have to ask you." He rose and<br />
strolled to the window.  "I have been admiring these flower beds.<br />
How many gardeners are employed here, by the way?"</p>

<p>"Only three now, sir.  Five, we had, before the war, when it was<br />
kept as a gentleman's place should be.  I wish you could have<br />
seen it then, sir.  A fair sight it was.  But now there's only<br />
old Manning, and young William, and a new-fashioned woman<br />
gardener in breeches and such-like.  Ah, these are dreadful<br />
times!"</p>

<p>"The good times will come again, Dorcas.  At least, we hope so.<br />
Now, will you send Annie to me here?"</p>

<p>"Yes, sir.  Thank you, sir."</p>

<p>"How did you know that Mrs. Inglethorp took sleeping powders?" I<br />
asked, in lively curiosity, as Dorcas left the room.  "And about<br />
the lost key and the duplicate?"</p>

<p>"One thing at a time.  As to the sleeping powders, I knew by<br />
this." He suddenly produced a small cardboard box, such as<br />
chemists use for powders.</p>

<p>"Where did you find it?"</p>

<p>"In the wash-stand drawer in Mrs. Inglethorp's bedroom.  It was<br />
Number Six of my catalogue."</p>

<p>"But I suppose, as the last powder was taken two days ago, it is<br />
not of much importance?"</p>

<p>"Probably not, but do you notice anything that strikes you as<br />
peculiar about this box?"</p>

<p>I examined it closely.</p>

<p>"No, I can't say that I do."</p>

<p>"Look at the label."</p>

<p>I read the label carefully: " 'One powder to be taken at bedtime,<br />
if required.  Mrs. Inglethorp.' No, I see nothing unusual."</p>

<p>"Not the fact that there is no chemist's name?"</p>

<p>"Ah!" I exclaimed.  "To be sure, that is odd!"</p>

<p>"Have you ever known a chemist to send out a box like that,<br />
without his printed name?"</p>

<p>"No, I can't say that I have."</p>

<p>I was becoming quite excited, but Poirot damped my ardour by<br />
remarking:</p>

<p>"Yet the explanation is quite simple.  So do not intrigue<br />
yourself, my friend."</p>

<p>An audible creaking proclaimed the approach of Annie, so I had no<br />
time to reply.</p>

<p>Annie was a fine, strapping girl, and was evidently labouring<br />
under intense excitement, mingled with a certain ghoulish<br />
enjoyment of the tragedy.</p>

<p>Poirot came to the point at once, with a business-like briskness.</p>

<p>"I sent for you, Annie, because I thought you might be able to<br />
tell me something about the letters Mrs. Inglethorp wrote last<br />
night.  How many were there? And can you tell me any of the names<br />
and addresses?"</p>

<p>Annie considered.</p>

<p>"There were four letters, sir.  One was to Miss Howard, and one<br />
was to Mr. Wells, the lawyer, and the other two I don't think I<br />
remember, sir--oh, yes, one was to Ross's, the caterers in<br />
Tadminster.  The other one, I don't remember."</p>

<p>"Think," urged Poirot.</p>

<p>Annie racked her brains in vain.</p>

<p>"I'm sorry, sir, but it's clean gone.  I don't think I can have<br />
noticed it."</p>

<p>"It does not matter," said Poirot, not betraying any sign of<br />
disappointment.  "Now I want to ask you about something else.<br />
There is a saucepan in Mrs. Inglethorp's room with some coco in<br />
it.  Did she have that every night?"</p>

<p>"Yes, sir, it was put in her room every evening, and she warmed<br />
it up in the night--whenever she fancied it."</p>

<p>"What was it? Plain coco?"</p>

<p>"Yes, sir, made with milk, with a teaspoonful of sugar, and two<br />
teaspoonfuls of rum in it."</p>

<p>"Who took it to her room?"</p>

<p>"I did, sir."</p>

<p>"Always?"</p>

<p>"Yes, sir."</p>

<p>"At what time?"</p>

<p>"When I went to draw the curtains, as a rule, sir."</p>

<p>"Did you bring it straight up from the kitchen then?"</p>

<p>"No, sir, you see there's not much room on the gas stove, so Cook<br />
used to make it early, before putting the vegetables on for<br />
supper.  Then I used to bring it up, and put it on the table by<br />
the swing door, and take it into her room later."</p>

<p>"The swing door is in the left wing, is it not?"</p>

<p>"Yes, sir."</p>

<p>"And the table, is it on this side of the door, or on the<br />
farther--servants' side?"</p>

<p>"It's this side, sir."</p>

<p>"What time did you bring it up last night?"</p>

<p>"About quarter-past seven, I should say, sir."</p>

<p>"And when did you take it into Mrs. Inglethorp's room?"</p>

<p>"When I went to shut up, sir.  About eight o'clock.  Mrs.<br />
Inglethorp came up to bed before I'd finished."</p>

<p>"Then, between 7.15 and 8 o'clock, the coco was standing on the<br />
table in the left wing?"</p>

<p>"Yes, sir." Annie had been growing redder and redder in the face,<br />
and now she blurted out unexpectedly:</p>

<p>"And if there _was_ salt in it, sir, it wasn't me.  I never took<br />
the salt near it."</p>

<p>"What makes you think there was salt in it?" asked Poirot.</p>

<p>"Seeing it on the tray, sir."</p>

<p>"You saw some salt on the tray?"</p>

<p>"Yes.  Coarse kitchen salt, it looked.  I never noticed it when I<br />
took the tray up, but when I came to take it into the mistress's<br />
room I saw it at once, and I suppose I ought to have taken it<br />
down again, and asked Cook to make some fresh.  But I was in a<br />
hurry, because Dorcas was out, and I thought maybe the coco<br />
itself was all right, and the salt had only gone on the tray.  So<br />
I dusted it off with my apron, and took it in."</p>

<p>I had the utmost difficulty in controlling my excitement.<br />
Unknown to herself, Annie had provided us with an important piece<br />
of evidence.  How she would have gaped if she had realized that<br />
her "coarse kitchen salt" was strychnine, one of the most deadly<br />
poisons known to mankind.  I marvelled at Poirot's calm.  His<br />
self-control was astonishing.  I awaited his next question with<br />
impatience, but it disappointed me.</p>

<p>"When you went into Mrs. Inglethorp's room, was the door leading<br />
into Miss Cynthia's room bolted?"</p>

<p>"Oh! Yes, sir; it always was.  It had never been opened."</p>

<p>"And the door into Mr. Inglethorp's room? Did you notice if that<br />
was bolted too?"</p>

<p>Annie hesitated.</p>

<p>"I couldn't rightly say, sir; it was shut but I couldn't say<br />
whether it was bolted or not."</p>

<p>"When you finally left the room, did Mrs. Inglethorp bolt the<br />
door after you?"</p>

<p>"No, sir, not then, but I expect she did later.  She usually did<br />
lock it at night.  The door into the passage, that is."</p>

<p>"Did you notice any candle grease on the floor when you did the<br />
room yesterday?"</p>

<p>"Candle grease? Oh, no, sir.  Mrs. Inglethorp didn't have a<br />
candle, only a reading-lamp."</p>

<p>"Then, if there had been a large patch of candle grease on the<br />
floor, you think you would have been sure to have seen it?"</p>

<p>"Yes, sir, and I would have taken it out with a piece of<br />
blotting-paper and a hot iron."</p>

<p>Then Poirot repeated the question he had put to Dorcas:</p>

<p>"Did your mistress ever have a green dress?"</p>

<p>"No, sir."</p>

<p>"Nor a mantle, nor a cape, nor a--how do you call it?--a sports<br />
coat?"</p>

<p>"Not green, sir."</p>

<p>"Nor anyone else in the house?"</p>

<p>Annie reflected.</p>

<p>"No, sir."</p>

<p>"You are sure of that?"</p>

<p>"Quite sure."</p>

<p>"Bien! That is all I want to know.  Thank you very much."</p>

<p>With a nervous giggle, Annie took herself creakingly out of the<br />
room.  My pent-up excitement burst forth.</p>

<p>"Poirot," I cried, "I congratulate you! This is a great<br />
discovery."</p>

<p>"What is a great discovery?"</p>

<p>"Why, that it was the coco and not the coffee that was poisoned.<br />
That explains everything! Of course it did not take effect until<br />
the early morning, since the coco was only drunk in the middle of<br />
the night."</p>

<p>"So you think that the coco--mark well what I say, Hastings, the<br />
coco--contained strychnine?"</p>

<p>"Of course! That salt on the tray, what else could it have been?"</p>

<p>"It might have been salt," replied Poirot placidly.</p>

<p>I shrugged my shoulders.  If he was going to take the matter that<br />
way, it was no good arguing with him.  The idea crossed my mind,<br />
not for the first time, that poor old Poirot was growing old.<br />
Privately I thought it lucky that he had associated with him some<br />
one of a more receptive type of mind.</p>

<p>Poirot was surveying me with quietly twinkling eyes.</p>

<p>"You are not pleased with me, mon ami?"</p>

<p>"My dear Poirot," I said coldly, "it is not for me to dictate to<br />
you.  You have a right to your own opinion, just as I have to<br />
mine."</p>

<p>"A most admirable sentiment," remarked Poirot, rising briskly to<br />
his feet.  "Now I have finished with this room.  By the way,<br />
whose is the smaller desk in the corner?"</p>

<p>"Mr. Inglethorp's."</p>

<p>"Ah!" He tried the roll top tentatively.  "Locked.  But perhaps<br />
one of Mrs. Inglethorp's keys would open it." He tried several,<br />
twisting and turning them with a practiced hand, and finally<br />
uttering an ejaculation of satisfaction.  "Voila! It is not the<br />
key, but it will open it at a pinch." He slid back the roll top,<br />
and ran a rapid eye over the neatly filed papers.  To my<br />
surprise, he did not examine them, merely remarking approvingly<br />
as he relocked the desk: "Decidedly, he is a man of method, this<br />
Mr. Inglethorp!"</p>

<p>A "man of method" was, in Poirot's estimation, the highest praise<br />
that could be bestowed on any individual.</p>

<p>I felt that my friend was not what he had been as he rambled on<br />
disconnectedly:</p>

<p>"There were no stamps in his desk, but there might have been, eh,<br />
mon ami? There might have been? Yes"--his eyes wandered round the<br />
room--"this boudoir has nothing more to tell us.  It did not<br />
yield much.  Only this."</p>

<p>He pulled a crumpled envelope out of his pocket, and tossed it<br />
over to me.  It was rather a curious document.  A plain, dirty<br />
looking old envelope with a few words scrawled across it,<br />
apparently at random.  The following is a facsimile of it.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER V.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-v.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.826</id>

    <published>2008-07-09T21:21:08Z</published>
    <updated>2008-06-20T21:35:59Z</updated>

    <summary>&quot;IT ISN&apos;T STRYCHNINE, IS IT?&quot; &quot;Where did you find this?&quot; I asked Poirot, in lively curiosity. &quot;In the waste-paper basket. You recognise the handwriting?&quot; &quot;Yes, it is Mrs. Inglethorp&apos;s. But what does it mean?&quot; Poirot shrugged his shoulders. &quot;I cannot...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>"IT ISN'T STRYCHNINE, IS IT?"</p>

<p><br />
"Where did you find this?" I asked Poirot, in lively curiosity.</p>

<p>"In the waste-paper basket.  You recognise the handwriting?"</p>

<p>"Yes, it is Mrs. Inglethorp's.  But what does it mean?"</p>

<p>Poirot shrugged his shoulders.</p>

<p>"I cannot say--but it is suggestive."</p>

<p>A wild idea flashed across me.  Was it possible that Mrs.<br />
Inglethorp's mind was deranged? Had she some fantastic idea of<br />
demoniacal possession? And, if that were so, was it not also<br />
possible that she might have taken her own life?</p>

<p>I was about to expound these theories to Poirot, when his own<br />
words distracted me.</p>

<p>"Come," he said, "now to examine the coffee-cups!"</p>

<p>"My dear Poirot! What on earth is the good of that, now that we<br />
know about the coco?"</p>

<p>"Oh, la la! That miserable coco!" cried Poirot flippantly.</p>

<p>He laughed with apparent enjoyment, raising his arms to heaven in<br />
mock despair, in what I could not but consider the worst possible<br />
taste.</p>

<p>"And, anyway," I said, with increasing coldness, "as Mrs.<br />
Inglethorp took her coffee upstairs with her, I do not see what<br />
you expect to find, unless you consider it likely that we shall<br />
discover a packet of strychnine on the coffee tray!"</p>

<p>Poirot was sobered at once.</p>

<p>"Come, come, my friend," he said, slipping his arms through mine.<br />
"Ne vous fachez pas! Allow me to interest myself in my<br />
coffee-cups, and I will respect your coco.  There! Is it a<br />
bargain?"</p>

<p>He was so quaintly humorous that I was forced to laugh; and we<br />
went together to the drawing-room, where the coffee-cups and tray<br />
remained undisturbed as we had left them.</p>

<p>Poirot made me recapitulate the scene of the night before,<br />
listening very carefully, and verifying the position of the<br />
various cups.</p>

<p>"So Mrs. Cavendish stood by the tray--and poured out.  Yes.  Then<br />
she came across to the window where you sat with Mademoiselle<br />
Cynthia.  Yes.  Here are the three cups.  And the cup on the<br />
mantel-piece, half drunk, that would be Mr. Lawrence Cavendish's.<br />
And the one on the tray?"</p>

<p>"John Cavendish's.  I saw him put it down there."</p>

<p>"Good.  One, two, three, four, five--but where, then, is the cup<br />
of Mr. Inglethorp?"</p>

<p>"He does not take coffee."</p>

<p>"Then all are accounted for.  One moment, my friend."</p>

<p>With infinite care, he took a drop or two from the grounds in<br />
each cup, sealing them up in separate test tubes, tasting each in<br />
turn as he did so.  His physiognomy underwent a curious change.<br />
An expression gathered there that I can only describe as half<br />
puzzled, and half relieved.</p>

<p>"Bien!" he said at last.  "It is evident! I had an idea--but<br />
clearly I was mistaken.  Yes, altogether I was mistaken.  Yet it<br />
is strange.  But no matter!"</p>

<p>And, with a characteristic shrug, he dismissed whatever it was<br />
that was worrying him from his mind.  I could have told him from<br />
the beginning that this obsession of his over the coffee was<br />
bound to end in a blind alley, but I restrained my tongue.  After<br />
all, though he was old, Poirot had been a great man in his day.</p>

<p>"Breakfast is ready," said John Cavendish, coming in from the<br />
hall.  "You will breakfast with us, Monsieur Poirot?"</p>

<p>Poirot acquiesced.  I observed John.  Already he was almost<br />
restored to his normal self.  The shock of the events of the last<br />
night had upset him temporarily, but his equable poise soon swung<br />
back to the normal.  He was a man of very little imagination, in<br />
sharp contrast with his brother, who had, perhaps, too much.</p>

<p>Ever since the early hours of the morning, John had been hard at<br />
work, sending telegrams--one of the first had gone to Evelyn<br />
Howard--writing notices for the papers, and generally occupying<br />
himself with the melancholy duties that a death entails.</p>

<p>"May I ask how things are proceeding?" he said.  "Do your<br />
investigations point to my mother having died a natural death--<br />
or--or must we prepare ourselves for the worst?"</p>

<p>"I think, Mr. Cavendish," said Poirot gravely, "that you would do<br />
well not to buoy yourself up with any false hopes.  Can you tell<br />
me the views of the other members of the family?"</p>

<p>"My brother Lawrence is convinced that we are making a fuss over<br />
nothing.  He says that everything points to its being a simple<br />
case of heart failure."</p>

<p>"He does, does he? That is very interesting--very interesting,"<br />
murmured Poirot softly.  "And Mrs. Cavendish?"</p>

<p>A faint cloud passed over John's face.</p>

<p>"I have not the least idea what my wife's views on the subject<br />
are."</p>

<p>The answer brought a momentary stiffness in its train.  John<br />
broke the rather awkward silence by saying with a slight effort:</p>

<p>"I told you, didn't I, that Mr. Inglethorp has returned?"</p>

<p>Poirot bent his head.</p>

<p>"It's an awkward position for all of us.  Of course one has to<br />
treat him as usual--but, hang it all, one's gorge does rise at<br />
sitting down to eat with a possible murderer!"</p>

<p>Poirot nodded sympathetically.</p>

<p>"I quite understand.  It is a very difficult situation for you,<br />
Mr. Cavendish.  I would like to ask you one question.  Mr.<br />
Inglethorp's reason for not returning last night was, I believe,<br />
that he had forgotten the latch-key.  Is not that so?"</p>

<p>"Yes."</p>

<p>"I suppose you are quite sure that the latch-key _was_<br />
forgotten--that he did not take it after all?"</p>

<p>"I have no idea.  I never thought of looking.  We always keep it<br />
in the hall drawer.  I'll go and see if it's there now."</p>

<p>Poirot held up his hand with a faint smile.</p>

<p>"No, no, Mr. Cavendish, it is too late now.  I am certain that<br />
you would find it.  If Mr. Inglethorp did take it, he has had<br />
ample time to replace it by now."</p>

<p>"But do you think----"</p>

<p>"I think nothing.  If anyone had chanced to look this morning<br />
before his return, and seen it there, it would have been a<br />
valuable point in his favour.  That is all."</p>

<p>John looked perplexed.</p>

<p>"Do not worry," said Poirot smoothly.  "I assure you that you<br />
need not let it trouble you.  Since you are so kind, let us go<br />
and have some breakfast."</p>

<p>Every one was assembled in the dining-room.  Under the<br />
circumstances, we were naturally not a cheerful party.  The<br />
reaction after a shock is always trying, and I think we were all<br />
suffering from it.  Decorum and good breeding naturally enjoined<br />
that our demeanour should be much as usual, yet I could not help<br />
wondering if this self-control were really a matter of great<br />
difficulty.  There were no red eyes, no signs of secretly<br />
indulged grief.  I felt that I was right in my opinion that<br />
Dorcas was the person most affected by the personal side of the<br />
tragedy.</p>

<p>I pass over Alfred Inglethorp, who acted the bereaved widower in<br />
a manner that I felt to be disgusting in its hypocrisy.  Did he<br />
know that we suspected him, I wondered.  Surely he could not be<br />
unaware of the fact, conceal it as we would.  Did he feel some<br />
secret stirring of fear, or was he confident that his crime would<br />
go unpunished? Surely the suspicion in the atmosphere must warn<br />
him that he was already a marked man.</p>

<p>But did every one suspect him? What about Mrs. Cavendish? I<br />
watched her as she sat at the head of the table, graceful,<br />
composed, enigmatic.  In her soft grey frock, with white ruffles<br />
at the wrists falling over her slender hands, she looked very<br />
beautiful.  When she chose, however, her face could be<br />
sphinx-like in its inscrutability.  She was very silent, hardly<br />
opening her lips, and yet in some queer way I felt that the great<br />
strength of her personality was dominating us all.</p>

<p>And little Cynthia? Did she suspect? She looked very tired and<br />
ill, I thought.  The heaviness and languor of her manner were<br />
very marked.  I asked her if she were feeling ill, and she<br />
answered frankly:</p>

<p>"Yes, I've got the most beastly headache."</p>

<p>"Have another cup of coffee, mademoiselle?" said Poirot<br />
solicitously.  "It will revive you.  It is unparalleled for the<br />
mal de tete." He jumped up and took her cup.</p>

<p>"No sugar," said Cynthia, watching him, as he picked up the<br />
sugar-tongs.</p>

<p>"No sugar? You abandon it in the war-time, eh?"</p>

<p>"No, I never take it in coffee."</p>

<p>"Sacre!" murmured Poirot to himself, as he brought back the<br />
replenished cup.</p>

<p>Only I heard him, and glancing up curiously at the little man I<br />
saw that his face was working with suppressed excitement, and his<br />
eyes were as green as a cat's.  He had heard or seen something<br />
that had affected him strongly--but what was it? I do not usually<br />
label myself as dense, but I must confess that nothing out of the<br />
ordinary had attracted _my_ attention.</p>

<p>In another moment, the door opened and Dorcas appeared.</p>

<p>"Mr. Wells to see you, sir," she said to John.</p>

<p>I remembered the name as being that of the lawyer to whom Mrs.<br />
Inglethorp had written the night before.</p>

<p>John rose immediately.</p>

<p>"Show him into my study." Then he turned to us.  "My mother's<br />
lawyer," he explained.  And in a lower voice: "He is also<br />
Coroner--you understand.  Perhaps you would like to come with<br />
me?"</p>

<p>We acquiesced and followed him out of the room.  John strode on<br />
ahead and I took the opportunity of whispering to Poirot:</p>

<p>"There will be an inquest then?"</p>

<p>Poirot nodded absently.  He seemed absorbed in thought; so much<br />
so that my curiosity was aroused.</p>

<p>"What is it? You are not attending to what I say."</p>

<p>"It is true, my friend.  I am much worried."</p>

<p>"Why?"</p>

<p>"Because Mademoiselle Cynthia does not take sugar in her coffee."</p>

<p>"What? You cannot be serious?"</p>

<p>"But I am most serious.  Ah, there is something there that I do<br />
not understand.  My instinct was right."</p>

<p>"What instinct?"</p>

<p>"The instinct that led me to insist on examining those<br />
coffee-cups.  Chut! no more now!"</p>

<p>We followed John into his study, and he closed the door behind<br />
us.</p>

<p>Mr. Wells was a pleasant man of middle-age, with keen eyes, and<br />
the typical lawyer's mouth.  John introduced us both, and<br />
explained the reason of our presence.</p>

<p>"You will understand, Wells," he added, "that this is all<br />
strictly private.  We are still hoping that there will turn out<br />
to be no need for investigation of any kind."</p>

<p>"Quite so, quite so," said Mr. Wells soothingly.  "I wish we<br />
could have spared you the pain and publicity of an inquest, but<br />
of course it's quite unavoidable in the absence of a doctor's<br />
certificate."</p>

<p>"Yes, I suppose so."</p>

<p>"Clever man, Bauerstein.  Great authority on toxicology, I<br />
believe."</p>

<p>"Indeed," said John with a certain stiffness in his manner.  Then<br />
he added rather hesitatingly: "Shall we have to appear as<br />
witnesses--all of us, I mean?"</p>

<p>"You, of course--and ah--er--Mr.--er--Inglethorp."</p>

<p>A slight pause ensued before the lawyer went on in his soothing<br />
manner:</p>

<p>"Any other evidence will be simply confirmatory, a mere matter of<br />
form."</p>

<p>"I see."</p>

<p>A faint expression of relief swept over John's face.  It puzzled<br />
me, for I saw no occasion for it.</p>

<p>"If you know of nothing to the contrary," pursued Mr. Wells, "I<br />
had thought of Friday.  That will give us plenty of time for the<br />
doctor's report.  The post-mortem is to take place to-night, I<br />
believe?"</p>

<p>"Yes."</p>

<p>"Then that arrangement will suit you?"</p>

<p>"Perfectly."</p>

<p>"I need not tell you, my dear Cavendish, how distressed I am at<br />
this most tragic affair."</p>

<p>"Can you give us no help in solving it, monsieur?" interposed<br />
Poirot, speaking for the first time since we had entered the<br />
room.</p>

<p>"I?"</p>

<p>"Yes, we heard that Mrs. Inglethorp wrote to you last night.  You<br />
should have received the letter this morning."</p>

<p>"I did, but it contains no information.  It is merely a note<br />
asking me to call upon her this morning, as she wanted my advice<br />
on a matter of great importance."</p>

<p>"She gave you no hint as to what that matter might be?"</p>

<p>"Unfortunately, no."</p>

<p>"That is a pity," said John.</p>

<p>"A great pity," agreed Poirot gravely.</p>

<p>There was silence.  Poirot remained lost in thought for a few<br />
minutes.  Finally he turned to the lawyer again.</p>

<p>"Mr. Wells, there is one thing I should like to ask you--that is,<br />
if it is not against professional etiquette.  In the event of<br />
Mrs. Inglethorp's death, who would inherit her money?"</p>

<p>The lawyer hesitated a moment, and then replied:</p>

<p>"The knowledge will be public property very soon, so if Mr.<br />
Cavendish does not object----"</p>

<p>"Not at all," interpolated John.</p>

<p>"I do not see any reason why I should not answer your question.<br />
By her last will, dated August of last year, after various<br />
unimportant legacies to servants, etc., she gave her entire<br />
fortune to her stepson, Mr. John Cavendish."</p>

<p>"Was not that--pardon the question, Mr. Cavendish--rather unfair<br />
to her other stepson, Mr. Lawrence Cavendish?"</p>

<p>"No, I do not think so.  You see, under the terms of their<br />
father's will, while John inherited the property, Lawrence, at<br />
his stepmother's death, would come into a considerable sum of<br />
money.  Mrs. Inglethorp left her money to her elder stepson,<br />
knowing that he would have to keep up Styles.  It was, to my<br />
mind, a very fair and equitable distribution."</p>

<p>Poirot nodded thoughtfully.</p>

<p>"I see.  But I am right in saying, am I not, that by your English<br />
law that will was automatically revoked when Mrs. Inglethorp<br />
remarried?"</p>

<p>Mr. Wells bowed his head.</p>

<p>"As I was about to proceed, Monsieur Poirot, that document is now<br />
null and void."</p>

<p>"Hein!" said Poirot.  He reflected for a moment, and then asked:<br />
"Was Mrs. Inglethorp herself aware of that fact?"</p>

<p>"I do not know.  She may have been."</p>

<p>"She was," said John unexpectedly.  "We were discussing the<br />
matter of wills being revoked by marriage only yesterday."</p>

<p>"Ah! One more question, Mr. Wells.  You say 'her last will.' Had<br />
Mrs. Inglethorp, then, made several former wills?"</p>

<p>"On an average, she made a new will at least once a year," said<br />
Mr. Wells imperturbably.  "She was given to changing her mind as<br />
to her testamentary dispositions, now benefiting one, now another<br />
member of her family."</p>

<p>"Suppose," suggested Poirot, "that, unknown to you, she had made<br />
a new will in favour of some one who was not, in any sense of the<br />
word, a member of the family--we will say Miss Howard, for<br />
instance--would you be surprised?"</p>

<p>"Not in the least."</p>

<p>"Ah!" Poirot seemed to have exhausted his questions.</p>

<p>I drew close to him, while John and the lawyer were debating the<br />
question of going through Mrs. Inglethorp's papers.</p>

<p>"Do you think Mrs. Inglethorp made a will leaving all her money<br />
to Miss Howard?" I asked in a low voice, with some curiosity.</p>

<p>Poirot smiled.</p>

<p>"No."</p>

<p>"Then why did you ask?"</p>

<p>"Hush!"</p>

<p>John Cavendish had turned to Poirot.</p>

<p>"Will you come with us, Monsieur Poirot? We are going through my<br />
mother's papers.  Mr. Inglethorp is quite willing to leave it<br />
entirely to Mr. Wells and myself."</p>

<p>"Which simplifies matters very much," murmured the lawyer.  "As<br />
technically, of course, he was entitled----" He did not finish<br />
the sentence.</p>

<p>"We will look through the desk in the boudoir first," explained<br />
John, "and go up to her bedroom afterwards.  She kept her most<br />
important papers in a purple despatch-case, which we must look<br />
through carefully."</p>

<p>"Yes," said the lawyer, "it is quite possible that there may be a<br />
later will than the one in my possession."</p>

<p>"There _is_ a later will." It was Poirot who spoke.</p>

<p>"What?" John and the lawyer looked at him startled.</p>

<p>"Or, rather," pursued my friend imperturbably, "there _was_ one."</p>

<p>"What do you mean--there was one? Where is it now?"</p>

<p>"Burnt!"</p>

<p>"Burnt?"</p>

<p>"Yes.  See here." He took out the charred fragment we had found<br />
in the grate in Mrs. Inglethorp's room, and handed it to the<br />
lawyer with a brief explanation of when and where he had found<br />
it.</p>

<p>"But possibly this is an old will?"</p>

<p>"I do not think so.  In fact I am almost certain that it was made<br />
no earlier than yesterday afternoon."</p>

<p>"What?" "Impossible!" broke simultaneously from both men.</p>

<p>Poirot turned to John.</p>

<p>"If you will allow me to send for your gardener, I will prove it<br />
to you."</p>

<p>"Oh, of course--but I don't see----"</p>

<p>Poirot raised his hand.</p>

<p>"Do as I ask you.  Afterwards you shall question as much as you<br />
please."</p>

<p>"Very well." He rang the bell.</p>

<p>Dorcas answered it in due course.</p>

<p>"Dorcas, will you tell Manning to come round and speak to me<br />
here."</p>

<p>"Yes, sir."</p>

<p>Dorcas withdrew.</p>

<p>We waited in a tense silence.  Poirot alone seemed perfectly at<br />
his ease, and dusted a forgotten corner of the bookcase.</p>

<p>The clumping of hobnailed boots on the gravel outside proclaimed<br />
the approach of Manning.  John looked questioningly at Poirot.<br />
The latter nodded.</p>

<p>"Come inside, Manning," said John, "I want to speak to you."</p>

<p>Manning came slowly and hesitatingly through the French window,<br />
and stood as near it as he could.  He held his cap in his hands,<br />
twisting it very carefully round and round.  His back was much<br />
bent, though he was probably not as old as he looked, but his<br />
eyes were sharp and intelligent, and belied his slow and rather<br />
cautious speech.</p>

<p>"Manning," said John, "this gentleman will put some questions to<br />
you which I want you to answer."</p>

<p>"Yes sir," mumbled Manning.</p>

<p>Poirot stepped forward briskly.  Manning's eye swept over him<br />
with a faint contempt.</p>

<p>"You were planting a bed of begonias round by the south side of<br />
the house yesterday afternoon, were you not, Manning?"</p>

<p>"Yes, sir, me and Willum."</p>

<p>"And Mrs. Inglethorp came to the window and called you, did she<br />
not?"</p>

<p>"Yes, sir, she did."</p>

<p>"Tell me in your own words exactly what happened after that."</p>

<p>"Well, sir, nothing much.  She just told Willum to go on his<br />
bicycle down to the village, and bring back a form of will, or<br />
such-like--I don't know what exactly--she wrote it down for him."</p>

<p>"Well?"</p>

<p>"Well, he did, sir."</p>

<p>"And what happened next?"</p>

<p>"We went on with the begonias, sir."</p>

<p>"Did not Mrs. Inglethorp call you again?"</p>

<p>"Yes, sir, both me and Willum, she called."</p>

<p>"And then?"</p>

<p>"She made us come right in, and sign our names at the bottom of a<br />
long paper--under where she'd signed."</p>

<p>"Did you see anything of what was written above her signature?"<br />
asked Poirot sharply.</p>

<p>"No, sir, there was a bit of blotting paper over that part."</p>

<p>"And you signed where she told you?"</p>

<p>"Yes, sir, first me and then Willum."</p>

<p>"What did she do with it afterwards?"</p>

<p>"Well, sir, she slipped it into a long envelope, and put it<br />
inside a sort of purple box that was standing on the desk."</p>

<p>"What time was it when she first called you?"</p>

<p>"About four, I should say, sir."</p>

<p>"Not earlier? Couldn't it have been about half-past three?"</p>

<p>"No, I shouldn't say so, sir.  It would be more likely to be a<br />
bit after four--not before it."</p>

<p>"Thank you, Manning, that will do," said Poirot pleasantly.</p>

<p>The gardener glanced at his master, who nodded, whereupon Manning<br />
lifted a finger to his forehead with a low mumble, and backed<br />
cautiously out of the window.</p>

<p>We all looked at each other.</p>

<p>"Good heavens!" murmured John.  "What an extraordinary<br />
coincidence."</p>

<p>"How--a coincidence?"</p>

<p>"That my mother should have made a will on the very day of her<br />
death!"</p>

<p>Mr. Wells cleared his throat and remarked drily:</p>

<p>"Are you so sure it is a coincidence, Cavendish?"</p>

<p>"What do you mean?"</p>

<p>"Your mother, you tell me, had a violent quarrel with--some one<br />
yesterday afternoon----"</p>

<p>"What do you mean?" cried John again.  There was a tremor in his<br />
voice, and he had gone very pale.</p>

<p>"In consequence of that quarrel, your mother very suddenly and<br />
hurriedly makes a new will.  The contents of that will we shall<br />
never know.  She told no one of its provisions.  This morning, no<br />
doubt, she would have consulted me on the subject--but she had no<br />
chance.  The will disappears, and she takes its secret with her<br />
to her grave.  Cavendish, I much fear there is no coincidence<br />
there.  Monsieur Poirot, I am sure you agree with me that the<br />
facts are very suggestive."</p>

<p>"Suggestive, or not," interrupted John, "we are most grateful to<br />
Monsieur Poirot for elucidating the matter.  But for him, we<br />
should never have known of this will.  I suppose, I may not ask<br />
you, monsieur, what first led you to suspect the fact?"</p>

<p>Poirot smiled and answered:</p>

<p>"A scribbled over old envelope, and a freshly planted bed of<br />
begonias."</p>

<p>John, I think, would have pressed his questions further, but at<br />
that moment the loud purr of a motor was audible, and we all<br />
turned to the window as it swept past.</p>

<p>"Evie!" cried John.  "Excuse me, Wells." He went hurriedly out<br />
into the hall.</p>

<p>Poirot looked inquiringly at me.</p>

<p>"Miss Howard," I explained.</p>

<p>"Ah, I am glad she has come.  There is a woman with a head and a<br />
heart too, Hastings.  Though the good God gave her no beauty!"</p>

<p>I followed John's example, and went out into the hall, where Miss<br />
Howard was endeavouring to extricate herself from the voluminous<br />
mass of veils that enveloped her head.  As her eyes fell on me, a<br />
sudden pang of guilt shot through me.  This was the woman who had<br />
warned me so earnestly, and to whose warning I had, alas, paid no<br />
heed! How soon, and how contemptuously, I had dismissed it from<br />
my mind.  Now that she had been proved justified in so tragic a<br />
manner, I felt ashamed.  She had known Alfred Inglethorp only too<br />
well.  I wondered whether, if she had remained at Styles, the<br />
tragedy would have taken place, or would the man have feared her<br />
watchful eyes?</p>

<p>I was relieved when she shook me by the hand, with her well<br />
remembered painful grip.  The eyes that met mine were sad, but<br />
not reproachful; that she had been crying bitterly, I could tell<br />
by the redness of her eyelids, but her manner was unchanged from<br />
its old gruffness.</p>

<p>"Started the moment I got the wire.  Just come off night duty.<br />
Hired car.  Quickest way to get here."</p>

<p>"Have you had anything to eat this morning, Evie?" asked John.</p>

<p>"No."</p>

<p>"I thought not.  Come along, breakfast's not cleared away yet,<br />
and they'll make you some fresh tea." He turned to me.  "Look<br />
after her, Hastings, will you? Wells is waiting for me.  Oh,<br />
here's Monsieur Poirot.  He's helping us, you know, Evie."</p>

<p>Miss Howard shook hands with Poirot, but glanced suspiciously<br />
over her shoulder at John.</p>

<p>"What do you mean--helping us?"</p>

<p>"Helping us to investigate."</p>

<p>"Nothing to investigate.  Have they taken him to prison yet?"</p>

<p>"Taken who to prison?"</p>

<p>"Who? Alfred Inglethorp, of course!"</p>

<p>"My dear Evie, do be careful.  Lawrence is of the opinion that my<br />
mother died from heart seizure."</p>

<p>"More fool, Lawrence!" retorted Miss Howard.  "Of course Alfred<br />
Inglethorp murdered poor Emily--as I always told you he would."</p>

<p>"My dear Evie, don't shout so.  Whatever we may think or suspect,<br />
it is better to say as little as possible for the present.  The<br />
inquest isn't until Friday."</p>

<p>"Not until fiddlesticks!" The snort Miss Howard gave was truly<br />
magnificent.  "You're all off your heads.  The man will be out of<br />
the country by then.  If he's any sense, he won't stay here<br />
tamely and wait to be hanged."</p>

<p>John Cavendish looked at her helplessly.</p>

<p>"I know what it is," she accused him, "you've been listening to<br />
the doctors.  Never should.  What do they know? Nothing at<br />
all--or just enough to make them dangerous.  I ought to know--my<br />
own father was a doctor.  That little Wilkins is about the<br />
greatest fool that even I have ever seen.  Heart seizure! Sort of<br />
thing he would say.  Anyone with any sense could see at once that<br />
her husband had poisoned her.  I always said he'd murder her in<br />
her bed, poor soul.  Now he's done it.  And all you can do is to<br />
murmur silly things about 'heart seizure' and 'inquest on<br />
Friday.' You ought to be ashamed of yourself, John Cavendish."</p>

<p>"What do you want me to do?" asked John, unable to help a faint<br />
smile.  "Dash it all, Evie, I can't haul him down to the local<br />
police station by the scruff of his neck."</p>

<p>"Well, you might do something.  Find out how he did it.  He's a<br />
crafty beggar.  Dare say he soaked fly papers.  Ask Cook if she's<br />
missed any."</p>

<p>It occurred to me very forcibly at that moment that to harbour<br />
Miss Howard and Alfred Inglethorp under the same roof, and keep<br />
the peace between them, was likely to prove a Herculean task, and<br />
I did not envy John.  I could see by the expression of his face<br />
that he fully appreciated the difficulty of the position.  For<br />
the moment, he sought refuge in retreat, and left the room<br />
precipitately.</p>

<p>Dorcas brought in fresh tea.  As she left the room, Poirot came<br />
over from the window where he had been standing, and sat down<br />
facing Miss Howard.</p>

<p>"Mademoiselle," he said gravely, "I want to ask you something."</p>

<p>"Ask away," said the lady, eyeing him with some disfavour.</p>

<p>"I want to be able to count upon your help."</p>

<p>"I'll help you to hang Alfred with pleasure," she replied<br />
gruffly.  "Hanging's too good for him.  Ought to be drawn and<br />
quartered, like in good old times."</p>

<p>"We are at one then," said Poirot, "for I, too, want to hang the<br />
criminal."</p>

<p>"Alfred Inglethorp?"</p>

<p>"Him, or another."</p>

<p>"No question of another.  Poor Emily was never murdered until _he_<br />
came along.  I don't say she wasn't surrounded by sharks--she<br />
was.  But it was only her purse they were after.  Her life was<br />
safe enough.  But along comes Mr. Alfred Inglethorp--and within<br />
two months--hey presto!"</p>

<p>"Believe me, Miss Howard," said Poirot very earnestly, "if Mr.<br />
Inglethorp is the man, he shall not escape me.  On my honour, I<br />
will hang him as high as Haman!"</p>

<p>"That's better," said Miss Howard more enthusiastically.</p>

<p>"But I must ask you to trust me.  Now your help may be very<br />
valuable to me.  I will tell you why.  Because, in all this house<br />
of mourning, yours are the only eyes that have wept."</p>

<p>Miss Howard blinked, and a new note crept into the gruffness of<br />
her voice.</p>

<p>"If you mean that I was fond of her--yes, I was.  You know, Emily<br />
was a selfish old woman in her way.  She was very generous, but<br />
she always wanted a return.  She never let people forget what she<br />
had done for them--and, that way she missed love.  Don't think<br />
she ever realized it, though, or felt the lack of it.  Hope not,<br />
anyway.  I was on a different footing.  I took my stand from the<br />
first.  'So many pounds a year I'm worth to you.  Well and good.<br />
But not a penny piece besides--not a pair of gloves, nor a<br />
theatre ticket.' She didn't understand--was very offended<br />
sometimes.  Said I was foolishly proud.  It wasn't that--but I<br />
couldn't explain.  Anyway, I kept my self-respect.  And so, out<br />
of the whole bunch, I was the only one who could allow myself to<br />
be fond of her.  I watched over her.  I guarded her from the lot<br />
of them, and then a glib-tongued scoundrel comes along, and pooh!<br />
all my years of devotion go for nothing."</p>

<p>Poirot nodded sympathetically.</p>

<p>"I understand, mademoiselle, I understand all you feel.  It is<br />
most natural.  You think that we are lukewarm--that we lack fire<br />
and energy--but trust me, it is not so."</p>

<p>John stuck his head in at this juncture, and invited us both to<br />
come up to Mrs. Inglethorp's room, as he and Mr. Wells had<br />
finished looking through the desk in the boudoir.</p>

<p>As we went up the stairs, John looked back to the dining-room<br />
door, and lowered his voice confidentially:</p>

<p>"Look here, what's going to happen when these two meet?"</p>

<p>I shook my head helplessly.</p>

<p>"I've told Mary to keep them apart if she can."</p>

<p>"Will she be able to do so?"</p>

<p>"The Lord only knows.  There's one thing, Inglethorp himself<br />
won't be too keen on meeting her."</p>

<p>"You've got the keys still, haven't you, Poirot?" I asked, as we<br />
reached the door of the locked room.</p>

<p>Taking the keys from Poirot, John unlocked it, and we all passed<br />
in.  The lawyer went straight to the desk, and John followed him.</p>

<p>"My mother kept most of her important papers in this<br />
despatch-case, I believe," he said.</p>

<p>Poirot drew out the small bunch of keys.</p>

<p>"Permit me.  I locked it, out of precaution, this morning."</p>

<p>"But it's not locked now."</p>

<p>"Impossible!"</p>

<p>"See." And John lifted the lid as he spoke.</p>

<p>"Milles tonnerres!" cried Poirot, dumfounded.  "And I--who have<br />
both the keys in my pocket!" He flung himself upon the case.<br />
Suddenly he stiffened.  "En voila une affaire! This lock has been<br />
forced."</p>

<p>"What?"</p>

<p>Poirot laid down the case again.</p>

<p>"But who forced it? Why should they? When? But the door was<br />
locked?" These exclamations burst from us disjointedly.</p>

<p>Poirot answered them categorically--almost mechanically.</p>

<p>"Who? That is the question.  Why? Ah, if I only knew.  When?<br />
Since I was here an hour ago.  As to the door being locked, it is<br />
a very ordinary lock.  Probably any other of the doorkeys in this<br />
passage would fit it."</p>

<p>We stared at one another blankly.  Poirot had walked over to the<br />
mantel-piece.  He was outwardly calm, but I noticed his hands,<br />
which from long force of habit were mechanically straightening<br />
the spill vases on the mantel-piece, were shaking violently.</p>

<p>"See here, it was like this," he said at last.  "There was<br />
something in that case--some piece of evidence, slight in itself<br />
perhaps, but still enough of a clue to connect the murderer with<br />
the crime.  It was vital to him that it should be destroyed<br />
before it was discovered and its significance appreciated.<br />
Therefore, he took the risk, the great risk, of coming in here.<br />
Finding the case locked, he was obliged to force it, thus<br />
betraying his presence.  For him to take that risk, it must have<br />
been something of great importance."</p>

<p>"But what was it?"</p>

<p>"Ah!" cried Poirot, with a gesture of anger.  "That, I do not<br />
know! A document of some kind, without doubt, possibly the scrap<br />
of paper Dorcas saw in her hand yesterday afternoon.  And I--"<br />
his anger burst forth freely--"miserable animal that I am! I<br />
guessed nothing! I have behaved like an imbecile! I should never<br />
have left that case here.  I should have carried it away with me.<br />
Ah, triple pig! And now it is gone.  It is destroyed--but is it<br />
destroyed? Is there not yet a chance--we must leave no stone<br />
unturned--"</p>

<p>He rushed like a madman from the room, and I followed him as soon<br />
as I had sufficiently recovered my wits.  But, by the time I had<br />
reached the top of the stairs, he was out of sight.</p>

<p>Mary Cavendish was standing where the staircase branched, staring<br />
down into the hall in the direction in which he had disappeared.</p>

<p>"What has happened to your extraordinary little friend, Mr.<br />
Hastings? He has just rushed past me like a mad bull."</p>

<p>"He's rather upset about something," I remarked feebly.  I really<br />
did not know how much Poirot would wish me to disclose.  As I saw<br />
a faint smile gather on Mrs. Cavendish's expressive mouth, I<br />
endeavoured to try and turn the conversation by saying: "They<br />
haven't met yet, have they?"</p>

<p>"Who?"</p>

<p>"Mr. Inglethorp and Miss Howard."</p>

<p>She looked at me in rather a disconcerting manner.</p>

<p>"Do you think it would be such a disaster if they did meet?"</p>

<p>"Well, don't you?" I said, rather taken aback.</p>

<p>"No." She was smiling in her quiet way.  "I should like to see a<br />
good flare up.  It would clear the air.  At present we are all<br />
thinking so much, and saying so little."</p>

<p>"John doesn't think so," I remarked.  "He's anxious to keep them<br />
apart."</p>

<p>"Oh, John!"</p>

<p>Something in her tone fired me, and I blurted out:</p>

<p>"Old John's an awfully good sort."</p>

<p>She studied me curiously for a minute or two, and then said, to<br />
my great surprise:</p>

<p>"You are loyal to your friend.  I like you for that."</p>

<p>"Aren't you my friend too?"</p>

<p>"I am a very bad friend."</p>

<p>"Why do you say that?"</p>

<p>"Because it is true.  I am charming to my friends one day, and<br />
forget all about them the next."</p>

<p>I don't know what impelled me, but I was nettled, and I said<br />
foolishly and not in the best of taste:</p>

<p>"Yet you seem to be invariably charming to Dr. Bauerstein!"</p>

<p>Instantly I regretted my words.  Her face stiffened.  I had the<br />
impression of a steel curtain coming down and blotting out the<br />
real woman.  Without a word, she turned and went swiftly up the<br />
stairs, whilst I stood like an idiot gaping after her.</p>

<p>I was recalled to other matters by a frightful row going on<br />
below.  I could hear Poirot shouting and expounding.  I was vexed<br />
to think that my diplomacy had been in vain.  The little man<br />
appeared to be taking the whole house into his confidence, a<br />
proceeding of which I, for one, doubted the wisdom.  Once again I<br />
could not help regretting that my friend was so prone to lose his<br />
head in moments of excitement.  I stepped briskly down the<br />
stairs.  The sight of me calmed Poirot almost immediately.  I<br />
drew him aside.</p>

<p>"My dear fellow," I said, "is this wise? Surely you don't want<br />
the whole house to know of this occurrence? You are actually<br />
playing into the criminal's hands."</p>

<p>"You think so, Hastings?"</p>

<p>"I am sure of it."</p>

<p>"Well, well, my friend, I will be guided by you."</p>

<p>"Good.  Although, unfortunately, it is a little too late now."</p>

<p>"Sure."</p>

<p>He looked so crestfallen and abashed that I felt quite sorry,<br />
though I still thought my rebuke a just and wise one.</p>

<p>"Well," he said at last, "let us go, mon ami."</p>

<p>"You have finished here?"</p>

<p>"For the moment, yes.  You will walk back with me to the<br />
village?"</p>

<p>"Willingly."</p>

<p>He picked up his little suit-case, and we went out through the<br />
open window in the drawing-room.  Cynthia Murdoch was just coming<br />
in, and Poirot stood aside to let her pass.</p>

<p>"Excuse me, mademoiselle, one minute."</p>

<p>"Yes?" she turned inquiringly.</p>

<p>"Did you ever make up Mrs. Inglethorp's medicines?"</p>

<p>A slight flush rose in her face, as she answered rather<br />
constrainedly:</p>

<p>"No."</p>

<p>"Only her powders?"</p>

<p>The flush deepened as Cynthia replied:</p>

<p>"Oh, yes, I did make up some sleeping powders for her once."</p>

<p>"These?"</p>

<p>Poirot produced the empty box which had contained powders.</p>

<p>She nodded.</p>

<p>"Can you tell me what they were? Sulphonal? Veronal?"</p>

<p>"No, they were bromide powders."</p>

<p>"Ah! Thank you, mademoiselle; good morning."</p>

<p>As we walked briskly away from the house, I glanced at him more<br />
than once.  I had often before noticed that, if anything excited<br />
him, his eyes turned green like a cat's.  They were shining like<br />
emeralds now.</p>

<p>"My friend," he broke out at last, "I have a little idea, a very<br />
strange, and probably utterly impossible idea.  And yet--it fits<br />
in."</p>

<p>I shrugged my shoulders.  I privately thought that Poirot was<br />
rather too much given to these fantastic ideas.  In this case,<br />
surely, the truth was only too plain and apparent.</p>

<p>"So that is the explanation of the blank label on the box," I<br />
remarked.  "Very simple, as you said.  I really wonder that I did<br />
not think of it myself."</p>

<p>Poirot did not appear to be listening to me.</p>

<p>"They have made one more discovery, la-bas," he observed, jerking<br />
his thumb over his shoulder in the direction of Styles.  "Mr.<br />
Wells told me as we were going upstairs."</p>

<p>"What was it?"</p>

<p>"Locked up in the desk in the boudoir, they found a will of Mrs.<br />
Inglethorp's, dated before her marriage, leaving her fortune to<br />
Alfred Inglethorp.  It must have been made just at the time they<br />
were engaged.  It came quite as a surprise to Wells--and to John<br />
Cavendish also.  It was written on one of those printed will<br />
forms, and witnessed by two of the servants--not Dorcas."</p>

<p>"Did Mr. Inglethorp know of it?"</p>

<p>"He says not."</p>

<p>"One might take that with a grain of salt," I remarked<br />
sceptically.  "All these wills are very confusing.  Tell me, how<br />
did those scribbled words on the envelope help you to discover<br />
that a will was made yesterday afternoon?"</p>

<p>Poirot smiled.</p>

<p>"Mon ami, have you ever, when writing a letter, been arrested by<br />
the fact that you did not know how to spell a certain word?"</p>

<p>"Yes, often.  I suppose every one has."</p>

<p>"Exactly.  And have you not, in such a case, tried the word once<br />
or twice on the edge of the blotting-paper, or a spare scrap of<br />
paper, to see if it looked right? Well, that is what Mrs.<br />
Inglethorp did.  You will notice that the word 'possessed' is<br />
spelt first with one 's' and subsequently with two--correctly.  To<br />
make sure, she had further tried it in a sentence, thus: 'I am<br />
possessed.' Now, what did that tell me? It told me that Mrs.<br />
Inglethorp had been writing the word 'possessed' that afternoon,<br />
and, having the fragment of paper found in the grate fresh in my<br />
mind, the possibility of a will--(a document almost certain to<br />
contain that word)--occurred to me at once.  This possibility was<br />
confirmed by a further circumstance.  In the general confusion,<br />
the boudoir had not been swept that morning, and near the desk<br />
were several traces of brown mould and earth.  The weather had<br />
been perfectly fine for some days, and no ordinary boots would<br />
have left such a heavy deposit.</p>

<p>"I strolled to the window, and saw at once that the begonia beds<br />
had been newly planted.  The mould in the beds was exactly<br />
similar to that on the floor of the boudoir, and also I learnt<br />
from you that they had been planted yesterday afternoon.  I was<br />
now sure that one, or possibly both of the gardeners--for there<br />
were two sets of footprints in the bed--had entered the boudoir,<br />
for if Mrs. Inglethorp had merely wished to speak to them she<br />
would in all probability have stood at the window, and they would<br />
not have come into the room at all.  I was now quite convinced<br />
that she had made a fresh will, and had called the two gardeners<br />
in to witness her signature.  Events proved that I was right in<br />
my supposition."</p>

<p>"That was very ingenious," I could not help admitting.  "I must<br />
confess that the conclusions I drew from those few scribbled<br />
words were quite erroneous."</p>

<p>He smiled.</p>

<p>"You gave too much rein to your imagination.  Imagination is a<br />
good servant, and a bad master.  The simplest explanation is<br />
always the most likely."</p>

<p>"Another point--how did you know that the key of the<br />
despatch-case had been lost?"</p>

<p>"I did not know it.  It was a guess that turned out to be<br />
correct.  You observed that it had a piece of twisted wire<br />
through the handle.  That suggested to me at once that it had<br />
possibly been wrenched off a flimsy key-ring.  Now, if it had<br />
been lost and recovered, Mrs. Inglethorp would at once have<br />
replaced it on her bunch; but on her bunch I found what was<br />
obviously the duplicate key, very new and bright, which led me to<br />
the hypothesis that somebody else had inserted the original key<br />
in the lock of the despatch-case."</p>

<p>"Yes," I said, "Alfred Inglethorp, without doubt."</p>

<p>Poirot looked at me curiously.</p>

<p>"You are very sure of his guilt?"</p>

<p>"Well, naturally.  Every fresh circumstance seems to establish it<br />
more clearly."</p>

<p>"On the contrary," said Poirot quietly, "there are several points<br />
in his favour."</p>

<p>"Oh, come now!"</p>

<p>"Yes."</p>

<p>"I see only one."</p>

<p>"And that?"</p>

<p>"That he was not in the house last night."</p>

<p>" 'Bad shot!' as you English say! You have chosen the one point<br />
that to my mind tells against him."</p>

<p>"How is that?"</p>

<p>"Because if Mr. Inglethorp knew that his wife would be poisoned<br />
last night, he would certainly have arranged to be away from the<br />
house.  His excuse was an obviously trumped up one.  That leaves<br />
us two possibilities: either he knew what was going to happen or<br />
he had a reason of his own for his absence."</p>

<p>"And that reason?" I asked sceptically.</p>

<p>Poirot shrugged his shoulders.</p>

<p>"How should I know? Discreditable, without doubt.  This Mr.<br />
Inglethorp, I should say, is somewhat of a scoundrel--but that<br />
does not of necessity make him a murderer."</p>

<p>I shook my head, unconvinced.</p>

<p>"We do not agree, eh?" said Poirot.  "Well, let us leave it.<br />
Time will show which of us is right.  Now let us turn to other<br />
aspects of the case.  What do you make of the fact that all the<br />
doors of the bedroom were bolted on the inside?"</p>

<p>"Well----" I considered.  "One must look at it logically."</p>

<p>"True."</p>

<p>"I should put it this way.  The doors _were_ bolted--our own eyes<br />
have told us that--yet the presence of the candle grease on the<br />
floor, and the destruction of the will, prove that during the<br />
night some one entered the room.  You agree so far?"</p>

<p>"Perfectly.  Put with admirable clearness.  Proceed."</p>

<p>"Well," I said, encouraged, "as the person who entered did not do<br />
so by the window, nor by miraculous means, it follows that the<br />
door must have been opened from inside by Mrs. Inglethorp<br />
herself.  That strengthens the conviction that the person in<br />
question was her husband.  She would naturally open the door to<br />
her own husband."</p>

<p>Poirot shook his head.</p>

<p>"Why should she? She had bolted the door leading into his room--a<br />
most unusual proceeding on her part--she had had a most violent<br />
quarrel with him that very afternoon.  No, he was the last person<br />
she would admit."</p>

<p>"But you agree with me that the door must have been opened by<br />
Mrs. Inglethorp herself?"</p>

<p>"There is another possibility.  She may have forgotten to bolt<br />
the door into the passage when she went to bed, and have got up<br />
later, towards morning, and bolted it then."</p>

<p>"Poirot, is that seriously your opinion?"</p>

<p>"No, I do not say it is so, but it might be.  Now, to turn to<br />
another feature, what do you make of the scrap of conversation<br />
you overheard between Mrs. Cavendish and her mother-in-law?"</p>

<p>"I had forgotten that," I said thoughtfully.  "That is as<br />
enigmatical as ever.  It seems incredible that a woman like Mrs.<br />
Cavendish, proud and reticent to the last degree, should<br />
interfere so violently in what was certainly not her affair."</p>

<p>"Precisely.  It was an astonishing thing for a woman of her<br />
breeding to do."</p>

<p>"It is certainly curious," I agreed.  "Still, it is unimportant,<br />
and need not be taken into account."</p>

<p>A groan burst from Poirot.</p>

<p>"What have I always told you? Everything must be taken into<br />
account.  If the fact will not fit the theory--let the theory<br />
go."</p>

<p>"Well, we shall see," I said, nettled.</p>

<p>"Yes, we shall see."</p>

<p>We had reached Leastways Cottage, and Poirot ushered me upstairs<br />
to his own room.  He offered me one of the tiny Russian<br />
cigarettes he himself occasionally smoked.  I was amused to<br />
notice that he stowed away the used matches most carefully in a<br />
little china pot.  My momentary annoyance vanished.</p>

<p>Poirot had placed our two chairs in front of the open window<br />
which commanded a view of the village street.  The fresh air blew<br />
in warm and pleasant.  It was going to be a hot day.</p>

<p>Suddenly my attention was arrested by a weedy looking young man<br />
rushing down the street at a great pace.  It was the expression<br />
on his face that was extraordinary--a curious mingling of terror<br />
and agitation.</p>

<p>"Look, Poirot!" I said.</p>

<p>He leant forward.</p>

<p>"Tiens!" he said.  "It is Mr. Mace, from the chemist's shop.  He<br />
is coming here."</p>

<p>The young man came to a halt before Leastways Cottage, and, after<br />
hesitating a moment, pounded vigorously at the door.</p>

<p>"A little minute," cried Poirot from the window.  "I come."</p>

<p>Motioning to me to follow him, he ran swiftly down the stairs and<br />
opened the door.  Mr. Mace began at once.</p>

<p>"Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard<br />
that you'd just come back from the Hall?"</p>

<p>"Yes, we have."</p>

<p>The young man moistened his dry lips.  His face was working<br />
curiously.</p>

<p>"It's all over the village about old Mrs. Inglethorp dying so<br />
suddenly.  They do say--" he lowered his voice cautiously--"that<br />
it's poison?"</p>

<p>Poirot's face remained quite impassive.</p>

<p>"Only the doctors can tell us that, Mr. Mace."</p>

<p>"Yes, exactly--of course----" The young man hesitated, and then<br />
his agitation was too much for him.  He clutched Poirot by the<br />
arm, and sank his voice to a whisper: "Just tell me this, Mr.<br />
Poirot, it isn't--it isn't strychnine, is it?"</p>

<p>I hardly heard what Poirot replied.  Something evidently of a<br />
non-committal nature.  The young man departed, and as he closed<br />
the door Poirot's eyes met mine.</p>

<p>"Yes," he said, nodding gravely.  "He will have evidence to give<br />
at the inquest."</p>

<p>We went slowly upstairs again.  I was opening my lips, when<br />
Poirot stopped me with a gesture of his hand.</p>

<p>"Not now, not now, mon ami.  I have need of reflection.  My mind<br />
is in some disorder--which is not well."</p>

<p>For about ten minutes he sat in dead silence, perfectly still,<br />
except for several expressive motions of his eyebrows, and all<br />
the time his eyes grew steadily greener.  At last he heaved a<br />
deep sigh.</p>

<p>"It is well.  The bad moment has passed.  Now all is arranged and<br />
classified.  One must never permit confusion.  The case is not<br />
clear yet--no.  For it is of the most complicated! It puzzles<br />
_me_.  _Me_, Hercule Poirot! There are two facts of significance."</p>

<p>"And what are they?"</p>

<p>"The first is the state of the weather yesterday.  That is very<br />
important."</p>

<p>"But it was a glorious day!" I interrupted.  "Poirot, you're<br />
pulling my leg!"</p>

<p>"Not at all.  The thermometer registered 80 degrees in the shade.<br />
Do not forget that, my friend.  It is the key to the whole<br />
riddle!"</p>

<p>"And the second point?" I asked.</p>

<p>"The important fact that Monsieur Inglethorp wears very peculiar<br />
clothes, has a black beard, and uses glasses."</p>

<p>"Poirot, I cannot believe you are serious."</p>

<p>"I am absolutely serious, my friend."</p>

<p>"But this is childish!"</p>

<p>"No, it is very momentous."</p>

<p>"And supposing the Coroner's jury returns a verdict of Wilful<br />
Murder against Alfred Inglethorp.  What becomes of your theories,<br />
then?"</p>

<p>"They would not be shaken because twelve stupid men had happened<br />
to make a mistake! But that will not occur.  For one thing, a<br />
country jury is not anxious to take responsibility upon itself,<br />
and Mr. Inglethorp stands practically in the position of local<br />
squire.  Also," he added placidly, "I should not allow it!"</p>

<p>"_You_ would not allow it?"</p>

<p>"No."</p>

<p>I looked at the extraordinary little man, divided between<br />
annoyance and amusement.  He was so tremendously sure of himself.<br />
As though he read my thoughts, he nodded gently.</p>

<p>"Oh, yes, mon ami, I would do what I say." He got up and laid his<br />
hand on my shoulder.  His physiognomy underwent a complete<br />
change.  Tears came into his eyes.  "In all this, you see, I<br />
think of that poor Mrs. Inglethorp who is dead.  She was not<br />
extravagantly loved--no.  But she was very good to us Belgians--I<br />
owe her a debt."</p>

<p>I endeavoured to interrupt, but Poirot swept on.</p>

<p>"Let me tell you this, Hastings.  She would never forgive me if I<br />
let Alfred Inglethorp, her husband, be arrested now--when a word<br />
from me could save him!"</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER VI.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-vi.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.827</id>

    <published>2008-07-10T21:21:08Z</published>
    <updated>2008-06-20T21:35:59Z</updated>

    <summary>THE INQUEST In the interval before the inquest, Poirot was unfailing in his activity. Twice he was closeted with Mr. Wells. He also took long walks into the country. I rather resented his not taking me into his confidence, the...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>THE INQUEST</p>

<p><br />
In the interval before the inquest, Poirot was unfailing in his<br />
activity.  Twice he was closeted with Mr. Wells.  He also took<br />
long walks into the country.  I rather resented his not taking me<br />
into his confidence, the more so as I could not in the least<br />
guess what he was driving at.</p>

<p>It occurred to me that he might have been making inquiries at<br />
Raikes's farm; so, finding him out when I called at Leastways<br />
Cottage on Wednesday evening, I walked over there by the fields,<br />
hoping to meet him.  But there was no sign of him, and I<br />
hesitated to go right up to the farm itself.  As I walked away, I<br />
met an aged rustic, who leered at me cunningly.</p>

<p>"You'm from the Hall, bain't you?" he asked.</p>

<p>"Yes.  I'm looking for a friend of mine whom I thought might have<br />
walked this way."</p>

<p>"A little chap? As waves his hands when he talks? One of them<br />
Belgies from the village?"</p>

<p>"Yes," I said eagerly.  "He has been here, then?"</p>

<p>"Oh, ay, he's been here, right enough.  More'n once too.  Friend<br />
of yours, is he? Ah, you gentlemen from the Hall--you'n a pretty<br />
lot!" And he leered more jocosely than ever.</p>

<p>"Why, do the gentlemen from the Hall come here often?" I asked,<br />
as carelessly as I could.</p>

<p>He winked at me knowingly.</p>

<p>"_One_ does, mister.  Naming no names, mind.  And a very liberal<br />
gentleman too! Oh, thank you, sir, I'm sure."</p>

<p>I walked on sharply.  Evelyn Howard had been right then, and I<br />
experienced a sharp twinge of disgust, as I thought of Alfred<br />
Inglethorp's liberality with another woman's money.  Had that<br />
piquant gipsy face been at the bottom of the crime, or was it the<br />
baser mainspring of money? Probably a judicious mixture of both.</p>

<p>On one point, Poirot seemed to have a curious obsession.  He once<br />
or twice observed to me that he thought Dorcas must have made an<br />
error in fixing the time of the quarrel.  He suggested to her<br />
repeatedly that it was 4.30, and not 4 o'clock when she had heard<br />
the voices.</p>

<p>But Dorcas was unshaken.  Quite an hour, or even more, had<br />
elapsed between the time when she had heard the voices and 5<br />
o'clock, when she had taken tea to her mistress.</p>

<p>The inquest was held on Friday at the Stylites Arms in the<br />
village.  Poirot and I sat together, not being required to give<br />
evidence.</p>

<p>The preliminaries were gone through.  The jury viewed the body,<br />
and John Cavendish gave evidence of identification.</p>

<p>Further questioned, he described his awakening in the early hours<br />
of the morning, and the circumstances of his mother's death.</p>

<p>The medical evidence was next taken.  There was a breathless<br />
hush, and every eye was fixed on the famous London specialist,<br />
who was known to be one of the greatest authorities of the day on<br />
the subject of toxicology.</p>

<p>In a few brief words, he summed up the result of the post-mortem.<br />
Shorn of its medical phraseology and technicalities, it amounted<br />
to the fact that Mrs. Inglethorp had met her death as the result<br />
of strychnine poisoning.  Judging from the quantity recovered,<br />
she must have taken not less than three-quarters of a grain of<br />
strychnine, but probably one grain or slightly over.</p>

<p>"Is it possible that she could have swallowed the poison by<br />
accident?" asked the Coroner.</p>

<p>"I should consider it very unlikely.  Strychnine is not used for<br />
domestic purposes, as some poisons are, and there are<br />
restrictions placed on its sale."</p>

<p>"Does anything in your examination lead you to determine how the<br />
poison was administered?"</p>

<p>"No."</p>

<p>"You arrived at Styles before Dr. Wilkins, I believe?"</p>

<p>"That is so.  The motor met me just outside the lodge gates, and<br />
I hurried there as fast as I could."</p>

<p>"Will you relate to us exactly what happened next?"</p>

<p>"I entered Mrs. Inglethorp's room.  She was at that moment in a<br />
typical tetanic convulsion.  She turned towards me, and gasped<br />
out: 'Alfred--Alfred----' "</p>

<p>"Could the strychnine have been administered in Mrs. Inglethorp's<br />
after-dinner coffee which was taken to her by her husband?"</p>

<p>"Possibly, but strychnine is a fairly rapid drug in its action.<br />
The symptoms appear from one to two hours after it has been<br />
swallowed.  It is retarded under certain conditions, none of<br />
which, however, appear to have been present in this case.  I<br />
presume Mrs. Inglethorp took the coffee after dinner about eight<br />
o'clock, whereas the symptoms did not manifest themselves until<br />
the early hours of the morning, which, on the face of it, points<br />
to the drug having been taken much later in the evening."</p>

<p>"Mrs. Inglethorp was in the habit of drinking a cup of coco in<br />
the middle of the night.  Could the strychnine have been<br />
administered in that?"</p>

<p>"No, I myself took a sample of the coco remaining in the saucepan<br />
and had it analysed.  There was no strychnine present."</p>

<p>I heard Poirot chuckle softly beside me.</p>

<p>"How did you know?" I whispered.</p>

<p>"Listen."</p>

<p>"I should say"--the doctor was continuing--"that I would have<br />
been considerably surprised at any other result."</p>

<p>"Why?"</p>

<p>"Simply because strychnine has an unusually bitter taste.  It can<br />
be detected in a solution of 1 in 70,000, and can only be<br />
disguised by some strongly flavoured substance.  Coco would be<br />
quite powerless to mask it."</p>

<p>One of the jury wanted to know if the same objection applied to<br />
coffee.</p>

<p>"No.  Coffee has a bitter taste of its own which would probably<br />
cover the taste of strychnine."</p>

<p>"Then you consider it more likely that the drug was administered<br />
in the coffee, but that for some unknown reason its action was<br />
delayed."</p>

<p>"Yes, but, the cup being completely smashed, there is no<br />
possibility of analyzing its contents."</p>

<p>This concluded Dr. Bauerstein's evidence.  Dr. Wilkins<br />
corroborated it on all points.  Sounded as to the possibility of<br />
suicide, he repudiated it utterly.  The deceased, he said,<br />
suffered from a weak heart, but otherwise enjoyed perfect health,<br />
and was of a cheerful and well-balanced disposition.  She would<br />
be one of the last people to take her own life.</p>

<p>Lawrence Cavendish was next called.  His evidence was quite<br />
unimportant, being a mere repetition of that of his brother.<br />
Just as he was about to step down, he paused, and said rather<br />
hesitatingly:</p>

<p>"I should like to make a suggestion if I may?"</p>

<p>He glanced deprecatingly at the Coroner, who replied briskly:</p>

<p>"Certainly, Mr. Cavendish, we are here to arrive at the truth of<br />
this matter, and welcome anything that may lead to further<br />
elucidation."</p>

<p>"It is just an idea of mine," explained Lawrence.  "Of course I<br />
may be quite wrong, but it still seems to me that my mother's<br />
death might be accounted for by natural means."</p>

<p>"How do you make that out, Mr. Cavendish?"</p>

<p>"My mother, at the time of her death, and for some time before<br />
it, was taking a tonic containing strychnine."</p>

<p>"Ah!" said the Coroner.</p>

<p>The jury looked up, interested.</p>

<p>"I believe," continued Lawrence, "that there have been cases<br />
where the cumulative effect of a drug, administered for some<br />
time, has ended by causing death.  Also, is it not possible that<br />
she may have taken an overdose of her medicine by accident?"</p>

<p>"This is the first we have heard of the deceased taking<br />
strychnine at the time of her death.  We are much obliged to you,<br />
Mr. Cavendish."</p>

<p>Dr. Wilkins was recalled and ridiculed the idea.</p>

<p>"What Mr. Cavendish suggests is quite impossible.  Any doctor<br />
would tell you the same.  Strychnine is, in a certain sense, a<br />
cumulative poison, but it would be quite impossible for it to<br />
result in sudden death in this way.  There would have to be a<br />
long period of chronic symptoms which would at once have<br />
attracted my attention.  The whole thing is absurd."</p>

<p>"And the second suggestion? That Mrs. Inglethorp may have<br />
inadvertently taken an overdose?"</p>

<p>"Three, or even four doses, would not have resulted in death.<br />
Mrs. Inglethorp always had an extra large amount of medicine made<br />
up at a time, as she dealt with Coot's, the Cash Chemists in<br />
Tadminster.  She would have had to take very nearly the whole<br />
bottle to account for the amount of strychnine found at the<br />
post-mortem."</p>

<p>"Then you consider that we may dismiss the tonic as not being in<br />
any way instrumental in causing her death?"</p>

<p>"Certainly.  The supposition is ridiculous."</p>

<p>The same juryman who had interrupted before here suggested that<br />
the chemist who made up the medicine might have committed an<br />
error.</p>

<p>"That, of course, is always possible," replied the doctor.</p>

<p>But Dorcas, who was the next witness called, dispelled even that<br />
possibility.  The medicine had not been newly made up.  On the<br />
contrary, Mrs. Inglethorp had taken the last dose on the day of<br />
her death.</p>

<p>So the question of the tonic was finally abandoned, and the<br />
Coroner proceeded with his task.  Having elicited from Dorcas how<br />
she had been awakened by the violent ringing of her mistress's<br />
bell, and had subsequently roused the household, he passed to the<br />
subject of the quarrel on the preceding afternoon.</p>

<p>Dorcas's evidence on this point was substantially what Poirot and<br />
I had already heard, so I will not repeat it here.</p>

<p>The next witness was Mary Cavendish.  She stood very upright, and<br />
spoke in a low, clear, and perfectly composed voice.  In answer<br />
to the Coroner's question, she told how, her alarm clock having<br />
aroused her at 4.30 as usual, she was dressing, when she was<br />
startled by the sound of something heavy falling.</p>

<p>"That would have been the table by the bed?" commented the<br />
Coroner.</p>

<p>"I opened my door," continued Mary, "and listened.  In a few<br />
minutes a bell rang violently.  Dorcas came running down and woke<br />
my husband, and we all went to my mother-in-law's room, but it<br />
was locked----"</p>

<p>The Coroner interrupted her.</p>

<p>"I really do not think we need trouble you further on that point.<br />
We know all that can be known of the subsequent happenings.  But<br />
I should be obliged if you would tell us all you overheard of the<br />
quarrel the day before."</p>

<p>"I?"</p>

<p>There was a faint insolence in her voice.  She raised her hand<br />
and adjusted the ruffle of lace at her neck, turning her head a<br />
little as she did so.  And quite spontaneously the thought<br />
flashed across my mind: "She is gaining time!"</p>

<p>"Yes.  I understand," continued the Coroner deliberately, "that<br />
you were sitting reading on the bench just outside the long<br />
window of the boudoir.  That is so, is it not?"</p>

<p>This was news to me and glancing sideways at Poirot, I fancied<br />
that it was news to him as well.</p>

<p>There was the faintest pause, the mere hesitation of a moment,<br />
before she answered:</p>

<p>"Yes, that is so."</p>

<p>"And the boudoir window was open, was it not?"</p>

<p>Surely her face grew a little paler as she answered:</p>

<p>"Yes."</p>

<p>"Then you cannot have failed to hear the voices inside,<br />
especially as they were raised in anger.  In fact, they would be<br />
more audible where you were than in the hall."</p>

<p>"Possibly."</p>

<p>"Will you repeat to us what you overheard of the quarrel?"</p>

<p>"I really do not remember hearing anything."</p>

<p>"Do you mean to say you did not hear voices?"</p>

<p>"Oh, yes, I heard the voices, but I did not hear what they said."<br />
A faint spot of colour came into her cheek.  "I am not in the<br />
habit of listening to private conversations."</p>

<p>The Coroner persisted.</p>

<p>"And you remember nothing at all? _Nothing_, Mrs. Cavendish? Not<br />
one stray word or phrase to make you realize that it _was_ a<br />
private conversation?"</p>

<p>She paused, and seemed to reflect, still outwardly as calm as<br />
ever.</p>

<p>"Yes; I remember.  Mrs. Inglethorp said something--I do not<br />
remember exactly what--about causing scandal between husband and<br />
wife."</p>

<p>"Ah!" the Coroner leant back satisfied.  "That corresponds with<br />
what Dorcas heard.  But excuse me, Mrs. Cavendish, although you<br />
realized it was a private conversation, you did not move away?<br />
You remained where you were?"</p>

<p>I caught the momentary gleam of her tawny eyes as she raised<br />
them.  I felt certain that at that moment she would willingly<br />
have torn the little lawyer, with his insinuations, into pieces,<br />
but she replied quietly enough:</p>

<p>"No.  I was very comfortable where I was.  I fixed my mind on my<br />
book."</p>

<p>"And that is all you can tell us?"</p>

<p>"That is all."</p>

<p>The examination was over, though I doubted if the Coroner was<br />
entirely satisfied with it.  I think he suspected that Mary<br />
Cavendish could tell more if she chose.</p>

<p>Amy Hill, shop assistant, was next called, and deposed to having<br />
sold a will form on the afternoon of the 17th to William Earl,<br />
under-gardener at Styles.</p>

<p>William Earl and Manning succeeded her, and testified to<br />
witnessing a document.  Manning fixed the time at about 4.30,<br />
William was of the opinion that it was rather earlier.</p>

<p>Cynthia Murdoch came next.  She had, however, little to tell.<br />
She had known nothing of the tragedy, until awakened by Mrs.<br />
Cavendish.</p>

<p>"You did not hear the table fall?"</p>

<p>"No.  I was fast asleep."</p>

<p>The Coroner smiled.</p>

<p>"A good conscience makes a sound sleeper," he observed.  "Thank<br />
you, Miss Murdoch, that is all."</p>

<p>"Miss Howard."</p>

<p>Miss Howard produced the letter written to her by Mrs. Inglethorp<br />
on the evening of the 17th.  Poirot and I had, of course already<br />
seen it.  It added nothing to our knowledge of the tragedy.  The<br />
following is a facsimile:</p>

<p>                                        STYLES COURT<br />
                          ESSEX hand written note:  July 17th My<br />
dear Evelyn</p>

<p>Can we not bury the hachet? I have found it hard to forgive the<br />
things you said</p>

<p>against my dear husband but I am an old woman & very fond of you</p>

<p>Yours affectionately,</p>

<p>     Emily Inglethorpe</p>

<p><br />
It was handed to the jury who scrutinized it attentively.</p>

<p>"I fear it does not help us much," said the Coroner, with a sigh.<br />
"There is no mention of any of the events of that afternoon."</p>

<p>"Plain as a pikestaff to me," said Miss Howard shortly.  "It<br />
shows clearly enough that my poor old friend had just found out<br />
she'd been made a fool of!"</p>

<p>"It says nothing of the kind in the letter," the Coroner pointed<br />
out.</p>

<p>"No, because Emily never could bear to put herself in the wrong.<br />
But I know her.  She wanted me back.  But she wasn't going to own<br />
that I'd been right.  She went round about.  Most people do.<br />
Don't believe in it myself."</p>

<p>Mr. Wells smiled faintly.  So, I noticed, did several of the<br />
jury.  Miss Howard was obviously quite a public character.</p>

<p>"Anyway, all this tomfoolery is a great waste of time," continued<br />
the lady, glancing up and down the jury disparagingly.<br />
"Talk--talk--talk! When all the time we know perfectly well----"</p>

<p>The Coroner interrupted her in an agony of apprehension:</p>

<p>"Thank you, Miss Howard, that is all."</p>

<p>I fancy he breathed a sigh of relief when she complied.</p>

<p>Then came the sensation of the day.  The Coroner called Albert<br />
Mace, chemist's assistant.</p>

<p>It was our agitated young man of the pale face.  In answer to the<br />
Coroner's questions, he explained that he was a qualified<br />
pharmacist, but had only recently come to this particular shop,<br />
as the assistant formerly there had just been called up for the<br />
army.</p>

<p>These preliminaries completed, the Coroner proceeded to business.</p>

<p>"Mr. Mace, have you lately sold strychnine to any unauthorized<br />
person?"</p>

<p>"Yes, sir."</p>

<p>"When was this?"</p>

<p>"Last Monday night."</p>

<p>"Monday? Not Tuesday?"</p>

<p>"No, sir, Monday, the 16th."</p>

<p>"Will you tell us to whom you sold it?"</p>

<p>You could have heard a pin drop.</p>

<p>"Yes, sir.  It was to Mr. Inglethorp."</p>

<p>Every eye turned simultaneously to where Alfred Inglethorp was<br />
sitting, impassive and wooden.  He started slightly, as the<br />
damning words fell from the young man's lips.  I half thought he<br />
was going to rise from his chair, but he remained seated,<br />
although a remarkably well acted expression of astonishment rose<br />
on his face.</p>

<p>"You are sure of what you say?" asked the Coroner sternly.</p>

<p>"Quite sure, sir."</p>

<p>"Are you in the habit of selling strychnine indiscriminately over<br />
the counter?"</p>

<p>The wretched young man wilted visibly under the Coroner's frown.</p>

<p>"Oh, no, sir--of course not.  But, seeing it was Mr. Inglethorp<br />
of the Hall, I thought there was no harm in it.  He said it was<br />
to poison a dog."</p>

<p>Inwardly I sympathized.  It was only human nature to endeavour to<br />
please "The Hall"--especially when it might result in custom<br />
being transferred from Coot's to the local establishment.</p>

<p>"Is it not customary for anyone purchasing poison to sign a<br />
book?"</p>

<p>"Yes, sir, Mr. Inglethorp did so."</p>

<p>"Have you got the book here?"</p>

<p>"Yes, sir."</p>

<p>It was produced; and, with a few words of stern censure, the<br />
Coroner dismissed the wretched Mr. Mace.</p>

<p>Then, amidst a breathless silence, Alfred Inglethorp was called.<br />
Did he realize, I wondered, how closely the halter was being<br />
drawn around his neck?</p>

<p>The Coroner went straight to the point.</p>

<p>"On Monday evening last, did you purchase strychnine for the<br />
purpose of poisoning a dog?"</p>

<p>Inglethorp replied with perfect calmness:</p>

<p>"No, I did not.  There is no dog at Styles, except an outdoor<br />
sheepdog, which is in perfect health."</p>

<p>"You deny absolutely having purchased strychnine from Albert Mace<br />
on Monday last?"</p>

<p>"I do."</p>

<p>"Do you also deny _this_?"</p>

<p>The Coroner handed him the register in which his signature was<br />
inscribed.</p>

<p>"Certainly I do.  The hand-writing is quite different from mine.<br />
I will show you."</p>

<p>He took an old envelope out of his pocket, and wrote his name on<br />
it, handing it to the jury.  It was certainly utterly dissimilar.</p>

<p>"Then what is your explanation of Mr. Mace's statement?"</p>

<p>Alfred Inglethorp replied imperturbably:</p>

<p>"Mr. Mace must have been mistaken."</p>

<p>The Coroner hesitated for a moment, and then said:</p>

<p>"Mr. Inglethorp, as a mere matter of form, would you mind telling<br />
us where you were on the evening of Monday, July 16th?"</p>

<p>"Really--I can't remember."</p>

<p>"That is absurd, Mr. Inglethorp," said the Coroner sharply.<br />
"Think again."</p>

<p>Inglethorp shook his head.</p>

<p>"I cannot tell you.  I have an idea that I was out walking."</p>

<p>"In what direction?"</p>

<p>"I really can't remember."</p>

<p>The Coroner's face grew graver.</p>

<p>"Were you in company with anyone?"</p>

<p>"No."</p>

<p>"Did you meet anyone on your walk?"</p>

<p>"No."</p>

<p>"That is a pity," said the Coroner dryly.  "I am to take it then<br />
that you decline to say where you were at the time that Mr. Mace<br />
positively recognized you as entering the shop to purchase<br />
strychnine?"</p>

<p>"If you like to take it that way, yes."</p>

<p>"Be careful, Mr. Inglethorp."</p>

<p>Poirot was fidgeting nervously.</p>

<p>"Sacre!" he murmured.  "Does this imbecile of a man _want_ to be<br />
arrested?"</p>

<p>Inglethorp was indeed creating a bad impression.  His futile<br />
denials would not have convinced a child.  The Coroner, however,<br />
passed briskly to the next point, and Poirot drew a deep breath<br />
of relief.</p>

<p>"You had a discussion with your wife on Tuesday afternoon?"</p>

<p>"Pardon me," interrupted Alfred Inglethorp, "you have been<br />
misinformed.  I had no quarrel with my dear wife.  The whole<br />
story is absolutely untrue.  I was absent from the house the<br />
entire afternoon."</p>

<p>"Have you anyone who can testify to that?"</p>

<p>"You have my word," said Inglethorp haughtily.</p>

<p>The Coroner did not trouble to reply.</p>

<p>"There are two witnesses who will swear to having heard your<br />
disagreement with Mrs. Inglethorp."</p>

<p>"Those witnesses were mistaken."</p>

<p>I was puzzled.  The man spoke with such quiet assurance that I<br />
was staggered.  I looked at Poirot.  There was an expression of<br />
exultation on his face which I could not understand.  Was he at<br />
last convinced of Alfred Inglethorp's guilt?</p>

<p>"Mr. Inglethorp," said the Coroner, "you have heard your wife's<br />
dying words repeated here.  Can you explain them in any way?"</p>

<p>"Certainly I can."</p>

<p>"You can?"</p>

<p>"It seems to me very simple.  The room was dimly lighted.  Dr.<br />
Bauerstein is much of my height and build, and, like me, wears a<br />
beard.  In the dim light, and suffering as she was, my poor wife<br />
mistook him for me."</p>

<p>"Ah!" murmured Poirot to himself.  "But it is an idea, that!"</p>

<p>"You think it is true?" I whispered.</p>

<p>"I do not say that.  But it is truly an ingenious supposition."</p>

<p>"You read my wife's last words as an accusation"--Inglethorp was<br />
continuing--"they were, on the contrary, an appeal to me."</p>

<p>The Coroner reflected a moment, then he said:</p>

<p>"I believe, Mr. Inglethorp, that you yourself poured out the<br />
coffee, and took it to your wife that evening?"</p>

<p>"I poured it out, yes.  But I did not take it to her.  I meant to<br />
do so, but I was told that a friend was at the hall door, so I<br />
laid down the coffee on the hall table.  When I came through the<br />
hall again a few minutes later, it was gone."</p>

<p>This statement might, or might not, be true, but it did not seem<br />
to me to improve matters much for Inglethorp.  In any case, he<br />
had had ample time to introduce the poison.</p>

<p>At that point, Poirot nudged me gently, indicating two men who<br />
were sitting together near the door.  One was a little, sharp,<br />
dark, ferret-faced man, the other was tall and fair.</p>

<p>I questioned Poirot mutely.  He put his lips to my ear.</p>

<p>"Do you know who that little man is?"</p>

<p>I shook my head.</p>

<p>"That is Detective Inspector James Japp of Scotland Yard--Jimmy<br />
Japp.  The other man is from Scotland Yard too.  Things are<br />
moving quickly, my friend."</p>

<p>I stared at the two men intently.  There was certainly nothing of<br />
the policeman about them.  I should never have suspected them of<br />
being official personages.</p>

<p>I was still staring, when I was startled and recalled by the<br />
verdict being given:</p>

<p>"Wilful Murder against some person or persons unknown."</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER VII.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-vii.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.828</id>

    <published>2008-07-11T21:21:08Z</published>
    <updated>2008-06-20T21:35:59Z</updated>

    <summary>POIROT PAYS HIS DEBTS As we came out of the Stylites Arms, Poirot drew me aside by a gentle pressure of the arm. I understood his object. He was waiting for the Scotland Yard men. In a few moments, they...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>POIROT PAYS HIS DEBTS</p>

<p><br />
As we came out of the Stylites Arms, Poirot drew me aside by a<br />
gentle pressure of the arm.  I understood his object.  He was<br />
waiting for the Scotland Yard men.</p>

<p>In a few moments, they emerged, and Poirot at once stepped<br />
forward, and accosted the shorter of the two.</p>

<p>"I fear you do not remember me, Inspector Japp."</p>

<p>"Why, if it isn't Mr. Poirot!" cried the Inspector.  He turned to<br />
the other man.  "You've heard me speak of Mr. Poirot? It was in<br />
1904 he and I worked together--the Abercrombie forgery case--you<br />
remember, he was run down in Brussels.  Ah, those were great<br />
days, moosier.  Then, do you remember 'Baron' Altara? There was a<br />
pretty rogue for you! He eluded the clutches of half the police<br />
in Europe.  But we nailed him in Antwerp--thanks to Mr. Poirot<br />
here."</p>

<p>As these friendly reminiscences were being indulged in, I drew<br />
nearer, and was introduced to Detective-Inspector Japp, who, in<br />
his turn, introduced us both to his companion, Superintendent<br />
Summerhaye.</p>

<p>"I need hardly ask what you are doing here, gentlemen," remarked<br />
Poirot.</p>

<p>Japp closed one eye knowingly.</p>

<p>"No, indeed.  Pretty clear case I should say."</p>

<p>But Poirot answered gravely:</p>

<p>"There I differ from you."</p>

<p>"Oh, come!" said Summerhaye, opening his lips for the first time.<br />
"Surely the whole thing is clear as daylight.  The man's caught<br />
red-handed.  How he could be such a fool beats me!"</p>

<p>But Japp was looking attentively at Poirot.</p>

<p>"Hold your fire, Summerhaye," he remarked jocularly.  "Me and<br />
Moosier here have met before--and there's no man's judgment I'd<br />
sooner take than his.  If I'm not greatly mistaken, he's got<br />
something up his sleeve.  Isn't that so, moosier?"</p>

<p>Poirot smiled.</p>

<p>"I have drawn certain conclusions--yes."</p>

<p>Summerhaye was still looking rather sceptical, but Japp continued<br />
his scrutiny of Poirot.</p>

<p>"It's this way," he said, "so far, we've only seen the case from<br />
the outside.  That's where the Yard's at a disadvantage in a case<br />
of this kind, where the murder's only out, so to speak, after the<br />
inquest.  A lot depends on being on the spot first thing, and<br />
that's where Mr. Poirot's had the start of us.  We shouldn't have<br />
been here as soon as this even, if it hadn't been for the fact<br />
that there was a smart doctor on the spot, who gave us the tip<br />
through the Coroner.  But you've been on the spot from the first,<br />
and you may have picked up some little hints.  From the evidence<br />
at the inquest, Mr. Inglethorp murdered his wife as sure as I<br />
stand here, and if anyone but you hinted the contrary I'd laugh<br />
in his face.  I must say I was surprised the jury didn't bring it<br />
in Wilful Murder against him right off.  I think they would have,<br />
if it hadn't been for the Coroner--he seemed to be holding them<br />
back."</p>

<p>"Perhaps, though, you have a warrant for his arrest in your<br />
pocket now," suggested Poirot.</p>

<p>A kind of wooden shutter of officialdom came down from Japp's<br />
expressive countenance.</p>

<p>"Perhaps I have, and perhaps I haven't," he remarked dryly.</p>

<p>Poirot looked at him thoughtfully.</p>

<p>"I am very anxious, Messieurs, that he should not be arrested."</p>

<p>"I dare say," observed Summerhaye sarcastically.</p>

<p>Japp was regarding Poirot with comical perplexity.</p>

<p>"Can't you go a little further, Mr. Poirot? A wink's as good as a<br />
nod--from you.  You've been on the spot--and the Yard doesn't<br />
want to make any mistakes, you know."</p>

<p>Poirot nodded gravely.</p>

<p>"That is exactly what I thought.  Well, I will tell you this.<br />
Use your warrant: Arrest Mr. Inglethorp.  But it will bring you<br />
no kudos--the case against him will be dismissed at once! Comme<br />
ca!" And he snapped his fingers expressively.</p>

<p>Japp's face grew grave, though Summerhaye gave an incredulous<br />
snort.</p>

<p>As for me, I was literally dumb with astonishment.  I could only<br />
conclude that Poirot was mad.</p>

<p>Japp had taken out a handkerchief, and was gently dabbing his<br />
brow.</p>

<p>"I daren't do it, Mr. Poirot.  I'd take your word, but there's<br />
others over me who'll be asking what the devil I mean by it.<br />
Can't you give me a little more to go on?"</p>

<p>Poirot reflected a moment.</p>

<p>"It can be done," he said at last.  "I admit I do not wish it.<br />
It forces my hand.  I would have preferred to work in the dark<br />
just for the present, but what you say is very just--the word of<br />
a Belgian policeman, whose day is past, is not enough! And Alfred<br />
Inglethorp must not be arrested.  That I have sworn, as my friend<br />
Hastings here knows.  See, then, my good Japp, you go at once to<br />
Styles?"</p>

<p>"Well, in about half an hour.  We're seeing the Coroner and the<br />
doctor first."</p>

<p>"Good.  Call for me in passing--the last house in the village.  I<br />
will go with you.  At Styles, Mr. Inglethorp will give you, or if<br />
he refuses--as is probable--I will give you such proofs that<br />
shall satisfy you that the case against him could not possibly be<br />
sustained.  Is that a bargain?"</p>

<p>"That's a bargain," said Japp heartily.  "And, on behalf of the<br />
Yard, I'm much obliged to you, though I'm bound to confess I<br />
can't at present see the faintest possible loop-hole in the<br />
evidence, but you always were a marvel! So long, then, moosier."</p>

<p>The two detectives strode away, Summerhaye with an incredulous<br />
grin on his face.</p>

<p>"Well, my friend," cried Poirot, before I could get in a word,<br />
"what do you think? Mon Dieu! I had some warm moments in that<br />
court; I did not figure to myself that the man would be so<br />
pig-headed as to refuse to say anything at all.  Decidedly, it<br />
was the policy of an imbecile."</p>

<p>"H'm! There are other explanations besides that of imbecility," I<br />
remarked.  "For, if the case against him is true, how could he<br />
defend himself except by silence?"</p>

<p>"Why, in a thousand ingenious ways," cried Poirot.  "See; say<br />
that it is I who have committed this murder, I can think of seven<br />
most plausible stories! Far more convincing than Mr. Inglethorp's<br />
stony denials!"</p>

<p>I could not help laughing.</p>

<p>"My dear Poirot, I am sure you are capable of thinking of<br />
seventy! But, seriously, in spite of what I heard you say to the<br />
detectives, you surely cannot still believe in the possibility of<br />
Alfred Inglethorp's innocence?"</p>

<p>"Why not now as much as before? Nothing has changed."</p>

<p>"But the evidence is so conclusive."</p>

<p>"Yes, too conclusive."</p>

<p>We turned in at the gate of Leastways Cottage, and proceeded up<br />
the now familiar stairs.</p>

<p>"Yes, yes, too conclusive," continued Poirot, almost to himself.<br />
"Real evidence is usually vague and unsatisfactory.  It has to be<br />
examined--sifted.  But here the whole thing is cut and dried.<br />
No, my friend, this evidence has been very cleverly<br />
manufactured--so cleverly that it has defeated its own ends."</p>

<p>"How do you make that out?"</p>

<p>"Because, so long as the evidence against him was vague and<br />
intangible, it was very hard to disprove.  But, in his anxiety,<br />
the criminal has drawn the net so closely that one cut will set<br />
Inglethorp free."</p>

<p>I was silent.  And in a minute or two, Poirot continued:</p>

<p>"Let us look at the matter like this.  Here is a man, let us say,<br />
who sets out to poison his wife.  He has lived by his wits as the<br />
saying goes.  Presumably, therefore, he has some wits.  He is not<br />
altogether a fool.  Well, how does he set about it? He goes<br />
boldly to the village chemist's and purchases strychnine under<br />
his own name, with a trumped up story about a dog which is bound<br />
to be proved absurd.  He does not employ the poison that night.<br />
No, he waits until he has had a violent quarrel with her, of<br />
which the whole household is cognisant, and which naturally<br />
directs their suspicions upon him.  He prepares no defence--no<br />
shadow of an alibi, yet he knows the chemist's assistant must<br />
necessarily come forward with the facts.  Bah! do not ask me to<br />
believe that any man could be so idiotic! Only a lunatic, who<br />
wished to commit suicide by causing himself to be hanged, would<br />
act so!"</p>

<p>"Still--I do not see--" I began.</p>

<p>"Neither do I see.  I tell you, mon ami, it puzzles me.  Me<br />
--Hercule Poirot!"</p>

<p>"But if you believe him innocent, how do you explain his buying<br />
the strychnine?"</p>

<p>"Very simply.  He did _not_ buy it."</p>

<p>"But Mace recognized him!"</p>

<p>"I beg your pardon, he saw a man with a black beard like Mr.<br />
Inglethorp's, and wearing glasses like Mr. Inglethorp, and<br />
dressed in Mr. Inglethorp's rather noticeable clothes.  He could<br />
not recognize a man whom he had probably only seen in the<br />
distance, since, you remember, he himself had only been in the<br />
village a fortnight, and Mrs. Inglethorp dealt principally with<br />
Coot's in Tadminster."</p>

<p>"Then you think----"</p>

<p>"Mon ami, do you remember the two points I laid stress upon?<br />
Leave the first one for the moment, what was the second?"</p>

<p>"The important fact that Alfred Inglethorp wears peculiar<br />
clothes, has a black beard, and uses glasses," I quoted.</p>

<p>"Exactly.  Now suppose anyone wished to pass himself off as John<br />
or Lawrence Cavendish.  Would it be easy?"</p>

<p>"No," I said thoughtfully.  "Of course an actor----"</p>

<p>But Poirot cut me short ruthlessly.</p>

<p>"And why would it not be easy? I will tell you, my friend:<br />
Because they are both clean-shaven men.  To make up successfully<br />
as one of these two in broad daylight, it would need an actor of<br />
genius, and a certain initial facial resemblance.  But in the<br />
case of Alfred Inglethorp, all that is changed.  His clothes, his<br />
beard, the glasses which hide his eyes--those are the salient<br />
points about his personal appearance.  Now, what is the first<br />
instinct of the criminal? To divert suspicion from himself, is it<br />
not so? And how can he best do that? By throwing it on some one<br />
else.  In this instance, there was a man ready to his hand.<br />
Everybody was predisposed to believe in Mr. Inglethorp's guilt.<br />
It was a foregone conclusion that he would be suspected; but, to<br />
make it a sure thing there must be tangible proof--such as the<br />
actual buying of the poison, and that, with a man of the peculiar<br />
appearance of Mr. Inglethorp, was not difficult.  Remember, this<br />
young Mace had never actually spoken to Mr. Inglethorp.  How<br />
should he doubt that the man in his clothes, with his beard and<br />
his glasses, was not Alfred Inglethorp?"</p>

<p>"It may be so," I said, fascinated by Poirot's eloquence.  "But,<br />
if that was the case, why does he not say where he was at six<br />
o'clock on Monday evening?"</p>

<p>"Ah, why indeed?" said Poirot, calming down.  "If he were<br />
arrested, he probably would speak, but I do not want it to come<br />
to that.  I must make him see the gravity of his position.  There<br />
is, of course, something discreditable behind his silence.  If he<br />
did not murder his wife, he is, nevertheless, a scoundrel, and<br />
has something of his own to conceal, quite apart from the<br />
murder."</p>

<p>"What can it be?" I mused, won over to Poirot's views for the<br />
moment, although still retaining a faint conviction that the<br />
obvious deduction was the correct one.</p>

<p>"Can you not guess?" asked Poirot, smiling.</p>

<p>"No, can you?"</p>

<p>"Oh, yes, I had a little idea sometime ago--and it has turned out<br />
to be correct."</p>

<p>"You never told me," I said reproachfully.</p>

<p>Poirot spread out his hands apologetically.</p>

<p>"Pardon me, mon ami, you were not precisely sympathique." He<br />
turned to me earnestly.  "Tell me--you see now that he must not<br />
be arrested?"</p>

<p>"Perhaps," I said doubtfully, for I was really quite indifferent<br />
to the fate of Alfred Inglethorp, and thought that a good fright<br />
would do him no harm.</p>

<p>Poirot, who was watching me intently, gave a sigh.</p>

<p>"Come, my friend," he said, changing the subject, "apart from Mr.<br />
Inglethorp, how did the evidence at the inquest strike you?"</p>

<p>"Oh, pretty much what I expected."</p>

<p>"Did nothing strike you as peculiar about it?"</p>

<p>My thoughts flew to Mary Cavendish, and I hedged:</p>

<p>"In what way?"</p>

<p>"Well, Mr. Lawrence Cavendish's evidence for instance?"</p>

<p>I was relieved.</p>

<p>"Oh, Lawrence! No, I don't think so.  He's always a nervous<br />
chap."</p>

<p>"His suggestion that his mother might have been poisoned<br />
accidentally by means of the tonic she was taking, that did not<br />
strike you as strange--hein?"</p>

<p>"No, I can't say it did.  The doctors ridiculed it of course.<br />
But it was quite a natural suggestion for a layman to make."</p>

<p>"But Monsieur Lawrence is not a layman.  You told me yourself<br />
that he had started by studying medicine, and that he had taken<br />
his degree."</p>

<p>"Yes, that's true.  I never thought of that." I was rather<br />
startled.  "It _is_ odd."</p>

<p>Poirot nodded.</p>

<p>"From the first, his behaviour has been peculiar.  Of all the<br />
household, he alone would be likely to recognize the symptoms of<br />
strychnine poisoning, and yet we find him the only member of the<br />
family to uphold strenuously the theory of death from natural<br />
causes.  If it had been Monsieur John, I could have understood<br />
it.  He has no technical knowledge, and is by nature<br />
unimaginative.  But Monsieur Lawrence--no! And now, to-day, he<br />
puts forward a suggestion that he himself must have known was<br />
ridiculous.  There is food for thought in this, mon ami!"</p>

<p>"It's very confusing," I agreed.</p>

<p>"Then there is Mrs. Cavendish," continued Poirot.  "That's<br />
another who is not telling all she knows! What do you make of her<br />
attitude?"</p>

<p>"I don't know what to make of it.  It seems inconceivable that<br />
she should be shielding Alfred Inglethorp.  Yet that is what it<br />
looks like."</p>

<p>Poirot nodded reflectively.</p>

<p>"Yes, it is queer.  One thing is certain, she overheard a good<br />
deal more of that 'private conversation' than she was willing to<br />
admit."</p>

<p>"And yet she is the last person one would accuse of stooping to<br />
eavesdrop!"</p>

<p>"Exactly.  One thing her evidence _has_ shown me.  I made a<br />
mistake.  Dorcas was quite right.  The quarrel did take place<br />
earlier in the afternoon, about four o'clock, as she said."</p>

<p>I looked at him curiously.  I had never understood his insistence<br />
on that point.</p>

<p>"Yes, a good deal that was peculiar came out to-day," continued<br />
Poirot.  "Dr. Bauerstein, now, what was _he_ doing up and dressed<br />
at that hour in the morning? It is astonishing to me that no one<br />
commented on the fact."</p>

<p>"He has insomnia, I believe," I said doubtfully.</p>

<p>"Which is a very good, or a very bad explanation," remarked<br />
Poirot.  "It covers everything, and explains nothing.  I shall<br />
keep my eye on our clever Dr. Bauerstein."</p>

<p>"Any more faults to find with the evidence?" I inquired<br />
satirically.</p>

<p>"Mon ami," replied Poirot gravely, "when you find that people are<br />
not telling you the truth--look out! Now, unless I am much<br />
mistaken, at the inquest to-day only one--at most, two persons<br />
were speaking the truth without reservation or subterfuge."</p>

<p>"Oh, come now, Poirot! I won't cite Lawrence, or Mrs. Cavendish.<br />
But there's John--and Miss Howard, surely they were speaking the<br />
truth?"</p>

<p>"Both of them, my friend? One, I grant you, but both----!"</p>

<p>His words gave me an unpleasant shock.  Miss Howard's evidence,<br />
unimportant as it was, had been given in such a downright<br />
straightforward manner that it had never occurred to me to doubt<br />
her sincerity.  Still, I had a great respect for Poirot's<br />
sagacity--except on the occasions when he was what I described to<br />
myself as "foolishly pig-headed."</p>

<p>"Do you really think so?" I asked.  "Miss Howard had always<br />
seemed to me so essentially honest--almost uncomfortably so."</p>

<p>Poirot gave me a curious look, which I could not quite fathom.<br />
He seemed to speak, and then checked himself.</p>

<p>"Miss Murdoch too," I continued, "there's nothing untruthful<br />
about _her_."</p>

<p>"No.  But it was strange that she never heard a sound, sleeping<br />
next door; whereas Mrs. Cavendish, in the other wing of the<br />
building, distinctly heard the table fall."</p>

<p>"Well, she's young.  And she sleeps soundly."</p>

<p>"Ah, yes, indeed! She must be a famous sleeper, that one!"</p>

<p>I did not quite like the tone of his voice, but at that moment a<br />
smart knock reached our ears, and looking out of the window we<br />
perceived the two detectives waiting for us below.</p>

<p>Poirot seized his hat, gave a ferocious twist to his moustache,<br />
and, carefully brushing an imaginary speck of dust from his<br />
sleeve, motioned me to precede him down the stairs; there we<br />
joined the detectives and set out for Styles.</p>

<p>I think the appearance of the two Scotland Yard men was rather a<br />
shock--especially to John, though of course after the verdict, he<br />
had realized that it was only a matter of time.  Still, the<br />
presence of the detectives brought the truth home to him more<br />
than anything else could have done.</p>

<p>Poirot had conferred with Japp in a low tone on the way up, and<br />
it was the latter functionary who requested that the household,<br />
with the exception of the servants, should be assembled together<br />
in the drawing-room.  I realized the significance of this.  It<br />
was up to Poirot to make his boast good.</p>

<p>Personally, I was not sanguine.  Poirot might have excellent<br />
reasons for his belief in Inglethorp's innocence, but a man of<br />
the type of Summerhaye would require tangible proofs, and these I<br />
doubted if Poirot could supply.</p>

<p>Before very long we had all trooped into the drawing-room, the<br />
door of which Japp closed.  Poirot politely set chairs for every<br />
one.  The Scotland Yard men were the cynosure of all eyes.  I<br />
think that for the first time we realized that the thing was not<br />
a bad dream, but a tangible reality.  We had read of such<br />
things--now we ourselves were actors in the drama.  To-morrow the<br />
daily papers, all over England, would blazon out the news in<br />
staring headlines:</p>

<p>          "MYSTERIOUS TRAGEDY IN ESSEX"</p>

<p>          "WEALTHY LADY POISONED"</p>

<p>There would be pictures of Styles, snap-shots of "The family<br />
leaving the Inquest"--the village photographer had not been idle!<br />
All the things that one had read a hundred times--things that<br />
happen to other people, not to oneself.  And now, in this house,<br />
a murder had been committed.  In front of us were "the detectives<br />
in charge of the case." The well-known glib phraseology passed<br />
rapidly through my mind in the interval before Poirot opened the<br />
proceedings.</p>

<p>I think every one was a little surprised that it should be he and<br />
not one of the official detectives who took the initiative.</p>

<p>"Mesdames and messieurs," said Poirot, bowing as though he were a<br />
celebrity about to deliver a lecture, "I have asked you to come<br />
here all together, for a certain object.  That object, it<br />
concerns Mr. Alfred Inglethorp."</p>

<p>Inglethorp was sitting a little by himself--I think,<br />
unconsciously, every one had drawn his chair slightly away from<br />
him--and he gave a faint start as Poirot pronounced his name.</p>

<p>"Mr. Inglethorp," said Poirot, addressing him directly, "a very<br />
dark shadow is resting on this house--the shadow of murder."</p>

<p>Inglethorp shook his head sadly.</p>

<p>"My poor wife," he murmured.  "Poor Emily! It is terrible."</p>

<p>"I do not think, monsieur," said Poirot pointedly, "that you<br />
quite realize how terrible it may be--for you." And as Inglethorp<br />
did not appear to understand, he added: "Mr. Inglethorp, you are<br />
standing in very grave danger."</p>

<p>The two detectives fidgeted.  I saw the official caution<br />
"Anything you say will be used in evidence against you," actually<br />
hovering on Summerhaye's lips.  Poirot went on.</p>

<p>"Do you understand now, monsieur?"</p>

<p>"No; What do you mean?"</p>

<p>"I mean," said Poirot deliberately, "that you are suspected of<br />
poisoning your wife."</p>

<p>A little gasp ran round the circle at this plain speaking.</p>

<p>"Good heavens!" cried Inglethorp, starting up.  "What a monstrous<br />
idea! _I_--poison my dearest Emily!"</p>

<p>"I do not think"--Poirot watched him narrowly--"that you quite<br />
realize the unfavourable nature of your evidence at the inquest.<br />
Mr. Inglethorp, knowing what I have now told you, do you still<br />
refuse to say where you were at six o'clock on Monday afternoon?"</p>

<p>With a groan, Alfred Inglethorp sank down again and buried his<br />
face in his hands.  Poirot approached and stood over him.</p>

<p>"Speak!" he cried menacingly.</p>

<p>With an effort, Inglethorp raised his face from his hands.  Then,<br />
slowly and deliberately, he shook his head.</p>

<p>"You will not speak?"</p>

<p>"No.  I do not believe that anyone could be so monstrous as to<br />
accuse me of what you say."</p>

<p>Poirot nodded thoughtfully, like a man whose mind is made up.</p>

<p>"Soit!" he said.  "Then I must speak for you."</p>

<p>Alfred Inglethorp sprang up again.</p>

<p>"You? How can you speak? You do not know----" he broke off<br />
abruptly.</p>

<p>Poirot turned to face us.  "Mesdames and messieurs! I speak!<br />
Listen! I, Hercule Poirot, affirm that the man who entered the<br />
chemist's shop, and purchased strychnine at six o'clock on Monday<br />
last was not Mr. Inglethorp, for at six o'clock on that day Mr.<br />
Inglethorp was escorting Mrs. Raikes back to her home from a<br />
neighbouring farm.  I can produce no less than five witnesses to<br />
swear to having seen them together, either at six or just after<br />
and, as you may know, the Abbey Farm, Mrs. Raikes's home, is at<br />
least two and a half miles distant from the village.  There is<br />
absolutely no question as to the alibi!"</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER VIII.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-viii.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.829</id>

    <published>2008-07-12T21:21:08Z</published>
    <updated>2008-06-20T21:35:59Z</updated>

    <summary>FRESH SUSPICIONS There was a moment&apos;s stupefied silence. Japp, who was the least surprised of any of us, was the first to speak. &quot;My word,&quot; he cried, &quot;you&apos;re the goods! And no mistake, Mr. Poirot! These witnesses of yours are...</summary>
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        <![CDATA[<p>FRESH SUSPICIONS</p>

<p><br />
There was a moment's stupefied silence.  Japp, who was the least<br />
surprised of any of us, was the first to speak.</p>

<p>"My word," he cried, "you're the goods! And no mistake, Mr.<br />
Poirot! These witnesses of yours are all right, I suppose?"</p>

<p>"Voila! I have prepared a list of them--names and addresses.  You<br />
must see them, of course.  But you will find it all right."</p>

<p>"I'm sure of that." Japp lowered his voice.  "I'm much obliged to<br />
you.  A pretty mare's nest arresting him would have been." He<br />
turned to Inglethorp.  "But, if you'll excuse me, sir, why<br />
couldn't you say all this at the inquest?"</p>

<p>"I will tell you why," interrupted Poirot.  "There was a certain<br />
rumour----"</p>

<p>"A most malicious and utterly untrue one," interrupted Alfred<br />
Inglethorp in an agitated voice.</p>

<p>"And Mr. Inglethorp was anxious to have no scandal revived just<br />
at present.  Am I right?"</p>

<p>"Quite right." Inglethorp nodded.  "With my poor Emily not yet<br />
buried, can you wonder I was anxious that no more lying rumours<br />
should be started."</p>

<p>"Between you and me, sir," remarked Japp, "I'd sooner have any<br />
amount of rumours than be arrested for murder.  And I venture to<br />
think your poor lady would have felt the same.  And, if it hadn't<br />
been for Mr. Poirot here, arrested you would have been, as sure<br />
as eggs is eggs!"</p>

<p>"I was foolish, no doubt," murmured Inglethorp.  "But you do not<br />
know, inspector, how I have been persecuted and maligned." And he<br />
shot a baleful glance at Evelyn Howard.</p>

<p>"Now, sir," said Japp, turning briskly to John, "I should like to<br />
see the lady's bedroom, please, and after that I'll have a little<br />
chat with the servants.  Don't you bother about anything.  Mr.<br />
Poirot, here, will show me the way."</p>

<p>As they all went out of the room, Poirot turned and made me a<br />
sign to follow him upstairs.  There he caught me by the arm, and<br />
drew me aside.</p>

<p>"Quick, go to the other wing.  Stand there--just this side of the<br />
baize door.  Do not move till I come." Then, turning rapidly, he<br />
rejoined the two detectives.</p>

<p>I followed his instructions, taking up my position by the baize<br />
door, and wondering what on earth lay behind the request.  Why<br />
was I to stand in this particular spot on guard? I looked<br />
thoughtfully down the corridor in front of me.  An idea struck<br />
me.  With the exception of Cynthia Murdoch's, every one's room<br />
was in this left wing.  Had that anything to do with it? Was I to<br />
report who came or went? I stood faithfully at my post.  The<br />
minutes passed.  Nobody came.  Nothing happened.</p>

<p>It must have been quite twenty minutes before Poirot rejoined me.</p>

<p>"You have not stirred?"</p>

<p>"No, I've stuck here like a rock.  Nothing's happened."</p>

<p>"Ah!" Was he pleased, or disappointed? "You've seen nothing at<br />
all?"</p>

<p>"No."</p>

<p>"But you have probably heard something? A big bump--eh, mon ami?"</p>

<p>"No."</p>

<p>"Is it possible? Ah, but I am vexed with myself! I am not usually<br />
clumsy.  I made but a slight gesture"--I know Poirot's<br />
gestures--"with the left hand, and over went the table by the<br />
bed!"</p>

<p>He looked so childishly vexed and crest-fallen that I hastened to<br />
console him.</p>

<p>"Never mind, old chap.  What does it matter? Your triumph<br />
downstairs excited you.  I can tell you, that was a surprise to<br />
us all.  There must be more in this affair of Inglethorp's with<br />
Mrs. Raikes than we thought, to make him hold his tongue so<br />
persistently.  What are you going to do now? Where are the<br />
Scotland Yard fellows?"</p>

<p>"Gone down to interview the servants.  I showed them all our<br />
exhibits.  I am disappointed in Japp.  He has no method!"</p>

<p>"Hullo!" I said, looking out of the window.  "Here's Dr.<br />
Bauerstein.  I believe you're right about that man, Poirot.  I<br />
don't like him."</p>

<p>"He is clever," observed Poirot meditatively.</p>

<p>"Oh, clever as the devil! I must say I was overjoyed to see him<br />
in the plight he was in on Tuesday.  You never saw such a<br />
spectacle!" And I described the doctor's adventure.  "He looked a<br />
regular scarecrow! Plastered with mud from head to foot."</p>

<p>"You saw him, then?"</p>

<p>"Yes.  Of course, he didn't want to come in--it was just after<br />
dinner--but Mr. Inglethorp insisted."</p>

<p>"What?" Poirot caught me violently by the shoulders.  "Was Dr.<br />
Bauerstein here on Tuesday evening? Here? And you never told me?<br />
Why did you not tell me? Why? Why?"</p>

<p>He appeared to be in an absolute frenzy.</p>

<p>"My dear Poirot," I expostulated, "I never thought it would<br />
interest you.  I didn't know it was of any importance."</p>

<p>"Importance? It is of the first importance! So Dr. Bauerstein was<br />
here on Tuesday night--the night of the murder.  Hastings, do you<br />
not see? That alters everything--everything!"</p>

<p>I had never seen him so upset.  Loosening his hold of me, he<br />
mechanically straightened a pair of candlesticks, still murmuring<br />
to himself: "Yes, that alters everything--everything."</p>

<p>Suddenly he seemed to come to a decision.</p>

<p>"Allons!" he said.  "We must act at once.  Where is Mr.<br />
Cavendish?"</p>

<p>John was in the smoking-room.  Poirot went straight to him.</p>

<p>"Mr. Cavendish, I have some important business in Tadminster.  A<br />
new clue.  May I take your motor?"</p>

<p>"Why, of course.  Do you mean at once?"</p>

<p>"If you please."</p>

<p>John rang the bell, and ordered round the car.  In another ten<br />
minutes, we were racing down the park and along the high road to<br />
Tadminster.</p>

<p>"Now, Poirot," I remarked resignedly, "perhaps you will tell me<br />
what all this is about?"</p>

<p>"Well, mon ami, a good deal you can guess for yourself.  Of<br />
course you realize that, now Mr. Inglethorp is out of it, the<br />
whole position is greatly changed.  We are face to face with an<br />
entirely new problem.  We know now that there is one person who<br />
did not buy the poison.  We have cleared away the manufactured<br />
clues.  Now for the real ones.  I have ascertained that anyone in<br />
the household, with the exception of Mrs. Cavendish, who was<br />
playing tennis with you, could have personated Mr. Inglethorp on<br />
Monday evening.  In the same way, we have his statement that he<br />
put the coffee down in the hall.  No one took much notice of that<br />
at the inquest--but now it has a very different significance.  We<br />
must find out who did take that coffee to Mrs. Inglethorp<br />
eventually, or who passed through the hall whilst it was standing<br />
there.  From your account, there are only two people whom we can<br />
positively say did not go near the coffee--Mrs. Cavendish, and<br />
Mademoiselle Cynthia."</p>

<p>"Yes, that is so." I felt an inexpressible lightening of the<br />
heart.  Mary Cavendish could certainly not rest under suspicion.</p>

<p>"In clearing Alfred Inglethorp," continued Poirot, "I have been<br />
obliged to show my hand sooner than I intended.  As long as I<br />
might be thought to be pursuing him, the criminal would be off<br />
his guard.  Now, he will be doubly careful.  Yes--doubly<br />
careful." He turned to me abruptly.  "Tell me, Hastings, you<br />
yourself--have you no suspicions of anybody?"</p>

<p>I hesitated.  To tell the truth, an idea, wild and extravagant in<br />
itself, had once or twice that morning flashed through my brain.<br />
I had rejected it as absurd, nevertheless it persisted.</p>

<p>"You couldn't call it a suspicion," I murmured.  "It's so utterly<br />
foolish."</p>

<p>"Come now," urged Poirot encouragingly.  "Do not fear.  Speak<br />
your mind.  You should always pay attention to your instincts."</p>

<p>"Well then," I blurted out, "it's absurd--but I suspect Miss<br />
Howard of not telling all she knows!"</p>

<p>"Miss Howard?"</p>

<p>"Yes--you'll laugh at me----"</p>

<p>"Not at all.  Why should I?"</p>

<p>"I can't help feeling," I continued blunderingly; "that we've<br />
rather left her out of the possible suspects, simply on the<br />
strength of her having been away from the place.  But, after all,<br />
she was only fifteen miles away.  A car would do it in half an<br />
hour.  Can we say positively that she was away from Styles on the<br />
night of the murder?"</p>

<p>"Yes, my friend," said Poirot unexpectedly, "we can.  One of my<br />
first actions was to ring up the hospital where she was working."</p>

<p>"Well?"</p>

<p>"Well, I learnt that Miss Howard had been on afternoon duty on<br />
Tuesday, and that--a convoy coming in unexpectedly--she had<br />
kindly offered to remain on night duty, which offer was<br />
gratefully accepted.  That disposes of that."</p>

<p>"Oh!" I said, rather nonplussed.  "Really," I continued, "it's<br />
her extraordinary vehemence against Inglethorp that started me<br />
off suspecting her.  I can't help feeling she'd do anything<br />
against him.  And I had an idea she might know something about<br />
the destroying of the will.  She might have burnt the new one,<br />
mistaking it for the earlier one in his favour.  She is so<br />
terribly bitter against him."</p>

<p>"You consider her vehemence unnatural?"</p>

<p>"Y--es.  She is so very violent.  I wondered really whether she<br />
is quite sane on that point."</p>

<p>Poirot shook his head energetically.</p>

<p>"No, no, you are on a wrong tack there.  There is nothing<br />
weak-minded or degenerate about Miss Howard.  She is an excellent<br />
specimen of well-balanced English beef and brawn.  She is sanity<br />
itself."</p>

<p>"Yet her hatred of Inglethorp seems almost a mania.  My idea<br />
was--a very ridiculous one, no doubt--that she had intended to<br />
poison him--and that, in some way, Mrs. Inglethorp got hold of it<br />
by mistake.  But I don't at all see how it could have been done.<br />
The whole thing is absurd and ridiculous to the last degree."</p>

<p>"Still you are right in one thing.  It is always wise to suspect<br />
everybody until you can prove logically, and to your own<br />
satisfaction, that they are innocent.  Now, what reasons are<br />
there against Miss Howard's having deliberately poisoned Mrs.<br />
Inglethorp?"</p>

<p>"Why, she was devoted to her!" I exclaimed.</p>

<p>"Tcha! Tcha!" cried Poirot irritably.  "You argue like a child.<br />
If Miss Howard were capable of poisoning the old lady, she would<br />
be quite equally capable of simulating devotion.  No, we must<br />
look elsewhere.  You are perfectly correct in your assumption<br />
that her vehemence against Alfred Inglethorp is too violent to be<br />
natural; but you are quite wrong in the deduction you draw from<br />
it.  I have drawn my own deductions, which I believe to be<br />
correct, but I will not speak of them at present." He paused a<br />
minute, then went on.  "Now, to my way of thinking, there is one<br />
insuperable objection to Miss Howard's being the murderess."</p>

<p>"And that is?"</p>

<p>"That in no possible way could Mrs. Inglethorp's death benefit<br />
Miss Howard.  Now there is no murder without a motive."</p>

<p>I reflected.</p>

<p>"Could not Mrs. Inglethorp have made a will in her favour?"<br />
Poirot shook his head.</p>

<p>"But you yourself suggested that possibility to Mr. Wells?"</p>

<p>Poirot smiled.</p>

<p>"That was for a reason.  I did not want to mention the name of<br />
the person who was actually in my mind.  Miss Howard occupied<br />
very much the same position, so I used her name instead."</p>

<p>"Still, Mrs. Inglethorp might have done so.  Why, that will, made<br />
on the afternoon of her death may----"</p>

<p>But Poirot's shake of the head was so energetic that I stopped.</p>

<p>"No, my friend.  I have certain little ideas of my own about that<br />
will.  But I can tell you this much--it was not in Miss Howard's<br />
favour."</p>

<p>I accepted his assurance, though I did not really see how he<br />
could be so positive about the matter.</p>

<p>"Well," I said, with a sigh, "we will acquit Miss Howard, then.<br />
It is partly your fault that I ever came to suspect her.  It was<br />
what you said about her evidence at the inquest that set me off."</p>

<p>Poirot looked puzzled.</p>

<p>"What did I say about her evidence at the inquest?"</p>

<p>"Don't you remember? When I cited her and John Cavendish as being<br />
above suspicion?"</p>

<p>"Oh--ah--yes." He seemed a little confused, but recovered<br />
himself.  "By the way, Hastings, there is something I want you to<br />
do for me."</p>

<p>"Certainly.  What is it?"</p>

<p>"Next time you happen to be alone with Lawrence Cavendish, I want<br />
you to say this to him.  'I have a message for you, from Poirot.<br />
He says: "Find the extra coffee-cup, and you can rest in peace!"<br />
' Nothing more.  Nothing less."</p>

<p>" 'Find the extra coffee-cup, and you can rest in peace.' Is that<br />
right?" I asked, much mystified.</p>

<p>"Excellent."</p>

<p>"But what does it mean?"</p>

<p>"Ah, that I will leave you to find out.  You have access to the<br />
facts.  Just say that to him, and see what he says."</p>

<p>"Very well--but it's all extremely mysterious."</p>

<p>We were running into Tadminster now, and Poirot directed the car<br />
to the "Analytical Chemist."</p>

<p>Poirot hopped down briskly, and went inside.  In a few minutes he<br />
was back again.</p>

<p>"There," he said.  "That is all my business."</p>

<p>"What were you doing there?" I asked, in lively curiosity.</p>

<p>"I left something to be analysed."</p>

<p>"Yes, but what?"</p>

<p>"The sample of coco I took from the saucepan in the bedroom."</p>

<p>"But that has already been tested!" I cried, stupefied.  "Dr.<br />
Bauerstein had it tested, and you yourself laughed at the<br />
possibility of there being strychnine in it."</p>

<p>"I know Dr. Bauerstein had it tested," replied Poirot quietly.</p>

<p>"Well, then?"</p>

<p>"Well, I have a fancy for having it analysed again, that is all."</p>

<p>And not another word on the subject could I drag out of him.</p>

<p>This proceeding of Poirot's, in respect of the coco, puzzled me<br />
intensely.  I could see neither rhyme nor reason in it.  However,<br />
my confidence in him, which at one time had rather waned, was<br />
fully restored since his belief in Alfred Inglethorp's innocence<br />
had been so triumphantly vindicated.</p>

<p>The funeral of Mrs. Inglethorp took place the following day, and<br />
on Monday, as I came down to a late breakfast, John drew me<br />
aside, and informed me that Mr. Inglethorp was leaving that<br />
morning, to take up his quarters at the Stylites Arms until he<br />
should have completed his plans.</p>

<p>"And really it's a great relief to think he's going, Hastings,"<br />
continued my honest friend.  "It was bad enough before, when we<br />
thought he'd done it, but I'm hanged if it isn't worse now, when<br />
we all feel guilty for having been so down on the fellow.  The<br />
fact is, we've treated him abominably.  Of course, things did<br />
look black against him.  I don't see how anyone could blame us<br />
for jumping to the conclusions we did.  Still, there it is, we<br />
were in the wrong, and now there's a beastly feeling that one<br />
ought to make amends; which is difficult, when one doesn't like<br />
the fellow a bit better than one did before.  The whole thing's<br />
damned awkward! And I'm thankful he's had the tact to take<br />
himself off.  It's a good thing Styles wasn't the mater's to<br />
leave to him.  Couldn't bear to think of the fellow lording it<br />
here.  He's welcome to her money."</p>

<p>"You'll be able to keep up the place all right?" I asked.</p>

<p>"Oh, yes.  There are the death duties, of course, but half my<br />
father's money goes with the place, and Lawrence will stay with<br />
us for the present, so there is his share as well.  We shall be<br />
pinched at first, of course, because, as I once told you, I am in<br />
a bit of a hole financially myself.  Still, the Johnnies will<br />
wait now."</p>

<p>In the general relief at Inglethorp's approaching departure, we<br />
had the most genial breakfast we had experienced since the<br />
tragedy.  Cynthia, whose young spirits were naturally buoyant,<br />
was looking quite her pretty self again, and we all, with the<br />
exception of Lawrence, who seemed unalterably gloomy and nervous,<br />
were quietly cheerful, at the opening of a new and hopeful<br />
future.</p>

<p>The papers, of course, had been full of the tragedy.  Glaring<br />
headlines, sandwiched biographies of every member of the<br />
household, subtle innuendoes, the usual familiar tag about the<br />
police having a clue.  Nothing was spared us.  It was a slack<br />
time.  The war was momentarily inactive, and the newspapers<br />
seized with avidity on this crime in fashionable life: "The<br />
Mysterious Affair at Styles" was the topic of the moment.</p>

<p>Naturally it was very annoying for the Cavendishes.  The house<br />
was constantly besieged by reporters, who were consistently<br />
denied admission, but who continued to haunt the village and the<br />
grounds, where they lay in wait with cameras, for any unwary<br />
members of the household.  We all lived in a blast of publicity.<br />
The Scotland Yard men came and went, examining, questioning,<br />
lynx-eyed and reserved of tongue.  Towards what end they were<br />
working, we did not know.  Had they any clue, or would the whole<br />
thing remain in the category of undiscovered crimes?</p>

<p>After breakfast, Dorcas came up to me rather mysteriously, and<br />
asked if she might have a few words with me.</p>

<p>"Certainly.  What is it, Dorcas?"</p>

<p>"Well, it's just this, sir.  You'll be seeing the Belgian<br />
gentleman to-day perhaps?" I nodded.  "Well, sir, you know how he<br />
asked me so particular if the mistress, or anyone else, had a<br />
green dress?"</p>

<p>"Yes, yes.  You have found one?" My interest was aroused.</p>

<p>"No, not that, sir.  But since then I've remembered what the<br />
young gentlemen"--John and Lawrence were still the "young<br />
gentlemen" to Dorcas--"call the 'dressing-up box.' It's up in the<br />
front attic, sir.  A great chest, full of old clothes and fancy<br />
dresses, and what not.  And it came to me sudden like that there<br />
might be a green dress amongst them.  So, if you'd tell the<br />
Belgian gentleman----"</p>

<p>"I will tell him, Dorcas," I promised.</p>

<p>"Thank you very much, sir.  A very nice gentleman he is, sir.<br />
And quite a different class from them two detectives from London,<br />
what goes prying about, and asking questions.  I don't hold with<br />
foreigners as a rule, but from what the newspapers say I make out<br />
as how these brave Belges isn't the ordinary run of foreigners,<br />
and certainly he's a most polite spoken gentleman."</p>

<p>Dear old Dorcas! As she stood there, with her honest face<br />
upturned to mine, I thought what a fine specimen she was of the<br />
old-fashioned servant that is so fast dying out.</p>

<p>I thought I might as well go down to the village at once, and<br />
look up Poirot; but I met him half-way, coming up to the house,<br />
and at once gave him Dorcas's message.</p>

<p>"Ah, the brave Dorcas! We will look at the chest, although--but<br />
no matter--we will examine it all the same."</p>

<p>We entered the house by one of the windows.  There was no one in<br />
the hall, and we went straight up to the attic.</p>

<p>Sure enough, there was the chest, a fine old piece, all studded<br />
with brass nails, and full to overflowing with every imaginable<br />
type of garment.</p>

<p>Poirot bundled everything out on the floor with scant ceremony.<br />
There were one or two green fabrics of varying shades; but Poirot<br />
shook his head over them all.  He seemed somewhat apathetic in<br />
the search, as though he expected no great results from it.<br />
Suddenly he gave an exclamation.</p>

<p>"What is it?"</p>

<p>"Look!"</p>

<p>The chest was nearly empty, and there, reposing right at the<br />
bottom, was a magnificent black beard.</p>

<p>"Oho!" said Poirot.  "Oho!" He turned it over in his hands,<br />
examining it closely.  "New," he remarked.  "Yes, quite new."</p>

<p>After a moment's hesitation, he replaced it in the chest, heaped<br />
all the other things on top of it as before, and made his way<br />
briskly downstairs.  He went straight to the pantry, where we<br />
found Dorcas busily polishing her silver.</p>

<p>Poirot wished her good morning with Gallic politeness, and went<br />
on:</p>

<p>"We have been looking through that chest, Dorcas.  I am much<br />
obliged to you for mentioning it.  There is, indeed, a fine<br />
collection there.  Are they often used, may I ask?"</p>

<p>"Well, sir, not very often nowadays, though from time to time we<br />
do have what the young gentlemen call 'a dress-up night.' And<br />
very funny it is sometimes, sir.  Mr. Lawrence, he's wonderful.<br />
Most comic! I shall never forget the night he came down as the<br />
Char of Persia, I think he called it--a sort of Eastern King it<br />
was.  He had the big paper knife in his hand, and 'Mind, Dorcas,'<br />
he says, 'you'll have to be very respectful.  This is my<br />
specially sharpened scimitar, and it's off with your head if I'm<br />
at all displeased with you!' Miss Cynthia, she was what they call<br />
an Apache, or some such name--a Frenchified sort of cut-throat, I<br />
take it to be.  A real sight she looked.  You'd never have<br />
believed a pretty young lady like that could have made herself<br />
into such a ruffian.  Nobody would have known her."</p>

<p>"These evenings must have been great fun," said Poirot genially.<br />
"I suppose Mr. Lawrence wore that fine black beard in the chest<br />
upstairs, when he was Shah of Persia?"</p>

<p>"He did have a beard, sir," replied Dorcas, smiling.  "And well I<br />
know it, for he borrowed two skeins of my black wool to make it<br />
with! And I'm sure it looked wonderfully natural at a distance.<br />
I didn't know as there was a beard up there at all.  It must have<br />
been got quite lately, I think.  There was a red wig, I know, but<br />
nothing else in the way of hair.  Burnt corks they use<br />
mostly--though 'tis messy getting it off again.  Miss Cynthia was<br />
a nigger once, and, oh, the trouble she had."</p>

<p>"So Dorcas knows nothing about that black beard," said Poirot<br />
thoughtfully, as we walked out into the hall again.</p>

<p>"Do you think it is _the_ one?" I whispered eagerly.</p>

<p>Poirot nodded.</p>

<p>"I do.  You notice it had been trimmed?"</p>

<p>"No."</p>

<p>"Yes.  It was cut exactly the shape of Mr. Inglethorp's, and I<br />
found one or two snipped hairs.  Hastings, this affair is very<br />
deep."</p>

<p>"Who put it in the chest, I wonder?"</p>

<p>"Some one with a good deal of intelligence," remarked Poirot<br />
dryly.  "You realize that he chose the one place in the house to<br />
hide it where its presence would not be remarked? Yes, he is<br />
intelligent.  But we must be more intelligent.  We must be so<br />
intelligent that he does not suspect us of being intelligent at<br />
all."</p>

<p>I acquiesced.</p>

<p>"There, mon ami, you will be of great assistance to me."</p>

<p>I was pleased with the compliment.  There had been times when I<br />
hardly thought that Poirot appreciated me at my true worth.</p>

<p>"Yes," he continued, staring at me thoughtfully, "you will be<br />
invaluable."</p>

<p>This was naturally gratifying, but Poirot's next words were not<br />
so welcome.</p>

<p>"I must have an ally in the house," he observed reflectively.</p>

<p>"You have me," I protested.</p>

<p>"True, but you are not sufficient."</p>

<p>I was hurt, and showed it.  Poirot hurried to explain himself.</p>

<p>"You do not quite take my meaning.  You are known to be working<br />
with me.  I want somebody who is not associated with us in any<br />
way."</p>

<p>"Oh, I see.  How about John?"</p>

<p>"No, I think not."</p>

<p>"The dear fellow isn't perhaps very bright," I said thoughtfully.</p>

<p>"Here comes Miss Howard," said Poirot suddenly.  "She is the very<br />
person.  But I am in her black books, since I cleared Mr.<br />
Inglethorp.  Still, we can but try."</p>

<p>With a nod that was barely civil, Miss Howard assented to<br />
Poirot's request for a few minutes' conversation.</p>

<p>We went into the little morning-room, and Poirot closed the door.</p>

<p>"Well, Monsieur Poirot," said Miss Howard impatiently, "what is<br />
it? Out with it.  I'm busy."</p>

<p>"Do you remember, mademoiselle, that I once asked you to help<br />
me?"</p>

<p>"Yes, I do." The lady nodded.  "And I told you I'd help you with<br />
pleasure--to hang Alfred Inglethorp."</p>

<p>"Ah!" Poirot studied her seriously.  "Miss Howard, I will ask you<br />
one question.  I beg of you to reply to it truthfully."</p>

<p>"Never tell lies," replied Miss Howard.</p>

<p>"It is this.  Do you still believe that Mrs. Inglethorp was<br />
poisoned by her husband?"</p>

<p>"What do you mean?" she asked sharply.  "You needn't think your<br />
pretty explanations influence me in the slightest.  I'll admit<br />
that it wasn't he who bought strychnine at the chemist's shop.<br />
What of that? I dare say he soaked fly paper, as I told you at<br />
the beginning."</p>

<p>"That is arsenic--not strychnine," said Poirot mildly.</p>

<p>"What does that matter? Arsenic would put poor Emily out of the<br />
way just as well as strychnine.  If I'm convinced he did it, it<br />
doesn't matter a jot to me _how_ he did it."</p>

<p>"Exactly.  _If_ you are convinced he did it," said Poirot quietly.<br />
"I will put my question in another form.  Did you ever in your<br />
heart of hearts believe that Mrs. Inglethorp was poisoned by her<br />
husband?"</p>

<p>"Good heavens!" cried Miss Howard.  "Haven't I always told you<br />
the man is a villain? Haven't I always told you he would murder<br />
her in her bed? Haven't I always hated him like poison?"</p>

<p>"Exactly," said Poirot.  "That bears out my little idea<br />
entirely."</p>

<p>"What little idea?"</p>

<p>"Miss Howard, do you remember a conversation that took place on<br />
the day of my friend's arrival here? He repeated it to me, and<br />
there is a sentence of yours that has impressed me very much.  Do<br />
you remember affirming that if a crime had been committed, and<br />
anyone you loved had been murdered, you felt certain that you<br />
would know by instinct who the criminal was, even if you were<br />
quite unable to prove it?"</p>

<p>"Yes, I remember saying that.  I believe it too.  I suppose you<br />
think it nonsense?"</p>

<p>"Not at all."</p>

<p>"And yet you will pay no attention to my instinct against Alfred<br />
Inglethorp."</p>

<p>"No," said Poirot curtly.  "Because your instinct is not against<br />
Mr. Inglethorp."</p>

<p>"What?"</p>

<p>"No.  You wish to believe he committed the crime.  You believe<br />
him capable of committing it.  But your instinct tells you he did<br />
not commit it.  It tells you more--shall I go on?"</p>

<p>She was staring at him, fascinated, and made a slight affirmative<br />
movement of the hand.</p>

<p>"Shall I tell you why you have been so vehement against Mr.<br />
Inglethorp? It is because you have been trying to believe what<br />
you wish to believe.  It is because you are trying to drown and<br />
stifle your instinct, which tells you another name----"</p>

<p>"No, no, no!" cried Miss Howard wildly, flinging up her hands.<br />
"Don't say it! Oh, don't say it! It isn't true! It can't be true.<br />
I don't know what put such a wild--such a dreadful--idea into my<br />
head!"</p>

<p>"I am right, am I not?" asked Poirot.</p>

<p>"Yes, yes; you must be a wizard to have guessed.  But it can't be<br />
so--it's too monstrous, too impossible.  It must be Alfred<br />
Inglethorp."</p>

<p>Poirot shook his head gravely.</p>

<p>"Don't ask me about it," continued Miss Howard, "because I shan't<br />
tell you.  I won't admit it, even to myself.  I must be mad to<br />
think of such a thing."</p>

<p>Poirot nodded, as if satisfied.</p>

<p>"I will ask you nothing.  It is enough for me that it is as I<br />
thought.  And I--I, too, have an instinct.  We are working<br />
together towards a common end."</p>

<p>"Don't ask me to help you, because I won't.  I wouldn't lift a<br />
finger to--to----" She faltered.</p>

<p>"You will help me in spite of yourself.  I ask you nothing--but<br />
you will be my ally.  You will not be able to help yourself.  You<br />
will do the only thing that I want of you."</p>

<p>"And that is?"</p>

<p>"You will watch!"</p>

<p>Evelyn Howard bowed her head.</p>

<p>"Yes, I can't help doing that.  I am always watching--always<br />
hoping I shall be proved wrong."</p>

<p>"If we are wrong, well and good," said Poirot.  "No one will be<br />
more pleased than I shall.  But, if we are right? If we are<br />
right, Miss Howard, on whose side are you then?"</p>

<p>"I don't know, I don't know----"</p>

<p>"Come now."</p>

<p>"It could be hushed up."</p>

<p>"There must be no hushing up."</p>

<p>"But Emily herself----" She broke off.</p>

<p>"Miss Howard," said Poirot gravely, "this is unworthy of you."</p>

<p>Suddenly she took her face from her hands.</p>

<p>"Yes," she said quietly, "that was not Evelyn Howard who spoke!"<br />
She flung her head up proudly.  "_This_ is Evelyn Howard! And she<br />
is on the side of Justice! Let the cost be what it may." And with<br />
these words, she walked firmly out of the room.</p>

<p>"There," said Poirot, looking after her, "goes a very valuable<br />
ally.  That woman, Hastings, has got brains as well as a heart."</p>

<p>I did not reply.</p>

<p>"Instinct is a marvellous thing," mused Poirot.  "It can neither<br />
be explained nor ignored."</p>

<p>"You and Miss Howard seem to know what you are talking about," I<br />
observed coldly.  "Perhaps you don't realize that I am still in<br />
the dark."</p>

<p>"Really? Is that so, mon ami?"</p>

<p>"Yes.  Enlighten me, will you?"</p>

<p>Poirot studied me attentively for a moment or two.  Then, to my<br />
intense surprise, he shook his head decidedly.</p>

<p>"No, my friend."</p>

<p>"Oh, look here, why not?"</p>

<p>"Two is enough for a secret."</p>

<p>"Well, I think it is very unfair to keep back facts from me."</p>

<p>"I am not keeping back facts.  Every fact that I know is in your<br />
possession.  You can draw your own deductions from them.  This<br />
time it is a question of ideas."</p>

<p>"Still, it would be interesting to know."</p>

<p>Poirot looked at me very earnestly, and again shook his head.</p>

<p>"You see," he said sadly, "_you_ have no instincts."</p>

<p>"It was intelligence you were requiring just now," I pointed out.</p>

<p>"The two often go together," said Poirot enigmatically.</p>

<p>The remark seemed so utterly irrelevant that I did not even take<br />
the trouble to answer it.  But I decided that if I made any<br />
interesting and important discoveries--as no doubt I should--I<br />
would keep them to myself, and surprise Poirot with the ultimate<br />
result.</p>

<p>There are times when it is one's duty to assert oneself.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER IX</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-ix.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.830</id>

    <published>2008-07-13T21:21:08Z</published>
    <updated>2008-06-20T21:35:59Z</updated>

    <summary>DR. BAUERSTEIN I HAD had no opportunity as yet of passing on Poirot&apos;s message to Lawrence. But now, as I strolled out on the lawn, still nursing a grudge against my friend&apos;s high-handedness, I saw Lawrence on the croquet lawn,...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>DR. BAUERSTEIN</p>

<p><br />
I HAD had no opportunity as yet of passing on Poirot's message to<br />
Lawrence.  But now, as I strolled out on the lawn, still nursing<br />
a grudge against my friend's high-handedness, I saw Lawrence on<br />
the croquet lawn, aimlessly knocking a couple of very ancient<br />
balls about, with a still more ancient mallet.</p>

<p>It struck me that it would be a good opportunity to deliver my<br />
message.  Otherwise, Poirot himself might relieve me of it.  It<br />
was true that I did not quite gather its purport, but I flattered<br />
myself that by Lawrence's reply, and perhaps a little skillful<br />
cross-examination on my part, I should soon perceive its<br />
significance.  Accordingly I accosted him.</p>

<p>"I've been looking for you," I remarked untruthfully.</p>

<p>"Have you?"</p>

<p>"Yes.  The truth is, I've got a message for you--from Poirot."</p>

<p>"Yes?"</p>

<p>"He told me to wait until I was alone with you," I said, dropping<br />
my voice significantly, and watching him intently out of the<br />
corner of my eye.  I have always been rather good at what is<br />
called, I believe, creating an atmosphere.</p>

<p>"Well?"</p>

<p>There was no change of expression in the dark melancholic face.<br />
Had he any idea of what I was about to say?</p>

<p>"This is the message." I dropped my voice still lower.  " 'Find<br />
the extra coffee-cup, and you can rest in peace.' "</p>

<p>"What on earth does he mean?" Lawrence stared at me in quite<br />
unaffected astonishment.</p>

<p>"Don't you know?"</p>

<p>"Not in the least.  Do you?"</p>

<p>I was compelled to shake my head.</p>

<p>"What extra coffee-cup?"</p>

<p>"I don't know."</p>

<p>"He'd better ask Dorcas, or one of the maids, if he wants to know<br />
about coffee-cups.  It's their business, not mine.  I don't know<br />
anything about the coffee-cups, except that we've got some that<br />
are never used, which are a perfect dream! Old Worcester.  You're<br />
not a connoisseur, are you, Hastings?"</p>

<p>I shook my head.</p>

<p>"You miss a lot.  A really perfect bit of old china--it's pure<br />
delight to handle it, or even to look at it."</p>

<p>"Well, what am I to tell Poirot?"</p>

<p>"Tell him I don't know what he's talking about.  It's double<br />
Dutch to me."</p>

<p>"All right."</p>

<p>I was moving off towards the house again when he suddenly called<br />
me back.</p>

<p>"I say, what was the end of that message? Say it over again, will<br />
you?"</p>

<p>" 'Find the extra coffee-cup, and you can rest in peace.' Are you<br />
sure you don't know what it means?" I asked him earnestly.</p>

<p>He shook his head.</p>

<p>"No," he said musingly, "I don't.  I--I wish I did."</p>

<p>The boom of the gong sounded from the house, and we went in<br />
together.  Poirot had been asked by John to remain to lunch, and<br />
was already seated at the table.</p>

<p>By tacit consent, all mention of the tragedy was barred.  We<br />
conversed on the war, and other outside topics.  But after the<br />
cheese and biscuits had been handed round, and Dorcas had left<br />
the room, Poirot suddenly leant forward to Mrs. Cavendish.</p>

<p>"Pardon me, madame, for recalling unpleasant memories, but I have<br />
a little idea"--Poirot's "little ideas" were becoming a perfect<br />
byword--"and would like to ask one or two questions."</p>

<p>"Of me? Certainly."</p>

<p>"You are too amiable, madame.  What I want to ask is this: the<br />
door leading into Mrs. Inglethorp's room from that of<br />
Mademoiselle Cynthia, it was bolted, you say?"</p>

<p>"Certainly it was bolted," replied Mary Cavendish, rather<br />
surprised.  "I said so at the inquest."</p>

<p>"Bolted?"</p>

<p>"Yes." She looked perplexed.</p>

<p>"I mean," explained Poirot, "you are sure it was bolted, and not<br />
merely locked?"</p>

<p>"Oh, I see what you mean.  No, I don't know.  I said bolted,<br />
meaning that it was fastened, and I could not open it, but I<br />
believe all the doors were found bolted on the inside."</p>

<p>"Still, as far as you are concerned, the door might equally well<br />
have been locked?"</p>

<p>"Oh, yes."</p>

<p>"You yourself did not happen to notice, madame, when you entered<br />
Mrs. Inglethorp's room, whether that door was bolted or not?"</p>

<p>"I--I believe it was."</p>

<p>"But you did not see it?"</p>

<p>"No.  I--never looked."</p>

<p>"But I did," interrupted Lawrence suddenly.  "I happened to<br />
notice that it _was_ bolted."</p>

<p>"Ah, that settles it." And Poirot looked crestfallen.</p>

<p>I could not help rejoicing that, for once, one of his "little<br />
ideas" had come to naught.</p>

<p>After lunch Poirot begged me to accompany him home.  I consented<br />
rather stiffly.</p>

<p>"You are annoyed, is it not so?" he asked anxiously, as we walked<br />
through the park.</p>

<p>"Not at all," I said coldly.</p>

<p>"That is well.  That lifts a great load from my mind."</p>

<p>This was not quite what I had intended.  I had hoped that he<br />
would have observed the stiffness of my manner.  Still, the<br />
fervour of his words went towards the appeasing of my just<br />
displeasure.  I thawed.</p>

<p>"I gave Lawrence your message," I said.</p>

<p>"And what did he say? He was entirely puzzled?"</p>

<p>"Yes.  I am quite sure he had no idea of what you meant."</p>

<p>I had expected Poirot to be disappointed; but, to my surprise, he<br />
replied that that was as he had thought, and that he was very<br />
glad.  My pride forbade me to ask any questions.</p>

<p>Poirot switched off on another tack.</p>

<p>"Mademoiselle Cynthia was not at lunch to-day? How was that?"</p>

<p>"She is at the hospital again.  She resumed work to-day."</p>

<p>"Ah, she is an industrious little demoiselle.  And pretty too.<br />
She is like pictures I have seen in Italy.  I would rather like<br />
to see that dispensary of hers.  Do you think she would show it<br />
to me?"</p>

<p>"I am sure she would be delighted.  It's an interesting little<br />
place."</p>

<p>"Does she go there every day?"</p>

<p>"She has all Wednesdays off, and comes back to lunch on<br />
Saturdays.  Those are her only times off."</p>

<p>"I will remember.  Women are doing great work nowadays, and<br />
Mademoiselle Cynthia is clever--oh, yes, she has brains, that<br />
little one."</p>

<p>"Yes.  I believe she has passed quite a stiff exam."</p>

<p>"Without doubt.  After all, it is very responsible work.  I<br />
suppose they have very strong poisons there?"</p>

<p>"Yes, she showed them to us.  They are kept locked up in a little<br />
cupboard.  I believe they have to be very careful.  They always<br />
take out the key before leaving the room."</p>

<p>"Indeed.  It is near the window, this cupboard?"</p>

<p>"No, right the other side of the room.  Why?"</p>

<p>Poirot shrugged his shoulders.</p>

<p>"I wondered.  That is all.  Will you come in?"</p>

<p>We had reached the cottage.</p>

<p>"No.  I think I'll be getting back.  I shall go round the long<br />
way through the woods."</p>

<p>The woods round Styles were very beautiful.  After the walk<br />
across the open park, it was pleasant to saunter lazily through<br />
the cool glades.  There was hardly a breath of wind, the very<br />
chirp of the birds was faint and subdued.  I strolled on a little<br />
way, and finally flung myself down at the foot of a grand old<br />
beech-tree.  My thoughts of mankind were kindly and charitable.<br />
I even forgave Poirot for his absurd secrecy.  In fact, I was at<br />
peace with the world.  Then I yawned.</p>

<p>I thought about the crime, and it struck me as being very unreal<br />
and far off.</p>

<p>I yawned again.</p>

<p>Probably, I thought, it really never happened.  Of course, it was<br />
all a bad dream.  The truth of the matter was that it was<br />
Lawrence who had murdered Alfred Inglethorp with a croquet<br />
mallet.  But it was absurd of John to make such a fuss about it,<br />
and to go shouting out: "I tell you I won't have it!"</p>

<p>I woke up with a start.</p>

<p>At once I realized that I was in a very awkward predicament.<br />
For, about twelve feet away from me, John and Mary Cavendish were<br />
standing facing each other, and they were evidently quarrelling.<br />
And, quite as evidently, they were unaware of my vicinity, for<br />
before I could move or speak John repeated the words which had<br />
aroused me from my dream.</p>

<p>"I tell you, Mary, I won't have it."</p>

<p>Mary's voice came, cool and liquid:</p>

<p>"Have _you_ any right to criticize my actions?"</p>

<p>"It will be the talk of the village! My mother was only buried on<br />
Saturday, and here you are gadding about with the fellow."</p>

<p>"Oh," she shrugged her shoulders, "if it is only village gossip<br />
that you mind!"</p>

<p>"But it isn't.  I've had enough of the fellow hanging about.<br />
He's a Polish Jew, anyway."</p>

<p>"A tinge of Jewish blood is not a bad thing.  It leavens<br />
the"--she looked at him--"stolid stupidity of the ordinary<br />
Englishman."</p>

<p>Fire in her eyes, ice in her voice.  I did not wonder that the<br />
blood rose to John's face in a crimson tide.</p>

<p>"Mary!"</p>

<p>"Well?" Her tone did not change.</p>

<p>The pleading died out of his voice.</p>

<p>"Am I to understand that you will continue to see Bauerstein<br />
against my express wishes?"</p>

<p>"If I choose."</p>

<p>"You defy me?"</p>

<p>"No, but I deny your right to criticize my actions.  Have _you_ no<br />
friends of whom I should disapprove?"</p>

<p>John fell back a pace.  The colour ebbed slowly from his face.</p>

<p>"What do you mean?" he said, in an unsteady voice.</p>

<p>"You see!" said Mary quietly.  "You _do_ see, don't you, that _you_<br />
have no right to dictate to _me_ as to the choice of my friends?"</p>

<p>John glanced at her pleadingly, a stricken look on his face.</p>

<p>"No right? Have I _no_ right, Mary?" he said unsteadily.  He<br />
stretched out his hands.  "Mary----"</p>

<p>For a moment, I thought she wavered.  A softer expression came<br />
over her face, then suddenly she turned almost fiercely away.</p>

<p>"None!"</p>

<p>She was walking away when John sprang after her, and caught her<br />
by the arm.</p>

<p>"Mary"--his voice was very quiet now--"are you in love with this<br />
fellow Bauerstein?"</p>

<p>She hesitated, and suddenly there swept across her face a strange<br />
expression, old as the hills, yet with something eternally young<br />
about it.  So might some Egyptian sphinx have smiled.</p>

<p>She freed herself quietly from his arm, and spoke over her<br />
shoulder.</p>

<p>"Perhaps," she said; and then swiftly passed out of the little<br />
glade, leaving John standing there as though he had been turned<br />
to stone.</p>

<p>Rather ostentatiously, I stepped forward, crackling some dead<br />
branches with my feet as I did so.  John turned.  Luckily, he<br />
took it for granted that I had only just come upon the scene.</p>

<p>"Hullo, Hastings.  Have you seen the little fellow safely back to<br />
his cottage? Quaint little chap! Is he any good, though, really?"</p>

<p>"He was considered one of the finest detectives of his day."</p>

<p>"Oh, well, I suppose there must be something in it, then.  What a<br />
rotten world it is, though!"</p>

<p>"You find it so?" I asked.</p>

<p>"Good Lord, yes! There's this terrible business to start with.<br />
Scotland Yard men in and out of the house like a jack-in-the-box!<br />
Never know where they won't turn up next.  Screaming headlines in<br />
every paper in the country--damn all journalists, I say! Do you<br />
know there was a whole crowd staring in at the lodge gates this<br />
morning.  Sort of Madame Tussaud's chamber of horrors business<br />
that can be seen for nothing.  Pretty thick, isn't it?"</p>

<p>"Cheer up, John!" I said soothingly.  "It can't last for ever."</p>

<p>"Can't it, though? It can last long enough for us never to be<br />
able to hold up our heads again."</p>

<p>"No, no, you're getting morbid on the subject."</p>

<p>"Enough to make a man morbid, to be stalked by beastly<br />
journalists and stared at by gaping moon-faced idiots, wherever<br />
he goes! But there's worse than that."</p>

<p>"What?"</p>

<p>John lowered his voice:</p>

<p>"Have you ever thought, Hastings--it's a nightmare to me--who<br />
did it? I can't help feeling sometimes it must have been an<br />
accident.  Because--because--who could have done it? Now<br />
Inglethorp's out of the way, there's no one else; no one, I mean,<br />
except--one of us."</p>

<p>Yes, indeed, that was nightmare enough for any man! One of us?<br />
Yes, surely it must be so, unless-----</p>

<p>A new idea suggested itself to my mind.  Rapidly, I considered<br />
it.  The light increased.  Poirot's mysterious doings, his<br />
hints--they all fitted in.  Fool that I was not to have thought<br />
of this possibility before, and what a relief for us all.</p>

<p>"No, John," I said, "it isn't one of us.  How could it be?"</p>

<p>"I know, but, still, who else is there?"</p>

<p>"Can't you guess?"</p>

<p>"No."</p>

<p>I looked cautiously round, and lowered my voice.</p>

<p>"Dr. Bauerstein!" I whispered.</p>

<p>"Impossible!"</p>

<p>"Not at all."</p>

<p>"But what earthly interest could he have in my mother's death?"</p>

<p>"That I don't see," I confessed, "but I'll tell you this: Poirot<br />
thinks so."</p>

<p>"Poirot? Does he? How do you know?"</p>

<p>I told him of Poirot's intense excitement on hearing that Dr.<br />
Bauerstein had been at Styles on the fatal night, and added:</p>

<p>"He said twice: 'That alters everything.' And I've been thinking.<br />
You know Inglethorp said he had put down the coffee in the hall?<br />
Well, it was just then that Bauerstein arrived.  Isn't it<br />
possible that, as Inglethorp brought him through the hall, the<br />
doctor dropped something into the coffee in passing?"</p>

<p>"H'm," said John.  "It would have been very risky."</p>

<p>"Yes, but it was possible."</p>

<p>"And then, how could he know it was her coffee? No, old fellow, I<br />
don't think that will wash."</p>

<p>But I had remembered something else.</p>

<p>"You're quite right.  That wasn't how it was done.  Listen." And<br />
I then told him of the coco sample which Poirot had taken to be<br />
analysed.</p>

<p>John interrupted just as I had done.</p>

<p>"But, look here, Bauerstein had had it analysed already?"</p>

<p>"Yes, yes, that's the point.  I didn't see it either until now.<br />
Don't you understand? Bauerstein had it analysed--that's just it!<br />
If Bauerstein's the murderer, nothing could be simpler than for<br />
him to substitute some ordinary coco for his sample, and send<br />
that to be tested.  And of course they would find no strychnine!<br />
But no one would dream of suspecting Bauerstein, or think of<br />
taking another sample--except Poirot," I added, with belated<br />
recognition.</p>

<p>"Yes, but what about the bitter taste that coco won't disguise?"</p>

<p>"Well, we've only his word for that.  And there are other<br />
possibilities.  He's admittedly one of the world's greatest<br />
toxicologists----"</p>

<p>"One of the world's greatest what? Say it again."</p>

<p>"He knows more about poisons than almost anybody," I explained.<br />
"Well, my idea is, that perhaps he's found some way of making<br />
strychnine tasteless.  Or it may not have been strychnine at all,<br />
but some obscure drug no one has ever heard of, which produces<br />
much the same symptoms."</p>

<p>"H'm, yes, that might be," said John.  "But look here, how could<br />
he have got at the coco? That wasn't downstairs?"</p>

<p>"No, it wasn't," I admitted reluctantly.</p>

<p>And then, suddenly, a dreadful possibility flashed through my<br />
mind.  I hoped and prayed it would not occur to John also.  I<br />
glanced sideways at him.  He was frowning perplexedly, and I drew<br />
a deep breath of relief, for the terrible thought that had<br />
flashed across my mind was this: that Dr. Bauerstein might have<br />
had an accomplice.</p>

<p>Yet surely it could not be! Surely no woman as beautiful as Mary<br />
Cavendish could be a murderess.  Yet beautiful women had been<br />
known to poison.</p>

<p>And suddenly I remembered that first conversation at tea on the<br />
day of my arrival, and the gleam in her eyes as she had said that<br />
poison was a woman's weapon.  How agitated she had been on that<br />
fatal Tuesday evening! Had Mrs. Inglethorp discovered something<br />
between her and Bauerstein, and threatened to tell her husband?<br />
Was it to stop that denunciation that the crime had been<br />
committed?</p>

<p>Then I remembered that enigmatical conversation between Poirot<br />
and Evelyn Howard.  Was this what they had meant? Was this the<br />
monstrous possibility that Evelyn had tried not to believe?</p>

<p>Yes, it all fitted in.</p>

<p>No wonder Miss Howard had suggested "hushing it up." Now I<br />
understood that unfinished sentence of hers: "Emily herself----"<br />
And in my heart I agreed with her.  Would not Mrs. Inglethorp<br />
have preferred to go unavenged rather than have such terrible<br />
dishonour fall upon the name of Cavendish.</p>

<p>"There's another thing," said John suddenly, and the unexpected<br />
sound of his voice made me start guiltily.  "Something which<br />
makes me doubt if what you say can be true."</p>

<p>"What's that?" I asked, thankful that he had gone away from the<br />
subject of how the poison could have been introduced into the<br />
coco.</p>

<p>"Why, the fact that Bauerstein demanded a post-mortem.  He<br />
needn't have done so.  Little Wilkins would have been quite<br />
content to let it go at heart disease."</p>

<p>"Yes," I said doubtfully.  "But we don't know.  Perhaps he<br />
thought it safer in the long run.  Some one might have talked<br />
afterwards.  Then the Home Office might have ordered exhumation.<br />
The whole thing would have come out, then, and he would have been<br />
in an awkward position, for no one would have believed that a man<br />
of his reputation could have been deceived into calling it heart<br />
disease."</p>

<p>"Yes, that's possible," admitted John.  "Still," he added, "I'm<br />
blest if I can see what his motive could have been."</p>

<p>I trembled.</p>

<p>"Look here," I said, "I may be altogether wrong.  And, remember,<br />
all this is in confidence."</p>

<p>"Oh, of course--that goes without saying."</p>

<p>We had walked, as we talked, and now we passed through the little<br />
gate into the garden.  Voices rose near at hand, for tea was<br />
spread out under the sycamore-tree, as it had been on the day of<br />
my arrival.</p>

<p>Cynthia was back from the hospital, and I placed my chair beside<br />
her, and told her of Poirot's wish to visit the dispensary.</p>

<p>"Of course! I'd love him to see it.  He'd better come to tea<br />
there one day.  I must fix it up with him.  He's such a dear<br />
little man! But he _is_ funny.  He made me take the brooch out of<br />
my tie the other day, and put it in again, because he said it<br />
wasn't straight."</p>

<p>I laughed.</p>

<p>"It's quite a mania with him."</p>

<p>"Yes, isn't it?"</p>

<p>We were silent for a minute or two, and then, glancing in the<br />
direction of Mary Cavendish, and dropping her voice, Cynthia<br />
said:</p>

<p>"Mr. Hastings."</p>

<p>"Yes?"</p>

<p>"After tea, I want to talk to you."</p>

<p>Her glance at Mary had set me thinking.  I fancied that between<br />
these two there existed very little sympathy.  For the first<br />
time, it occurred to me to wonder about the girl's future.  Mrs.<br />
Inglethorp had made no provisions of any kind for her, but I<br />
imagined that John and Mary would probably insist on her making<br />
her home with them--at any rate until the end of the war.  John,<br />
I knew, was very fond of her, and would be sorry to let her go.</p>

<p>John, who had gone into the house, now reappeared.  His<br />
good-natured face wore an unaccustomed frown of anger.</p>

<p>"Confound those detectives! I can't think what they're after!<br />
They've been in every room in the house--turning things inside<br />
out, and upside down.  It really is too bad! I suppose they took<br />
advantage of our all being out.  I shall go for that fellow Japp,<br />
when I next see him!"</p>

<p>"Lot of Paul Prys," grunted Miss Howard.</p>

<p>Lawrence opined that they had to make a show of doing something.</p>

<p>Mary Cavendish said nothing.</p>

<p>After tea, I invited Cynthia to come for a walk, and we sauntered<br />
off into the woods together.</p>

<p>"Well?" I inquired, as soon as we were protected from prying eyes<br />
by the leafy screen.</p>

<p>With a sigh, Cynthia flung herself down, and tossed off her hat.<br />
The sunlight, piercing through the branches, turned the auburn of<br />
her hair to quivering gold.</p>

<p>"Mr. Hastings--you are always so kind, and you know such a lot."</p>

<p>It struck me at this moment that Cynthia was really a very<br />
charming girl! Much more charming than Mary, who never said<br />
things of that kind.</p>

<p>"Well?" I asked benignantly, as she hesitated.</p>

<p>"I want to ask your advice.  What shall I do?"</p>

<p>"Do?"</p>

<p>"Yes.  You see, Aunt Emily always told me I should be provided<br />
for.  I suppose she forgot, or didn't think she was likely to<br />
die--anyway, I am _not_ provided for! And I don't know what to do.<br />
Do you think I ought to go away from here at once?"</p>

<p>"Good heavens, no! They don't want to part with you, I'm sure."</p>

<p>Cynthia hesitated a moment, plucking up the grass with her tiny<br />
hands.  Then she said: "Mrs. Cavendish does.  She hates me."</p>

<p>"Hates you?" I cried, astonished.</p>

<p>Cynthia nodded.</p>

<p>"Yes.  I don't know why, but she can't bear me; and _he_ can't,<br />
either."</p>

<p>"There I know you're wrong," I said warmly.  "On the contrary,<br />
John is very fond of you."</p>

<p>"Oh, yes--_John_.  I meant Lawrence.  Not, of course, that I care<br />
whether Lawrence hates me or not.  Still, it's rather horrid when<br />
no one loves you, isn't it?"</p>

<p>"But they do, Cynthia dear," I said earnestly.  "I'm sure you are<br />
mistaken.  Look, there is John--and Miss Howard--"</p>

<p>Cynthia nodded rather gloomily.  "Yes, John likes me, I think,<br />
and of course Evie, for all her gruff ways, wouldn't be unkind to<br />
a fly.  But Lawrence never speaks to me if he can help it, and<br />
Mary can hardly bring herself to be civil to me.  She wants Evie<br />
to stay on, is begging her to, but she doesn't want me,<br />
and--and--I don't know what to do." Suddenly the poor child burst<br />
out crying.</p>

<p>I don't know what possessed me.  Her beauty, perhaps, as she sat<br />
there, with the sunlight glinting down on her head; perhaps the<br />
sense of relief at encountering someone who so obviously could<br />
have no connection with the tragedy; perhaps honest pity for her<br />
youth and loneliness.  Anyway, I leant forward, and taking her<br />
little hand, I said awkwardly:</p>

<p>"Marry me, Cynthia."</p>

<p>Unwittingly, I had hit upon a sovereign remedy for her tears.<br />
She sat up at once, drew her hand away, and said, with some<br />
asperity:</p>

<p>"Don't be silly!"</p>

<p>I was a little annoyed.</p>

<p>"I'm not being silly.  I am asking you to do me the honour of<br />
becoming my wife."</p>

<p>To my intense surprise, Cynthia burst out laughing, and called me<br />
a "funny dear."</p>

<p>"It's perfectly sweet of you," she said, "but you know you don't<br />
want to!"</p>

<p>"Yes, I do.  I've got--"</p>

<p>"Never mind what you've got.  You don't really want to--and I<br />
don't either."</p>

<p>"Well, of course, that settles it," I said stiffly.  "But I don't<br />
see anything to laugh at.  There's nothing funny about a<br />
proposal."</p>

<p>"No, indeed," said Cynthia.  "Somebody might accept you next<br />
time.  Good-bye, you've cheered me up very much."</p>

<p>And, with a final uncontrollable burst of merriment, she vanished<br />
through the trees.</p>

<p>Thinking over the interview, it struck me as being profoundly<br />
unsatisfactory.</p>

<p>It occurred to me suddenly that I would go down to the village,<br />
and look up Bauerstein.  Somebody ought to be keeping an eye on<br />
the fellow.  At the same time, it would be wise to allay any<br />
suspicions he might have as to his being suspected.  I remembered<br />
how Poirot had relied on my diplomacy.  Accordingly, I went to<br />
the little house with the "Apartments" card inserted in the<br />
window, where I knew he lodged, and tapped on the door.</p>

<p>An old woman came and opened it.</p>

<p>"Good afternoon," I said pleasantly.  "Is Dr. Bauerstein in?"</p>

<p>She stared at me.</p>

<p>"Haven't you heard?"</p>

<p>"Heard what?"</p>

<p>"About him."</p>

<p>"What about him?"</p>

<p>"He's took."</p>

<p>"Took? Dead?"</p>

<p>"No, took by the perlice."</p>

<p>"By the police!" I gasped.  "Do you mean they've arrested him?"</p>

<p>"Yes, that's it, and--"</p>

<p>I waited to hear no more, but tore up the village to find Poirot.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER X.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-x.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.831</id>

    <published>2008-07-14T21:21:08Z</published>
    <updated>2008-06-20T21:36:00Z</updated>

    <summary>THE ARREST To my extreme annoyance, Poirot was not in, and the old Belgian who answered my knock informed me that he believed he had gone to London. I was dumbfounded. What on earth could Poirot be doing in London!...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>THE ARREST</p>

<p><br />
To my extreme annoyance, Poirot was not in, and the old Belgian<br />
who answered my knock informed me that he believed he had gone to<br />
London.</p>

<p>I was dumbfounded.  What on earth could Poirot be doing in<br />
London! Was it a sudden decision on his part, or had he already<br />
made up his mind when he parted from me a few hours earlier?</p>

<p>I retraced my steps to Styles in some annoyance.  With Poirot<br />
away, I was uncertain how to act.  Had he foreseen this arrest?<br />
Had he not, in all probability, been the cause of it? Those<br />
questions I could not resolve.  But in the meantime what was I to<br />
do? Should I announce the arrest openly at Styles, or not? Though<br />
I did not acknowledge it to myself, the thought of Mary Cavendish<br />
was weighing on me.  Would it not be a terrible shock to her? For<br />
the moment, I set aside utterly any suspicions of her.  She could<br />
not be implicated--otherwise I should have heard some hint of it.</p>

<p>Of course, there was no possibility of being able permanently to<br />
conceal Dr. Bauerstein's arrest from her.  It would be announced<br />
in every newspaper on the morrow.  Still, I shrank from blurting<br />
it out.  If only Poirot had been accessible, I could have asked<br />
his advice.  What possessed him to go posting off to London in<br />
this unaccountable way?</p>

<p>In spite of myself, my opinion of his sagacity was immeasurably<br />
heightened.  I would never have dreamt of suspecting the doctor,<br />
had not Poirot put it into my head.  Yes, decidedly, the little<br />
man was clever.</p>

<p>After some reflecting, I decided to take John into my confidence,<br />
and leave him to make the matter public or not, as he thought<br />
fit.</p>

<p>He gave vent to a prodigious whistle, as I imparted the news.</p>

<p>"Great Scot! You _were_ right, then.  I couldn't believe it at<br />
the time."</p>

<p>"No, it is astonishing until you get used to the idea, and see<br />
how it makes everything fit in.  Now, what are we to do? Of<br />
course, it will be generally known to-morrow."</p>

<p>John reflected.</p>

<p>"Never mind," he said at last, "we won't say anything at present.<br />
There is no need.  As you say, it will be known soon enough."</p>

<p>But to my intense surprise, on getting down early the next<br />
morning, and eagerly opening the newspapers, there was not a word<br />
about the arrest! There was a column of mere padding about "The<br />
Styles Poisoning Case," but nothing further.  It was rather<br />
inexplicable, but I supposed that, for some reason or other, Japp<br />
wished to keep it out of the papers.  It worried me just a<br />
little, for it suggested the possibility that there might be<br />
further arrests to come.</p>

<p>After breakfast, I decided to go down to the village, and see if<br />
Poirot had returned yet; but, before I could start, a well-known<br />
face blocked one of the windows, and the well-known voice said:</p>

<p>"Bon jour, mon ami!"</p>

<p>"Poirot," I exclaimed, with relief, and seizing him by both<br />
hands, I dragged him into the room.  "I was never so glad to see<br />
anyone.  Listen, I have said nothing to anybody but John.  Is<br />
that right?"</p>

<p>"My friend," replied Poirot, "I do not know what you are talking<br />
about."</p>

<p>"Dr. Bauerstein's arrest, of course," I answered impatiently.</p>

<p>"Is Bauerstein arrested, then?"</p>

<p>"Did you not know it?"</p>

<p>"Not the least in the world." But, pausing a moment, he added:<br />
"Still, it does not surprise me.  After all, we are only four<br />
miles from the coast."</p>

<p>"The coast?" I asked, puzzled.  "What has that got to do with<br />
it?"</p>

<p>Poirot shrugged his shoulders.</p>

<p>"Surely, it is obvious!"</p>

<p>"Not to me.  No doubt I am very dense, but I cannot see what the<br />
proximity of the coast has got to do with the murder of Mrs.<br />
Inglethorp."</p>

<p>"Nothing at all, of course," replied Poirot, smiling.  "But we<br />
were speaking of the arrest of Dr. Bauerstein."</p>

<p>"Well, he is arrested for the murder of Mrs. Inglethorp----"</p>

<p>"What?" cried Poirot, in apparently lively astonishment.  "Dr.<br />
Bauerstein arrested for the murder of Mrs. Inglethorp?"</p>

<p>"Yes."</p>

<p>"Impossible! That would be too good a farce! Who told you that,<br />
my friend?"</p>

<p>"Well, no one exactly told me," I confessed.  "But he is<br />
arrested."</p>

<p>"Oh, yes, very likely.  But for espionage, mon ami."</p>

<p>"Espionage?" I gasped.</p>

<p>"Precisely."</p>

<p>"Not for poisoning Mrs. Inglethorp?"</p>

<p>"Not unless our friend Japp has taken leave of his senses,"<br />
replied Poirot placidly.</p>

<p>"But--but I thought you thought so too?"</p>

<p>Poirot gave me one look, which conveyed a wondering pity, and his<br />
full sense of the utter absurdity of such an idea.</p>

<p>"Do you mean to say," I asked, slowly adapting myself to the new<br />
idea, "that Dr. Bauerstein is a spy?"</p>

<p>Poirot nodded.</p>

<p>"Have you never suspected it?"</p>

<p>"It never entered my head."</p>

<p>"It did not strike you as peculiar that a famous London doctor<br />
should bury himself in a little village like this, and should be<br />
in the habit of walking about at all hours of the night, fully<br />
dressed?"</p>

<p>"No," I confessed, "I never thought of such a thing."</p>

<p>"He is, of course, a German by birth," said Poirot thoughtfully,<br />
"though he has practiced so long in this country that nobody<br />
thinks of him as anything but an Englishman.  He was naturalized<br />
about fifteen years ago.  A very clever man--a Jew, of course."</p>

<p>"The blackguard!" I cried indignantly.</p>

<p>"Not at all.  He is, on the contrary, a patriot.  Think what he<br />
stands to lose.  I admire the man myself."</p>

<p>But I could not look at it in Poirot's philosophical way.</p>

<p>"And this is the man with whom Mrs. Cavendish has been wandering<br />
about all over the country!" I cried indignantly.</p>

<p>"Yes.  I should fancy he had found her very useful," remarked<br />
Poirot.  "So long as gossip busied itself in coupling their names<br />
together, any other vagaries of the doctor's passed unobserved."</p>

<p>"Then you think he never really cared for her?" I asked<br />
eagerly--rather too eagerly, perhaps, under the circumstances.</p>

<p>"That, of course, I cannot say, but--shall I tell you my own<br />
private opinion, Hastings?"</p>

<p>"Yes."</p>

<p>"Well, it is this: that Mrs. Cavendish does not care, and never<br />
has cared one little jot about Dr. Bauerstein!"</p>

<p>"Do you really think so?" I could not disguise my pleasure.</p>

<p>"I am quite sure of it.  And I will tell you why."</p>

<p>"Yes?"</p>

<p>"Because she cares for some one else, mon ami."</p>

<p>"Oh!" What did he mean? In spite of myself, an agreeable warmth<br />
spread over me.  I am not a vain man where women are concerned,<br />
but I remembered certain evidences, too lightly thought of at the<br />
time, perhaps, but which certainly seemed to indicate----</p>

<p>My pleasing thoughts were interrupted by the sudden entrance of<br />
Miss Howard.  She glanced round hastily to make sure there was no<br />
one else in the room, and quickly produced an old sheet of brown<br />
paper.  This she handed to Poirot, murmuring as she did so the<br />
cryptic words:</p>

<p>"On top of the wardrobe." Then she hurriedly left the room.</p>

<p>Poirot unfolded the sheet of paper eagerly, and uttered an<br />
exclamation of satisfaction.  He spread it out on the table.</p>

<p>"Come here, Hastings.  Now tell me, what is that initial--J.  or<br />
L.?"</p>

<p>It was a medium sized sheet of paper, rather dusty, as though it<br />
had lain by for some time.  But it was the label that was<br />
attracting Poirot's attention.  At the top, it bore the printed<br />
stamp of Messrs.  Parkson's, the well-known theatrical<br />
costumiers, and it was addressed to "--(the debatable initial)<br />
Cavendish, Esq., Styles Court, Styles St. Mary, Essex."</p>

<p>"It might be T., or it might be L.," I said, after studying the<br />
thing for a minute or two.  "It certainly isn't a J."</p>

<p>"Good," replied Poirot, folding up the paper again.  "I, also, am<br />
of your way of thinking.  It is an L., depend upon it!"</p>

<p>"Where did it come from?" I asked curiously.  "Is it important?"</p>

<p>"Moderately so.  It confirms a surmise of mine.  Having deduced<br />
its existence, I set Miss Howard to search for it, and, as you<br />
see, she has been successful."</p>

<p>"What did she mean by 'On the top of the wardrobe'?"</p>

<p>"She meant," replied Poirot promptly, "that she found it on top<br />
of a wardrobe."</p>

<p>"A funny place for a piece of brown paper," I mused.</p>

<p>"Not at all.  The top of a wardrobe is an excellent place for<br />
brown paper and cardboard boxes.  I have kept them there myself.<br />
Neatly arranged, there is nothing to offend the eye."</p>

<p>"Poirot," I asked earnestly, "have you made up your mind about<br />
this crime?"</p>

<p>"Yes--that is to say, I believe I know how it was committed."</p>

<p>"Ah!"</p>

<p>"Unfortunately, I have no proof beyond my surmise, unless----"<br />
With sudden energy, he caught me by the arm, and whirled me down<br />
the hall, calling out in French in his excitement: "Mademoiselle<br />
Dorcas, Mademoiselle Dorcas, un moment, s'il vous plait!"</p>

<p>Dorcas, quite flurried by the noise, came hurrying out of the<br />
pantry.</p>

<p>"My good Dorcas, I have an idea--a little idea--if it should<br />
prove justified, what magnificent chance! Tell me, on Monday, not<br />
Tuesday, Dorcas, but Monday, the day before the tragedy, did<br />
anything go wrong with Mrs. Inglethorp's bell?"</p>

<p>Dorcas looked very surprised.</p>

<p>"Yes, sir, now you mention it, it did; though I don't know how<br />
you came to hear of it.  A mouse, or some such, must have nibbled<br />
the wire through.  The man came and put it right on Tuesday<br />
morning."</p>

<p>With a long drawn exclamation of ecstasy, Poirot led the way back<br />
to the morning-room.</p>

<p>"See you, one should not ask for outside proof--no, reason should<br />
be enough.  But the flesh is weak, it is consolation to find that<br />
one is on the right track.  Ah, my friend, I am like a giant<br />
refreshed.  I run! I leap!"</p>

<p>And, in very truth, run and leap he did, gambolling wildly down<br />
the stretch of lawn outside the long window.</p>

<p>"What is your remarkable little friend doing?" asked a voice<br />
behind me, and I turned to find Mary Cavendish at my elbow.  She<br />
smiled, and so did I.  "What is it all about?"</p>

<p>"Really, I can't tell you.  He asked Dorcas some question about a<br />
bell, and appeared so delighted with her answer that he is<br />
capering about as you see!"</p>

<p>Mary laughed.</p>

<p>"How ridiculous! He's going out of the gate.  Isn't he coming<br />
back to-day?"</p>

<p>"I don't know.  I've given up trying to guess what he'll do<br />
next."</p>

<p>"Is he quite mad, Mr. Hastings?"</p>

<p>"I honestly don't know.  Sometimes, I feel sure he is as mad as a<br />
hatter; and then, just as he is at his maddest, I find there is<br />
method in his madness."</p>

<p>"I see."</p>

<p>In spite of her laugh, Mary was looking thoughtful this morning.<br />
She seemed grave, almost sad.</p>

<p>It occurred to me that it would be a good opportunity to tackle<br />
her on the subject of Cynthia.  I began rather tactfully, I<br />
thought, but I had not gone far before she stopped me<br />
authoritatively.</p>

<p>"You are an excellent advocate, I have no doubt, Mr. Hastings,<br />
but in this case your talents are quite thrown away.  Cynthia<br />
will run no risk of encountering any unkindness from me."</p>

<p>I began to stammer feebly that I hoped she hadn't thought--But<br />
again she stopped me, and her words were so unexpected that they<br />
quite drove Cynthia, and her troubles, out of my mind.</p>

<p>"Mr. Hastings," she said, "do you think I and my husband are<br />
happy together?"</p>

<p>I was considerably taken aback, and murmured something about it's<br />
not being my business to think anything of the sort.</p>

<p>"Well," she said quietly, "whether it is your business or not, I<br />
will tell you that we are _not_ happy."</p>

<p>I said nothing, for I saw that she had not finished.</p>

<p>She began slowly, walking up and down the room, her head a little<br />
bent, and that slim, supple figure of hers swaying gently as she<br />
walked.  She stopped suddenly, and looked up at me.</p>

<p>"You don't know anything about me, do you?" she asked.  "Where I<br />
come from, who I was before I married John--anything, in fact?<br />
Well, I will tell you.  I will make a father confessor of you.<br />
You are kind, I think--yes, I am sure you are kind."</p>

<p>Somehow, I was not quite as elated as I might have been.  I<br />
remembered that Cynthia had begun her confidences in much the<br />
same way.  Besides, a father confessor should be elderly, it is<br />
not at all the role for a young man.</p>

<p>"My father was English," said Mrs. Cavendish, "but my mother was<br />
a Russian."</p>

<p>"Ah," I said, "now I understand--"</p>

<p>"Understand what?"</p>

<p>"A hint of something foreign--different--that there has always<br />
been about you."</p>

<p>"My mother was very beautiful, I believe.  I don't know, because<br />
I never saw her.  She died when I was quite a little child.  I<br />
believe there was some tragedy connected with her death--she took<br />
an overdose of some sleeping draught by mistake.  However that<br />
may be, my father was broken-hearted.  Shortly afterwards, he<br />
went into the Consular Service.  Everywhere he went, I went with<br />
him.  When I was twenty-three, I had been nearly all over the<br />
world.  It was a splendid life--I loved it."</p>

<p>There was a smile on her face, and her head was thrown back.  She<br />
seemed living in the memory of those old glad days.</p>

<p>"Then my father died.  He left me very badly off.  I had to go<br />
and live with some old aunts in Yorkshire." She shuddered.  "You<br />
will understand me when I say that it was a deadly life for a<br />
girl brought up as I had been.  The narrowness, the deadly<br />
monotony of it, almost drove me mad." She paused a minute, and<br />
added in a different tone: "And then I met John Cavendish."</p>

<p>"Yes?"</p>

<p>"You can imagine that, from my aunts' point of view, it was a<br />
very good match for me.  But I can honestly say it was not this<br />
fact which weighed with me.  No, he was simply a way of escape<br />
from the insufferable monotony of my life."</p>

<p>I said nothing, and after a moment, she went on:</p>

<p>"Don't misunderstand me.  I was quite honest with him.  I told<br />
him, what was true, that I liked him very much, that I hoped to<br />
come to like him more, but that I was not in any way what the<br />
world calls 'in love' with him.  He declared that that satisfied<br />
him, and so--we were married."</p>

<p>She waited a long time, a little frown had gathered on her<br />
forehead.  She seemed to be looking back earnestly into those<br />
past days.</p>

<p>"I think--I am sure--he cared for me at first.  But I suppose we<br />
were not well matched.  Almost at once, we drifted apart.  He--it<br />
is not a pleasing thing for my pride, but it is the truth--tired<br />
of me very soon." I must have made some murmur of dissent, for<br />
she went on quickly: "Oh, yes, he did! Not that it matters<br />
now--now that we've come to the parting of the ways."</p>

<p>"What do you mean?"</p>

<p>She answered quietly:</p>

<p>"I mean that I am not going to remain at Styles."</p>

<p>"You and John are not going to live here?"</p>

<p>"John may live here, but I shall not."</p>

<p>"You are going to leave him?"</p>

<p>"Yes."</p>

<p>"But why?"</p>

<p>She paused a long time, and said at last:</p>

<p>"Perhaps--because I want to be--free!"</p>

<p>And, as she spoke, I had a sudden vision of broad spaces, virgin<br />
tracts of forests, untrodden lands--and a realization of what<br />
freedom would mean to such a nature as Mary Cavendish.  I seemed<br />
to see her for a moment as she was, a proud wild creature, as<br />
untamed by civilization as some shy bird of the hills.  A little<br />
cry broke from her lips:</p>

<p>"You don't know, you don't know, how this hateful place has been<br />
prison to me!"</p>

<p>"I understand," I said, "but--but don't do anything rash."</p>

<p>"Oh, rash!" Her voice mocked at my prudence.</p>

<p>Then suddenly I said a thing I could have bitten out my tongue<br />
for:</p>

<p>"You know that Dr. Bauerstein has been arrested?"</p>

<p>An instant coldness passed like a mask over her face, blotting<br />
out all expression.</p>

<p>"John was so kind as to break that to me this morning."</p>

<p>"Well, what do you think?" I asked feebly.</p>

<p>"Of what?"</p>

<p>"Of the arrest?"</p>

<p>"What should I think? Apparently he is a German spy; so the<br />
gardener had told John."</p>

<p>Her face and voice were absolutely cold and expressionless.  Did<br />
she care, or did she not?</p>

<p>She moved away a step or two, and fingered one of the flower<br />
vases.</p>

<p>"These are quite dead.  I must do them again.  Would you mind<br />
moving--thank you, Mr. Hastings." And she walked quietly past me<br />
out of the window, with a cool little nod of dismissal.</p>

<p>No, surely she could not care for Bauerstein.  No woman could act<br />
her part with that icy unconcern.</p>

<p>Poirot did not make his appearance the following morning, and<br />
there was no sign of the Scotland Yard men.</p>

<p>But, at lunch-time, there arrived a new piece of evidence--or<br />
rather lack of evidence.  We had vainly tried to trace the fourth<br />
letter, which Mrs. Inglethorp had written on the evening<br />
preceding her death.  Our efforts having been in vain, we had<br />
abandoned the matter, hoping that it might turn up of itself one<br />
day.  And this is just what did happen, in the shape of a<br />
communication, which arrived by the second post from a firm of<br />
French music publishers, acknowledging Mrs. Inglethorp's cheque,<br />
and regretting they had been unable to trace a certain series of<br />
Russian folksongs.  So the last hope of solving the mystery, by<br />
means of Mrs. Inglethorp's correspondence on the fatal evening,<br />
had to be abandoned.</p>

<p>Just before tea, I strolled down to tell Poirot of the new<br />
disappointment, but found, to my annoyance, that he was once more<br />
out.</p>

<p>"Gone to London again?"</p>

<p>"Oh, no, monsieur, he has but taken the train to Tadminster.  'To<br />
see a young lady's dispensary,' he said."</p>

<p>"Silly ass!" I ejaculated.  "I told him Wednesday was the one day<br />
she wasn't there! Well, tell him to look us up to-morrow morning,<br />
will you?"</p>

<p>"Certainly, monsieur."</p>

<p>But, on the following day, no sign of Poirot.  I was getting<br />
angry.  He was really treating us in the most cavalier fashion.</p>

<p>After lunch, Lawrence drew me aside, and asked if I was going<br />
down to see him.</p>

<p>"No, I don't think I shall.  He can come up here if he wants to<br />
see us."</p>

<p>"Oh!" Lawrence looked indeterminate.  Something unusually nervous<br />
and excited in his manner roused my curiosity.</p>

<p>"What is it?" I asked.  "I could go if there's anything special."</p>

<p>"It's nothing much, but--well, if you are going, will you tell<br />
him--" he dropped his voice to a whisper--"I think I've found the<br />
extra coffee-cup!"</p>

<p>I had almost forgotten that enigmatical message of Poirot's, but<br />
now my curiosity was aroused afresh.</p>

<p>Lawrence would say no more, so I decided that I would descend<br />
from my high horse, and once more seek out Poirot at Leastways<br />
Cottage.</p>

<p>This time I was received with a smile.  Monsieur Poirot was<br />
within.  Would I mount? I mounted accordingly.</p>

<p>Poirot was sitting by the table, his head buried in his hands.<br />
He sprang up at my entrance.</p>

<p>"What is it?" I asked solicitously.  "You are not ill, I trust?"</p>

<p>"No, no, not ill.  But I decide an affair of great moment."</p>

<p>"Whether to catch the criminal or not?" I asked facetiously.</p>

<p>But, to my great surprise, Poirot nodded gravely.</p>

<p>" 'To speak or not to speak,' as your so great Shakespeare says,<br />
'that is the question.' "</p>

<p>I did not trouble to correct the quotation.</p>

<p>"You are not serious, Poirot?"</p>

<p>"I am of the most serious.  For the most serious of all things<br />
hangs in the balance."</p>

<p>"And that is?"</p>

<p>"A woman's happiness, mon ami," he said gravely.</p>

<p>I did not quite know what to say.</p>

<p>"The moment has come," said Poirot thoughtfully, "and I do not<br />
know what to do.  For, see you, it is a big stake for which I<br />
play.  No one but I, Hercule Poirot, would attempt it!" And he<br />
tapped himself proudly on the breast.</p>

<p>After pausing a few minutes respectfully, so as not to spoil his<br />
effect, I gave him Lawrence's message.</p>

<p>"Aha!" he cried.  "So he has found the extra coffee-cup.  That is<br />
good.  He has more intelligence than would appear, this<br />
long-faced Monsieur Lawrence of yours!"</p>

<p>I did not myself think very highly of Lawrence's intelligence;<br />
but I forebore to contradict Poirot, and gently took him to task<br />
for forgetting my instructions as to which were Cynthia's days<br />
off.</p>

<p>"It is true.  I have the head of a sieve.  However, the other<br />
young lady was most kind.  She was sorry for my disappointment,<br />
and showed me everything in the kindest way."</p>

<p>"Oh, well, that's all right, then, and you must go to tea with<br />
Cynthia another day."</p>

<p>I told him about the letter.</p>

<p>"I am sorry for that," he said.  "I always had hopes of that<br />
letter.  But no, it was not to be.  This affair must all be<br />
unravelled from within." He tapped his forehead.  "These little<br />
grey cells.  It is 'up to them'--as you say over here." Then,<br />
suddenly, he asked: "Are you a judge of finger-marks, my friend?"</p>

<p>"No," I said, rather surprised, "I know that there are no two<br />
finger-marks alike, but that's as far as my science goes."</p>

<p>"Exactly."</p>

<p>He unlocked a little drawer, and took out some photographs which<br />
he laid on the table.</p>

<p>"I have numbered them, 1, 2, 3.  Will you describe them to me?"</p>

<p>I studied the proofs attentively.</p>

<p>"All greatly magnified, I see.  No. 1, I should say, are a man's<br />
finger-prints; thumb and first finger.  No. 2 are a lady's; they<br />
are much smaller, and quite different in every way.  No. 3"--I<br />
paused for some time--"there seem to be a lot of confused<br />
finger-marks, but here, very distinctly, are No. 1's."</p>

<p>"Overlapping the others?"</p>

<p>"Yes."</p>

<p>"You recognize them beyond fail?"</p>

<p>"Oh, yes; they are identical."</p>

<p>Poirot nodded, and gently taking the photographs from me locked<br />
them up again.</p>

<p>"I suppose," I said, "that as usual, you are not going to<br />
explain?"</p>

<p>"On the contrary.  No. 1 were the finger-prints of Monsieur<br />
Lawrence.  No. 2 were those of Mademoiselle Cynthia.  They are<br />
not important.  I merely obtained them for comparison.  No. 3 is<br />
a little more complicated."</p>

<p>"Yes?"</p>

<p>"It is, as you see, highly magnified.  You may have noticed a<br />
sort of blur extending all across the picture.  I will not<br />
describe to you the special apparatus, dusting powder, etc.,<br />
which I used.  It is a well-known process to the police, and by<br />
means of it you can obtain a photograph of the finger-prints of<br />
any object in a very short space of time.  Well, my friend, you<br />
have seen the finger-marks--it remains to tell you the particular<br />
object on which they had been left."</p>

<p>"Go on--I am really excited."</p>

<p>"Eh bien! Photo No. 3 represents the highly magnified surface of<br />
a tiny bottle in the top poison cupboard of the dispensary in the<br />
Red Cross Hospital at Tadminster--which sounds like the house<br />
that Jack built!"</p>

<p>"Good heavens!" I exclaimed.  "But what were Lawrence Cavendish's<br />
finger-marks doing on it? He never went near the poison cupboard<br />
the day we were there!"</p>

<p>"Oh, yes, he did!"</p>

<p>"Impossible! We were all together the whole time."</p>

<p>Poirot shook his head.</p>

<p>"No, my friend, there was a moment when you were not all<br />
together.  There was a moment when you could not have been all<br />
together, or it would not have been necessary to call to Monsieur<br />
Lawrence to come and join you on the balcony."</p>

<p>"I'd forgotten that," I admitted.  "But it was only for a<br />
moment."</p>

<p>"Long enough."</p>

<p>"Long enough for what?"</p>

<p>Poirot's smile became rather enigmatical.</p>

<p>"Long enough for a gentleman who had once studied medicine to<br />
gratify a very natural interest and curiosity."</p>

<p>Our eyes met.  Poirot's were pleasantly vague.  He got up and<br />
hummed a little tune.  I watched him suspiciously.</p>

<p>"Poirot," I said, "what was in this particular little bottle?"</p>

<p>Poirot looked out of the window.</p>

<p>"Hydro-chloride of strychnine," he said, over his shoulder,<br />
continuing to hum.</p>

<p>"Good heavens!" I said it quite quietly.  I was not surprised.  I<br />
had expected that answer.</p>

<p>"They use the pure hydro-chloride of strychnine very little--<br />
only occasionally for pills.  It is the official solution, Liq.<br />
Strychnine Hydro-clor.  that is used in most medicines.  That is<br />
why the finger-marks have remained undisturbed since then."</p>

<p>"How did you manage to take this photograph?"</p>

<p>"I dropped my hat from the balcony," explained Poirot simply.<br />
"Visitors were not permitted below at that hour, so, in spite of<br />
my many apologies, Mademoiselle Cynthia's colleague had to go<br />
down and fetch it for me."</p>

<p>"Then you knew what you were going to find?"</p>

<p>"No, not at all.  I merely realized that it was possible, from<br />
your story, for Monsieur Lawrence to go to the poison cupboard.<br />
The possibility had to be confirmed, or eliminated."</p>

<p>"Poirot," I said, "your gaiety does not deceive me.  This is a<br />
very important discovery."</p>

<p>"I do not know," said Poirot.  "But one thing does strike me.  No<br />
doubt it has struck you too."</p>

<p>"What is that?"</p>

<p>"Why, that there is altogether too much strychnine about this<br />
case.  This is the third time we run up against it.  There was<br />
strychnine in Mrs. Inglethorp's tonic.  There is the strychnine<br />
sold across the counter at Styles St. Mary by Mace.  Now we have<br />
more strychnine, handled by one of the household.  It is<br />
confusing; and, as you know, I do not like confusion."</p>

<p>Before I could reply, one of the other Belgians opened the door<br />
and stuck his head in.</p>

<p>"There is a lady below, asking for Mr Hastings."</p>

<p>"A lady?"</p>

<p>I jumped up.  Poirot followed me down the narrow stairs.  Mary<br />
Cavendish was standing in the doorway.</p>

<p>"I have been visiting an old woman in the village," she<br />
explained, "and as Lawrence told me you were with Monsieur Poirot<br />
I thought I would call for you."</p>

<p>"Alas, madame," said Poirot, "I thought you had come to honour me<br />
with a visit!"</p>

<p>"I will some day, if you ask me," she promised him, smiling.</p>

<p>"That is well.  If you should need a father confessor, madame"<br />
--she started ever so slightly--"remember, Papa Poirot is always<br />
at your service."</p>

<p>She stared at him for a few minutes, as though seeking to read<br />
some deeper meaning into his words.  Then she turned abruptly<br />
away.</p>

<p>"Come, will you not walk back with us too, Monsieur Poirot?"</p>

<p>"Enchanted, madame."</p>

<p>All the way to Styles, Mary talked fast and feverishly.  It<br />
struck me that in some way she was nervous of Poirot's eyes.</p>

<p>The weather had broken, and the sharp wind was almost autumnal in<br />
its shrewishness.  Mary shivered a little, and buttoned her black<br />
sports coat closer.  The wind through the trees made a mournful<br />
noise, like some great giant sighing.</p>

<p>We walked up to the great door of Styles, and at once the<br />
knowledge came to us that something was wrong.</p>

<p>Dorcas came running out to meet us.  She was crying and wringing<br />
her hands.  I was aware of other servants huddled together in the<br />
background, all eyes and ears.</p>

<p>"Oh, m'am! Oh, m'am! I don't know how to tell you--"</p>

<p>"What is it, Dorcas?" I asked impatiently.  "Tell us at once."</p>

<p>"It's those wicked detectives.  They've arrested him--they've<br />
arrested Mr. Cavendish!"</p>

<p>"Arrested Lawrence?" I gasped.</p>

<p>I saw a strange look come into Dorcas's eyes.</p>

<p>"No, sir.  Not Mr. Lawrence--Mr. John."</p>

<p>Behind me, with a wild cry, Mary Cavendish fell heavily against<br />
me, and as I turned to catch her I met the quiet triumph in<br />
Poirot's eyes.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER XI.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-xi.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.832</id>

    <published>2008-07-15T21:21:08Z</published>
    <updated>2008-06-20T21:36:00Z</updated>

    <summary>THE CASE FOR THE PROSECUTION The trial of John Cavendish for the murder of his stepmother took place two months later. Of the intervening weeks I will say little, but my admiration and sympathy went out unfeignedly to Mary Cavendish....</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>THE CASE FOR THE PROSECUTION</p>

<p><br />
The trial of John Cavendish for the murder of his stepmother took<br />
place two months later.</p>

<p>Of the intervening weeks I will say little, but my admiration and<br />
sympathy went out unfeignedly to Mary Cavendish.  She ranged<br />
herself passionately on her husband's side, scorning the mere<br />
idea of his guilt, and fought for him tooth and nail.</p>

<p>I expressed my admiration to Poirot, and he nodded thoughtfully.</p>

<p>"Yes, she is of those women who show at their best in adversity.<br />
It brings out all that is sweetest and truest in them.  Her pride<br />
and her jealousy have--"</p>

<p>"Jealousy?" I queried.</p>

<p>"Yes.  Have you not realized that she is an unusually jealous<br />
woman? As I was saying, her pride and jealousy have been laid<br />
aside.  She thinks of nothing but her husband, and the terrible<br />
fate that is hanging over him."</p>

<p>He spoke very feelingly, and I looked at him earnestly,<br />
remembering that last afternoon, when he had been deliberating<br />
whether or not to speak.  With his tenderness for "a woman's<br />
happiness," I felt glad that the decision had been taken out of<br />
his hands.</p>

<p>"Even now," I said, "I can hardly believe it.  You see, up to the<br />
very last minute, I thought it was Lawrence!"</p>

<p>Poirot grinned.</p>

<p>"I know you did."</p>

<p>"But John! My old friend John!"</p>

<p>"Every murderer is probably somebody's old friend," observed<br />
Poirot philosophically.  "You cannot mix up sentiment and<br />
reason."</p>

<p>"I must say I think you might have given me a hint."</p>

<p>"Perhaps, mon ami, I did not do so, just because he _was_ your<br />
old friend."</p>

<p>I was rather disconcerted by this, remembering how I had busily<br />
passed on to John what I believed to be Poirot's views concerning<br />
Bauerstein.  He, by the way, had been acquitted of the charge<br />
brought against him.  Nevertheless, although he had been too<br />
clever for them this time, and the charge of espionage could not<br />
be brought home to him, his wings were pretty well clipped for<br />
the future.</p>

<p>I asked Poirot whether he thought John would be condemned.  To my<br />
intense surprise, he replied that, on the contrary, he was<br />
extremely likely to be acquitted.</p>

<p>"But, Poirot--" I protested.</p>

<p>"Oh, my friend, have I not said to you all along that I have no<br />
proofs.  It is one thing to know that a man is guilty, it is<br />
quite another matter to prove him so.  And, in this case, there<br />
is terribly little evidence.  That is the whole trouble.  I,<br />
Hercule Poirot, know, but I lack the last link in my chain.  And<br />
unless I can find that missing link--" He shook his head gravely.</p>

<p>"When did you first suspect John Cavendish?" I asked, after a<br />
minute or two.</p>

<p>"Did you not suspect him at all?"</p>

<p>"No, indeed."</p>

<p>"Not after that fragment of conversation you overheard between<br />
Mrs. Cavendish and her mother-in-law, and her subsequent lack of<br />
frankness at the inquest?"</p>

<p>"No."</p>

<p>"Did you not put two and two together, and reflect that if it was<br />
not Alfred Inglethorp who was quarrelling with his wife--and you<br />
remember, he strenuously denied it at the inquest--it must be<br />
either Lawrence or John.  Now, if it was Lawrence, Mary<br />
Cavendish's conduct was just as inexplicable.  But if, on the<br />
other hand, it was John, the whole thing was explained quite<br />
naturally."</p>

<p>"So," I cried, a light breaking in upon me, "it was John who<br />
quarrelled with his mother that afternoon?"</p>

<p>"Exactly."</p>

<p>"And you have known this all along?"</p>

<p>"Certainly.  Mrs. Cavendish's behaviour could only be explained<br />
that way."</p>

<p>"And yet you say he may be acquitted?"</p>

<p>Poirot shrugged his shoulders.</p>

<p>"Certainly I do.  At the police court proceedings, we shall hear<br />
the case for the prosecution, but in all probability his<br />
solicitors will advise him to reserve his defence.  That will be<br />
sprung upon us at the trial.  And--ah, by the way, I have a word<br />
of caution to give you, my friend.  I must not appear in the<br />
case."</p>

<p>"What?"</p>

<p>"No.  Officially, I have nothing to do with it.  Until I have<br />
found that last link in my chain, I must remain behind the<br />
scenes.  Mrs. Cavendish must think I am working for her husband,<br />
not against him."</p>

<p>"I say, that's playing it a bit low down," I protested.</p>

<p>"Not at all.  We have to deal with a most clever and unscrupulous<br />
man, and we must use any means in our power--otherwise he will<br />
slip through our fingers.  That is why I have been careful to<br />
remain in the background.  All the discoveries have been made by<br />
Japp, and Japp will take all the credit.  If I am called upon to<br />
give evidence at all"--he smiled broadly--"it will probably be<br />
as a witness for the defence."</p>

<p>I could hardly believe my ears.</p>

<p>"It is quite en regle," continued Poirot.  "Strangely enough, I<br />
can give evidence that will demolish one contention of the<br />
prosecution."</p>

<p>"Which one?"</p>

<p>"The one that relates to the destruction of the will.  John<br />
Cavendish did not destroy that will."</p>

<p>Poirot was a true prophet.  I will not go into the details of the<br />
police court proceedings, as it involves many tiresome<br />
repetitions.  I will merely state baldly that John Cavendish<br />
reserved his defence, and was duly committed for trial.</p>

<p>September found us all in London.  Mary took a house in<br />
Kensington, Poirot being included in the family party.</p>

<p>I myself had been given a job at the War Office, so was able to<br />
see them continually.</p>

<p>As the weeks went by, the state of Poirot's nerves grew worse and<br />
worse.  That "last link" he talked about was still lacking.<br />
Privately, I hoped it might remain so, for what happiness could<br />
there be for Mary, if John were not acquitted?</p>

<p>On September 15th John Cavendish appeared in the dock at the Old<br />
Bailey, charged with "The Wilful Murder of Emily Agnes<br />
Inglethorp," and pleaded "Not Guilty."</p>

<p>Sir Ernest Heavywether, the famous K.  C., had been engaged to<br />
defend him.</p>

<p>Mr. Philips, K.  C., opened the case for the Crown.</p>

<p>The murder, he said, was a most premeditated and cold-blooded<br />
one.  It was neither more nor less than the deliberate poisoning<br />
of a fond and trusting woman by the stepson to whom she had been<br />
more than a mother.  Ever since his boyhood, she had supported<br />
him.  He and his wife had lived at Styles Court in every luxury,<br />
surrounded by her care and attention.  She had been their kind<br />
and generous benefactress.</p>

<p>He proposed to call witnesses to show how the prisoner, a<br />
profligate and spendthrift, had been at the end of his financial<br />
tether, and had also been carrying on an intrigue with a certain<br />
Mrs. Raikes, a neighbouring farmer's wife.  This having come to<br />
his stepmother's ears, she taxed him with it on the afternoon<br />
before her death, and a quarrel ensued, part of which was<br />
overheard.  On the previous day, the prisoner had purchased<br />
strychnine at the village chemist's shop, wearing a disguise by<br />
means of which he hoped to throw the onus of the crime upon<br />
another man--to wit, Mrs. Inglethorp's husband, of whom he had<br />
been bitterly jealous.  Luckily for Mr. Inglethorp, he had been<br />
able to produce an unimpeachable alibi.</p>

<p>On the afternoon of July 17th, continued Counsel, immediately<br />
after the quarrel with her son, Mrs. Inglethorp made a new will.<br />
This will was found destroyed in the grate of her bedroom the<br />
following morning, but evidence had come to light which showed<br />
that it had been drawn up in favour of her husband.  Deceased had<br />
already made a will in his favour before her marriage, but--and<br />
Mr. Philips wagged an expressive forefinger--the prisoner was not<br />
aware of that.  What had induced the deceased to make a fresh<br />
will, with the old one still extant, he could not say.  She was<br />
an old lady, and might possibly have forgotten the former one;<br />
or--this seemed to him more likely--she may have had an idea that<br />
it was revoked by her marriage, as there had been some<br />
conversation on the subject.  Ladies were not always very well<br />
versed in legal knowledge.  She had, about a year before,<br />
executed a will in favour of the prisoner.  He would call<br />
evidence to show that it was the prisoner who ultimately handed<br />
his stepmother her coffee on the fatal night.  Later in the<br />
evening, he had sought admission to her room, on which occasion,<br />
no doubt, he found an opportunity of destroying the will which,<br />
as far as he knew, would render the one in his favour valid.</p>

<p>The prisoner had been arrested in consequence of the discovery,<br />
in his room, by Detective Inspector Japp--a most brilliant<br />
officer--of the identical phial of strychnine which had been sold<br />
at the village chemist's to the supposed Mr. Inglethorp on the<br />
day before the murder.  It would be for the jury to decide<br />
whether or not these damning facts constituted an overwhelming<br />
proof of the prisoner's guilt.</p>

<p>And, subtly implying that a jury which did not so decide, was<br />
quite unthinkable, Mr. Philips sat down and wiped his forehead.</p>

<p>The first witnesses for the prosecution were mostly those who had<br />
been called at the inquest, the medical evidence being again<br />
taken first.</p>

<p>Sir Ernest Heavywether, who was famous all over England for the<br />
unscrupulous manner in which he bullied witnesses, only asked two<br />
questions.</p>

<p>"I take it, Dr. Bauerstein, that strychnine, as a drug, acts<br />
quickly?"</p>

<p>"Yes."</p>

<p>"And that you are unable to account for the delay in this case?"</p>

<p>"Yes."</p>

<p>"Thank you."</p>

<p>Mr. Mace identified the phial handed him by Counsel as that sold<br />
by him to "Mr. Inglethorp." Pressed, he admitted that he only<br />
knew Mr. Inglethorp by sight.  He had never spoken to him.  The<br />
witness was not cross-examined.</p>

<p>Alfred Inglethorp was called, and denied having purchased the<br />
poison.  He also denied having quarrelled with his wife.  Various<br />
witnesses testified to the accuracy of these statements.</p>

<p>The gardeners' evidence, as to the witnessing of the will was<br />
taken, and then Dorcas was called.</p>

<p>Dorcas, faithful to her "young gentlemen," denied strenuously<br />
that it could have been John's voice she heard, and resolutely<br />
declared, in the teeth of everything, that it was Mr. Inglethorp<br />
who had been in the boudoir with her mistress.  A rather wistful<br />
smile passed across the face of the prisoner in the dock.  He<br />
knew only too well how useless her gallant defiance was, since it<br />
was not the object of the defence to deny this point.  Mrs.<br />
Cavendish, of course, could not be called upon to give evidence<br />
against her husband.</p>

<p>After various questions on other matters, Mr. Philips asked:</p>

<p>"In the month of June last, do you remember a parcel arriving for<br />
Mr. Lawrence Cavendish from Parkson's?"</p>

<p>Dorcas shook her head.</p>

<p>"I don't remember, sir.  It may have done, but Mr. Lawrence was<br />
away from home part of June."</p>

<p>"In the event of a parcel arriving for him whilst he was away,<br />
what would be done with it?"</p>

<p>"It would either be put in his room or sent on after him."</p>

<p>"By you?"</p>

<p>"No, sir, I should leave it on the hall table.  It would be Miss<br />
Howard who would attend to anything like that."</p>

<p>Evelyn Howard was called and, after being examined on other<br />
points, was questioned as to the parcel.</p>

<p>"Don't remember.  Lots of parcels come.  Can't remember one<br />
special one."</p>

<p>"You do not know if it was sent after Mr. Lawrence Cavendish to<br />
Wales, or whether it was put in his room?"</p>

<p>"Don't think it was sent after him.  Should have remembered it if<br />
it was."</p>

<p>"Supposing a parcel arrived addressed to Mr. Lawrence Cavendish,<br />
and afterwards it disappeared, should you remark its absence?"</p>

<p>"No, don't think so.  I should think some one had taken charge of<br />
it."</p>

<p>"I believe, Miss Howard, that it was you who found this sheet of<br />
brown paper?" He held up the same dusty piece which Poirot and I<br />
had examined in the morning-room at Styles.</p>

<p>"Yes, I did."</p>

<p>"How did you come to look for it?"</p>

<p>"The Belgian detective who was employed on the case asked me to<br />
search for it."</p>

<p>"Where did you eventually discover it?"</p>

<p>"On the top of--of--a wardrobe."</p>

<p>"On top of the prisoner's wardrobe?"</p>

<p>"I--I believe so."</p>

<p>"Did you not find it yourself?"</p>

<p>"Yes."</p>

<p>"Then you must know where you found it?"</p>

<p>"Yes, it was on the prisoner's wardrobe."</p>

<p>"That is better."</p>

<p>An assistant from Parkson's, Theatrical Costumiers, testified<br />
that on June 29th, they had supplied a black beard to Mr. L.<br />
Cavendish, as requested.  It was ordered by letter, and a postal<br />
order was enclosed.  No, they had not kept the letter.  All<br />
transactions were entered in their books.  They had sent the<br />
beard, as directed, to "L.  Cavendish, Esq., Styles Court."</p>

<p>Sir Ernest Heavywether rose ponderously.</p>

<p>"Where was the letter written from?"</p>

<p>"From Styles Court."</p>

<p>"The same address to which you sent the parcel?"</p>

<p>"Yes."</p>

<p>"And the letter came from there?"</p>

<p>"Yes."</p>

<p>Like a beast of prey, Heavywether fell upon him:</p>

<p>"How do you know?"</p>

<p>"I--I don't understand."</p>

<p>"How do you know that letter came from Styles? Did you notice the<br />
postmark?"</p>

<p>"No--but--"</p>

<p>"Ah, you did _not_ notice the postmark! And yet you affirm so<br />
confidently that it came from Styles.  It might, in fact, have<br />
been any postmark?"</p>

<p>"Y--es."</p>

<p>"In fact, the letter, though written on stamped notepaper, might<br />
have been posted from anywhere? From Wales, for instance?"</p>

<p>The witness admitted that such might be the case, and Sir Ernest<br />
signified that he was satisfied.</p>

<p>Elizabeth Wells, second housemaid at Styles, stated that after<br />
she had gone to bed she remembered that she had bolted the front<br />
door, instead of leaving it on the latch as Mr. Inglethorp had<br />
requested.  She had accordingly gone downstairs again to rectify<br />
her error.  Hearing a slight noise in the West wing, she had<br />
peeped along the passage, and had seen Mr. John Cavendish<br />
knocking at Mrs. Inglethorp's door.</p>

<p>Sir Ernest Heavywether made short work of her, and under his<br />
unmerciful bullying she contradicted herself hopelessly, and Sir<br />
Ernest sat down again with a satisfied smile on his face.</p>

<p>With the evidence of Annie, as to the candle grease on the floor,<br />
and as to seeing the prisoner take the coffee into the boudoir,<br />
the proceedings were adjourned until the following day.</p>

<p>As we went home, Mary Cavendish spoke bitterly against the<br />
prosecuting counsel.</p>

<p>"That hateful man! What a net he has drawn around my poor John!<br />
How he twisted every little fact until he made it seem what it<br />
wasn't!"</p>

<p>"Well," I said consolingly, "it will be the other way about<br />
to-morrow."</p>

<p>"Yes," she said meditatively; then suddenly dropped her voice.<br />
"Mr. Hastings, you do not think--surely it could not have been<br />
Lawrence--Oh, no, that could not be!"</p>

<p>But I myself was puzzled, and as soon as I was alone with Poirot<br />
I asked him what he thought Sir Ernest was driving at.</p>

<p>"Ah!" said Poirot appreciatively.  "He is a clever man, that Sir<br />
Ernest."</p>

<p>"Do you think he believes Lawrence guilty?"</p>

<p>"I do not think he believes or cares anything! No, what he is<br />
trying for is to create such confusion in the minds of the jury<br />
that they are divided in their opinion as to which brother did<br />
it.  He is endeavouring to make out that there is quite as much<br />
evidence against Lawrence as against John--and I am not at all<br />
sure that he will not succeed."</p>

<p>Detective-inspector Japp was the first witness called when the<br />
trial was reopened, and gave his evidence succinctly and briefly.<br />
After relating the earlier events, he proceeded:</p>

<p>"Acting on information received, Superintendent Summerhaye and<br />
myself searched the prisoner's room, during his temporary absence<br />
from the house.  In his chest of drawers, hidden beneath some<br />
underclothing, we found: first, a pair of gold-rimmed pince-nez<br />
similar to those worn by Mr. Inglethorp"--these were<br />
exhibited--"secondly, this phial."</p>

<p>The phial was that already recognized by the chemist's assistant,<br />
a tiny bottle of blue glass, containing a few grains of a white<br />
crystalline powder, and labelled: "Strychnine Hydrochloride.<br />
POISON."</p>

<p>A fresh piece of evidence discovered by the detectives since the<br />
police court proceedings was a long, almost new piece of<br />
blotting-paper.  It had been found in Mrs. Inglethorp's cheque<br />
book, and on being reversed at a mirror, showed clearly the<br />
words: ".  .  .  erything of which I die possessed I leave to my<br />
beloved husband Alfred Ing ..." This placed beyond question the<br />
fact that the destroyed will had been in favour of the deceased<br />
lady's husband.  Japp then produced the charred fragment of paper<br />
recovered from the grate, and this, with the discovery of the<br />
beard in the attic, completed his evidence.</p>

<p>But Sir Ernest's cross-examination was yet to come.</p>

<p>"What day was it when you searched the prisoner's room?"</p>

<p>"Tuesday, the 24th of July."</p>

<p>"Exactly a week after the tragedy?"</p>

<p>"Yes."</p>

<p>"You found these two objects, you say, in the chest of drawers.<br />
Was the drawer unlocked?"</p>

<p>"Yes."</p>

<p>"Does it not strike you as unlikely that a man who had committed<br />
a crime should keep the evidence of it in an unlocked drawer for<br />
anyone to find?"</p>

<p>"He might have stowed them there in a hurry."</p>

<p>"But you have just said it was a whole week since the crime.  He<br />
would have had ample time to remove them and destroy them."</p>

<p>"Perhaps."</p>

<p>"There is no perhaps about it.  Would he, or would he not have<br />
had plenty of time to remove and destroy them?"</p>

<p>"Yes."</p>

<p>"Was the pile of underclothes under which the things were hidden<br />
heavy or light?"</p>

<p>"Heavyish."</p>

<p>"In other words, it was winter underclothing.  Obviously, the<br />
prisoner would not be likely to go to that drawer?"</p>

<p>"Perhaps not."</p>

<p>"Kindly answer my question.  Would the prisoner, in the hottest<br />
week of a hot summer, be likely to go to a drawer containing<br />
winter underclothing.  Yes, or no?"</p>

<p>"No."</p>

<p>"In that case, is it not possible that the articles in question<br />
might have been put there by a third person, and that the<br />
prisoner was quite unaware of their presence?"</p>

<p>"I should not think it likely."</p>

<p>"But it is possible?"</p>

<p>"Yes."</p>

<p>"That is all."</p>

<p>More evidence followed.  Evidence as to the financial<br />
difficulties in which the prisoner had found himself at the end<br />
of July.  Evidence as to his intrigue with Mrs. Raikes--poor<br />
Mary, that must have been bitter hearing for a woman of her<br />
pride.  Evelyn Howard had been right in her facts, though her<br />
animosity against Alfred Inglethorp had caused her to jump to the<br />
conclusion that he was the person concerned.</p>

<p>Lawrence Cavendish was then put into the box.  In a low voice, in<br />
answer to Mr. Philips' questions, he denied having ordered<br />
anything from Parkson's in June.  In fact, on June 29th, he had<br />
been staying away, in Wales.</p>

<p>Instantly, Sir Ernest's chin was shooting pugnaciously forward.</p>

<p>"You deny having ordered a black beard from Parkson's on June<br />
29th?"</p>

<p>"I do."</p>

<p>"Ah! In the event of anything happening to your brother, who will<br />
inherit Styles Court?"</p>

<p>The brutality of the question called a flush to Lawrence's pale<br />
face.  The judge gave vent to a faint murmur of disapprobation,<br />
and the prisoner in the dock leant forward angrily.</p>

<p>Heavywether cared nothing for his client's anger.</p>

<p>"Answer my question, if you please."</p>

<p>"I suppose," said Lawrence quietly, "that I should."</p>

<p>"What do you mean by you 'suppose'?  Your brother has no children.<br />
You _would_ inherit it, wouldn't you?"</p>

<p>"Yes."</p>

<p>"Ah, that's better," said Heavywether, with ferocious geniality.<br />
"And you'd inherit a good slice of money too, wouldn't you?"</p>

<p>"Really, Sir Ernest," protested the judge, "these questions are<br />
not relevant."</p>

<p>Sir Ernest bowed, and having shot his arrow proceeded.</p>

<p>"On Tuesday, the 17th July, you went, I believe, with another<br />
guest, to visit the dispensary at the Red Cross Hospital in<br />
Tadminster?"</p>

<p>"Yes."</p>

<p>"Did you--while you happened to be alone for a few<br />
seconds--unlock the poison cupboard, and examine some of the<br />
bottles?"</p>

<p>"I--I--may have done so."</p>

<p>"I put it to you that you did do so?"</p>

<p>"Yes."</p>

<p>Sir Ernest fairly shot the next question at him.</p>

<p>"Did you examine one bottle in particular?"</p>

<p>"No, I do not think so."</p>

<p>"Be careful, Mr. Cavendish.  I am referring to a little bottle of<br />
Hydro-chloride of Strychnine."</p>

<p>Lawrence was turning a sickly greenish colour.</p>

<p>"N--o--I am sure I didn't."</p>

<p>"Then how do you account for the fact that you left the<br />
unmistakable impress of your finger-prints on it?"</p>

<p>The bullying manner was highly efficacious with a nervous<br />
disposition.</p>

<p>"I--I suppose I must have taken up the bottle."</p>

<p>"I suppose so too! Did you abstract any of the contents of the<br />
bottle?"</p>

<p>"Certainly not."</p>

<p>"Then why did you take it up?"</p>

<p>"I once studied to be a doctor.  Such things naturally interest<br />
me."</p>

<p>"Ah! So poisons 'naturally interest' you, do they? Still, you<br />
waited to be alone before gratifying that 'interest' of yours?"</p>

<p>"That was pure chance.  If the others had been there, I should<br />
have done just the same."</p>

<p>"Still, as it happens, the others were not there?"</p>

<p>"No, but----"</p>

<p>"In fact, during the whole afternoon, you were only alone for a<br />
couple of minutes, and it happened--I say, it happened--to be<br />
during those two minutes that you displayed your 'natural<br />
interest' in Hydro-chloride of Strychnine?"</p>

<p>Lawrence stammered pitiably.</p>

<p>"I--I----"</p>

<p>With a satisfied and expressive countenance, Sir Ernest observed:</p>

<p>"I have nothing more to ask you, Mr. Cavendish."</p>

<p>This bit of cross-examination had caused great excitement in<br />
court.  The heads of the many fashionably attired women present<br />
were busily laid together, and their whispers became so loud that<br />
the judge angrily threatened to have the court cleared if there<br />
was not immediate silence.</p>

<p>There was little more evidence.  The hand-writing experts were<br />
called upon for their opinion of the signature of "Alfred<br />
Inglethorp" in the chemist's poison register.  They all declared<br />
unanimously that it was certainly not his hand-writing, and gave<br />
it as their view that it might be that of the prisoner disguised.<br />
Cross-examined, they admitted that it might be the prisoner's<br />
hand-writing cleverly counterfeited.</p>

<p>Sir Ernest Heavywether's speech in opening the case for the<br />
defence was not a long one, but it was backed by the full force<br />
of his emphatic manner.  Never, he said, in the course of his<br />
long experience, had he known a charge of murder rest on slighter<br />
evidence.  Not only was it entirely circumstantial, but the<br />
greater part of it was practically unproved.  Let them take the<br />
testimony they had heard and sift it impartially.  The strychnine<br />
had been found in a drawer in the prisoner's room.  That drawer<br />
was an unlocked one, as he had pointed out, and he submitted that<br />
there was no evidence to prove that it was the prisoner who had<br />
concealed the poison there.  It was, in fact, a wicked and<br />
malicious attempt on the part of some third person to fix the<br />
crime on the prisoner.  The prosecution had been unable to<br />
produce a shred of evidence in support of their contention that<br />
it was the prisoner who ordered the black beard from Parkson's.<br />
The quarrel which had taken place between prisoner and his<br />
stepmother was freely admitted, but both it and his financial<br />
embarrassments had been grossly exaggerated.</p>

<p>His learned friend--Sir Ernest nodded carelessly at Mr.<br />
Philips--had stated that if the prisoner were an innocent man, he<br />
would have come forward at the inquest to explain that it was he,<br />
and not Mr. Inglethorp, who had been the participator in the<br />
quarrel.  He thought the facts had been misrepresented.  What had<br />
actually occurred was this.  The prisoner, returning to the house<br />
on Tuesday evening, had been authoritatively told that there had<br />
been a violent quarrel between Mr. and Mrs. Inglethorp.  No<br />
suspicion had entered the prisoner's head that anyone could<br />
possibly have mistaken his voice for that of Mr. Inglethorp.  He<br />
naturally concluded that his stepmother had had two quarrels.</p>

<p>The prosecution averred that on Monday, July 16th, the prisoner<br />
had entered the chemist's shop in the village, disguised as Mr.<br />
Inglethorp.  The prisoner, on the contrary, was at that time at a<br />
lonely spot called Marston's Spinney, where he had been summoned<br />
by an anonymous note, couched in blackmailing terms, and<br />
threatening to reveal certain matters to his wife unless he<br />
complied with its demands.  The prisoner had, accordingly, gone<br />
to the appointed spot, and after waiting there vainly for half an<br />
hour had returned home.  Unfortunately, he had met with no one on<br />
the way there or back who could vouch for the truth of his story,<br />
but luckily he had kept the note, and it would be produced as<br />
evidence.</p>

<p>As for the statement relating to the destruction of the will, the<br />
prisoner had formerly practiced at the Bar, and was perfectly<br />
well aware that the will made in his favour a year before was<br />
automatically revoked by his stepmother's remarriage.  He would<br />
call evidence to show who did destroy the will, and it was<br />
possible that that might open up quite a new view of the case.</p>

<p>Finally, he would point out to the jury that there was evidence<br />
against other people besides John Cavendish.  He would direct<br />
their attention to the fact that the evidence against Mr.<br />
Lawrence Cavendish was quite as strong, if not stronger than that<br />
against his brother.</p>

<p>He would now call the prisoner.</p>

<p>John acquitted himself well in the witness-box.  Under Sir<br />
Ernest's skilful handling, he told his tale credibly and well.<br />
The anonymous note received by him was produced, and handed to<br />
the jury to examine.  The readiness with which he admitted his<br />
financial difficulties, and the disagreement with his stepmother,<br />
lent value to his denials.</p>

<p>At the close of his examination, he paused, and said:</p>

<p>"I should like to make one thing clear.  I utterly reject and<br />
disapprove of Sir Ernest Heavywether's insinuations against my<br />
brother.  My brother, I am convinced, had no more to do with the<br />
crime than I have."</p>

<p>Sir Ernest merely smiled, and noted with a sharp eye that John's<br />
protest had produced a very favourable impression on the jury.</p>

<p>Then the cross-examination began.</p>

<p>"I understand you to say that it never entered your head that the<br />
witnesses at the inquest could possibly have mistaken your voice<br />
for that of Mr. Inglethorp.  Is not that very surprising?"</p>

<p>"No, I don't think so.  I was told there had been a quarrel<br />
between my mother and Mr. Inglethorp, and it never occurred to me<br />
that such was not really the case."</p>

<p>"Not when the servant Dorcas repeated certain fragments of the<br />
conversation--fragments which you must have recognized?"</p>

<p>"I did not recognize them."</p>

<p>"Your memory must be unusually short!"</p>

<p>"No, but we were both angry, and, I think, said more than we<br />
meant.  I paid very little attention to my mother's actual<br />
words."</p>

<p>Mr. Philips' incredulous sniff was a triumph of forensic skill.<br />
He passed on to the subject of the note.</p>

<p>"You have produced this note very opportunely.  Tell me, is there<br />
nothing familiar about the hand-writing of it?"</p>

<p>"Not that I know of."</p>

<p>"Do you not think that it bears a marked resemblance to your own<br />
hand-writing--carelessly disguised?"</p>

<p>"No, I do not think so."</p>

<p>"I put it to you that it is your own hand-writing!"</p>

<p>"No."</p>

<p>"I put it to you that, anxious to prove an alibi, you conceived<br />
the idea of a fictitious and rather incredible appointment, and<br />
wrote this note yourself in order to bear out your statement!"</p>

<p>"No."</p>

<p>"Is it not a fact that, at the time you claim to have been<br />
waiting about at a solitary and unfrequented spot, you were<br />
really in the chemist's shop in Styles St. Mary, where you<br />
purchased strychnine in the name of Alfred Inglethorp?"</p>

<p>"No, that is a lie."</p>

<p>"I put it to you that, wearing a suit of Mr. Inglethorp's<br />
clothes, with a black beard trimmed to resemble his, you were<br />
there--and signed the register in his name!"</p>

<p>"That is absolutely untrue."</p>

<p>"Then I will leave the remarkable similarity of hand-writing<br />
between the note, the register, and your own, to the<br />
consideration of the jury," said Mr. Philips, and sat down with<br />
the air of a man who has done his duty, but who was nevertheless<br />
horrified by such deliberate perjury.</p>

<p>After this, as it was growing late, the case was adjourned till<br />
Monday.</p>

<p>Poirot, I noticed, was looking profoundly discouraged.  He had<br />
that little frown between the eyes that I knew so well.</p>

<p>"What is it, Poirot?" I inquired.</p>

<p>"Ah, mon ami, things are going badly, badly."</p>

<p>In spite of myself, my heart gave a leap of relief.  Evidently<br />
there was a likelihood of John Cavendish being acquitted.</p>

<p>When we reached the house, my little friend waved aside Mary's<br />
offer of tea.</p>

<p>"No, I thank you, madame.  I will mount to my room."</p>

<p>I followed him.  Still frowning, he went across to the desk and<br />
took out a small pack of patience cards.  Then he drew up a chair<br />
to the table, and, to my utter amazement, began solemnly to build<br />
card houses!</p>

<p>My jaw dropped involuntarily, and he said at once:</p>

<p>"No, mon ami, I am not in my second childhood! I steady my<br />
nerves, that is all.  This employment requires precision of the<br />
fingers.  With precision of the fingers goes precision of the<br />
brain.  And never have I needed that more than now!"</p>

<p>"What is the trouble?" I asked.</p>

<p>With a great thump on the table, Poirot demolished his carefully<br />
built up edifice.</p>

<p>"It is this, mon ami! That I can build card houses seven stories<br />
high, but I cannot"--thump--"find"--thump--"that last link of<br />
which I spoke to you."</p>

<p>I could not quite tell what to say, so I held my peace, and he<br />
began slowly building up the cards again, speaking in jerks as he<br />
did so.</p>

<p>"It is done--so! By placing--one card--on another--with<br />
mathematical--precision!"</p>

<p>I watched the card house rising under his hands, story by story.<br />
He never hesitated or faltered.  It was really almost like a<br />
conjuring trick.</p>

<p>"What a steady hand you've got," I remarked.  "I believe I've<br />
only seen your hand shake once."</p>

<p>"On an occasion when I was enraged, without doubt," observed<br />
Poirot, with great placidity.</p>

<p>"Yes indeed! You were in a towering rage.  Do you remember? It<br />
was when you discovered that the lock of the despatch-case in<br />
Mrs. Inglethorp's bedroom had been forced.  You stood by the<br />
mantel-piece, twiddling the things on it in your usual fashion,<br />
and your hand shook like a leaf! I must say----"</p>

<p>But I stopped suddenly.  For Poirot, uttering a hoarse and<br />
inarticulate cry, again annihilated his masterpiece of cards, and<br />
putting his hands over his eyes swayed backwards and forwards,<br />
apparently suffering the keenest agony.</p>

<p>"Good heavens, Poirot!" I cried.  "What is the matter? Are you<br />
taken ill?"</p>

<p>"No, no," he gasped.  "It is--it is--that I have an idea!"</p>

<p>"Oh!" I exclaimed, much relieved.  "One of your 'little ideas'?"</p>

<p>"Ah, ma foi, no!" replied Poirot frankly.  "This time it is an<br />
idea gigantic! Stupendous! And you--_you_, my friend, have given<br />
it to me!"</p>

<p>Suddenly clasping me in his arms, he kissed me warmly on both<br />
cheeks, and before I had recovered from my surprise ran headlong<br />
from the room.</p>

<p>Mary Cavendish entered at that moment.</p>

<p>"What is the matter with Monsieur Poirot? He rushed past me<br />
crying out: 'A garage! For the love of Heaven, direct me to a<br />
garage, madame!' And, before I could answer, he had dashed out<br />
into the street."</p>

<p>I hurried to the window.  True enough, there he was, tearing down<br />
the street, hatless, and gesticulating as he went.  I turned to<br />
Mary with a gesture of despair.</p>

<p>"He'll be stopped by a policeman in another minute.  There he<br />
goes, round the corner!"</p>

<p>Our eyes met, and we stared helplessly at one another.</p>

<p>"What can be the matter?"</p>

<p>I shook my head.</p>

<p>"I don't know.  He was building card houses, when suddenly he<br />
said he had an idea, and rushed off as you saw."</p>

<p>"Well," said Mary, "I expect he will be back before dinner."</p>

<p>But night fell, and Poirot had not returned.</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER XII</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-xii.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.833</id>

    <published>2008-07-16T21:21:08Z</published>
    <updated>2008-06-20T21:36:00Z</updated>

    <summary>THE LAST LINK POIROT&apos;S abrupt departure had intrigued us all greatly. Sunday morning wore away, and still he did not reappear. But about three o&apos;clock a ferocious and prolonged hooting outside drove us to the window, to see Poirot alighting...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>THE LAST LINK</p>

<p><br />
POIROT'S abrupt departure had intrigued us all greatly.  Sunday<br />
morning wore away, and still he did not reappear.  But about<br />
three o'clock a ferocious and prolonged hooting outside drove us<br />
to the window, to see Poirot alighting from a car, accompanied by<br />
Japp and Summerhaye.  The little man was transformed.  He<br />
radiated an absurd complacency.  He bowed with exaggerated<br />
respect to Mary Cavendish.</p>

<p>"Madame, I have your permission to hold a little reunion in the<br />
salon? It is necessary for every one to attend."</p>

<p>Mary smiled sadly.</p>

<p>"You know, Monsieur Poirot, that you have carte blanche in every<br />
way."</p>

<p>"You are too amiable, madame."</p>

<p>Still beaming, Poirot marshalled us all into the drawing-room,<br />
bringing forward chairs as he did so.</p>

<p>"Miss Howard--here.  Mademoiselle Cynthia.  Monsieur Lawrence.<br />
The good Dorcas.  And Annie.  Bien! We must delay our proceedings<br />
a few minutes until Mr. Inglethorp arrives.  I have sent him a<br />
note."</p>

<p>Miss Howard rose immediately from her seat.</p>

<p>"If that man comes into the house, I leave it!"</p>

<p>"No, no!" Poirot went up to her and pleaded in a low voice.</p>

<p>Finally Miss Howard consented to return to her chair.  A few<br />
minutes later Alfred Inglethorp entered the room.</p>

<p>The company once assembled, Poirot rose from his seat with the<br />
air of a popular lecturer, and bowed politely to his audience.</p>

<p>"Messieurs, mesdames, as you all know, I was called in by<br />
Monsieur John Cavendish to investigate this case.  I at once<br />
examined the bedroom of the deceased which, by the advice of the<br />
doctors, had been kept locked, and was consequently exactly as it<br />
had been when the tragedy occurred.  I found: first, a fragment<br />
of green material; second, a stain on the carpet near the window,<br />
still damp; thirdly, an empty box of bromide powders.</p>

<p>"To take the fragment of green material first, I found it caught<br />
in the bolt of the communicating door between that room and the<br />
adjoining one occupied by Mademoiselle Cynthia.  I handed the<br />
fragment over to the police who did not consider it of much<br />
importance.  Nor did they recognize it for what it was--a piece<br />
torn from a green land armlet."</p>

<p>There was a little stir of excitement.</p>

<p>"Now there was only one person at Styles who worked on the<br />
land--Mrs. Cavendish.  Therefore it must have been Mrs. Cavendish<br />
who entered the deceased's room through the door communicating<br />
with Mademoiselle Cynthia's room."</p>

<p>"But that door was bolted on the inside!" I cried.</p>

<p>"When I examined the room, yes.  But in the first place we have<br />
only her word for it, since it was she who tried that particular<br />
door and reported it fastened.  In the ensuing confusion she<br />
would have had ample opportunity to shoot the bolt across.  I<br />
took an early opportunity of verifying my conjectures.  To begin<br />
with, the fragment corresponds exactly with a tear in Mrs.<br />
Cavendish's armlet.  Also, at the inquest, Mrs. Cavendish<br />
declared that she had heard, from her own room, the fall of the<br />
table by the bed.  I took an early opportunity of testing that<br />
statement by stationing my friend Monsieur Hastings in the left<br />
wing of the building, just outside Mrs. Cavendish's door.  I<br />
myself, in company with the police, went to the deceased's room,<br />
and whilst there I, apparently accidentally, knocked over the<br />
table in question, but found that, as I had expected, Monsieur<br />
Hastings had heard no sound at all.  This confirmed my belief<br />
that Mrs. Cavendish was not speaking the truth when she declared<br />
that she had been dressing in her room at the time of the<br />
tragedy.  In fact, I was convinced that, far from having been in<br />
her own room, Mrs. Cavendish was actually in the deceased's room<br />
when the alarm was given."</p>

<p>I shot a quick glance at Mary.  She was very pale, but smiling.</p>

<p>"I proceeded to reason on that assumption.  Mrs. Cavendish is in<br />
her mother-in-law's room.  We will say that she is seeking for<br />
something and has not yet found it.  Suddenly Mrs. Inglethorp<br />
awakens and is seized with an alarming paroxysm.  She flings out<br />
her arm, overturning the bed table, and then pulls desperately at<br />
the bell.  Mrs. Cavendish, startled, drops her candle, scattering<br />
the grease on the carpet.  She picks it up, and retreats quickly<br />
to Mademoiselle Cynthia's room, closing the door behind her.  She<br />
hurries out into the passage, for the servants must not find her<br />
where she is.  But it is too late! Already footsteps are echoing<br />
along the gallery which connects the two wings.  What can she do?<br />
Quick as thought, she hurries back to the young girl's room, and<br />
starts shaking her awake.  The hastily aroused household come<br />
trooping down the passage.  They are all busily battering at Mrs.<br />
Inglethorp's door.  It occurs to nobody that Mrs. Cavendish has<br />
not arrived with the rest, but--and this is significant--I can<br />
find no one who saw her come from the other wing." He looked at<br />
Mary Cavendish.  "Am I right, madame?"</p>

<p>She bowed her head.</p>

<p>"Quite right, monsieur.  You understand that, if I had thought I<br />
would do my husband any good by revealing these facts, I would<br />
have done so.  But it did not seem to me to bear upon the<br />
question of his guilt or innocence."</p>

<p>"In a sense, that is correct, madame.  But it cleared my mind of<br />
many misconceptions, and left me free to see other facts in their<br />
true significance."</p>

<p>"The will!" cried Lawrence.  "Then it was you, Mary, who<br />
destroyed the will?"</p>

<p>She shook her head, and Poirot shook his also.</p>

<p>"No," he said quietly.  "There is only one person who could<br />
possibly have destroyed that will--Mrs. Inglethorp herself!"</p>

<p>"Impossible!" I exclaimed.  "She had only made it out that very<br />
afternoon!"</p>

<p>"Nevertheless, mon ami, it was Mrs. Inglethorp.  Because, in no<br />
other way can you account for the fact that, on one of the<br />
hottest days of the year, Mrs. Inglethorp ordered a fire to be<br />
lighted in her room."</p>

<p>I gave a gasp.  What idiots we had been never to think of that<br />
fire as being incongruous! Poirot was continuing:</p>

<p>"The temperature on that day, messieurs, was 80 degrees in the<br />
shade.  Yet Mrs. Inglethorp ordered a fire! Why? Because she<br />
wished to destroy something, and could think of no other way.<br />
You will remember that, in consequence of the War economics<br />
practiced at Styles, no waste paper was thrown away.  There was<br />
therefore no means of destroying a thick document such as a will.<br />
The moment I heard of a fire being lighted in Mrs. Inglethorp's<br />
room, I leaped to the conclusion that it was to destroy some<br />
important document--possibly a will.  So the discovery of the<br />
charred fragment in the grate was no surprise to me.  I did not,<br />
of course, know at the time that the will in question had only<br />
been made this afternoon, and I will admit that, when I learnt<br />
that fact, I fell into a grievous error.  I came to the<br />
conclusion that Mrs. Inglethorp's determination to destroy her<br />
will arose as a direct consequence of the quarrel she had that<br />
afternoon, and that therefore the quarrel took place after, and<br />
not before the making of the will.</p>

<p>"Here, as we know, I was wrong, and I was forced to abandon that<br />
idea.  I faced the problem from a new standpoint.  Now, at 4<br />
o'clock, Dorcas overheard her mistress saying angrily: 'You need<br />
not think that any fear of publicity, or scandal between husband<br />
and wife will deter me." I conjectured, and conjectured rightly,<br />
that these words were addressed, not to her husband, but to Mr.<br />
John Cavendish.  At 5 o'clock, an hour later, she uses almost the<br />
same words, but the standpoint is different.  She admits to<br />
Dorcas, 'I don't know what to do; scandal between husband and<br />
wife is a dreadful thing.' At 4 o'clock she has been angry, but<br />
completely mistress of herself.  At 5 o'clock she is in violent<br />
distress, and speaks of having had a great shock.</p>

<p>"Looking at the matter psychologically, I drew one deduction<br />
which I was convinced was correct.  The second 'scandal' she<br />
spoke of was not the same as the first--and it concerned herself!</p>

<p>"Let us reconstruct.  At 4 o'clock, Mrs. Inglethorp quarrels with<br />
her son, and threatens to denounce him to his wife--who, by the<br />
way, overheard the greater part of the conversation.  At 4.30,<br />
Mrs. Inglethorp, in consequence of a conversation on the validity<br />
of wills, makes a will in favour of her husband, which the two<br />
gardeners witness.  At 5 o'clock, Dorcas finds her mistress in a<br />
state of considerable agitation, with a slip of paper--'a<br />
letter,' Dorcas thinks--in her hand, and it is then that she<br />
orders the fire in her room to be lighted.  Presumably, then,<br />
between 4.30 and 5 o'clock, something has occurred to occasion a<br />
complete revolution of feeling, since she is now as anxious to<br />
destroy the will, as she was before to make it.  What was that<br />
something?</p>

<p>"As far as we know, she was quite alone during that half-hour.<br />
Nobody entered or left that boudoir.  What then occasioned this<br />
sudden change of sentiment?</p>

<p>"One can only guess, but I believe my guess to be correct.  Mrs.<br />
Inglethorp had no stamps in her desk.  We know this, because<br />
later she asked Dorcas to bring her some.  Now in the opposite<br />
corner of the room stood her husband's desk--locked.  She was<br />
anxious to find some stamps, and, according to my theory, she<br />
tried her own keys in the desk.  That one of them fitted I know.<br />
She therefore opened the desk, and in searching for the stamps<br />
she came across something else--that slip of paper which Dorcas<br />
saw in her hand, and which assuredly was never meant for Mrs.<br />
Inglethorp's eyes.  On the other hand, Mrs. Cavendish believed<br />
that the slip of paper to which her mother-in-law clung so<br />
tenaciously was a written proof of her own husband's infidelity.<br />
She demanded it from Mrs. Inglethorp who assured her, quite<br />
truly, that it had nothing to do with that matter.  Mrs.<br />
Cavendish did not believe her.  She thought that Mrs. Inglethorp<br />
was shielding her stepson.  Now Mrs. Cavendish is a very resolute<br />
woman, and, behind her mask of reserve, she was madly jealous of<br />
her husband.  She determined to get hold of that paper at all<br />
costs, and in this resolution chance came to her aid.  She<br />
happened to pick up the key of Mrs. Inglethorp's despatch-case,<br />
which had been lost that morning.  She knew that her<br />
mother-in-law invariably kept all important papers in this<br />
particular case.</p>

<p>"Mrs. Cavendish, therefore, made her plans as only a woman driven<br />
desperate through jealousy could have done.  Some time in the<br />
evening she unbolted the door leading into Mademoiselle Cynthia's<br />
room.  Possibly she applied oil to the hinges, for I found that<br />
it opened quite noiselessly when I tried it.  She put off her<br />
project until the early hours of the morning as being safer,<br />
since the servants were accustomed to hearing her move about her<br />
room at that time.  She dressed completely in her land kit, and<br />
made her way quietly through Mademoiselle Cynthia's room into<br />
that of Mrs. Inglethorp."</p>

<p>He paused a moment, and Cynthia interrupted:</p>

<p>"But I should have woken up if anyone had come through my room?"</p>

<p>"Not if you were drugged, mademoiselle."</p>

<p>"Drugged?"</p>

<p>"Mais, oui!"</p>

<p>"You remember"--he addressed us collectively again--"that through<br />
all the tumult and noise next door Mademoiselle Cynthia slept.<br />
That admitted of two possibilities.  Either her sleep was<br />
feigned--which I did not believe--or her unconsciousness was<br />
indeed by artificial means.</p>

<p>"With this latter idea in my mind, I examined all the coffee-cups<br />
most carefully, remembering that it was Mrs. Cavendish who had<br />
brought Mademoiselle Cynthia her coffee the night before.  I took<br />
a sample from each cup, and had them analysed--with no result.  I<br />
had counted the cups carefully, in the event of one having been<br />
removed.  Six persons had taken coffee, and six cups were duly<br />
found.  I had to confess myself mistaken.</p>

<p>"Then I discovered that I had been guilty of a very grave<br />
oversight.  Coffee had been brought in for seven persons, not<br />
six, for Dr. Bauerstein had been there that evening.  This<br />
changed the face of the whole affair, for there was now one cup<br />
missing.  The servants noticed nothing, since Annie, the<br />
housemaid, who took in the coffee, brought in seven cups, not<br />
knowing that Mr. Inglethorp never drank it, whereas Dorcas, who<br />
cleared them away the following morning, found six as usual--or<br />
strictly speaking she found five, the sixth being the one found<br />
broken in Mrs. Inglethorp's room.</p>

<p>"I was confident that the missing cup was that of Mademoiselle<br />
Cynthia.  I had an additional reason for that belief in the fact<br />
that all the cups found contained sugar, which Mademoiselle<br />
Cynthia never took in her coffee.  My attention was attracted by<br />
the story of Annie about some 'salt' on the tray of coco which<br />
she took every night to Mrs. Inglethorp's room.  I accordingly<br />
secured a sample of that coco, and sent it to be analysed."</p>

<p>"But that had already been done by Dr. Bauerstein," said Lawrence<br />
quickly.</p>

<p>"Not exactly.  The analyst was asked by him to report whether<br />
strychnine was, or was not, present.  He did not have it tested,<br />
as I did, for a narcotic."</p>

<p>"For a narcotic?"</p>

<p>"Yes.  Here is the analyst's report.  Mrs. Cavendish administered<br />
a safe, but effectual, narcotic to both Mrs. Inglethorp and<br />
Mademoiselle Cynthia.  And it is possible that she had a mauvais<br />
quart d'heure in consequence! Imagine her feelings when her<br />
mother-in-law is suddenly taken ill and dies, and immediately<br />
after she hears the word 'Poison'! She has believed that the<br />
sleeping draught she administered was perfectly harmless, but<br />
there is no doubt that for one terrible moment she must have<br />
feared that Mrs. Inglethorp's death lay at her door.  She is<br />
seized with panic, and under its influence she hurries<br />
downstairs, and quickly drops the coffee-cup and saucer used by<br />
Mademoiselle Cynthia into a large brass vase, where it is<br />
discovered later by Monsieur Lawrence.  The remains of the coco<br />
she dare not touch.  Too many eyes are upon her.  Guess at her<br />
relief when strychnine is mentioned, and she discovers that after<br />
all the tragedy is not her doing.</p>

<p>"We are now able to account for the symptoms of strychnine<br />
poisoning being so long in making their appearance.  A narcotic<br />
taken with strychnine will delay the action of the poison for<br />
some hours."</p>

<p>Poirot paused.  Mary looked up at him, the colour slowly rising<br />
in her face.</p>

<p>"All you have said is quite true, Monsieur Poirot.  It was the<br />
most awful hour of my life.  I shall never forget it.  But you<br />
are wonderful.  I understand now----"</p>

<p>"What I meant when I told you that you could safely confess to<br />
Papa Poirot, eh? But you would not trust me."</p>

<p>"I see everything now," said Lawrence.  "The drugged coco, taken<br />
on top of the poisoned coffee, amply accounts for the delay."</p>

<p>"Exactly.  But was the coffee poisoned, or was it not? We come to<br />
a little difficulty here, since Mrs. Inglethorp never drank it."</p>

<p>"What?" The cry of surprise was universal.</p>

<p>"No.  You will remember my speaking of a stain on the carpet in<br />
Mrs. Inglethorp's room? There were some peculiar points about<br />
that stain.  It was still damp, it exhaled a strong odour of<br />
coffee, and imbedded in the nap of the carpet I found some little<br />
splinters of china.  What had happened was plain to me, for not<br />
two minutes before I had placed my little case on the table near<br />
the window, and the table, tilting up, had deposited it upon the<br />
floor on precisely the identical spot.  In exactly the same way,<br />
Mrs. Inglethorp had laid down her cup of coffee on reaching her<br />
room the night before, and the treacherous table had played her<br />
the same trick.</p>

<p>"What happened next is mere guess work on my part, but I should<br />
say that Mrs. Inglethorp picked up the broken cup and placed it<br />
on the table by the bed.  Feeling in need of a stimulant of some<br />
kind, she heated up her coco, and drank it off then and there.<br />
Now we are faced with a new problem.  We know the coco contained<br />
no strychnine.  The coffee was never drunk.  Yet the strychnine<br />
must have been administered between seven and nine o'clock that<br />
evening.  What third medium was there--a medium so suitable for<br />
disguising the taste of strychnine that it is extraordinary no<br />
one has thought of it?" Poirot looked round the room, and then<br />
answered himself impressively.  "Her medicine!"</p>

<p>"Do you mean that the murderer introduced the strychnine into her<br />
tonic?" I cried.</p>

<p>"There was no need to introduce it.  It was already there--in<br />
the mixture.  The strychnine that killed Mrs. Inglethorp was the<br />
identical strychnine prescribed by Dr. Wilkins.  To make that<br />
clear to you, I will read you an extract from a book on<br />
dispensing which I found in the Dispensary of the Red Cross<br />
Hospital at Tadminster:</p>

<p><br />
"'The following prescription has become famous in text books:<br />
 Strychninae Sulph .  .  .  .  .  .  gr.I<br />
 Potass Bromide  .  .  .  .  .  .  .  3vi                 Aqua<br />
 ad .  .  .  .  .  .  .  .  .  .  .  3viii                Fiat<br />
 Mistura</p>

<p><br />
This solution deposits in a few hours the greater part of the<br />
strychnine salt as an insoluble bromide in transparent crystals.<br />
A lady in England lost her life by taking a similar mixture: the<br />
precipitated strychnine collected at the bottom, and in taking<br />
the last dose she swallowed nearly all of it!"</p>

<p>"Now there was, of course, no bromide in Dr. Wilkins'<br />
prescription, but you will remember that I mentioned an empty box<br />
of bromide powders.  One or two of those powders introduced into<br />
the full bottle of medicine would effectually precipitate the<br />
strychnine, as the book describes, and cause it to be taken in<br />
the last dose.  You will learn later that the person who usually<br />
poured out Mrs. Inglethorp's medicine was always extremely<br />
careful not to shake the bottle, but to leave the sediment at the<br />
bottom of it undisturbed.</p>

<p>"Throughout the case, there have been evidences that the tragedy<br />
was intended to take place on Monday evening.  On that day, Mrs.<br />
Inglethorp's bell wire was neatly cut, and on Monday evening<br />
Mademoiselle Cynthia was spending the night with friends, so that<br />
Mrs. Inglethorp would have been quite alone in the right wing,<br />
completely shut off from help of any kind, and would have died,<br />
in all probability, before medical aid could have been summoned.<br />
But in her hurry to be in time for the village entertainment Mrs.<br />
Inglethorp forgot to take her medicine, and the next day she<br />
lunched away from home, so that the last--and fatal--dose was<br />
actually taken twenty-four hours later than had been anticipated<br />
by the murderer; and it is owing to that delay that the final<br />
proof--the last link of the chain--is now in my hands."</p>

<p>Amid breathless excitement, he held out three thin strips of<br />
paper.</p>

<p>"A letter in the murderer's own hand-writing, mes amis! Had it<br />
been a little clearer in its terms, it is possible that Mrs.<br />
Inglethorp, warned in time, would have escaped.  As it was, she<br />
realized her danger, but not the manner of it."</p>

<p>In the deathly silence, Poirot pieced together the slips of paper<br />
and, clearing his throat, read:</p>

<p>"'Dearest Evelyn:</p>

<p>'You will be anxious at hearing nothing.  It is all right--only<br />
it will be to-night instead of last night.  You understand.<br />
There's a good time coming once the old woman is dead and out of<br />
the way.  No one can possibly bring home the crime to me.  That<br />
idea of yours about the bromides was a stroke of genius! But we<br />
must be very circumspect.  A false step----'</p>

<p>"Here, my friends, the letter breaks off.  Doubtless the writer<br />
was interrupted; but there can be no question as to his identity.<br />
We all know this hand-writing and----"</p>

<p>A howl that was almost a scream broke the silence.</p>

<p>"You devil! How did you get it?"</p>

<p>A chair was overturned.  Poirot skipped nimbly aside.  A quick<br />
movement on his part, and his assailant fell with a crash.</p>

<p>"Messieurs, mesdames," said Poirot, with a flourish, "let me<br />
introduce you to the murderer, Mr. Alfred Inglethorp!"</p>]]>
        
    </content>
</entry>

<entry>
    <title>CHAPTER XIII.</title>
    <link rel="alternate" type="text/html" href="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/2008/07/chapter-xiii.html" />
    <id>tag:www.greatbooksforfree.com,2008:/the_mysterious_affair_at_styles//13.834</id>

    <published>2008-07-17T21:21:08Z</published>
    <updated>2008-06-20T21:36:28Z</updated>

    <summary>POIROT EXPLAINS &quot;Poirot, you old villain,&quot; I said, &quot;I&apos;ve half a mind to strangle you! What do you mean by deceiving me as you have done?&quot; We were sitting in the library. Several hectic days lay behind us. In the...</summary>
    <author>
        <name></name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.greatbooksforfree.com/the_mysterious_affair_at_styles/">
        <![CDATA[<p>POIROT EXPLAINS</p>

<p><br />
"Poirot, you old villain," I said, "I've half a mind to strangle<br />
you! What do you mean by deceiving me as you have done?"</p>

<p>We were sitting in the library.  Several hectic days lay behind<br />
us.  In the room below, John and Mary were together once more,<br />
while Alfred Inglethorp and Miss Howard were in custody.  Now at<br />
last, I had Poirot to myself, and could relieve my still burning<br />
curiosity.</p>

<p>Poirot did not answer me for a moment, but at last he said:</p>

<p>"I did not deceive you, mon ami.  At most, I permitted you to<br />
deceive yourself."</p>

<p>"Yes, but why?"</p>

<p>"Well, it is difficult to explain.  You see, my friend, you have<br />
a nature so honest, and a countenance so transparent,<br />
that--enfin, to conceal your feelings is impossible! If I had<br />
told you my ideas, the very first time you saw Mr. Alfred<br />
Inglethorp that astute gentleman would have--in your so<br />
expressive idiom--'smelt a rat'! And then, bon jour to our<br />
chances of catching him!"</p>

<p>"I think that I have more diplomacy than you give me credit for."</p>

<p>"My friend," besought Poirot, "I implore you, do not enrage<br />
yourself! Your help has been of the most invaluable.  It is but<br />
the extremely beautiful nature that you have, which made me<br />
pause."</p>

<p>"Well," I grumbled, a little mollified.  "I still think you might<br />
have given me a hint."</p>

<p>"But I did, my friend.  Several hints.  You would not take them.<br />
Think now, did I ever say to you that I believed John Cavendish<br />
guilty? Did I not, on the contrary, tell you that he would almost<br />
certainly be acquitted?"</p>

<p>"Yes, but----"</p>

<p>"And did I not immediately afterwards speak of the difficulty of<br />
bringing the murderer to justice? Was it not plain to you that I<br />
was speaking of two entirely different persons?"</p>

<p>"No," I said, "it was not plain to me!"</p>

<p>"Then again," continued Poirot, "at the beginning, did I not<br />
repeat to you several times that I didn't want Mr. Inglethorp<br />
arrested _now_? That should have conveyed something to you."</p>

<p>"Do you mean to say you suspected him as long ago as that?"</p>

<p>"Yes.  To begin with, whoever else might benefit by Mrs.<br />
Inglethorp's death, her husband would benefit the most.  There<br />
was no getting away from that.  When I went up to Styles with you<br />
that first day, I had no idea as to how the crime had been<br />
committed, but from what I knew of Mr. Inglethorp I fancied that<br />
it would be very hard to find anything to connect him with it.<br />
When I arrived at the chateau, I realized at once that it was<br />
Mrs. Inglethorp who had burnt the will; and there, by the way,<br />
you cannot complain, my friend, for I tried my best to force on<br />
you the significance of that bedroom fire in midsummer."</p>

<p>"Yes, yes," I said impatiently.  "Go on."</p>

<p>"Well, my friend, as I say, my views as to Mr. Inglethorp's guilt<br />
were very much shaken.  There was, in fact, so much evidence<br />
against him that I was inclined to believe that he had not done<br />
it."</p>

<p>"When did you change your mind?"</p>

<p>"When I found that the more efforts I made to clear him, the more<br />
efforts he made to get himself arrested.  Then, when I discovered<br />
that Inglethorp had nothing to do with Mrs. Raikes and that in<br />
fact it was John Cavendish who was interested in that quarter, I<br />
was quite sure."</p>

<p>"But why?"</p>

<p>"Simply this.  If it had been Inglethorp who was carrying on an<br />
intrigue with Mrs. Raikes, his silence was perfectly<br />
comprehensible.  But, when I discovered that it was known all<br />
over the village that it was John who was attracted by the<br />
farmer's pretty wife, his silence bore quite a different<br />
interpretation.  It was nonsense to pretend that he was afraid of<br />
the scandal, as no possible scandal could attach to him.  This<br />
attitude of his gave me furiously to think, and I was slowly<br />
forced to the conclusion that Alfred Inglethorp wanted to be<br />
arrested.  Eh bien! from that moment, I was equally determined<br />
that he should not be arrested."</p>

<p>"Wait a minute.  I don't see why he wished to be arrested?"</p>

<p>"Because, mon ami, it is the law of your country that a man once<br />
acquitted can never be tried again for the same offence.  Aha!<br />
but it was clever--his idea! Assuredly, he is a man of method.<br />
See here, he knew that in his position he was bound to be<br />
suspected, so he conceived the exceedingly clever idea of<br />
preparing a lot of manufactured evidence against himself.  He<br />
wished to be arrested.  He would then produce his irreproachable<br />
alibi--and, hey presto, he was safe for life!"</p>

<p>"But I still don't see how he managed to prove his alibi, and yet<br />
go to the chemist's shop?"</p>

<p>Poirot stared at me in surprise.</p>

<p>"Is it possible? My poor friend! You have not yet realized that<br />
it was Miss Howard who went to the chemist's shop?"</p>

<p>"Miss Howard?"</p>

<p>"But, certainly.  Who else? It was most easy for her.  She is of<br />
a good height, her voice is deep and manly; moreover, remember,<br />
she and Inglethorp are cousins, and there is a distinct<br />
resemblance between them, especially in their gait and bearing.<br />
It was simplicity itself.  They are a clever pair!"</p>

<p>"I am still a little fogged as to how exactly the bromide<br />
business was done," I remarked.</p>

<p>"Bon! I will reconstruct for you as far as possible.  I am<br />
inclined to think that Miss Howard was the master mind in that<br />
affair.  You remember her once mentioning that her father was a<br />
doctor? Possibly she dispensed his medicines for him, or she may<br />
have taken the idea from one of the many books lying about when<br />
Mademoiselle Cynthia was studying for her exam.  Anyway, she was<br />
familiar with the fact that the addition of a bromide to a<br />
mixture containing strychnine would cause the precipitation of<br />
the latter.  Probably the idea came to her quite suddenly.  Mrs.<br />
Inglethorp had a box of bromide powders, which she occasionally<br />
took at night.  What could be easier than quietly to dissolve one<br />
or more of those powders in Mrs. Inglethorp's large sized bottle<br />
of medicine when it came from Coot's? The risk is practically<br />
nil.  The tragedy will not take place until nearly a fortnight<br />
later.  If anyone has seen either of them touching the medicine,<br />
they will have forgotten it by that time.  Miss Howard will have<br />
engineered her quarrel, and departed from the house.  The lapse<br />
of time, and her absence, will defeat all suspicion.  Yes, it was<br />
a clever idea! If they had left it alone, it is possible the<br />
crime might never have been brought home to them.  But they were<br />
not satisfied.  They tried to be too clever--and that was their<br />
undoing."</p>

<p>Poirot puffed at his tiny cigarette, his eyes fixed on the<br />
ceiling.</p>

<p>"They arranged a plan to throw suspicion on John Cavendish, by<br />
buying strychnine at the village chemist's, and signing the<br />
register in his hand-writing.</p>

<p>"On Monday Mrs. Inglethorp will take the last dose of her<br />
medicine.  On Monday, therefore, at six o'clock, Alfred<br />
Inglethorp arranges to be seen by a number of people at a spot<br />
far removed from the village.  Miss Howard has previously made up<br />
a cock and bull story about him and Mrs. Raikes to account for<br />
his holding his tongue afterwards.  At six o'clock, Miss Howard,<br />
disguised as Alfred Inglethorp, enters the chemist's shop, with<br />
her story about a dog, obtains the strychnine, and writes the<br />
name of Alfred Inglethorp in John's handwriting, which she had<br />
previously studied carefully.</p>

<p>"But, as it will never do if John, too, can prove an alibi, she<br />
writes him an anonymous note--still copying his hand-writing<br />
--which takes him to a remote spot where it is exceedingly<br />
unlikely that anyone will see him.</p>

<p>"So far, all goes well.  Miss Howard goes back to Middlingham.<br />
Alfred Inglethorp returns to Styles.  There is nothing that can<br />
compromise him in any way, since it is Miss Howard who has the<br />
strychnine, which, after all, is only wanted as a blind to throw<br />
suspicion on John Cavendish.</p>

<p>"But now a hitch occurs.  Mrs. Inglethorp does not take her<br />
medicine that night.  The broken bell, Cynthia's absence--<br />
arranged by Inglethorp through his wife--all these are wasted.<br />
And then--he makes his slip.</p>

<p>"Mrs. Inglethorp is out, and he sits down to write to his<br />
accomplice, who, he fears, may be in a panic at the nonsuccess of<br />
their plan.  It is probable that Mrs. Inglethorp returned earlier<br />
than he expected.  Caught in the act, and somewhat flurried he<br />
hastily shuts and locks his desk.  He fears that if he remains in<br />
the room he may have to open it again, and that Mrs. Inglethorp<br />
might catch sight of the letter before he could snatch it up.  So<br />
he goes out and walks in the woods, little dreaming that Mrs.<br />
Inglethorp will open his desk, and discover the incriminating<br />
document.</p>

<p>"But this, as we know, is what happened.  Mrs. Inglethorp reads<br />
it, and becomes aware of the perfidy of her husband and Evelyn<br />
Howard, though, unfortunately, the sentence about the bromides<br />
conveys no warning to her mind.  She knows that she is in<br />
danger--but is ignorant of where the danger lies.  She decides to<br />
say nothing to her husband, but sits down and writes to her<br />
solicitor, asking him to come on the morrow, and she also<br />
determines to destroy immediately the will which she has just<br />
made.  She keeps the fatal letter."</p>

<p>"It was to discover that letter, then, that her husband forced<br />
the lock of the despatch-case?"</p>

<p>"Yes, and from the enormous risk he ran we can see how fully he<br />
realized its importance.  That letter excepted, there was<br />
absolutely nothing to connect him with the crime."</p>

<p>"There's only one thing I can't make out, why didn't he destroy<br />
it at once when he got hold of it?"</p>

<p>"Because he did not dare take the biggest risk of all--that of<br />
keeping it on his own person."</p>

<p>"I don't understand."</p>

<p>"Look at it from his point of view.  I have discovered that there<br />
were only five short minutes in which he could have taken it--the<br />
five minutes immediately before our own arrival on the scene, for<br />
before that time Annie was brushing the stairs, and would have<br />
seen anyone who passed going to the right wing.  Figure to<br />
yourself the scene! He enters the room, unlocking the door by<br />
means of one of the other doorkeys--they were all much alike.  He<br />
hurries to the despatch-case--it is locked, and the keys are<br />
nowhere to be seen.  That is a terrible blow to him, for it means<br />
that his presence in the room cannot be concealed as he had<br />
hoped.  But he sees clearly that everything must be risked for<br />
the sake of that damning piece of evidence.  Quickly, he forces<br />
the lock with a penknife, and turns over the papers until he<br />
finds what he is looking for.</p>

<p>"But now a fresh dilemma arises: he dare not keep that piece of<br />
paper on him.  He may be seen leaving the room--he may be<br />
searched.  If the paper is found on him, it is certain doom.<br />
Probably, at this minute, too, he hears the sounds below of Mr.<br />
Wells and John leaving the boudoir.  He must act quickly.  Where<br />
can he hide this terrible slip of paper? The contents of the<br />
waste-paper-basket are kept and in any case, are sure to be<br />
examined.  There are no means of destroying it; and he dare not<br />
keep it.  He looks round, and he sees--what do you think, mon<br />
ami?"</p>

<p>I shook my head.</p>

<p>"In a moment, he has torn the letter into long thin strips, and<br />
rolling them up into spills he thrusts them hurriedly in amongst<br />
the other spills in the vase on the mantle-piece."</p>

<p>I uttered an exclamation.</p>

<p>"No one would think of looking there," Poirot continued.  "And he<br />
will be able, at his leisure, to come back and destroy this<br />
solitary piece of evidence against him."</p>

<p>"Then, all the time, it was in the spill vase in Mrs.<br />
Inglethorp's bedroom, under our very noses?" I cried.</p>

<p>Poirot nodded.</p>

<p>"Yes, my friend.  That is where I discovered my 'last link,' and<br />
I owe that very fortunate discovery to you."</p>

<p>"To me?"</p>

<p>"Yes.  Do you remember telling me that my hand shook as I was<br />
straightening the ornaments on the mantel-piece?"</p>

<p>"Yes, but I don't see----"</p>

<p>"No, but I saw.  Do you know, my friend, I remembered that<br />
earlier in the morning, when we had been there together, I had<br />
straightened all the objects on the mantel-piece.  And, if they<br />
were already straightened, there would be no need to straighten<br />
them again, unless, in the meantime, some one else had touched<br />
them."</p>

<p>"Dear me," I murmured, "so that is the explanation of your<br />
extraordinary behaviour.  You rushed down to Styles, and found it<br />
still there?"</p>

<p>"Yes, and it was a race for time."</p>

<p>"But I still can't understand why Inglethorp was such a fool as<br />
to leave it there when he had plenty of opportunity to destroy<br />
it."</p>

<p>"Ah, but he had no opportunity.  I saw to that."</p>

<p>"You?"</p>

<p>"Yes.  Do you remember reproving me for taking the household into<br />
my confidence on the subject?"</p>

<p>"Yes."</p>

<p>"Well, my friend, I saw there was just one chance.  I was not<br />
sure then if Inglethorp was the criminal or not, but if he was I<br />
reasoned that he would not have the paper on him, but would have<br />
hidden it somewhere, and by enlisting the sympathy of the<br />
household I could effectually prevent his destroying it.  He was<br />
already under suspicion, and by making the matter public I<br />
secured the services of about ten amateur detectives, who would<br />
be watching him unceasingly, and being himself aware of their<br />
watchfulness he would not dare seek further to destroy the<br />
document.  He was therefore forced to depart from the house,<br />
leaving it in the spill vase."</p>

<p>"But surely Miss Howard had ample opportunities of aiding him."</p>

<p>"Yes, but Miss Howard did not know of the paper's existence.  In<br />
accordance with their prearranged plan, she never spoke to Alfred<br />
Inglethorp.  They were supposed to be deadly enemies, and until<br />
John Cavendish was safely convicted they neither of them dared<br />
risk a meeting.  Of course I had a watch kept on Mr. Inglethorp,<br />
hoping that sooner or later he would lead me to the hiding-place.<br />
But he was too clever to take any chances.  The paper was safe<br />
where it was; since no one had thought of looking there in the<br />
first week, it was not likely they would do so afterwards.  But<br />
for your lucky remark, we might never have been able to bring him<br />
to justice."</p>

<p>"I understand that now; but when did you first begin to suspect<br />
Miss Howard?"</p>

<p>"When I discovered that she had told a lie at the inquest about<br />
the letter she had received from Mrs. Inglethorp."</p>

<p>"Why, what was there to lie about?"</p>

<p>"You saw that letter? Do you recall its general appearance?"</p>

<p>"Yes--more or less."</p>

<p>"You will recollect, then, that Mrs. Inglethorp wrote a very<br />
distinctive hand, and left large clear spaces between her words.<br />
But if you look at the date at the top of the letter you will<br />
notice that 'July 17th' is quite different in this respect.  Do<br />
you see what I mean?"</p>

<p>"No," I confessed, "I don't."</p>

<p>"You do not see that that letter was not written on the 17th, but<br />
on the 7th--the day after Miss Howard's departure? The '1' was<br />
written in before the '7' to turn it into the '17th'."</p>

<p>"But why?"</p>

<p>"That is exactly what I asked myself.  Why does Miss Howard<br />
suppress the letter written on the 17th, and produce this faked<br />
one instead? Because she did not wish to show the letter of the<br />
17th.  Why, again? And at once a suspicion dawned in my mind.<br />
You will remember my saying that it was wise to beware of people<br />
who were not telling you the truth."</p>

<p>"And yet," I cried indignantly, "after that, you gave me two<br />
reasons why Miss Howard could not have committed the crime!"</p>

<p>"And very good reasons too," replied Poirot.  "For a long time<br />
they were a stumbling-block to me until I remembered a very<br />
significant fact: that she and Alfred Inglethorp were cousins.<br />
She could not have committed the crime single-handed, but the<br />
reasons against that did not debar her from being an accomplice.<br />
And, then, there was that rather over-vehement hatred of hers! It<br />
concealed a very opposite emotion.  There was, undoubtedly, a tie<br />
of passion between them long before he came to Styles.  They had<br />
already arranged their infamous plot--that he should marry this<br />
rich, but rather foolish old lady, induce her to make a will<br />
leaving her money to him, and then gain their ends by a very<br />
cleverly conceived crime.  If all had gone as they planned, they<br />
would probably have left England, and lived together on their<br />
poor victim's money.</p>

<p>"They are a very astute and unscrupulous pair.  While suspicion<br />
was to be directed against him, she would be making quiet<br />
preparations for a very different denouement.  She arrives from<br />
Middlingham with all the compromising items in her possession.<br />
No suspicion attaches to her.  No notice is paid to her coming<br />
and going in the house.  She hides the strychnine and glasses in<br />
John's room.  She puts the beard in the attic.  She will see to<br />
it that sooner or later they are duly discovered."</p>

<p>"I don't quite see why they tried to fix the blame on John," I<br />
remarked.  "It would have been much easier for them to bring the<br />
crime home to Lawrence."</p>

<p>"Yes, but that was mere chance.  All the evidence against him<br />
arose out of pure accident.  It must, in fact, have been<br />
distinctly annoying to the pair of schemers."</p>

<p>"His manner was unfortunate," I observed thoughtfully.</p>

<p>"Yes.  You realize, of course, what was at the back of that?"</p>

<p>"No."</p>

<p>"You did not understand that he believed Mademoiselle Cynthia<br />
guilty of the crime?"</p>

<p>"No," I exclaimed, astonished.  "Impossible!"</p>

<p>"Not at all.  I myself nearly had the same idea.  It was in my<br />
mind when I asked Mr. Wells that first question about the will.<br />
Then there were the bromide powders which she had made up, and<br />
her clever male impersonations, as Dorcas recounted them to us.<br />
There was really more evidence against her than anyone else."</p>

<p>"You are joking, Poirot!"</p>

<p>"No.  Shall I tell you what made Monsieur Lawrence turn so pale<br />
when he first entered his mother's room on the fatal night? It<br />
was because, whilst his mother lay there, obviously poisoned, he<br />
saw, over your shoulder, that the door into Mademoiselle<br />
Cynthia's room was unbolted."</p>

<p>"But he declared that he saw it bolted!" I cried.</p>

<p>"Exactly," said Poirot dryly.  "And that was just what confirmed<br />
my suspicion that it was not.  He was shielding Mademoiselle<br />
Cynthia."</p>

<p>"But why should he shield her?"</p>

<p>"Because he is in love with her."</p>

<p>I laughed.</p>

<p>"There, Poirot, you are quite wrong! I happen to know for a fact<br />
that, far from being in love with her, he positively dislikes<br />
her."</p>

<p>"Who told you that, mon ami?"</p>

<p>"Cynthia herself."</p>

<p>"La pauvre petite! And she was concerned?"</p>

<p>"She said that she did not mind at all."</p>

<p>"Then she certainly did mind very much," remarked Poirot.  "They<br />
are like that--les femmes!"</p>

<p>"What you say about Lawrence is a great surprise to me," I said.</p>

<p>"But why? It was most obvious.  Did not Monsieur Lawrence make<br />
the sour face every time Mademoiselle Cynthia spoke and laughed<br />
with his brother? He had taken it into his long head that<br />
Mademoiselle Cynthia was in love with Monsieur John.  When he<br />
entered his mother's room, and saw her obviously poisoned, he<br />
jumped to the conclusion that Mademoiselle Cynthia knew something<br />
about the matter.  He was nearly driven desperate.  First he<br />
crushed the coffee-cup to powder under his feet, remembering that<br />
_she_ had gone up with his mother the night before, and he<br />
determined that there should be no chance of testing its<br />
contents.  Thenceforward, he strenuously, and quite uselessly,<br />
upheld the theory of 'Death from natural causes'."</p>

<p>"And what about the 'extra coffee-cup'?"</p>

<p>"I was fairly certain that it was Mrs. Cavendish who had hidden<br />
it, but I had to make sure.  Monsieur Lawrence did not know at<br />
all what I meant; but, on reflection, he came to the conclusion<br />
that if he could find an extra coffee-cup anywhere his lady love<br />
would be cleared of suspicion.  And he was perfectly right."</p>

<p>"One thing more.  What did Mrs. Inglethorp mean by her dying<br />
words?"</p>

<p>"They were, of course, an accusation against her husband."</p>

<p>"Dear me, Poirot," I said with a sigh, "I think you have<br />
explained everything.  I am glad it has all ended so happily.<br />
Even John and his wife are reconciled."</p>

<p>"Thanks to me."</p>

<p>"How do you mean--thanks to you?"</p>

<p>"My dear friend, do you not realize that it was simply and solely<br />
the trial which has brought them together again? That John<br />
Cavendish still loved his wife, I was convinced.  Also, that she<br />
was equally in love with him.  But they had drifted very far<br />
apart.  It all arose from a misunderstanding.  She married him<br />
without love.  He knew it.  He is a sensitive man in his way, he<br />
would not force himself upon her if she did not want him.  And,<br />
as he withdrew, her love awoke.  But they are both unusually<br />
proud, and their pride held them inexorably apart.  He drifted<br />
into an entanglement with Mrs. Raikes, and she deliberately<br />
cultivated the friendship of Dr. Bauerstein.  Do you remember the<br />
day of John Cavendish's arrest, when you found me deliberating<br />
over a big decision?"</p>

<p>"Yes, I quite understood your distress."</p>

<p>"Pardon me, mon ami, but you did not understand it in the least.<br />
I was trying to decide whether or not I would clear John<br />
Cavendish at once.  I could have cleared him--though it might<br />
have meant a failure to convict the real criminals.  They were<br />
entirely in the dark as to my real attitude up to the very last<br />
moment--which partly accounts for my success."</p>

<p>"Do you mean that you could have saved John Cavendish from being<br />
brought to trial?"</p>

<p>"Yes, my friend.  But I eventually decided in favour of 'a<br />
woman's happiness'.  Nothing but the great danger through which<br />
they have passed could have brought these two proud souls<br />
together again."</p>

<p>I looked at Poirot in silent amazement.  The colossal cheek of<br />
the little man! Who on earth but Poirot would have thought of a<br />
trial for murder as a restorer of conjugal happiness!</p>

<p>"I perceive your thoughts, mon ami," said Poirot, smiling at me.<br />
"No one but Hercule Poirot would have attempted such a thing! And<br />
you are wrong in condemning it.  The happiness of one man and one<br />
woman is the greatest thing in all the world."</p>

<p>His words took me back to earlier events.  I remembered Mary as<br />
she lay white and exhausted on the sofa, listening, listening.<br />
There had come the sound of the bell below.  She had started up.<br />
Poirot had opened the door, and meeting her agonized eyes had<br />
nodded gently.  "Yes, madame," he said.  "I have brought him back<br />
to you." He had stood aside, and as I went out I had seen the<br />
look in Mary's eyes, as John Cavendish had caught his wife in his<br />
arms.</p>

<p>"Perhaps you are right, Poirot," I said gently.  "Yes, it is the<br />
greatest thing in the world."</p>

<p>Suddenly, there was a tap at the door, and Cynthia peeped in.</p>

<p>"I--I only----"</p>

<p>"Come in," I said, springing up.</p>

<p>She came in, but did not sit down.</p>

<p>"I--only wanted to tell you something----"</p>

<p>"Yes?"</p>

<p>Cynthia fidgeted with a little tassel for some moments, then,<br />
suddenly exclaiming: "You dears!" kissed first me and then<br />
Poirot, and rushed out of the room again.</p>

<p>"What on earth does this mean?" I asked, surprised.</p>

<p>It was very nice to be kissed by Cynthia, but the publicity of<br />
the salute rather impaired the pleasure.</p>

<p>"It means that she has discovered Monsieur Lawrence does not<br />
dislike her as much as she thought," replied Poirot<br />
philosophically.</p>

<p>"But----"</p>

<p>"Here he is."</p>

<p>Lawrence at that moment passed the door.</p>

<p>"Eh! Monsieur Lawrence," called Poirot.  "We must congratulate<br />
you, is it not so?"</p>

<p>Lawrence blushed, and then smiled awkwardly.  A man in love is a<br />
sorry spectacle.  Now Cynthia had looked charming.</p>

<p>I sighed.</p>

<p>"What is it, mon ami?"</p>

<p>"Nothing," I said sadly.  "They are two delightful women!"</p>

<p>"And neither of them is for you?" finished Poirot.  "Never mind.<br />
Console yourself, my friend.  We may hunt together again, who<br />
knows? And then----"</p>

<p><br />
THE END</p>]]>
        
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